Vintage Publishing strana 39 z 64

Nigella Lawson is a champion of the home cook and her new book celebrates the food she loves to cook for friends and family. The recipes are warming, comforting, and inspirational, from new riffs on classic dishes - including Chicken Fricassee and Sticky Toffee Pudding - to adventures in a host of new dishes and ingredients, from Aubergine Fatteh to White Miso Hummus. AT MY TABLE includes dishes to inspire all cooks and eaters, from Hake with Bacon, Peas and Cider to Indian-Spiced Chicken and Potato Traybake and Chilli Mint Lamb Cutlets; plus a host of colourful vegetable dishes, like Eastern Mediterranean Chopped Salad and Carrots and Fennel with Harissa. No Nigella cookbook would be complete without sweet treats, and AT MY TABLE is no exception, with Emergency Brownies, White Chocolate Cheesecake and a Victoria Sponge with Cardamom, Marmalade and Creme Fraiche set to become family favourites. As Nigella writes, `happiness is best shared' and the food in this book will be served and savoured at your own kitchen table just as it is at hers.

LONGLISTED FOR THE MAN BOOKER PRIZE 2016 Selected as a Book of the Year 2016 in the Observer and Daily Telegraph When you travel across the ocean on a boat, all your memories are washed away and you start a completely new life. That is how it is. There is no before. There is no history. The boat docks at the harbour and we climb down the gangplank and we are plunged into the here and now. Time begins. Davíd is the small boy who is always asking questions. Simón and Inés take care of him in their new town Estrella. He is learning the language; he has begun to make friends. He has the big dog Bolívar to watch over him. But he'll be seven soon and he should be at school. And so, Davíd is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. But it's here too that he will make troubling discoveries about what grown-ups are capable of. In this mesmerising allegorical tale, Coetzee deftly grapples with the big questions of growing up, of what it means to be a parent, the constant battle between intellect and emotion, and how we choose to live our lives.

Humans cannot live without stories. But one story has proved itself the most durable and hauntingly real of all time. The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. What is it about Adam and Eve's story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton's Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory. Ultimately, The Rise and Fall of Adam and Eve allows us a new understanding of ourselves.

'Authoritative and provocative... For its range and breadth, it is a tour de force and a must read' Evening Standard It could have been a very different story. British and US forces could have successfully withdrawn from Afghanistan in 2002, having done the job they set out to do: to defeat al-Qaeda and stop it from launching further terrorist attacks against the West. Instead, British troops became part of a larger international effort to stabilise the country. Yet over the following thirteen years the British military paid a heavy price for their presence in Helmand province; and when Western troops departed from Afghanistan in 2014, they had failed to stop a Taliban resurgence. In this magisterial study, Theo Farrell explains the origins and causes of the war, providing fascinating insight into the British government's reaction to 9/11 and the steps that led the British Army to Helmand. He details the specific campaigns and missions over the subsequent years, revealing how the military's efforts to create a strategy for success were continually undermined by political realities in Kabul and back home. And he demonstrates conclusively that the West's failure to understand the dynamics of local conflict in the country, and to tackle Afghan government corruption, meant that the war was unwinnable. Drawing on unprecedented access to military reports and government documents, as well as hundreds of interviews with Western commanders, senior figures in the Taliban, Afghan civilians and British politicians, Unwinnable is an extraordinary work of scholarship. Its depth of analysis, scope and authority make it the definitive history of Britain's War in Afghanistan

LONGLISTED FOR THE ORWELL PRIZE 2017 How do we discuss serious ideas in the age of 24-hour news? What was rhetoric in the past and what should it be now? And what does Islamic State have in common with Donald Trump? We've never had more information or more opportunity to debate the issues of the day. Yet the relationship between politicians, the media and the public is characterised by suspicion, mistrust and apathy. What has gone wrong? Enough Said reveals how political, social and technological change has transformed our political landscape - and how we talk about the issues that affect us all. Political rhetoric has become stale and the mistrust of politicians has made voters flock to populists who promise authenticity, honesty and truth instead of spin, evasiveness and lies. Featuring Ronald Reagan and Sarah Palin, Tony Blair and George Osborne, Silvio Berlusconi and many more star performers, Enough Said shows how public language is losing its power, and how an ominous gap is opening between the governed and those who govern. The result of decades of first-hand experience of politics and media, this is an essential, brilliant diagnosis of what we should stop doing and what we should start doing in order to reinvigorate Western democracy.

