Granta Books strana 15 z 16

Someone tickled me behind my ears, under my arms. I curled up, became a full moon, and rolled on the floor. I may also have emitted a few hoarse shrieks. Then I lifted my rump to the sky and tucked my head beneath my belly: Now I was a sickle moon, still too young to imagine any danger. Innocent, I opened my anus to the cosmos and felt it in my bowels. A bear, born and raised in captivity, is devastated by the loss of his keeper; another finds herself performing in the circus; a third sits down one day and pens a memoir which becomes an international sensation, and causes her to flee her home. Through the stories of these three bears, Tawada reflects on our own humanity, the ways in which we belong to one another and the ways in which we are formed. Delicate and surreal, Memoirs of a Polar Bear takes the reader into foreign bodies and foreign climes, and immerses us in what the New Yorker has called 'Yoko Tawada's magnificent strangeness'.

One day in 1968, at the height of the Biafran civil war, Ijeoma's father is killed and her world is transformed forever. Separated from her grief-stricken mother, she meets another young lost girl, Amina, and the two become inseparable. Theirs is a relationship that will shake the foundations of Ijeoma's faith, test her resolve and flood her heart. In this masterful novel of faith, love and redemption, Okparanta takes us from Ijeoma's childhood in war-torn Biafra, through the perils and pleasures of her blossoming sexuality, her wrong turns, and into the everyday sorrows and joys of marriage and motherhood. As we journey with Ijeoma we are drawn to the question: what is the value of love and what is the cost?

This is a rare first-person testimony of the hardships of a Soviet labour camp, written up in a couple of exercise books which were anonymously donated to the Memorial Human Rights Centre in Moscow. At the back of the books there is a blurred snapshot and a note, 'Chistyakov, Ivan Petrovich, repressed in 1937-38. Killed at the front in Tula Province in 1941'. They are all that remains of Ivan Chistyakov, a senior guard at the Baikal Amur Corrective Labour Camp (Bamlag) and a cultured and urbane ex-city dweller with a secret nostalgia for pre-Revolutionary Russia. Chistyakov does not just record his life in the camp, but narrates it; he is a sharp-eyed witness and a sympathetic, humane and broken man. From stumblingly poetic musings on the bitter landscape of the taiga to matter-of-fact grumbles about the inefficiency of his stove, from accounts of the brutal conditions of the camp to reflections on the cruelty of loneliness, this diary is an astonishing record - a visceral and immediate description of a place and time whose repercussions still affect the shape of modern Russia, and modern Europe.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 In Canada in 1990, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie. Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation. It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today.

Do we have free will? It's a question that has puzzled philosophers and theologians for centuries and feeds into numerous political, social, and personal concerns. Are we products of our culture, or free agents within it? How much responsibility should we take for our actions? Are our neural pathways fixed early on by a mixture of nature and nurture, or is the possibility of comprehensive, intentional psychological change always open to us? What role does our brain play in the construction of free will, and how much scientific evidence is there for the existence of it? What exactly are we talking about when we talk about 'freedom' anyway? In this cogent and compelling book, Julian Baggini explores the concept of free will from every angle, blending philosophy, neuroscience, sociology and cognitive science. Freedom Regained brings the issues raised by the possibilities - and denials - of free will to vivid life, drawing on scientific research and fascinating encounters with expert witnesses, from artists to addicts, prisoners to dissidents. Contemporary thinking tells us that free will is an illusion, and Baggini challenges this position, providing instead a new, more positive understanding of our sense of personal freedom: a freedom worth having.

Barbara Ehrenreich is an acclaimed social critic on both sides of the Atlantic, renowned for her trenchant, witty polemics, her pieces of journalism, and her trademark intelligence. She writes with unparalleled precision, insight and a rationalist's unwavering gaze. But in middle age, she rediscovered the journal she had kept during her tumultuous adolescence, which records an event so strange that she had never, in all the intervening years, written or spoken about it. It was the kind of event that people call a 'mystical experience' - and to a steadfast atheist and rationalist, was nothing less than shattering. In Living with a Wild God, Ehrenreich vividly explores her life-long quest to find 'the truth' about the universe and everything else, in an attempt to reconcile this cataclysmic, defining moment with her secular understanding of the world. The result is a profound reflection on science, religion and the human condition, and a personal insight into the inner life of one of our finest thinkers. It is a book that challenges us all to reassess our perceptions of the world and what it means to be alive.

Bodies of Light is a deeply poignant tale of a psychologically tumultuous nineteenth century upbringing set in the atmospheric world of Pre-Raphaelitism and the early suffrage movement. Ally (older sister of May in Night Waking), is intelligent, studious and engaged in an eternal - and losing - battle to gain her mother's approval and affection. Her mother, Elizabeth, is a religious zealot, keener on feeding the poor and saving prostitutes than on embracing the challenges of motherhood. Even when Ally wins a scholarship and is accepted as one of the first female students to read medicine in London, it still doesn't seem good enough. The first in a two-book sequence, Bodies of Light will propel Sarah Moss into the upper echelons of British novelists. It is a triumphant piece of historical fiction and a profoundly moving master class in characterisation.

