Faber & Faber strana 24 z 67

Since the release of their breakout debut in 2008, Fleet Foxes and their frontman, singer-songwriter Robin Pecknold, have enjoyed international critical and commercial acclaim. Drawing comparisons to Simon & Garfunkel; Crosby, Stills & Nash; and the music of Brian Wilson, Grammy-nominated Fleet Foxes have reshaped the American indie-folk sound, crafting songs that are acoustically and melodically driven, steeped in gospel-like harmonies, and propelled by resonant and timeless lyrics. Wading in Waist-High Water: The Lyrics of Fleet Foxes contains Robin Pecknold's complete lyrics from 56 songs, capturing the poetic and inventive storytelling that is a hallmark of the band's music. These richly layered lyrics explore the complexity, darkness, and beauty of physical and emotional landscapes, both pastoral and modern. Alongside the lyrics, Pecknold includes hand-written notes and candid observations on creative processes, inspirations, and motivations. With an introduction by celebrated author Brandon Taylor, Wading in Waist-High Water: The Lyrics of Fleet Foxes is a moving and intimate look at the art of songwriting, the joy of music-making, and what it means to produce meaningful and memorable sound.

This is not an advice book. Samantha Irby doesn't know anything. After fleeing Chicago to quarantine at home in Michigan, Irby finds herself bleaching groceries and wondering if her upper lip hairs are visible on Zoom. Her career reaches new heights: she gets to work with the iconic ladies of Sex and the City - her dream! - but behind the new-found glam, Irby is just trying to keep her life together. Our friend in print is back, on point, and ready to take us with her, from adopting Abe (her scrawny, watery-eyed firstborn dog) to her favourite, extremely specific porn searches (including two old nuns).

Demon Copperhead is a once-in-a-generation novel that breaks and mends your heart in the way only the best fiction can. Demon's story begins with his traumatic birth to a single mother in a single-wide trailer, looking 'like a little blue prizefighter.' For the life ahead of him he would need all of that fighting spirit, along with buckets of charm, a quick wit, and some unexpected talents, legal and otherwise. In the southern Appalachian Mountains of Virginia, poverty isn't an idea, it's as natural as the grass grows. For a generation growing up in this world, at the heart of the modern opioid crisis, addiction isn't an abstraction, it's neighbours, parents, and friends. 'Family' could mean love, or reluctant foster care. For Demon, born on the wrong side of luck, the affection and safety he craves is as remote as the ocean he dreams of seeing one day. The wonder is in how far he's willing to travel to try and get there. Suffused with truth, anger and compassion, Demon Copperhead is an epic tale of love, loss and everything in between.

Irina is in a rut. She obsessively takes explicit photographs of average-looking men she scouts from the streets of Newcastle while her dead-end bar job slips away; she's more interested in drugs, alcohol, and extreme cinema. When she's offered an exhibition at a fashionable London gallery which promises to revive her career in the art world, it should feel like an escape. But the news triggers a self-destructive tailspin, drawing in her obsessive best friend and a shy young man from her local supermarket who has attracted her attention . . . BOY PARTS is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboos of sexuality and gender roles in the twenty-first century.

Blackpool, 1938. Miss Margaret Finch - a rather demure young woman - has just begun work in a position that relies on her discretion and powers of observation. Then, her path is crossed by the disgraced Rector of Stiffkey (aka Harold Davidson), who is the subject of a national scandal. Margaret is determined to discover the truth behind the headlines: is Davidson a maligned hero or an exploiter of the vulnerable? But her own troubles are never far away, and Margaret's fear that history is about to repeat itself means she needs to uncover that truth urgently. This deeply evocative novel ripples with the tension of a country not yet able to countenance the devastation of another war. Margaret walks us along the promenade, peeks into the baths and even dares a trip on the love boat in this, her first seaside summer season, on a path more dangerous than she could ever have imagined.

The must-read music book of the year, now with a brand new chapter covering the death of Taylor Hawkins and his massive Wembley memorial concert. In Bodies, author Ian Winwood explores the music industry's many failures, from addiction and mental health issues to its ongoing exploitation of artists. Much more than a touchline reporter, Winwood also tells the story of his own mental health collapse, following the shocking death of his father, in which extinction-level behaviour was given perfect cover by a reckless industry.

A personal reckoning with the intricacies of money, class and capitalism from the New York Times bestselling author. Having just purchased her first home, Eula Biss embarks on a roguish and risky self-audit of the value system she has bought into. The result is Having and Being Had: a radical interrogation of work, leisure and capitalism. Playfully ranging from IKEA to Beyoncé to Pokémon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested?

