Knihy - Moderné dejiny strana 11 z 24
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Utópia v Leninovej záhrade
Nie je to žiadna fatamorgána - pred očami sa im skutočne črtajú obrysy vysnívaného raja. Ďaleko za chrbtami nechávajú československú biedu a vyrážajú za volaním svojho srdca - do Sovietskeho zväzu.
Tristo Slovákov a Čechov nastúpilo 29. marca 1925 na žilinskej stanici do vlaku, aby sa vydali na dlhočiznú dobrodružnú cestu do strednej Ázie. Bol medzi nimi aj Amerikou sklamaný Štefan Dubček s manželkou a so svojím štvorročným synom Alexandrom. Čo ich vyhnalo tak ďaleko? Predovšetkým viera, že v Sovietskom zväze zažijú to, čo ich doma nečakalo - úctu voči robotníkom a dostatok práce.
V priebehu ďalších siedmich rokov odišlo do dnešného Biškeku viac ako tisíc ľudí z Československa, ktorí spoločne písali históriu československého družstva Interhelpo.
Slovenský novinár Lukáš Onderčanin nám vo svojom dokumentárnom románe Utópia v Leninovej záhrade ponúka príbeh družstva Interhelpo, ktoré vzniklo v ďalekom Kirgizsku, aby pomohlo pri budovaní Sovietskeho zväzu. Z čriepkov mnohých ľudských osudov skladá pútavú mozaiku celej existencie československej komúny pod štítmi Ťanšanu, ktorá si medzi rokmi 1925 a 1945 zažila ťažké chvíle neľahkých začiatkov, obdobie rozkvetu, malé i väčšie vzbury ako aj definitívny rozklad. Je to kniha nielen o sile agitácie, ale aj o skutočnej moci nezničiteľných snov.
O autorovi
Lukáš Onderčanin (1990) je slovenský novinár. Od roku 2014 pracuje v denníku SME ako zahraničnopolitický redaktor. Narodil sa na Morave, no vyrastal pod Nízkymi Tatrami. Vyštudoval žurnalistiku na Univerzite Komenského v Bratislave, študoval aj na Varšavskej univerzite v Poľsku. Bol editorom internetového magazínu MONO.sk a je tiež šéfredaktorom štvrťročníka Príbehy 20. storočia, ktorý vydáva občianske združenie Post Bellum. Trikrát bol nominovaný na Novinársku cenu, nomináciu premenil na ocenenie v roku 2021, kedy sa mu podarilo získať Cenu otvorenej spoločnosti za reportáž o slobode médií v Maďarsku. Historický dokumentárny román Utópia v Leninovej záhrade: Československá komúna Interhelpo je jeho knižným debutom.
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Angažovaný kultúrno-historický štvrťročník, ktorý vydáva Post Bellum SK.
Spája príbehy ľudí, ktorí trpeli alebo boli prenasledovaní počas totalitných režimov s priestorom pre reflexiu týchto príbehov v súčasnosti.
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Za vizuálom stojí grafická dizajnérka Viktória Bitterová a autorom obálok je výtvarník Matúš Maťátko.
Darčekom čísla je knižná záložka
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Židé, nebo Němci?
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Německy mluvící Židé byli často rutinně považováni za Němce a mnohdy byli vystaveni stejnému ponižování jako nežidovští Němci nejen ze strany občanů, ale i vládnoucích představitelů. Kniha Židé, nebo Němci? mapuje osudy německy mluvících Židů v Československu, Dolním Slezsku, Haliči i Německu. Publikaci doplňuje edice nově objevených dokumentů v archivu Spojených národů v New Yorku. Oficiální listiny i korespondence přibližují každodenní diskriminaci německy mluvících Židů v poválečném Československu a jejich snahu se ze země vystěhovat a dále zaznamenávají reakce mezinárodních organizací i jednotlivců na politiku československého státu.
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A Short History of Europe
The first short narrative history of the continent, from the author of the bestselling A Short History of England
Europe is an astonishingly successful place. In this dazzling new history, bestselling author Simon Jenkins grippingly tells the story of its evolution from warring peoples to peace, wealth and freedom - a story that twists and turns from Greece and Rome, through the Dark Ages, the Reformation and the French Revolution, to the Second World War and up to the present day.
Jenkins takes in leaders from Julius Caesar and Joan of Arc, to Wellington and Angela Merkel, as well as cultural figures from Aristotle to Shakespeare and Picasso. He brings together the transformative forces and dominant eras into one chronological tale - all with his usual insight, colour and authority.
Despite the importance of Europe's politics, economy and culture, there has not been - until now - a concise book to tell this story. Covering the key events, themes and individuals, Jenkins' portrait of the continent could not be more timely - or masterful.
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Bauhaus Goes West
Bauhaus Goes West is a story of cultural exchange - between the Bauhaus emigres in the years following the school's closure in 1933 and the countries to which they moved, focusing in particular on Britain. Taking as its starting point the cultural connections between the UK and Germany in the early part of the 20th century, the book offers a timely re-evaluation of the school's influence on and relationship with modern art and design in Britain, concluding with the school's American legacy.