On February 21st 2012, five members of an obscure feminist post-punk collective called Pussy Riot staged a performance in Moscow's Cathedral of Christ the Saviour. Dressed in their trademark brightly coloured dresses and balaclavas, the women performed their song 'Punk Prayer - Mother of God, Chase Putin Away!' in front of the altar. The performance lasted only 40 seconds but it resulted in two-year prison sentences for three of the performers - and has turned Pussy Riot into one of the most well-known and important protest movements of the last five years. This necessary and timely book is an account of the Pussy Riot protest, the ensuing global support movement, and the tangled and controversial trial of the band members. It explores the status of dissent in Russia, the roots of the group and their adoption - or appropriation - by wider collectives, feminist groups and music icons. Masha Gessen has unique access to the band and those closest to them. Her unrivalled understanding of the Russian protest movement makes her the ideal writer to document and explain the rage, the beauty and the phenomenon that is Pussy Riot.

On February 21st 2012, five members of an obscure feminist post-punk collective called Pussy Riot staged a performance in Moscow's Cathedral of Christ the Saviour. Dressed in their trademark brightly coloured dresses and balaclavas, the women performed their song 'Punk Prayer - Mother of God, Chase Putin Away!' in front of the altar. The performance lasted only 40 seconds but it resulted in two-year prison sentences for three of the performers - and has turned Pussy Riot into one of the most well-known and important protest movements of the last five years. This necessary and timely book is an account of the Pussy Riot protest, the ensuing global support movement, and the tangled and controversial trial of the band members. It explores the status of dissent in Russia, the roots of the group and their adoption - or appropriation - by wider collectives, feminist groups and music icons. Masha Gessen has unique access to the band and those closest to them. Her unrivalled understanding of the Russian protest movement makes her the ideal writer to document and explain the rage, the beauty and the phenomenon that is Pussy Riot.

It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky. The Luminaries is an extraordinary piece of fiction. It is full of narrative, linguistic and psychological pleasures, and has a fiendishly clever and original structuring device. Written in pitch-perfect historical register, richly evoking a mid-19th century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement and will confirm for critics and readers that Catton is one of the brightest stars in the international writing firmament.

It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky. The Luminaries is an extraordinary piece of fiction. It is full of narrative, linguistic and psychological pleasures, and has a fiendishly clever and original structuring device. Written in pitch-perfect historical register, richly evoking a mid-19th century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement and will confirm for critics and readers that Catton is one of the brightest stars in the international writing firmament.

Harry is a Richard Nixon scholar who leads a quiet, regular life; his brother George is a high-flying TV producer, with a murderous temper.They have been uneasy rivals since childhood.Then one day George loses control so extravagantly that he precipitates Harry into an entirely new life. In May We Be Forgiven, Homes gives us a darkly comic look at 21st century domestic life - at individual lives spiraling out of control, bound together by family and history.The cast of characters experience adultery, accidents, divorce, and death. But this is also a savage and dizzyingly inventive vision of contemporary America, whose dark heart Homes penetrates like no other writer - the strange jargons of its language, its passive aggressive institutions, its inhabitants' desperate craving for intimacy and their pushing it away with litigation, technology, paranoia. At the novel's heart are the spaces in between, where the modern family comes together to re-form itself. May We Be Forgiven explores contemporary orphans losing and finding themselves anew; and it speaks above all to the power of personal transformation - simultaneously terrifying and inspiring.

When Vladimir Putin, an unimportant, low-level KGB operative, was rushed to power by a group of Oligarchs in 1999, he was a man without a history. Within a few brief years, Putin had dismantled the country's media, wrested control and wealth from the country's burgeoning business class, and decimated the fragile mechanisms of democracy. Virtually every obstacle to his unbridled control was removed and every opposing voice silenced, with political rivals and critics driven into exile or to the grave. Drawing on information and sources no other writer has tapped, Masha Gessen's fearless account charts Putin's rise from the boy who had scrapped his way through post-war Leningrad schoolyards, to the 'faceless' man who manoeuvred his way into absolute - and absolutely corrupt - power.

Hawthorn and Child are mid-ranking detectives tasked with finding significance in the scattered facts. They appear and disappear in the fragments of this book along with a ghost car, a crime boss, a pick-pocket, a dead racing driver and a pack of wolves. The mysteries are everywhere, but the biggest of all is our mysterious compulsion to solve them. In Hawthorn & Child, the only certainty is that we've all misunderstood everything.

The Silent Woman is a brilliant, elegantly reasoned meditation on the nature of biography. Janet Malcolm (author of Reading Chekhov, The Journalist and the Murderer, In the Freud Archives) examines the biographies of Sylvia Plath, with particular focus on Anne Stevenson's controversial Bitter Fruit, to discover how Plath became the enigma of literary history, and how the legend continues to exert such a hold on our imaginations.

Here are the voices of London - rich and poor, native and immigrant, women and men - witnessed by Craig Taylor, an acclaimed journalist, playwright and writer, who spent five years exploring the city and listening to its residents. From the woman whose voice announces the stations on the London Underground to the man who plants the trees along Oxford Street; from a Pakistani currency trader to a Guardsman at Buckingham Palace - together, these voices and many more, paint a vivid, epic and wholly fresh portrait of Twenty-First Century London.