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Pump up the postmodernism! Curious ceramic objects, wildly patterned fabrics, and anthropomorphic lamps: Instantly recognizable and never, ever boring, Memphis is one of the most important design movements of the 20th century. Founded by Italian architect and designer Ettore Sottsass, the Memphis Group put forward a visionary new approach to design, that rebelled against the rules of functionalism, defining the '80s with its radical combinations of shapes, materials, and patterns. Serving up kooky design that's eclectic yet tightly curated, the Memphis look is exuberant, outrageous, and entertaining. Who doesn't want a bit of that? Spanning the worlds of interiors, furniture, fashion, and graphics, this new design book explores how the rule-breaking Memphis aesthetic continues to shape the modern creative scene. It started with Millennial Pink. Now the sweet shop colors, terrazzo floors, and curved cartoon shapes have been given a black outline and made graphic and cool. In More is More, author and design journalist Claire Bingham curates iconic Memphis designs and interiors alongside contemporary projects steeped in the effervescent Memphis mood. Step inside stunning, postmodernism-loving homes, studios, and hotels, capturing the Memphis spirit with their hello-there hues, vive la difference mindset, and flamboyant creativity-all hopefully, in the teeth of good taste. And along the way, hear from fashion-forward creatives embracing the Memphis look, as well as from Memphis Group founding members Peter Shire and George Sowden who talk about Memphis's beginnings, its legacy today and how the '80s vibe has impacted their life and work. For both the leaders and followers of the New Wave, Memphis is more than a style. It's an attitude. Claire Bingham revisits the period's free-thinking mind-set and whisks us away on a crazy and colorful journey: in exciting essays, interviews, and stories about home decor, artists and designers from around the world share how Memphis continues to inspire and enrich their work.

Join internationally renowned fashion illustrator Megan Hess as she explores the timeless beauty and glamour of ten of France's best-loved designers in a stylish celebration of one of the world's favourite fashion destinations. From the courts of Versailles to the cobbled streets of Paris, French fashion has always been the epitome of elegance. Whether it's Dior's New Look, Yves Saint Laurent's Le Smoking jacket or Chanel's little black dress, the masters of French fashion understand that clothing is more than a craft: it's an art form. Megan Hess's love for French style sparked her career in fashion illustration. In these pages, she unspools the threads of ten legendary designers - Chanel, Dior, Saint Laurent, Lanvin, Givenchy, Chloe, Balmain, Louis Vuitton, Hermes and Celine - to discover the origins of haute couture, pret-a-porter and everything chic. Accompanied by Megan's exquisite illustrations of current and archival collections, Elegance: The Beauty of French Fashion tells the story of how France's iconic fashion houses have influenced the very fabric of design.

This book explains the basic sketching techniques and decisions more in depth and provides much more step-by-step example drawings, which makes it even more suitable for students and professionals who want to become better sketchers. Sketching the Basics can be seen as the prequel to Sketching as it is more targeted at the novice designer. The Basics explains the essential techniques and effects more in detail, taking the reader by the hand and guiding him step by step through all the various aspects of drawing that novice designers come up against.

Arrows, swashes, swooshes, globes, sunbursts and parallel, vertical and horizontal lines, words, letters, shapes and pictures. Logos are the most ubiquitous and essential of all graphic design devices, representing ideas, beliefs and, of course, things. They primarily identify products, businesses and institutions, but they are also associated, hopefully in a positive way, with the ethos or philosophy of those entities. The 50 logos in this book are examples of good ideas in the service of representation, reputation and identification.

Diana touched your elbow, your arm, covered your hand with hers. It was alluring. And she was disarmingly confiding. "Can I ask you something? Nicholas, please be frank..." Over his thirty-year career at Conde Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce; on Margaret Thatcher's clothes legacy, and a surreal weekend away with Bob Geldof and William Hague. Cara Delevingne, media tycoons, Prime Ministers, Princes, Mayors and Maharajas - all cross his path. His career in magazines straddles the glossies throughout their glorious zenith - from the 1970s, 1980s and 1990s to the digital iterations of the 21st century. Having cut his teeth on Tatler, and as Editor-in-Chief of Harpers & Queen, he became the Mr Big of glossy publishing for three decades. Packed with surprising and often hilarious anecdotes, The Glossy Years also provides perceptive insight into the changing and treacherous worlds of fashion, journalism, museums and a whole sweep of British society. This is a rich, honest, witty and very personal memoir of a life splendidly lived.

Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art. In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France, the museum island of Naoshima in Japan, the Judd Foundation in Marfa, Texas, and a Roni Horn work in Iceland. Interwoven with these accounts are journeys to meet artists - Robert Rauschenberg in New York, Marina Abramovic in Venice, Henri Cartier-Bresson in Paris - or travels with artists, such as a trip to Beijing with Gilbert & George. These encounters not only provide insights into the way artists approach and think about their art but also reveal the importance of their personal environments. And in the process, Gayford discusses how these meetings have impacted on his own evolving ideas and tastes.