In a village far away, deep in a valley, all the animals and birds disappeared some years ago. Only the rebellious young teacher and an old man talk about animals to the children, who have never seen such (mythical) creatures. Otherwise there's a strange silence round the whole subject. One wretched, little boy has dreams of animals, begins to whoop like an owl, is regarded as an outcast, and eventually disappears. A stubborn, brave girl called Maya and her friend Matti, are drawn to explore in the woods round the village. They know there are dangers beyond and that at night, Nehi the Mountain Demon comes down to the village. In a far-off cave, they come upon the vanished boy, content and self-sufficient. Eventually they find themselves in a beautiful garden paradise full of every kind of animal, bird and fish - the home of Nehi the Mountain Demon. The Demon is a pied piper figure who stole the animals from the village. He, too, was once a boy there, but he was different, mocked and reviled, treated as an outsider and outcast. This is his terrible revenge, one which has punished him too, by removing him from society and friendship, and every few years he draws another child or two to join him in his fortress Eden, where he has trained the sheep to lie down with the wolves, and where predators are few. He lets the two children return to the village, telling them that one day, when people are less cruel and his desire for vengeance has crumbled, perhaps the animals might come back...

When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities and reinvent themselves as Roman emperors living in a lavish house in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society. The story of the powerful Golden family is told from the point of view of their Manhattanite neighbour and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work. Invoking literature, pop culture, and the cinema, Rushdie spins the story of the American zeitgeist over the last eight years, hitting every beat: the rise of the birther movement, the Tea Party, gamergate and identity politics; the backlash against political correctness; the ascendency of the superhero movie, and, of course, the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain wearing make-up and with coloured hair. In The Golden House, as entertaining as it is poignant, Rushdie has written a revelatory panorama of our time

Selected as a Book of the Year by the Financial Times 'The Gardener and the Carpenter should be required reading for anyone who is, or is thinking of becoming a parent' Financial Times Caring deeply about our children is part of what makes us human. Yet the thing we call 'parenting' is a surprisingly new invention. In the past thirty years, the concept of parenting and the huge industry surrounding it have transformed childcare into obsessive, controlling, and goal-orientated labour intended to create a particular kind of child, and therefore a particular kind of adult. Drawing on the study of human evolution and her own cutting-edge scientific research into how children learn, Gopnik shows that although caring for children is profoundly important, it is not a matter of shaping them to turn out a particular way. Children are designed to be messy and unpredictable, playful and imaginative, and to be very different both from their parents and from each other. The variability and flexibility of childhood lets them innovate, create, and survive in an unpredictable world. 'Parenting' won't make children learn - but caring parents let children learn by creating a secure, loving environment. In The Gardener and the Carpenter, the pioneering developmental psychologist and philosopher Alison Gopnik argues that the familiar twenty-first-century picture of parenting is profoundly wrong - it's not just based on bad science, it's bad for children and their parents too.

LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017 Selected as a Book of the Year - Observer, Sunday Times, Times, Guardian, i magazine Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other. It will boost his reputation. It will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. Also brewing revenge. After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?

Selected as a Book of the Year by The Times and The Economist China's history is an epic tapestry of courtly philosophies, warring factions and imperial intrigue. Yet, over five thousand years, one ancient element has so dramatically shaped the country's fate that it remains the key to unlocking China's story. That element is water. In The Water Kingdom Philip Ball takes us on a grand tour of China's defining element, from the rice terraces and towering karts of its battle-worn waterways, to the vast engineering projects that have struggled to contain water's wrath. What surfaces is the secret history of a people and a nation, drawn from its deep reverence for nature's most dynamic force.

