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Brian Aldiss, who died in 2017, was best known for his science fiction - and in particular for a short story optioned by Stanley Kubrick, which would, under the direction of Steven Spielberg, become the film A.I. Artificial Intelligence. Aldiss's first book was published by Faber in 1955. This brief, late trilogy contains much of his lively humour, one improbable invention, and a pervasive sense of loneliness and longing. 'Sadness is just happiness in reverse,' says someone in a story within the story, 'We humans have to put up with it.'

'This isn't a book: it's a reckoning ... Utterly extraordinary.' Guardian Little Boy was quite lost. He had no idea who he was or where he had come from . Grown Boy came into his own voice and let loose his word-horde pent-up within him. From growing up as an orphan in 1920s New York, to serving in the Navy at the D-Day landings in Normandy, to a vagabond life drinking in Parisian cafes, to befriending America's greatest counter-cultural writers, Little Boy has seen it all. This is the story of one man's extraordinary life, and the madness of the century that witnessed it - a story steeped in the exhilarating energy of the Beats, a magical torrent of language that gleams with Walt Whitman's visionary spirit. Above all, this is the literary last will and testament of the iconic publisher and poet Lawrence Ferlinghetti: not only a meditation on his 99 years on the planet, rich in wisdom, emotion, and memories, but an inspiring reflection on what our future might hold.

Schizophrenia: whether it's the associations it conjures or the people it brings to mind, it is a word we all have a view on. How we perceive it - and how we treat people living with it - is at the core of how we understand mental health. But what do we really know? How much time do we spend listening? Do we truly comprehend this complex and often contradictory diagnosis?In The Heartland Nathan Filer, mental health nurse and award winning writer, takes us on a journey into the psychiatric wards he once worked on. He also invites us to spend time with world-leading experts, and with some extraordinary people who share their own stories - true stories - about living with this strange and misunderstood condition. Along the way, he helps us open our minds to new ways of thinking about mental health, about each other, and about ourselves. The Heartland debunks myths, challenges assumptions and offers fresh insight into what it means to be mad. And what it means to be human.

For all the desert's dreamlike beauty, to travel here was not just to pitch yourself into oblivion: it was to grind away at yourself until nothing was left. It was to aspire to the condition of sand. One third of the earth's land surface is desert, much of it desolate and inhospitable. What is it about this harsh environment that has captivated humankind throughout history? From the prophets of the Bible to Marco Polo, Lawrence of Arabia to Gertrude Bell, travellers have often seen deserts as cursed places to be avoided, or crossed as quickly as possible. But for those whose call deserts home, the 'hideous blanks' described by explorers are rich in resources and significance. Travelling to five continents over three years, visiting deserts both iconic and little-known, William Atkins discovers a realm that is as much internal as physical. His journey takes him to the Arabian Peninsula's Empty Quarter and Australia's nuclear-test grounds; the dry Aral Sea of Kazakhstan and 'sand seas' of China's volatile north-west; the contested borderlands of Arizona and the riotous Burning Man festival in Nevada's Black Rock Desert; and the ancient monasteries of Egypt's Eastern Desert. Along the way, Atkins illuminates the people, history, topography, and symbolism of these remarkable but often troubled places. Reviving the illustrious British tradition of travel writing, The Immeasurable World is destined to become a classic of desert literature.

In The Dark Stuff Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of today's market driven music business.

Matt did it! His performance at the T Factor has given him the fame he dreamed of. Kitty is getting more gigs booked in with a whole new stable of comedic acts. Unfortunately, Matt hasn't had time to come up with new jokes so it isn't long before he is greeted with the worst heckle for a comedian: 'heard it before!'. But when Kitty suggests he takes a break to work on his routine, Matt can't stand to go back to his normal life. So he signs up with the stylish Excalibur Agency, brushing his concerns (and Kitty) aside. A life of celebrity awaits! But it doesn't take long for the shine to wear off and when they try and force him on to his first Live At the Apollo, without any preparation and no new jokes, how can Matt save himself from the ultimate humiliation?

The bard looks up at the three figures. They have black hooded cloaks and long robes. From the holes in their masks, three pairs of eyes watch him: cold, calm, emotionless.'Yes,' says the bard. 'They're bonedancers. You don't need to sound quite so excited, though. They have come to kill me.' And so it is that the bard and and his young apprentice Rue are taken to Spinestone, the temple warren of the bonedancers. It is here that the bard is ordered to retell the tale that has got him in so much trouble . . . and so to the next instalment in the astonishing tale of Podkin One-Ear . . . Podkin, Paz and Pook once again find their home under threat, but this time they are ready to fight! Podkin and the others leave for Sparrowfast to ask their uncle for the use of his magic bow. It's the one weapon that could save them all. But as they flee into the forest depths, it seems they have been betrayed . . .