For all those who thought digital heralded the end of an era: illustration is alive and kicking, and new tools have given the art renewed vigor and the illustrator greater stamina. Steven Hellerand Julius Wiedemannpresent a snapshot of “the new golden age of illustration,” rounding up 100 of the most talented artists around the world. We dare you to pick your favorites. For the last ten years, Steven Heller and Julius Wiedemannhave traced the latest developments in illustration across the globe—and for all those who thought digital heralded the end of an era, they’re here to set the record straight. There were extraordinary eras before mass media changed our viewing habits, back in the day when illustration was the most primary means of illuminating the word on paper, to today when we get our words and images on screens as small as a watch face. And in this environment, today’s designers and artists are holding their own brilliantly. Illustration is more free and varied than ever, and it is ubiquitous in all kinds of media from paper to screen, books, packages, clothing, cars, and restaurants. This book celebrates the sheer quality, diversity, intensity, comedy, vivacity, and exceptionality of the work being created by illustrators right now. From veteran artists like Brad Holland, whose oblique and metaphorical paintings for the New York Times’ op-ed section revolutionized illustrative content in the 1970s, to up-and-coming stars like Robin Eisenberg, her pastel-skinned alien belles cruising in spaceships on indie-rock album covers, the 100 artists in this collection are just the tip of the proverbial iceberg, but they represent a compelling snapshot of the styles, techniques, and use of color by artists across the world. We dare you to pick your favorites. Includes: an introduction and foreword by editors Julius Wiedemann and Steven Heller 600 pagesof brilliantly reproduced works a biography for each artistdetailing their background, philosophy, motivations, and contact details an index of illustration agencies The editors Steven Helleris the co-chair of the School of Visual Arts MFA Designer as Author Program. For 33 years he was an art director for The New York Times, and currently writes the “Visuals” column for The New York Times Book Review. He is the author of 120 books on graphic design, illustration, and satiric art. Julius Wiedemannstudied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now!and Record Coversseries, as well as the infographics collection and books about advertising and visual culture.

Celebrating the most famous and influential fashion school in the world, Fashion Central Saint Martins is filled with never-before-seen student work by and exclusive interviews with talented graduates who have gone on to become the biggest names in fashion. Discover a treasure trove of early sketches, first student collections and fashion shoots by designers such as Hussein Chalayan, John Galliano, Stephen Jones, Dior's Kim Jones, Christopher Kane, Stella McCartney, Alexander McQueen, Phoebe Philo, Gareth Pugh, and Burberry's Riccardo Tisci, journalists like Vogue's Hamish Bowles and stylists such as LOVE magazine's Katie Grand. Learn all about their defining memories of the fashion school, favourite characters, inspirational teachers, and words of wisdom on everything a budding fashion designer, or aspiring fashion student, needs to know to forge their own path. Edited by the school's Programme Director of Fashion, Hywel Davies, and Cally Blackman, lecturer in Fashion History and Theory, Fashion Central St Martins follows the school's history from 1931 to today, with an initial chapter dedicated to its early years (1930s to 1960s), followed by chapters dedicated to each subsequent decade. Packed with profiles of key alumni alongside photography of their student work, and peppered with essays by guest-writers, this book will delight all fans and students of fashion.

The Graphic Art of Tattoo Lettering is a visually led, comprehensive guide to designing and realizing hand-drawn letterforms in the most widely used contemporary tattoo styles. Each chapter constitutes an accessible overview to these key tattoo styles, including an account of the history, complexities and relevant sub-styles, interviews spotlighting leading practitioners, galleries of exemplary artists' work, sketches, sketchbooks, finished designs and detailed how-to-design guides to allow readers to truly understand each style. More than a step-by-step, technical handbook for professional and practising tattoo artists, The Graphic Art of Tattoo Lettering is also an informative introduction to both understanding tattoo styles, their history and context, and learning from them to inform other graphic arts. Touching on the role of lettering in tattooing, as well as considering the components of typographic tattoos, it offers an insight into how tattoo art intersects with other areas of design practice, including sign-making, furniture painting and scrimshaw. Combining great book design with the inimitable expertise of a master tattoo artist, The Graphic Art of Tattoo Lettering is the ultimate guide for all with an interest or involvement in tattoo art, typography and calligraphy, and graphic design.

A toolkit for visual literacy in the 21st century A New Program for Graphic Design is the first communication-design textbook expressly of and for the 21st century. Three courses?Typography, Gestalt and Interface?provide the foundation of this book. Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A New Program for Graphic Design serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines. Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others),, it builds upon mid- to late-20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels?treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines. For those seeking to understand and shape our increasingly networked world of information, this guide to visual literacy is an indispensable tool.

