Vintage Publishing strana 3 z 64

When the gates of the last Magdalene Laundry closed in 1996, Ireland moved on. Or so it seemed. 'Enraging ... superb' JOHN BANVILLE, Guardian'Remarkable' Sunday Times 'An extraordinary gift ... both an education and a page-turner' DOIREANN NÍ GHRÍOFA'Highly readable and intelligently engaging' FINTAN O'TOOLE, TLS'Indispensable' ANNE ENRIGHT'A terrific unearthing of Ireland's shadowland. A landmark book' RORY CARROLL'Vivid, fluent ... a serious contribution to a subject that has still not been laid to rest' Irish Times'Powerful ... authoritative, passionate' Mail on SundayPublished to coincide with the thirtieth anniversary of the last Laundry’s closure, The Fallen is the forgotten story of the Magdalene Laundries, told through the voices of the women who endured them, the nuns who presided over them and the communities that lived alongside them. Unflinching and compassionate, Louise Brangan draws on archives and survivors’ testimonies to dismantle long-held myths about what the Laundries were, who was sent to these places of violence and secrecy, and why. As we move from the past into the present, Brangan compels us not only to confront this shameful history, but to ask a deeper question: what do we choose to remember?'Engrossing … it feels part novel' MARY McCARTHY, Irish Independent'Critical, informed and beautifully written' MÁIRÉAD ENRIGHT'A forensic ... detailed and haunting history' SEÁN O’HAGAN, ObserverWinner of the 2024 Royal Society of Literature Giles St Aubyn Award

Two outsiders are drawn together in a powerful, emotionally gripping story of love and war – the debut novel from the Booker Prize-shortlisted author‘A major world writer’ New York TimesIn 1955, a new student arrives at a small college in the Tennessee mountains. Chuck is shy, speaks English haltingly, and on the subject of his earlier life in Korea he will not speak at all. Then he meets Katherine, a beautiful and solitary young woman who, like Chuck, is haunted by a dark episode from the past. Without quite knowing why, these two outsiders are drawn together, each sensing in the other the possibility of salvation. ‘Epic and intimate’ The New Yorker‘A first novel of extraordinary sensibility and transforming strangeness’ Los Angeles Times‘Elegantly wrought’ Vanity Fair

A young fugitive is drawn into a group of revolutionaries in this absorbing novel from the Booker Prize-shortlisted author‘I couldn’t put American Woman down’ Joan Didion‘A fascinating portrait of dangerous fragility’ New York TimesOn the run after an act of violence against the American government, twenty-five-year-old Jenny Shimada is drawn into caring for three younger fugitives. One of them, the kidnapped granddaughter of a San Francisco millionaire, has become a national celebrity for joining her captors’ revolutionary cell. Yet as Jenny and her charges pursue their destinies from an old farmhouse in upstate New York to California, isolation turns to paranoia and their radical ideals soon begin to fracture. ‘Beautiful… A work of real achievement’ Jennifer Egan‘Mesmerising’ Vanity Fair‘Riveting, deeply affecting’ Jhumpa Lahiri'Amazing…compelling’ Los Angeles Times

*A LISA JEWELL PICK IN Woman & Home*‘Brilliantly structured’ LISA JEWELL 'So original, thrilling and utterly addictive' ALICE FEENEY'Beautifully written, experimental, and fast-paced. I’m addicted' GILLIAN McALLISTER 'Unique, punchy and super-smart' ABIGAIL DEAN ONE TRIAL. FIVE TRUTHS. BUT ARE THEY READY FOR HER? hen Katie is charged with murdering four men at the exclusive private club where she’s a waitress, her personal life and upbringing are thrust into the spotlight. During the trial, the people closest to Katie start to question how well they really know her. Her father remembers the sweet schoolgirl. Her childhood friend misses her kindness and protection. Her lover regrets ever falling for her. Her lawyer believes she is hiding something. A journalist is convinced she is a cold-blooded killer. To each of them she's someone different. But is she guilt? EADERS LOVE HER MANY FACES:‘Utterly compelling and had me hooked from the first to the last page!’‘Such clever, edgy writing’‘Simply brilliant. Five massive stars for this one’‘An original, completely immersive reading experience’‘Nicci Cloke delivers a masterclass in unreliable narration’

