Yale University strana 6 z 25

A stunning exploration of the vital links between Claude Monet’s Impressionism and the time technologies that helped define modernity in the nineteenth century. Monet’s Minutes is a revelatory account charting the relationship between the works of Claude Monet (1840–1926)?founder of French Impressionism and one of the world’s best-known painters?and the modern experience of time. André Dombrowski illuminates Monet’s celebration of instantaneity in the context of the late nineteenth-century time technologies that underwrote it. Monet’s version of Impressionism demonstrated an acute awareness of the particularly modern pressures of time, but until now scholars have not examined the histories and technologies of time and timekeeping that informed Impressionism’s major stylistic shifts. Arguing that the fascination with instantaneity rejected the dulling cultures of newly routinized and standardized time, Monet’s Minutes traces the evolution of Monet’s art to what were then seismic shifts in the shape of time itself. In each chapter, Dombrowski focuses on the connections between a set of Monet’s works and a specific technology or experience of time, while providing the voices of period critics responding to Impressionism. Grounded in exceptional research and analyses, this book offers new interpretations of key paintings by Monet and a fresh perspective on late nineteenth-century art, society, and modern temporality.

Across seven decades, Bob Dylan has been the first singer of American song. As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen. In Folk Music, Greil Marcus tells Dylan’s story through seven of his most transformative songs. Marcus’s point of departure is Dylan’s ability to “see myself in others.” Like Dylan’s songs, this book is a work of implicit patriotism and creative skepticism. It illuminates Dylan’s continuing presence and relevance through his empathy - his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.

A concise history of the goddess-like figures who evade both Christian and pagan traditions, from the medieval period to the present day. In this riveting account, renowned scholar Ronald Hutton explores the history of deity-like figures in Christian Europe. Drawing on anthropology, archaeology, literature, and history, Hutton shows how hags, witches, the fairy queen, and the Green Man all came to be, and how they changed over the centuries. Looking closely at four main figures—Mother Earth, the Fairy Queen, the Mistress of the Night, and the Old Woman of Gaelic tradition—Hutton challenges decades of debate around the female figures who have long been thought versions of pre-Christian goddesses. He makes the compelling case that these goddess figures found in the European imagination did not descend from the pre-Christian ancient world, yet have nothing Christian about them. It was in fact nineteenth-century scholars who attempted to establish the narrative of pagan survival that persists today.

This fresh look at artist Takashi Murakami takes on the “monstrous” themes of rampant consumerism, human fallibility, and the perils of life in the digital fast lane, in works from the past decade. One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga. But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil. Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects. The book features lavish color illustrations, a plastic jacket, dyed edges, and four gatefolds.

Hilary Davidson delves into the clothing of one of the world’s great authors, providing unique and intimate insight into her everyday life and material world. What did Jane Austen wear? Acclaimed dress historian and Austen expert Hilary Davidson reveals, for the first time, the wardrobe of one of the world’s most celebrated authors. Despite her acknowledged brilliance on the page, Jane Austen has all too often been accused of dowdiness in her appearance. Drawing on Austen’s 161 known letters, as well as her own surviving garments and accessories, this book assembles examples of the variety of clothes she would have possessed?from gowns and coats to shoes and undergarments?to tell a very different story. The Jane Austen Hilary Davidson discovers is alert to fashion trends but thrifty and eager to reuse and repurpose clothing. Her renowned irony and wit peppers her letters, describing clothes, shopping, and taste. Jane Austen’s Wardrobe offers the rare pleasure of a glimpse inside the closet of a stylish dresser and perpetually fascinating writer.

A leading economic historian presents a new history of financial crises, showing how some led to greater globalization while others kept nations apart. The eminent economic historian Harold James presents a new perspective on financial crises, dividing them into “good” crises, which ultimately expand markets and globalization, and “bad” crises, which result in a smaller, less prosperous world. Examining seven turning points in financial history?from the depression of the 1840s through the Great Depression of the 1930s to the Covid-19 crisis?James shows how crashes prompted by a lack of supply, like the oil shortages of the 1970s, lead to greater globalization as markets expand and producers innovate to increase supply. By contrast, crises triggered by a lack of demand?such as the Global Financial Crisis of 2007–2008?result in less globalization as markets contract, austerity measures are imposed, and skepticism of government grows. By considering not only the times but also the observers who shaped our understanding of each crisis?from Karl Marx to John Maynard Keynes to Larry Summers?James shows how the uneven course of globalization has led to new economic thinking, and how understanding this history can help us better prepare for the future.