The Sunday Times Top Ten Bestseller Joy Division emerged in the mid-70s at the start of a two-decades long Manchester scene that was to become much mythologised. It was then a city still labouring in the wake of the war and entering a phase of huge social and physical change, and something of this spirit made its way into the DNA of the band. Over the course of two albums, a handful of other seminal releases, and some legendary gigs, Joy Division became the most successful and exciting underground band of their generation. Then, on the brink of a tour to America, Ian Curtis took his own life. In This searing light, the sun and everything else, Jon Savage has assembled three decades worth of interviews with the principle players in the Joy Division story: Bernard Sumner, Peter Hook, Stephen Morris, Deborah Curtis, Peter Saville, Tony Wilson, Paul Morley, Alan Hempsall, Lesley Gilbert, Terry Mason, Anik Honore, and many more. It is the story of how a band resurrected a city, how they came together in circumstances that are both accidental and extraordinary, and how their music galvanised a generation of fans, artists and musicians. It is a classic story of how young men armed with electric guitars and good taste in literature can change the world with four chords and three-and-a-half minutes of music. And it is the story of how illness and demons can rob the world of a shamanic lead singer and visionary lyricist. This searing light, the sun and everything else presents the history of Joy Division in an intimate and candid way, as orchestrated by the lodestar of British music writing, Jon Savage.

At last, the definitive book about perhaps the best cabin crew dramedy ever filmed: View From the Top starring Gwyneth Paltrow. In Ayoade on Top, Richard Ayoade, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet's gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."

Stella Starflake Pearl is eagerly anticipating her next expedition. Suddenly disaster strikes when Stella's father, Felix, is snatched by a fearsome witch. Stella must bring her magic ice princess tiara to Witch Mountain or she will never see Felix again! But no one ever returns from Witch Mountain . . . Stella, Ethan, Shay, Beanie and reluctant Jungle Cat explorer, Gideon, set off into the unknown. They will face chomping pumpkin patches, vampire trolls, poisonous rabbits, outraged vultures and deranged broomsticks in their quest to rescue Felix.

The Times Biography of the Year Winner of the Hawthornden Prize 2019 Shortlisted for the HWA Non-Fiction Prize 2019 Longlisted for the Rathbones Folio Prize 2019 Longlisted for the Cundhill History Prize 2019 'Outstanding.' The Sunday Times 'A revelation.' Guardian 'Wonderful.' The Times 'Riveting.' New Statesman Friedrich Nietzsche's work rocked the foundation of Western thinking and continues to permeate our culture, high and low - yet he is one of history's most misunderstood philosophers. Sue Prideaux's myth-shattering book brings readers into the world of a brilliant, eccentric and deeply troubled man, illuminating the events and people that shaped his life and work. I Am Dynamite! is the essential biography for anyone seeking to understand Nietzsche, the philosopher who foresaw - and sought solutions to - our own troubled times.

Sixteen year old Solomon has agoraphobia. He hasn't left his house in three years, which is fine by him. At home, he is the master of his own kingdom--even if his kingdom doesn't extend outside of the house. Ambitious Lisa desperately wants to go to a top tier psychiatry program. She'll do anything to get in. When Lisa finds out about Solomon's solitary existence, she comes up with a plan sure to net her a scholarship: befriend Solomon. Treat his condition. And write a paper on her findings. To earn Solomon's trust, Lisa begins letting him into her life, introducing him to her boyfriend Clark, and telling him her secrets. Soon, Solomon begins to open up and expand his universe. But all three teens have grown uncomfortably close, and when their facades fall down, their friendships threaten to collapse as well.

'Completely blew me away.' Daisy Johnson, author of Everything Under 'One of the most dazzling debuts I've ever read.' Taiye Selasi, author of Ghana Must Go 'I'm urging everyone to read it.' Sophie Mackintosh, author of The Water Cure Ada has always been unusual. Her parents prayed her into existence, but something must have gone awry. Their troubled child begins to develop separate selves and is prone to fits of anger and grief.When Ada grows up and heads to college in America, a traumatic event crystallises the selves into something more powerful. As Ada fades into the background of her own mind, these 'alters' - now protective, now hedonistic - take control, shifting her life in a dangerous direction.

LONGLISTED FOR THE MAN BOOKER PRIZE 2019 LONGLISTED FOR THE WAINWRIGHT PRIZE 2019 SHORTLISTED FOR THE GORDON BURN PRIZE 2019 Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. Chimerical, audacious, strange and wonderful - a song to difference and imagination, to friendship, youth and love, Lanny is the globally anticipated new novel from Max Porter.

Lit Up Inside contains the lyrics of about one third of the songs that Van Morrison has written over his 50 year career. In this representative selection from the work of one of the most innovative and enduring songwriters of the last century, the reader will find examples of all the features of the world that Van has created through his work: the back streets and mystic avenues; memories of childhood wonder and of adult work; the chime of church bells and the playing of the radio; the generous naming of other artists and the joy of solitude; love and sharp dealing; consolation and grace.

Documentary films are the rock and roll of our times. Why are they made? Who are in the tribe of documentary film-makers? Do their films really change the world? Eighteen years ago, Nick Fraser created BBC Storyville, producing films that won Oscars, BAFTAs, and Peabody Awards. He found film-makers from all across the world covering important subjects in documentaries. In Say What Happened he describes the frenzied, intense world of documentary film-making, tracing its history back to the early pioneers, such as Dziga Vertov and his ground-breaking Man with a Movie Camera. The book deals with the British documentary tradition founded by John Grierson, and discusses the work of American masters such as the Maysles brothers, Frederick Wiseman and D.A. Pennebaker, as well as Europeans such as Marcel Ophuls, Claude Lanzmann, Chris Marker, and Werner Herzog. He interviews acclaimed documentary film-makers and discusses the work of Ken Burns, Errol Morris, and Joshua Oppenheimer, among others across the globe, as well as listing his top one-hundred documentaries, and where readers can watch them. In a world beset with 'fake news', he argues documentaries are better at getting at the verities about life and death and that the new journalism will come from films made using new technology.