Forewords by Jean-Claude Biver (CEO of Tag Heuer) and Aurel Bacs (Christie's and Phillips auctioneers). This breathtaking book explores more than 50 of the rarest watches in the world, including unique examples of which only a single model exists. From watches that have set new records in auction houses, to feats of modern technology and engineering, via iconic models worn by figures such as Elvis Presley and James Bond, this book appeals to professionals, collectors and amateurs alike. The photography in this book is published in collaboration with high-end auction houses and watch manufacturers, displaying some of the rarest, most expensive and sought-after watches in the world in incredible detail.

London may have Savile Row and Paris its luxury houses, but nowhere can compete with the essence of Italy's nonchalant elegance: sprezzatura. This book presents the most in-depth look at the designers, tailors and artisans who for generations have defined the very notion of Italian style. From such fabled names as Rubinacci and Kiton to highly sought-after global brands like Zegna, more than fifty iconic Italian menswear houses are featured for their individual style and commitment to upholding the values of quality and timelessness. Featuring lavish photographs, with close-ups of subtle, exquisite details, most taken specially for this publication, The Italian Gentleman explores the world behind the finished garments - the ateliers and hidden shops where legends are born. Including iconic brands alongside fabric mills, shirting, accessories and shoemaking, this timely publication is a tribute to true Italian style with today's modern man in mind.

The glamour and excitement of the Parisian fashion scene explodes onto the page in these bold portraits and drawings of Paris by rising star and couture insider Marc-Antoine Coulon. With an unwavering hand and a riot of color, Marc-Antoine Coulon captures Paris fashion on and off the runway. His pared-down, ultra-glamorous sketches--portraits of designers, screen stars, and his favorite Parisian haunts from day to night--are rendered here with incisive and unique artistry. Coulon's watercolors, collages, and sketches, paired with handwritten observations and pithy quotations, transcend the page. The artist's distinctive style--inspired by the great masters René Gruau and Erté--is both timeless and iconic, with a decidedly contemporary edge that is at once elegant, sexy, vibrant, and witty. Fashion icon Ines de la Fressange acknowledges his artistic courage: with a bold, saturated background, a confident brushstroke, or the force of negative space, his drawings sublimate his subjects--whether a dress, a monument, or a celebrity. As fashion illustration enjoys a renaissance in magazines and couture campaigns, Coulon's drawings have been commissioned by everyone from Vogue to Dior to private collectors. They offer readers a joyful and breathless tour of everything fashionable in Paris.

Materials have the power to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. Material Matters 03: Stone showcases stunning creative interpretations of the common material across a variety of mediums. From polishing different types of stone to produce elegant packaging design work to making crude moulds out of it in creating memorable shapes and forms, this edition explores the compelling ways with which the unique characteristics of stone can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.

The proliferation of new metals-such as stainless steels, aluminium alloys and metallic coatings-in modern and contemporary art and architecture has made the need for professionals who can address their conservation more critical than ever. This volume seeks to bridge the gap between the vast technical literature on metals and the pressing needs of conservators, curators and other heritage professionals without a metallurgy background. It offers practical information in a simple and direct way, enabling curators, conservators and artists alike to understand and evaluate the objects under their care. This invaluable reference reframes information formerly found only in specialised technical and industrial publications for the context of cultural heritage conservation. As the first book to address the properties, testing and maintenance issues of the hundreds of metals and alloys available since the beginning of the twentieth century, it is destined to become an essential resource for conservators, artists, fabricators, curators, collectors and anyone working with modern metals.

Materials have the power to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. Material Matters 01: Wood showcases stunning creative interpretations of the common material across a variety of mediums. From utilising different types and textures to achieve interesting design effects to recreating its shape and structure entirely out of other materials to produce a piece of art, this edition explores the compelling ways with which the unique characteristics of wood can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.

Materials have the power to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. Material Matters 04: Paper showcases stunning creative interpretations of the common material across a variety of mediums. From the simple act of folding or tearing different sheets up to create complex new shapes to burning random pieces to make radical elements for an artwork, this edition explores the compelling ways with which the unique characteristics of paper can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.

Materials have the power to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. Material Matters 02: Metal showcases stunning creative interpretations of the common material across a variety of mediums. From oxidising and rusting metal sheets to create intriguing effects on artwork to applying and embossing pieces of foil on printed matter for visual impact, this edition explores the compelling ways with which the unique characteristics of metal can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.

Delve into New York, London, Milan and Paris with close to 300 street-style images by the award-winning photographer Jonathan Daniel Pryce. From impeccable tailoring to vintage finds, these evocative images capture the myriad ways men in the fashion capitals express themselves sartorially. Featuring a foreword by Paul Smith and interviews with a selection of each city's most stylish men, Garcon Style is a stunning showcase of menswear today.