In the short span of four years, America and China have entered a trade war, a tech war, and a new Cold War. This conflict between the world’s two most powerful nations wouldn’t have happened were it not for an unnecessary clash of false narratives. America falsely blames its trade and technology threats on China yet overlooks its shaky saving foundation. China falsely blames its growth challenges on America’s alleged containment of market-based socialism, ignoring its failed economic rebalancing. In a hard-hitting analysis of both nations’ economies, politics, and policies, Stephen Roach argues that much of the rhetoric on both sides is dangerously misguided, amplified by information distortion, and more a reflection of each nation’s fears and vulnerabilities than a credible assessment of the risks they face. Outlining the disastrous toll of conflict escalation between China and America, Roach offers a new road map to restoring a mutually advantageous relationship.

When Russia invaded Ukraine on February 24, 2022, Serhiy Zhadan took to social media to coordinate a network of resistance workers and send messages of courage to his fellow Ukrainians. What began as a local organizing effort exploded onto the international stage as readers around the globe looked to Zhadan as a key eyewitness documenting Russian atrocities. In this powerful record of the war’s harrowing first four months, Zhadan works day and night in Kharkiv to evacuate children and the elderly from suburbs that have come under fire. He sends lists of life-saving medications to the West in the hopes of procuring them for civilians, coordinates food deliveries, collects money for military equipment, and organizes concerts. He shares photographs of the open sky?grateful for every pause in the shelling?and captures images of beloved institutions reduced to rubble. We’ll restore everything. We’ll rebuild everything, he writes. As the days pass, the city empties. Friends are killed. And when images of the Bucha massacre are released, Zhadan’s own voice falters: I’m speechless. Hang in there, my friends. Tomorrow, we’ll wake up one day closer to our victory. An intimate work of witness literature, this book is at once the testimony of one man entering a new reality and the story of a society fighting for the right to exist.

This gripping book traces the evolution of brainwashing from its beginnings in torture and religious conversion into the age of neuroscience and social media. When Pavlov introduced scientific approaches, his research was enthusiastically supported by Lenin and Stalin, setting the stage for major breakthroughs in tools for social, political, and religious control. Tracing these developments through many of the past century’s major conflagrations, Dimsdale narrates how when World War II erupted, governments secretly raced to develop drugs for interrogation. Brainwashing returned to the spotlight during the Cold War in the hands of the North Koreans and Chinese. In response, a huge Manhattan Project of the Mind was established to study memory obliteration, indoctrination during sleep, and hallucinogens. Cults used the techniques as well. Nobel laureates, university academics, intelligence operatives, criminals, and clerics all populate this shattering and dark story?one that hasn’t yet ended.

Hugh Pearman deftly guides us through the compelling stories of fifty-five buildings that explain our world, from antiquity to the present day About Architecture is an engaging introduction to architecture, exploring the ways in which we construct our built environment, and why. Hugh Pearman guides us through the architecture that shapes our lives?from how our towns and cities are organized, to where we live, learn and work, and how we get around, interact with others, and relax. Organized by type?from civic spaces, to homes, offices, and museums?the clear and straightforward structure demystifies the many styles and functions of architecture. Pearman explores how architecture responds to our changing lifestyles and how some buildings evolve or find new uses. He demonstrates that while there is endless variety within each building type, the essence of architecture?the way buildings serve their users?remains surprisingly constant. Through fifty-five fascinating international examples, from antiquity to the present day, About Architecture reveals the intriguing stories of the buildings that explain our world.

