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Elizabeth Hardwick's iconic essay collection Seduction and Betrayal is a radical portrait of women and literature, reissued with a new introduction by Deborah Levy. 'Hardwick's sentences are burned in my brain.' - Susan Sontag Sidelined. Betrayed. Killed off. Elizabeth Hardwick dissects the history of women and literature. In her most virtuoso work of criticism, she explores the lives of the Brontes, Woolf, Eliot and Plath; the fate of literary wives such as Zelda Fitzgerald and Jane Carlyle; and the destinies of fictional heroines from Richardson's Clarissa to Ibsen's Nora. With fierce empathy and biting wit, Hardwick mines their childhoods, families, and personalities to probe the costs of sex, love, and marriage. Shattering the barrier between writing and life, she asks who is the seducer and who the seduced; who the victim and who the victor. First published in 1974, yet both urgently timely and timeless, Seduction and Betrayal explodes the conventions of the essay: and the result is nothing less than a reckoning.

'A series of fleeting images and memories ... united by the high intelligence and beauty of Hardwick's prose.' - Sally Rooney Rediscover a lost American classic: Sleepless Nights, a kaleidoscopic scrapbook of one woman's memories, here reissued with a new introduction by Eimear McBride. I am alone here in New York, no longer a we ... First published in 1979, Sleepless Nights is a unique collage of fiction and memoir, letters and essays, portraits and dreams. It is more than the story of a life: it is Elizabeth Hardwick's experience of womanhood in the twentieth century. Escaping her childhood home of Kentucky, the narrator arrives at a bohemian hotel in Manhattan filled with 'drunks, actors, gamblers ... love and alcohol and clothes on the floor.' Here begin the erotic affairs and dinner parties, the abortions and heartbreaks, the friendships and 'people I have buried'. Here are luminous sketches of characters she has met that illuminate the era's racism, sexism, and poverty. Above all, here is prose blurring into poetry, language to lose - and perhaps to find - yourself in. Society tries to write these lives before they are lived. It does not always succeed.

** THE SUNDAY TIMES TOP 5 BESTSELLER** Award-winning comedian Sara Pascoe turns her attention to the things that really matter to humans - sex, power and money. 'A genuinely hilarious explanation of the science of sex' FRANKIE BOYLE Following her hit book Animal, Sara Pascoe decides to confront her fear of the male libido, and turns her attention to the things that really matter to humans, delving into such questions as: Why don't people care about the welfare of the people they masturbate to? and Why is there such stigma around those who work in the sex industry? when Some women still want men to buy them dinner? In this comedic and educational hopscotch over anatomy, the history of sexual representation and the sticky way all human interactions are underwritten by wealth, Pascoe explores whether we'll ever be able to escape the Conundrum of Heterosexuality. Drawing on anecdotal experience, unqualified opinion, interviews and original research, Sex Power Money is thought-provoking and riotously funny: a fresh take on the oldest discussion. 'Important, timely, poignant, mind-blowing and VERY FUNNY. Written with kindness, bravery and ridiculous attention to detail, it will make you feel cleverer without all the usual effort.' AISLING BEA **SUBSCRIBE TO THE SEX POWER MONEY PODCAST**

Once, in an old rusty bin in an old rusty playground in an old empty park. . there lived a little tortoise. But Tortoise is lonely. He's never seen any other tortoises, and wonders where they could all be hiding. Then, one day, he looks up and the night sky, and sees a million blinking lights winking at him. "That must be where the other tortoises are - at the top of the sky! I wish I could join them." But how can a little tortoise get to the top of the sky? And so begins a magical journey... A beautiful, moving and heartwarming tale about bravery, kindness and welcoming strangers, from the team behind The Building Boy.

The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.