A leading genocide scholar explores the history of Zionism, Israel’s lurch towards extreme oppression and violence, and why it stands accused of crimes against humanity'Remarkable' GUARDIAN'Anyone disturbed and frightened by our current moral and intellectual morass should read it' PANKAJ MISHRAProfessor Omer Bartov was born on a kibbutz, grew up in Tel Aviv and served in the Israel Defence Forces during the Yom Kippur War. He went on to become an expert on the German army and the Holocaust, before turning his attention to his native country. In Israel: What Went Wrong?, Bartov explores the transformation of Zionism from a movement of Jewish emancipation and liberation into a state ideology of ethno-nationalism, exclusion and violent domination of Palestinians. He traces the process whereby Israel – whose establishment in 1948 received international support in the aftermath of the Holocaust – now faces accusations of war crimes and genocide. What are the implications of Israel’s near total impunity for the post-1945 regime of international law? And how do we understand the widespread support for these policies by Israel’s Jewish citizen? he result is a searing and urgent critique that addresses today’s debates over Zionism, genocide, and the future of Israel with rigour and depth.

** A NATURE, WALL STREET JOURNAL AND THE TIMES BEST BOOK OF THE YEAR **A mind-expanding journey into our planet’s least explored and most critical frontier: the ocean – and the astonishing, ancient creatures who call it home. 'An enchanting book' SUNDAY TIMES'Magic' TOM MUSTILL, author of How to Speak WhaleFor hundreds of millions of years, the seas’ spineless creatures were the only animals on Earth. Hidden in the ocean’s vast depths, they have adapted to thrive in an evolving world. Only now are we beginning to discover their superpowers. The Ocean’s Menagerie takes us down into this incredible underwater realm. From Hawaii to Indonesia to the Salish Sea, we meet coral kingdoms tougher than steel, jellyfish that glow like lanterns, and sponges harbouring potent cancer-fighting secrets. As our planet changes fast, these otherworldly marvels hold promises for our own survival – and remind us why we must protect the ocean, our most valuable and vulnerable ecosystem, while we still can. 'Vividly revelatory' WILLIAM GIBSON'Each page is full of wonder and surprise' STEVE BRUSATTE'Harvell writes with tangible delight' SPECTATOR'Thank goodness for marine biologists like Drew Harvell ... Fascinating' THE TIMES

A young writer employs a housekeeper - and slowly finds herself the sole keeper of the older woman's sercrets. Magda is a writer, Emerence her housekeeper. Magda is new to their quiet Hungarian town, while Emerence, fierce and enigmatic, knows and is known by all. Though Emerence enters Magda's home whenever she pleases, the door to Emerence's own strange abode remains barred. Still, somehow, over the course of twenty years, an intimate trust is built between the two, rich with shared confidences. Yet when this trust is betrayed one dark afternoon, the pair's complex relationship will be left forever altered, and Magda will find herself haunted until the end of her days. For not all doors are made to be opened.

A vital and vivid poetry collection about place, time, illness and recovery'This is a profound, enduring collection' Guardian, Best New PoetryEach of the three sections in Goyle, Chert, Mire focuses on one of the distinctive elements characteristic of the Blackdown Hills – a little-known, sparsely populated area straddling the border between Somerset and Devon – and in particular the remote springline valley where the author lives. In this unique landscape, relatively unchanged over the centuries, the past is so evident that it can come to seem indistinguishable from the present. Illness causes a similar slippage in an individual’s sense of time. The poems trace an overlapping narrative of meningitis and the cognitive symptoms – at once distorting and revelatory – that came in its aftermath. In company with Geoffrey Hill, Ted Hughes and Pauline Stainer, Goyle, Chert, Mire employs a tough lyricism and taut line to scrutinise the natural world through historical and personal lenses. Alert to texture and temperature, humanity and history, time passing and time standing still, these poems are a deep examination of landscape, body and mind. 'Jean Sprackland’s poems are an uncommon pleasure to read' Observer‘Accessible but worth close reading, she is among the best of her generation’ Herald'She reinvents experience for us, while putting us in closer touch with it' George Szirtes