AN IMAGINATIVE EXPLORATION INTO THE 'WHAT IF' OF SPACE TRAVEL Imagine taking a hike along the windswept red plains of Mars to dig for signs of life, or touring one of Jupiter's sixty-four moons where you can take photos of its swirling storms. For a mini-break on a tight budget, the Moon is quite majestic and very quiet if you can make it during the off-season. Beautifully illustrated and packed with real-world science, The Vacation Guide to the Solar System is the essential planning guide for the curious space adventurer, covering all of the essentials for your next voyage, how to get there, and what to do when you arrive. Written by an astronomer from the American Museum of Natural History and one of the creators of the Guerilla Science collective, this tongue-in-cheek reference guide is an imaginative exploration into the `what if' of space travel, sharing fascinating facts about the planets in our solar system and even some moons!

They said I've done something wrong?...And they've just left me down here to starve. Haven't had a drop in days more so...Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of his name or situation or orientation - he may have killed a man. That man may have been his best friend. Now, McGlue wants one thing and one thing only: a drink. Because for McGlue, insufferable, terrifying memories accompany sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us an unforgettable blackguard on a knife-sharp voyage through the fogs of recollection.

THE NEW YORK TIMES BESTSELLER 'These 128 pages are a brief primer in every important thing we might have learned from the history of the last century, and all that we appear to have forgotten' Observer History does not repeat, but it does instruct. In the twentieth century, European democracies collapsed into fascism, Nazism and communism. These were movements in which a leader or a party claimed to give voice to the people, promised to protect them from global existential threats, and rejected reason in favour of myth. European history shows us that societies can break, democracies can fall, ethics can collapse, and ordinary people can find themselves in unimaginable circumstances. History can familiarise, and it can warn. Today, we are no wiser than the Europeans who saw democracy yield to totalitarianism in the twentieth century. But when the political order seems imperilled, our advantage is that we can learn from their experience to resist the advance of tyranny. Now is a good time to do so.

Fifa was founded in 1904 to unite the football-playing world, its first congress stating that 'no person should be allowed to arrange matches for personal profit'. A little over a century later, a judge in a Brooklyn courtroom called Fifa a 'Racketeering Influenced Corrupt Organisation (RICO) enterprise' - a term originally coined for the mafia. As dazzling World Cups captivated billions around the world Fifa became a commercial magnet, money pouring into its coffers. Its earnest foundations began to crumble as those entrusted with the sport wanted their share. For forty years Joao Havelange and then Sepp Blatter presided over a Fifa now plagued with scandal - dawn raids, FBI investigations, allegations of money laundering, industrial-scale bribery, racketeering, tax evasion, vote-buying and theft that now came to define the organisation whose purpose is to foster international cooperation and nurture the spirit of this simple, beautiful game. David Conn, football's most respected investigative journalist, chronicles the extraordinary history and staggering scale of corruption, paints revealing portraits of the men at the centre of Fifa - the power brokers, the indicted, the legends like Franz Beckenbauer and Michel Platini - and puts the allegations to Blatter himself in an extended interview. The Fall of the House of Fifa is the definitive story of Fifa's rise and the most spectacular fall sport has ever seen

Full of adventure, mishaps and audacious attempts at cheating, the first Tour de France in 1903 was a colourful affair. Its riders included characters like Maurice Garin, an Italian-born Frenchman, said to have been swapped for a round of cheese by his parents in order to smuggle him into France to clean chimneys as a teenager, Hippolyte Aucouturier with his trademark handlebar moustache, and amateurs like Jean Dargassies, a blacksmith who had never raced before. Dreamed up to revive struggling newspaper L'Auto, cyclists of the time were wary of this 'heroic' race on roads more suited to hooves than wheels, riding hefty fixed-gear bikes for three full weeks. 'With a few francs you could win 3,000', the paper declared in desperation, eventually attracting a field comprising a handful of the era's professional racers and, among other hopefuls, a butcher, painter and decorator, and a circus acrobat. Would this ramshackle pack of cyclists draw crowds to throng France's rutted roads and cheer the first Tour heroes? Surprisingly it did, and, all thanks to a marketing ruse, cycling would never be the same again. Peter Cossins takes us through the inaugural Tour de France, painting a nuanced portrait of France in the early 1900s, to see where the greatest sporting event of all began.