The TIMES, OBSERVER and EVENING STANDARD BOOK OF THE WEEK 'The world's most powerful people are lying like never before, and no one understands the art of their lies like Peter Pomerantsev.' Oliver Bullough, author of Moneyland: The Inside Story of the Crooks and Kleptocrats Who Rule the World When information is a weapon, everyone is at war. We live in a world of influence operations run amok, a world of dark ads, psy-ops, hacks, bots, soft facts, ISIS, Putin, trolls, Trump. We've lost not only our sense of peace and democracy - but our sense of what those words even mean. As Peter Pomerantsev seeks to make sense of the disinformation age, he meets Twitter revolutionaries and pop-up populists, 'behavioural change' salesmen, Jihadi fan-boys, Identitarians, truth cops, and much more. Forty years after his dissident parents were pursued by the KGB, he finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia - but the answers he finds there are surprising. Part reportage, part intellectual adventure, This is Not Propaganda is a Pynchon-like exploration of how we can reimagine our politics and ourselves in a time where truth has been turned topsy-turvy. 'Through our current smog of smouldering bullshit, This is Not Propaganda shines a necessary, humane and dissident light.' Nick Rankin, author of Churchill's Wizards: the British Genius for Deception 1914-1945 'Groundbreaking.' CNN

'Never mind Scandi crime fiction, the time has come for Scandi horror.' Metro ***** What if...? A large wolf escapes its captors. A cult leader breaks out of psychiatric care. A disillusioned woman is forced to end her self imposed exile. Stefan Spjut's latest novel explores the ancient notion that our forests may be inhabited by beings we do not understand, creatures neither animal nor human, living in the shadows . . . Thriller, horror fiction, suspense, Trolls is set ten years on from hit novel Stallo, as Susso Myren's world once again starts to shift around her

For thousands of years, humans have built walls and assaulted them, admired walls and reviled them. Great Walls have appeared on nearly every continent, accompanying the rise of cities, nations, and empires. In Walls, David Frye uncovers a story that is more than just bricks and stone: he reveals the startling link between what we build and how we live, who we are and how we came to be. It is nothing less than the story of civilization.

Kavanagh begins his time patrolling the Wall. If he's lucky, if nothing goes wrong, he only has to do two years of this. 729 more nights. The best thing that can happen is that he survives and gets off the Wall and will never have to spend another day of his life anywhere near it. But what if something did happen - if the Others came, if he had to fight for his life? Thrilling and heartbreaking, The Wall is about a troubled world you will recognise as your own - and about what might be found when all is lost. The Wall was longlisted for the Booker Prize in July 2019.

Petina Gappah's epic journey through nineteenth-century Africa - following the funeral caravan who bore Bwana Daudi's body - is 'engrossing, beautiful and deeply imaginative.' (Yaa Gyasi) This is the story of the body of Bwana Daudi, the Doctor, the explorer David Livingstone - and the sixty-nine men and women who carried his remains for 1,500 miles so that he could be borne across the sea and buried in his own country. The wise men of his age say Livingstone blazed into the darkness of their native land leaving a track of light behind where white men who followed him could tread in perfect safety. But in Petina Gappah's radical novel, it is those in the shadows of history - those who saved a white man's bones; his dark companions; his faithful retinue on an epic funeral march - whose voices are resurrected with searing intensity. This final, fateful journey across the African interior is lead by Halima, Livingstone's sharp-tongued cook, and three of his most devoted servants: Jacob, Chuma and Susi. Their tale of how his corpse was borne out of nineteenth-century Africa - carrying the maps that sowed the seeds of the continent's brutal colonisation - has the power of myth. It is not only symbolic of slavery's hypocrisy, but a portrait of a world trembling on the cusp of total change - and a celebration of human bravery, loyalty and love.