Following the closure of the Bauhaus in 1933, teachers and students found new opportunities in Britain and the United States. Among them were Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, who simultaneously spent time in London before moving to America, an episode often overlooked but freshly explored here in the context of the interaction between German Modernism and British-based design reform from 1900. Other Bauhaus-trained artists - women as well as men - stayed in the UK and made important contributions into the 1960s. In America, Mies van der Rohe and Josef and Anni Albers had significant late careers, but, over time, the Bauhaus became a shorthand for Modernism's failure. Now, the centenary of the school's founding provides a key opportunity to reconsider how its values emerged and were contested both during its lifetime and beyond.
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The Long 68
'Fresh, compelling ... an important book, revealing that 50 years on, 1968 is still unfinished business' Andrew Hussey, Financial Times
'A thoughtful, readable account of a moment in history that deserves to be dwelt on' Andrew Marr, The Times
1968 saw an extraordinary range of protests across much of the western world. Some of these were genuinely revolutionary - around ten million French workers went on strike and the whole state teetered on the brink of collapse. Others were more easily contained, but had profound longer-term implications; terrorist groups, feminist collectives, gay rights activists could all trace important roots to 1968. Bill Clinton and even Tony Blair are, in many ways, the product of that year.
The Long '68 is a striking and original attempt half a century on to show how these events - from anti-war marches in the United States to revolts against Soviet oppression in eastern Europe - which in some ways still seem so current, stemmed from histories and societies that are in practice now extraordinarily remote from our own time. The book pursues the story into the 1970s to show both the ever more violent forms of radicalization that stemmed from 1968, and the brutal reactions from those in power that brought the era to an end.
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Behemoth
Factories, with their ingenious machinery and miraculous productivity, are celebrated as modern wonders of the world. Yet from William Blake's "dark Satanic mills" they have also fuelled our fears of the future.
Telling the story of the factory, Joshua B. Freeman takes readers from the textile mills in England that powered the Industrial Revolution to the steel and car plants of twentieth-century America, Eastern Europe and the Soviet Union, to today's behemoths making trainers, toys and iPhones in China and Vietnam. He traces arguments about factories and social progress through such critics and champions as Marx, Ford and Stalin. And he explores the representation of factories in the work of Margaret Bourke-White, Charlie Chaplin and Diego Rivera.
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Príbehy 20. storočia - Identity
Témou prvého čísla druhého ročníka sú Identity. Toto číslo je plné otázok o tom, kto sme a čo tvorí to, kým sme.
Táto téma je veľmi komplexná a široká, preto úvod k pochopeniu celej témy identít poskytne rozhovor so sociálnou psychologičkou Barbarou Lášticovou. Vysvetlí v ňom jednotlivé vrstvy identity, konštruovanie skupinových identít a aj práve tej našej slovenskej národnej.
Ostatné texty, či už štúdie, recenzie umeleckých diel, príbehy ľudí z rôznych národnostných menšín alebo umelecké texty sa venujú jednotlivým, prevažne skupinovým, identitám.
Je Andrej Hlinka otec slovenského národa? Čím si musela kvôli svojej rómskej identite prejsť poetka Papuša? Dokážu hrdinky a hrdinovia Pawlikowskeho filmov byť v cudzine sami sebou? Sú si ženy v post-socialistickom bloku vedomé svojho práva na rovnaké postavenie s mužmi? Prečo nechcú Slováci na námestí židovské príbehy?
Angažovaný kultúrno-historický štvrťročník, ktorý vydáva Post Bellum SK.
Spája príbehy ľudí, ktorí trpeli alebo boli prenasledovaní počas totalitných režimov s priestorom pre reflexiu týchto príbehov v súčasnosti.
V časopise nájdete okrem príbehov pamätníkov, rozhovory s osobnosťami, reportáže, komentáre, recenzie, štúdie, literárnu prílohu a mnoho ďalšieho. Keďže časopis slúži aj ako didaktická pomôcka pre učiteľov, jeho súčasťou sú aj metodické listy, ktoré nadväzujú na publikované príbehy v časopise.
Za vizuálom stojí grafická dizajnérka Viktória Bitterová a autorom obálok je výtvarník Matúš Maťátko.
Darčekom čísla je nálepka
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6,00 €
Vitajte v kategórii "Moderné dejiny" – období, ktoré zahŕňa udalosti, hnutia a myšlienky za posledných dvesto rokov. Toto je čas, keď globalizácia, technologický pokrok a sociálne reformy premenili spôsob, akým vnímame svet okolo nás.
Priblížte sa k rozhodujúcim momentom 20. a 21. storočia, od obdobia dvoch svetových vojen, studenej vojny, dekolonizácie, až po vznik a pád Berlínskeho múru, digitálnu revolúciu a výzvy súčasnej geopolitiky. Ponorte sa do hlbokých analýz o postavách, ktoré formovali tento čas.
V tejto kategórii nájdete komplexné diela, ktoré skúmajú politické hnutia, ekonomické krízy, kultúrne zmeny a technologické inovácie, ktoré ovplyvnili našu súčasnosť. Taktiež objavíte príbehy odvahy, boja za slobodu, významné prelomové chvíle a okamihy, ktoré definovali identitu národov.