An epic tale of trees of power and a world under threat, from the author of the bestselling Five Realms series. Here come the roots of the Shadow Tree. Whatever they touch will never get free. Liska lives in Arborven, a city surrounding an extraordinary tree that gives all those living there special powers. As a shapeshifter, Liska is training as a warrior. When she discovers that the Tree is under threat, it is her duty to act - but she can't convince anyone to listen to her.So with Lug, whose power over earthworms is dismissed as useless, and a ghost-girl, Elowen, she goes on an epic journey to defeat the worst threat their world has ever known. Illustrated by Chris Wormell this is a richly woven and thrilling fantasy with a wonderful affinity between humankind and nature - a current and vital message for young readers everywhere.

When private detective and former teacher Henry Kimball is hired to investigate an ex-pupil's cheating husband, he senses all is not quite what it seems, and before he knows it he's gotten far too close to the other woman. As the case gets ever stranger, he turns to the only person he can trust, Lily Kintner, someone with dark secrets of her own... With its ingenious clockwork-like plot, and twists aplenty, The Kind Worth Saving is a crime novel to savour from a modern master.

Introduced by Claire-Louise Bennett, experience one new mother's psychological journey in this lost 1930 foremother of Sylvia Plath's The Bell Jar. The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow. Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking. Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ... Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.

Seascapes and landscapes, snowy-capped hills. Colourful tulips and gold daffodils. His art was incredible, vibrant and loud. Enough to make Pablo Picasso feel proud! When Blanksy the cat discovers a talent for painting murals he uses it to draw bigger and bigger crowds to help his friend Pete the busker become rich. But will money really make Pete happy? An entertaining story with fabulous illustrations by award-winning illustrator Allen Fatimaharan.

The secret admirer. The fake relationship. The matchmaker. From stories of first love, unrequited love, love that surprises, love that's been there all along, ten of the brightest and award-winning authors writing YA have taken on some of your favourite romantic tropes, embracing them and turning them on their heads. Readers will swoon for this collection of stories that celebrate love at its most humorous, inclusive, heart-expanding and serendipitous. Contributors include Elise Bryant, Elizabeth Eulberg, Leah Johnson, Anna-Marie McLemore, Marissa Meyer, Sandhya Menon, Julie Murphy, Caleb Roehrig, Sarah Winifred Searle and Abigail Hing Wen.

BLOODBATH NATION is about the Epidemic that is tearing apart the fabric of American society. An Epidemic caused - not by Covid - but by Guns. Among its victims are men, women, teenagers, children, and even babies. The massacres have taken place in churches, schools, movie theatres, and at rock concerts. Auster establishes how America's love affair with guns goes all the way back to the arrival of the first British settlers - guns in hand - who used these guns to eradicate the Native Americans who occupied the country. This history of carnage continues to this day. Guns have become one of the issues dividing America today, but Auster doesn't take sides. The book is a plea for both sides to find a way of avoiding more death and grief. Accompanying Auster's text is a series of photographs of the locations of these mass killings. There are no bodies - only the empty spaces which stand as mute memorials to the lives that have been lost.

In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel Laureate maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and departure from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth. Writers like Adam Smith, Friedrich A. Hayek, Karl Popper and Isaiah Berlin helped the author navigate through these uneasy years of intellectual formation. They showed him another school of thought that placed the individual before the tribe, nation, class or party, and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal and philosophical ideology. Mario Vargas Llosa is one of the world's greatest living novelists, but, as Clive James wrote in Cultural Amnesia, his 'true strength' is 'undoubtedly in the essay'.

Eager to clean up his act after his troubled early twenties, Owen has returned to Kentucky to take a job as a groundskeeper at a small college in the Appalachian foothills, one which allows him to enrol on their writing course. It's there that he meets Alma, a Writer-in-Residence, who seems to have everything Owen doesn't - a prestigious position, an Ivy League education, and published success as a writer. They begin a secret relationship, and as they grow closer, Alma, from a supportive, liberal family of Bosnian immigrants, struggles to understand Owen's fraught relationship with his own family and home. Exploring the boundaries between life and art, and how our upbringings affect the people we can become, Groundskeeping is at heart a love story - a novel about two very different people navigating the turbulence of an all-consuming relationship, and the complications which can ruin it.

Almond Brown has no friends in real life . . . but 3.5 million followers online. A heart-felt, whip-smart deep dive into what it would really be like to be internet famous at 17: a cautionary tale for our time from a writer who has grown up with social media. Almond is forced into the spotlight when she was just a perfectly filtered bump: her mum has been documenting their family through social media since before she was born. And her family enjoy all the rewards that come from that level of influence. Only, it's not the life Almond would have chosen for herself, and being on a platform all the time has made her anxious and insecure. When the darkest side of the internet begins to haunt her, Almond feels like she's going to lose everything . . . If only she could see that she has a real-life, too, full of friends and family who love her, and that it could save her.