Granta Books strana 14 z 16

A tale of passion and romance between a Japanese schoolteacher and a doglike man, from the prize-winning author of The Last Children of Tokyo Her masterpiece ? New York Times Mitsuko, a schoolteacher at the Kitamura school, inspires both rumour and curiosity in the parents of her students because of her unconventional manner - not least when she tells the children the fable of a princess whose hand in marriage is promised to a dog she is intimate with. And when a young man with sharp canine teeth turns up at the schoolteacher's home and declares he's 'here to stay', the romantic - and sexual - relationship that develops intrigues the community, some of whom have suspicions about the man's identity and motives. Masterfully turning the rules of folklore and fable on their head, The Bridegroom Was a Dog is a disarming and unforgettable modern classic.

A powerful, compressed masterwork for fans of Shirley Jackson and Claire-Louise Bennett A woman moves from the place of her birth to a remote northern country to be housekeeper to her brother, whose wife has just left him. The youngest child of many siblings - more than she cares to remember - from earliest childhood she has attended to their every desire, smoothed away the slightest discomfort with perfect obedience, with the highest degree of devotion. The country, it transpires, is the country of their family's ancestors, an obscure though reviled people. Soon after she arrives, a series of unfortunate events occurs - collective bovine hysteria; the demise of a ewe and her nearly-born lamb; a local dog's phantom pregnancy; the containment of domestic fowl; a potato blight. She notices that the local suspicion about incomers in general seems to be directed particularly in her case. What is clear is that she is being accused of wrongdoing, but in a language she cannot understand and so cannot address. And however diligently and silently she toils in service of the community, still she feels their hostility growing, pressing at the edges of her brother's property... LONGLISTED FOR THE BOOKER PRIZE 2023 NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023

Spanning the globe and five centuries, Accidental Gods introduces us to a new pantheon: of man-gods, deified politicians and imperialists, militants, mystics and explorers. From the conquistadors setting foot in the New World to Haile Selassie of Ethiopia, elevated by a National Geographic article from emperor to messiah for the Rastafari faith, to the unlikely officers hailed as gods during the British Raj, this endlessly curious and revelatory account chronicles an impulse towards deification that persists even in a secular age, as show of defiance or assertion of power. In her bravura final part, Subin traces the colonial desire for divinity through to the creation of 'race' and the white power movement today, and argues that it is time we rid ourselves of the white gods among us.

Welcome to Buenos Aires, a city thrumming with murderous intentions and morbid desires, where missing children come back from the dead and unearthed bones carry terrible curses. These brilliant, unsettling tales of revenge, witchcraft, fetishes, disappearances and urban madness spill over with women and girls whose dark inclinations will lead them over the edge.

Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love. Perfectly constructed, funny, and moving, Strange Weather in Tokyo is a tale of modern Japan and old-fashioned romance. This edition contains the bonus story, 'Parade', which imagines an ordinary day in the lives of this unusual couple.

Mama's Last Hug is a whirlwind tour of new ideas and findings about animal emotions, based on Frans de Waal's renowned studies of the social and emotional lives of chimpanzees, bonobos and other primates. It opens with the moving farewell between Mama, a dying 59-year-old chimpanzee matriarch, and Jan Van Hoof, who was Frans de Waal's mentor and thesis advisor. The filmed event has since gone viral (over 9.5 million views on YouTube). De Waal discusses facial expressions, animal sentience and consciousness, the emotional side of human politics, and the illusion of free will. He distinguishes between emotions and feelings, all the while emphasizing the continuity between our species and other species. And he makes the radical proposal that emotions are like organs: we haven't a single organ that other animals don't have, and the same is true for our emotions.

Will Ashon tells, in 36 interlinked 'chambers', the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualise, reveal and honour this singularly composite work of art. From the FBI's war on drugs to the porn theatres of 42nd street, from the history of jazz to the future of politics, Chamber Music is an explosive and revelatory new way of writing about music and culture.