'These annual anthologies of the poems in the running for the Forward Prizes remain the best way of encountering the richness that new poetry has to offer.' Daily Telegraph The Forward Book of Poetry 2020 brings together a selection of the best poetry published in the British Isles over the last year, including the winners of the 2019 Forward Prizes - and a foreword by jury chair Shahidha Bari. She and her fellow judges - Jamie Andrews of the British Library, plus poets Tara Bergin, Andrew McMillan and Carol Rumens - read a year's worth of new collections plus selected poems from magazines and competitions before arriving at their choices. In celebrating today's fresh voices alongside new work by familiar names, this anthology offers both an overview of the current poetry scene and a great introduction to contemporary poets. 'The Forward collection is a cornucopia of sweet and sour delights . . . Why read poetry at all? Because these firework-bursts of words can lighten the darkest skies.' Daily Mail

*LONGLISTED FOR THE BOOKER PRIZE 2019* Kavanagh begins his life patrolling the Wall. If he's lucky, if nothing goes wrong, he only has two years of this, 729 more nights. The best thing that can happen is that he survives and gets off the Wall and never has to spend another day of his life anywhere near it. He longs for this to be over; longs to be somewhere else. He will soon find out what Defenders do and who the Others are. Along with the rest of his squad, he will endure cold and fear day after day, night after night. But somewhere, in the dark cave of his mind, he thinks: wouldn't it be interesting if something did happen, if they came, if you had to fight for your life? John Lanchester's thrilling, hypnotic new novel is about why the young are right to hate the old. It's about a broken world you will recognise as your own-and about what might be found when all is lost. The Wall was longlisted for the Booker Prize in July 2019.

Reissued with stunning artwork and a new afterword by Leanne Shapton, The Loser is Thomas Bernhard's iconic portrait of creative obsession. Mid-century Austria. Three aspiring concert pianists - Wertheimer, Glenn Gould, and the narrator - have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach's Goldberg Variations, and his incomparable genius instantly destroys them both. They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts. Written as a monologue in one remarkable unbroken paragraph, Thomas Bernhard's dazzling meditation on failure, genius, and fame is a radical new reading experience: musical, paralysing, raging, and inimitable.

Reissued with stunning artwork by Leanne Shapton and a new afterword by Anne Enright, Woodcutters is a blistering European classic. An unnamed writer arrives at an 'artistic dinner' hosted by a composer and his society wife: a couple he once admired, but has now come to detest. They have been brought together by their friend Joana's suicide, but the guest of honour, a famous actor from the Burgtheatre, is late. As the guests await his arrival, little do they know that they are being subjected to the narrator's merciless scrutiny from his wing-backed throne, the targets of a tirade of epic, frenzied proportions. When the star actor finally arrives, he ushers in an explosive end to the evening that is impossible to see coming. Originally banned in Thomas Bernhard's homeland, Woodcutters brutally exposes the hollow pretentiousness of the Austrian bourgeoisie in an unforgettable firework display of humour and horror.

Reissued with stunning artwork by Leanne Shapton and a new afterword by Ben Lerner, Wittgenstein's Nephew is a memento mori of restless genius. It is 1967. Two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of Ludwig Wittgenstein, is suffering from one of his periodic bouts of madness. As their friendship quickens, these two eccentric men discover in each other an antidote to their feelings of despair on the unexpected strength of what they share - a spiritual symmetry forged by their love of music, black humour, disgust for bourgeois Vienna, and fear of mortality. A restless blend of fiction and memoir, Wittgenstein's Nephew is not only a haunting meditation on the artist's struggle to maintain a foothold on reality, but an impassioned eulogy to a real-life friendship.

Sylvia Plath (1932-1963) was one of the writers who defined the course of twentieth-century poetry. In the Letters, we discover the art of Plath's correspondence. Most has never before been published, and it is here presented unabridged, without revision, so that she speaks directly in her own words. The letters document Plath's extraordinary literary development: the genesis of many poems, short and long fiction, and journalism. Leading Plath scholars Peter K. Steinberg and Karen V. Kukil, editor of The Journals of Sylvia Plath 1950-1962, provide comprehensive footnotes and an extensive index informed by their meticulous research. Alongside a selection of photographs and Plath's own drawings, they masterfully contextualise what the pages disclose. This later correspondence witnesses Plath and Hughes becoming major, influential contemporary writers, as it happened. Experiences recorded include first books and other publications; teaching; committing to writing full-time; travels; making professional acquaintances; settling in England; starting a family; and buying a house. Throughout, Plath's voice is completely, uniquely her own.