Michael Craig-Martin

A baby girl is abandoned, banished from London to the storm-ravaged American city of New Bohemia. Her father has been driven mad by jealousy, her mother to exile by grief. Seventeen years later, Perdita doesn't know a lot about who she is or where she's come from – but she's about to find out. Jeanette Winterson’s cover version of The Winter’s Tale vibrates with echoes of Shakespeare's original and tells a story of hearts broken and hearts healed, a story of revenge and forgiveness, a story that shows that whatever is lost shall be found.

Shakespeare's The Merchant of Venice is ingeniously reinvented by Howard Jacobson, in his merciless, sharp and funny story of revenge, justice and antisemitism. 'Who is this guy, Dad? What is he doing here?' With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire's Golden Triangle, he invites him back to his house. It's the beginning of a remarkable friendship...

‘R’ is a zombie. He has no name, no memories, and no pulse, but he has dreams. Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows – warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons he can’t understand, R chooses to save Julie instead of eating her, and a tense yet strangely tender relationship begins. This has never happened before. It breaks the rules and defies logic, but R is no longer content with life in the grave. He wants to breathe again, he wants to live, and Julie wants to help him. But their grim, rotting world won’t be changed without a fight...

Arriving at his fourth school in six years, diplomat’s son Osei knows he needs an ally. Luckily he hits it off with Dee, the most popular girl in school. But one student can’t stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players – teachers and pupils alike – will never be the same again. The tragedy of Othello is transposed to a 1970s suburban Washington schoolyard in this powerful drama of alienation, adolescence and friends torn apart.

Kate Battista is stuck. How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny? Dr. Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through... When Dr. Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he's relying - as usual - on Kate to help him. Will Kate be able to resist the two men's touchingly ludicrous campaign to win her round? Anne Tyler's brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.

Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he handed over care of the corporation to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him to doubt the wisdom of past decisions. Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. Who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?

He's the best cop they've got. When a drug bust turns into a bloodbath it's up to Inspector Macbeth and his team to clean up the mess. He's also an ex-drug addict with a troubled past. He's rewarded for his success. Power. Money. Respect. They're all within reach. But a man like him won't get to the top. Plagued by hallucinations and paranoia, Macbeth starts to unravel. He's convinced he won't get what is rightfully his. Unless he kills for it.

A motherless girl grows up in isolated luxury, hidden from the world by her wealthy father. She believes their life together is normal – but as time passes, she has a growing sense that something between them is very wrong. She cannot escape, so she seeks solace in her books. Her favourite tales are those that conjure ancient worlds – of angry gods and heroic mortals, one of whom will some day come to her rescue. Soon, she will forget where the page ends and her mind begins.

Few living artists can claim to have had the influence of Michael Craig-Martin (born 1941). Celebrated globally for his distinctive art, with numerous retrospectives and honors to his name, he has helped nurture generations of younger artists. In On Being an Artist, now published in paperback, Craig-Martin reflects with wit and candor on the people, ideas and events that have shaped his professional life. In a series of short, entertaining episodes, he recounts his time studying under Josef Albers at Yale University School of Art alongside Chuck Close, Richard Serra and others; his memories of meeting personal heroes such as Andy Warhol, Jasper Johns and John Cage; and his surreal experience of staking out Christine Keeler at the height of the Profumo scandal. He recalls, too, his first tentative steps as an artist and emergence as a key figure of early conceptual art, and looks back on his achievements as a teacher at Goldsmiths, where he nurtured two generations of students, among them Damien Hirst and Sarah Lucas, earning himself the sobriquet "the godfather of the YBAs." Craig-Martin tackles controversial issues such as the fashionability of contemporary art, the enduring status of painting, the relevance of life drawing and practical skills, the qualities of art schools, the role of commercial dealers and the judgment of what is good and bad in art. More than the life of one of the most creative minds of our age, On Being an Artist provides lesson after valuable lesson to anyone wishing to know what it means and what it takes to be an artist today. An erudite, insightful and hugely readable collection. -It's Nice That A gloriously illustrated credo-cum-memoir. -artsjournal.com