‘Beautiful and thought-provoking’ Cal FlynHow do we raise children in a climate emergenc? hat should we teach them - and what kind of future are we preparing them fo? en Rawlence began writing to his eldest daughter before she was born, trying to understand what it means to bring a child into a world facing ecological breakdown. Over the next twelve years, these letters – written to his two daughters as they grow – chart one father’s attempt to live with the central contradiction of our age: raising children within a system that threatens all life, including our own. By turns moving and funny, and always bracingly honest, Think Like a Forest explores love, fear and responsibility in perilous times. Rawlence finds the answers might lie in learning to see the world again through the eyes of a child so that we may embrace interdependence and regain our place in nature. To think like a forest, he shows us, may be the key to how we parent, how we live, and even whether we have a future on our planet at all. 'A gift, not just for the author’s daughters, but for all of us who want to replace ecocide anxiety with the glimmerings of a better future’ Sophy Roberts‘A thoughtful, tender way to make a map of new and frightening territory’ Jay Griffiths

'One of our boldest writers' Deborah LevyA magnificent work of shadow-play and a meditation on desire, metamorphosis and mortality. Flora is visiting home in Mexico when the family dog leaps up and bites her hand. She winds up in hospital where she undergoes several surgeries under anaesthesia and meets Wilhelmina, an elderly German woman with pneumonia, who collects pre-cinema toys and instruments. The two of them embark on a series of dream-like conversations in the hospital corridors. Wilhelmina puts on a magic lantern show for Flora, leaving her spellbound. When things take an unexpected turn, Flora finds herself entrusted with an important mission. She returns to London, where she resumes her job polishing silver at a jewellery shop, and strikes up a strange friendship with Wilhelmina’s son, Max. As Flora dips in and out of her imagination, she is increasingly aware it’s not only the magic lantern that projects, and her perception of reality is subtly altered. ‘One of the most brilliant novelists working in English today’ Garth Greenwell‘The politics of her prose is existential rather than anecdotal, as it was with Kafka’s’ Zadie Smith‘A subtle and courageous writer’ Ali Smith‘Chloe Aridjis is crafting a poetics of the strange’ TLS

‘An astonishingly gifted writer’ MARIAN KEYES''Hilary is my drop-everything writer; always original, always bang-on psychologically, always gripping'' ALEX MARWOODEVERY PLACE HAS ITS GHOSTS.Edenscar, a town in the Peak District, has more than most. 17 years ago, its inhabitants were hit by tragedy when a school bus veered off the road and everyone on board drowned. Everyone, that is, except Joseph Ashe. His miraculous survival has haunted him and the town ever since.Now a Detective Sergeant in the local police, Joe is called to the scene of a brutal and apparently inexplicable crime. The whole town is spooked, but Joe’s new boss, DI Laurie Bower, more used to inner-city police work, has no time for superstition. She just wants to find the very real killer who has left no trace and apparently had no motive.Joining forces, Joe and Laurie work to uncover the secrets of Edenscar, both past and present.But when you dig up the dead, expect to get your hands dirty…The first in a stand-out and haunting new crime series for fans of Vera, Broadchurch and Happy Valley. Set in a town steeped in history and horror, the series follows DS Joseph Ashe, a young man haunted by the ghosts of his past struggling with survivor’s guilt, and DI Laurie Bower, an outsider fighting to fit in.Praise for Sarah Hilary:''A master of her craft... she makes the words sing'' ANN CLEEVES''Sarah Hilary writes beautifully and unflinchingly'' PETER JAMES''Sarah Hilary has always known how to chill her readers'' VAL MCDERMID''Perfectly plotted, beautifully written modern Gothic'' ERIN KELLY on Fragile''Tremendous'' IAN RANKIN on Quieter than Killing

