Everyman´s Library strana 2 z 2

Edgar Allan Poe's gift for the macabre influenced Baudelaire and French symbolism, Freudian analysis, the detective novel and the Hollywood film. His psychologically profound stories, which comprise this book, represent the darker side of the 19th-century American sensibility.

The Booker Prize-winning novel--now a major motion picture from Fox Searchlight Pictures. This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent--a haven for misfits of both the animal and human kingdoms--could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.

Playful kittens and ruthless predators, beloved pets and witches' familiars - cats of all kinds come alive in these stories. Maeve Brennan and Alice Adams movingly explore what cats can mean to their humans, while writers as varied as Patricia Highsmith and Fritz Leiber imagine the intriguingly alien feline point of view. Cats flaunt their undeniable superiority in Angela Carter's bawdy retelling of 'Puss-in-Boots' and Stephen Vincent Benet's uncanny 'The King of the Cats', while humour abounds in tales by comic masters P. G. Wodehouse and Saki. The essential unknowableness of cats inspires the most exotic flights of fancy: Calvino's secret city of cats in 'The Garden of Stubborn Cats', the disappearing animal in Ursula K. LeGuin's brain-teasing 'Schroedinger's Cat', the cartoon rodent and his cartoon nemesis in Steven Millhauser's 'Cat 'n' Mouse'. In these and other stories, this delightful anthology offers cat lovers a many-faceted tribute to the beguilingly mysterious objects of their affection.

London has the greatest literary tradition of any city in the world. Its roll-call of story-tellers includes cultural giants who changed the way the world thought about writing, like Shakespeare, Defoe and Dickens. But there has also been an innumerable host of writers who have sought to capture the essence of London and what it meant for the people who lived there or were merely passing through. They found a city of boundless wealth and ragged squalor, of moving tragedy and riotous joy; and they faithfully transcribed what they saw and felt in the stories they told of London town. They are stories of fact and fiction and occasionally something in between. Some voices will be familiar to many readers and others practically unknown. But all give us insights into these writers' very varied Londons; and all tell their stories gratifyingly well. Authors include John Evelyn, Thomas de Quincey, W. M. Thackeray, Henry Mayhew, Sir Arthur Conan Doyle, George Gissing, J. B. Priestley, Jean Rhys, Graham Greene, Muriel Spark, Maeve Binchy, Doris Lessing, Hanif Kureishi and Shena Mackay.

Classic adventure stories by Joseph Conrad, Rudyard Kipling, Stephen Crane, Robert Louis Stevenson and Jack London mix with marvellously imaginative tales by Isak Dinesen, Patricia Highsmith and J. G. Ballard. Robert Olen Butler explores the memories of a Titanic victim who has become part of the sea that swallowed him; Ray Bradbury's 'The Fog Horn' summons something primeval and lonely from the ocean depths; John Updike's lovers retrace the route of Homer's Odyssey on a cruise ship. From Edgar Allan Poe's dramatic 'A Descent into the Maelstrom' to Ernest Hemingway's chilling 'After the Storm', the stories here are as wide-ranging and entrancing as the sea itself.

Tales about ghosts are as old as human culture itself but the ghost story as a distinguished literary form reached its apogee in the late nineteenth and early twentieth centuries. As traditional religions declined in the West during those years, people looked for new ways of describing the spiritual realities explained by religion. The ghost story is a literary expression of this need, its rise corresponding to the growing popularity of Spiritualism. Ghost stories balance the increasingly powerful scientific materialism of the age with intimations that there are other orders of experience which we cannot define and only glimpse. The Everyman selection of ghost stories includes examples from this period by major writers such as Robert Louis Stevenson, Guy de Maupassant, Henry James and Edith Wharton. M. R. James is featured as a specialist in the genre. Later writers include Elizabeth Bowen, Penelope Lively and Ray Bradbury. One feature of this collection is to show that there is more to the ghost story than the thrill of horror, important though that is. These stories include comedy and tragedy, pathos, drama and even poetry. Each is a masterpiece in its own right, irrespective of whether or not we believe in the realm of spectres.

As Scheherazade proved long ago, good stories make the best bedtime entertainment. The tales collected here represent the essence of the storyteller's art, with its ancient roots in fantastical legends and tales told around a fire. From the surreal night visions of Nathaniel Hawthorne's 'Young Goodman Brown' to the unspeakable horror that haunts two little girls in A. S. Byatt's 'The Thing in the Forest', from Washington Irving's comical 'The Legend of Sleepy Hollow' to Ursula K. LeGuin's sly perspective on Sleeping Beauty in 'The Poacher', these spellbinding stories transform the stuff of fables and fairy tales into high art. Robert Louis Stevenson, H. G. Wells, Isak Dinesen, Vladimir Nabokov, Angela Carter, Haruki Murakami and many more mingle their voices in this one-volume gateway to dreams - the perfect bedside companion for fiction lovers everywhere

The archetypal Romantic, killed in a duel in 1837 at the age of 37, Alexander Pushkin was effectively the founder of modern Russian literature. Though famous as a poet, he was equally at home in prose, and this volume includes all his short fiction, as well as unfinished sketches and fragments. Here of course are his masterpieces, 'The Queen of Spades', Pushkin's ironic take on both the supernatural and the society tale, the terse, deadpan Tales of Belkin, often humorous yet imbued with deep understanding of human nature, and his unsurpassable novella, The Captain's Daughter, which, informed by his meticulous research into the Pugachev Rebellion against Catherine the Great, is a perfect combination of folk epic, historical narrative and romance. Other works include the richly comic 'A History of the Village of Goriukhino', the imaginative historical fiction 'The Moor of Peter the Great' (based on the life of the author's own great-grandfather. Pushkin was particularly proud of his African ancestry), and 'Journey to Arzrum', the fascinating autobiographical account of his (unauthorized, and greatly displeasing to the Tsar) travels in the Caucasus at the time of the 1828-9 Russo-Turkish war.