An examination of the innovative portrayals of industry and leisure created by five avant-garde artists working at Asnieres in the late nineteenth century. From 1881 to 1890, Vincent van Gogh, Georges Seurat, Paul Signac, Emile Bernard, and Charles Angrand chose Asni?res, a suburb of Paris, as a site of artistic experimentation. Located on the Seine, Asni?res became a popular destination for Parisians thanks to aquatic sports and festivals starting in the 1850s, facilitated by the arrival of new train stations and bridges earlier in the century. This convenient new transportation system had beckoned Parisians to more distant destinations like Argenteuil and Bougival, resulting in the river scenes depicted by Impressionists like Monet and Renoir. At the same time, the idyllic landscape of Asni?res increasingly contrasted with the factories appearing on the opposite side of the river. Homing in on the tensions between leisure and work, the avant-garde artists at Asni?res sought to capture the feeling of this starkly modern landscape by developing innovative motifs, styles, and techniques that pushed their work in new directions. Offering an unprecedented in-depth look at the work produced by the artists at Asni?res, this handsomely illustrated volume includes scholarly essays on each of the artists as well as a map detailing the locations where the artists painted.

For half a century, the French writer Annie Ernaux has transgressed the boundaries of what stories are considered worth telling, what subjects worth exploring. In this probing meditation, Ernaux turns her attention to the phenomenon of the big-box superstore, a ubiquitous feature of modern life that has received scant attention in literature. Recording her visits to a store near Paris for over a year, she captures the world that exists within its massive walls. Through Ernaux’s eyes, the superstore emerges as “a great human meeting place, a spectacle”—a flashy, technologically advanced incarnation of the ancient marketplace where capitalism, cultural production, and class converge, dictating our rhythms of desire. With her relentless powers of observation, Ernaux takes the measure of a place we thought we knew, calling us to question the experiences we overlook and to gaze more deeply into ordinary life.

A fascinating journey through Europe’s old towns, exploring why we treasure them—but also what they hide about a continent’s fraught history Historic quarters in cities and towns across the middle of Europe were devastated during the Second World War—some, like those of Warsaw and Frankfurt, had to be rebuilt almost completely. They are now centers of peace and civility that attract millions of tourists, but the stories they tell about places, peoples, and nations are selective. They are never the whole story. These old towns and their turbulent histories have been key sites in Europe’s ongoing theater of politics and war. Exploring seven old towns, from Frankfurt and Prague to Vilnius in Lithuania, the acclaimed writer Marek Kohn examines how they have been used since the Second World War to conceal political tensions and reinforce certain versions of history. Uncovering hidden stories behind these old and old-seeming façades, Kohn offers us a new understanding of the politics of European history-making—showing how our visits to old towns could promote belonging over exclusion, and empathy over indifference.

One hundred years after Austrian satirist Karl Kraus began writing his dramatic masterpiece, The Last Days of Mankind remains as powerfully relevant as the day it was published. Kraus’s play enacts the tragic trajectory of the First World War, when mankind raced toward self-destruction by methods of modern warfare while extolling the glory and ignoring the horror of an allegedly “defensive” war. This volume is the first to present a complete English translation of Kraus’s towering work, filling a major gap in the availability of Viennese literature from the era of the War to End All Wars. Bertolt Brecht hailed The Last Days as the masterpiece of Viennese modernism. In the apocalyptic drama Kraus constructs a textual collage, blending actual quotations from the Austrian army’s call to arms, people’s responses, political speeches, newspaper editorials, and a range of other sources. Seasoning the drama with comic invention and satirical verse, Kraus reveals how bungled diplomacy, greedy profiteers, Big Business complicity, gullible newsreaders, and, above all, the sloganizing of the press brought down the Austro-Hungarian Empire. In the dramatization of sensationalized news reports, inurement to atrocities, and openness to war as remedy, today’s readers will hear the echo of the fateful voices Kraus recorded as his homeland descended into self-destruction.

An illuminating work revealing the long history of xenophobia?and what it means for today’s divided world. Over the last few years, it has been impossible to ignore the steady resurgence of xenophobia. The European migrant crisis and immigration from Central America to the United States have placed Western advocates of globalization on the defensive, and a “New Xenophobia” seems to have emerged out of nowhere. In this fascinating study, George Makari traces the history of xenophobia from its origins to the present day. Often perceived as an ancient word for a timeless problem, “xenophobia” was in fact coined only a century ago, tied to heated and formative Western debates over nationalism, globalization, race, and immigration. From Richard Wright to Sigmund Freud, Jean-Paul Sartre, and Simone de Beauvoir, writers and thinkers have long grappled with this most dangerous of phobias. Drawing on their work, Makari demonstrates how we can better understand the problem that is so crucial to our troubled times.

One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value. Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries?from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.