Enchanting and fascinating, discover the extraordinary world of Britain's ordinary garden birds, related. In the late 1930s, Len Howard packed up her life in London, bought a plot of land in Sussex and built herself a little house there. This was to be Bird Cottage, a place where the doors of the house were open to the birds of the garden – great tits, blue tits, robins, blackbirds, willow warblers and many others. Len lived the rest of her life alongside her bird neighbours, with some sleeping in her bedroom and many flitting in and out all day long. This edition contains the two books she wrote about the birds, Birds as Individuals and Living with Birds. They are studies not just of bird behaviour but of their character, intelligence, singing voices, likes and dislikes. Enchanting, life-enriching, revelatory and completely original, this is a gorgeous evocation of a life lived in intimate contact with nature and a book about birds unlike any other. WITH AN INTRODUCTION BY STEPHEN MOSSCONTAINS BIRDS AS INDIVIDUALS AND LIVING WITH BIRDSPraise for Birds as Individuals‘A unique, engaging and elegant insight into the lives of our precious and magical songbirds’ Arthur Parkinson‘It impressed and moved me very much’ Steven Lovatt, author of Birdsong in a Time of Silence

'Satisfyingly detailed and juicy... an utter treat' Amy Liptrot'Friendship, love and a gorgeous old house. A beautiful story beautifully told. I loved inhabiting The Wreck' Jessica StanleyTwo couples pursue their dream of communal living in the English countryside – and then it all comes tumbling downCharlotte and Francesca were best friends at university in the mid-1970s. But tensions coursed beneath their natural affection, deepening when Fran got together with Charlotte’s friend Adrian, and the two women drifted apart. When Fran contacts Charlotte out of the blue with an unusual proposal – an invitation to live with her and Adrian in the rambling house they’ve bought in the countryside – Charlotte impulsively persuades her partner, Bill, to accept this tantalising promise of a new kind of community. At first their new life feels utopian; life and space are shared joyfully. But it doesn’t take long for old tensions to rise to the surface, shattering their illusions and showing each of them in a new light. The Wreck is a glorious genre-defying illustrated novel about the messy tangle of love, envy and desire that underpins our most precious relationships, and the difficult paths we must take to discover our true selves. 'I fell hopelessly in love with The Wreck... A beautiful, funny, clever, insightful book' Lisa Owens'A one-of-a-kind novel. I adored every page of it' Ana Kinsella'A tender and wise portrait of love and friendship' Chloë Ashby

This is the story of a Scottish glen and its inhabitants, and of how I came to call it my glen. From the powerful rivers that bring life and prosperity, to the Pictish cairns, undisturbed for centuries and the meadows of bluebells, from which deer emerge, god-like, in a flash, Kapka Kassabova reveals a world that has been abused, but remains achingly beautiful and alive. In the Highlands, centuries-old connections between the land, nature and people have been, and continue to be, shaken by the forces of colonialism, industry, depopulation and private property speculation. Borrowed Land tells the stories of those who are working against this disconnect: the last true Highlanders, fighting to preserve their home.

An intimate and beguiling memoir about what we keep behind the doors of the past, how it haunts the present and what it takes to make sense of it all. 'Beautifully considered' Sophie Elmhirst'A revelatory true story about love in all its forms' Dizz TateHelen Longstreth’s chaotic childhood: the relentless cycle of her father’s alcoholic relapses, the six kids coming and going, the apologies and uncertain forgiveness, the meals that bring the family back together again. But while she is studying in America, the land of her parents’ birth, her father dies – and it all comes to an abrupt end. In the years that follow, she is drawn back to America and another world of chaotic love and alcoholic madness, dying fathers and lost boys. The same problems in a new arrangement. Ten years after her father’s death, Helen returns to her childhood home to spend a rainy summer with her mother. Her father’s office, his briefcase, and his desk loom beneath the leaking roof. At last, she begins to open the drawers…'A wise, empathetic tale of addiction, love, and family strength' Frances Wilson‘Tragic but funny and with an eye for telling detail that few writers can match’ Blake Morrison'I read it with pleasure and admiration' Chetna Maroo

James dreams of another life far away from his small village. Almost an adult, his newfound desires threaten to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to stay with his aunt and uncle on a nearby farm. With the passing seasons, a bond emerges between them that transforms their lives. Yet James is never sure of Luke’s true feelings and as the end of summer nears, he has a choice to make: will he risk everything for the possibility of love?