'Julian Baggini's How the World Thinks is there to fill the Sapiens-size hole in your life' Observer's guide to Autumn in culture In this groundbreaking global overview of philosophy, Julian Baggini travels the world to provide a wide-ranging map of human thought. One of the great unexplained wonders of human history is that written philosophy flowered entirely separately in China, India and Ancient Greece at more or less the same time. These early philosophies have had a profound impact on the development of distinctive cultures in different parts of the world. What we call 'philosophy' in the West is not even half the story. Julian Baggini sets out to expand our horizons in How the World Thinks, exploring the philosophies of Japan, India, China and the Muslim world, as well as the lesser-known oral traditions of Africa and Australia's first peoples. Interviewing thinkers from around the globe, Baggini asks questions such as: why is the West is more individualistic than the East? What makes secularism a less powerful force in the Islamic world than in Europe? And how has China resisted pressures for greater political freedom? Offering deep insights into how different regions operate, and paying as much attention to commonalities as to differences, Baggini shows that by gaining greater knowledge of how others think we take the first step to a greater understanding of ourselves.

Teenage Silvie and her parents are living in a hut in Northumberland as an exercise in experimental archaeology. Her father is a difficult man, obsessed with imagining and enacting the harshness of Iron Age life. Haunting Silvie's narrative is the story of a bog girl, a young woman sacrificed by those closest to her, and the landscape both keeps and reveals the secrets of past violence and ritual as the summer builds to its harrowing climax.

Teenage Silvie and her parents are living in a hut in Northumberland as an exercise in experimental archaeology. Her father is a difficult man, obsessed with imagining and enacting the harshness of Iron Age life. Haunting Silvie's narrative is the story of a bog girl, a young woman sacrificed by those closest to her, and the landscape both keeps and reveals the secrets of past violence and ritual as the summer builds to its harrowing climax.

Teenage Silvie and her parents are living in a hut in Northumberland as an exercise in experimental archaeology. Her father is a difficult man, obsessed with imagining and enacting the harshness of Iron Age life. Haunting Silvie's narrative is the story of a bog girl, a young woman sacrificed by those closest to her, and the landscape both keeps and reveals the secrets of past violence and ritual as the summer builds to its harrowing climax.

From the winner of the Man Booker International Prize for The VegetarianFrom the author of The Vegetarian and Human Acts comes a book like no other. The White Book is a meditation on colour, beginning with a list of white things. It is a book about mourning, rebirth and the tenacity of the human spirit. It is a stunning investigation of the fragility, beauty and strangeness of life.Translated from the Korean by Deborah Smith.

In The Future is History Masha Gessen follows the lives of four Russians, born as the Soviet Union crumbled, at what promised to be the dawn of democracy. Each came of age with unprecedented expectations, some as the children or grandchildren of the very architects of the new Russia, each with newfound aspirations of their own - as entrepreneurs, activists, thinkers and writers, sexual and social beings. Gessen charts their paths not only against the machinations of the regime that would seek to crush them all (censorship, intimidation, violence) but also against the war it waged on understanding itself, ensuring the unobstructed emergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. The Future is History is a powerful and urgent cautionary tale by contemporary Russia's most fearless inquisitor.

One of the great contemporary European writers takes on Europe's biggest issue Richard has spent his life as a university professor, immersed in the world of books and ideas, but now he is retired, his books remain in their packing boxes and he steps into the streets of his city, Berlin. Here, on Alexanderplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us. At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

Someone tickled me behind my ears, under my arms. I curled up, became a full moon, and rolled on the floor. I may also have emitted a few hoarse shrieks. Then I lifted my rump to the sky and tucked my head beneath my belly: Now I was a sickle moon, still too young to imagine any danger. Innocent, I opened my anus to the cosmos and felt it in my bowels. A bear, born and raised in captivity, is devastated by the loss of his keeper; another finds herself performing in the circus; a third sits down one day and pens a memoir which becomes an international sensation, and causes her to flee her home. Through the stories of these three bears, Tawada reflects on our own humanity, the ways in which we belong to one another and the ways in which we are formed. Delicate and surreal, Memoirs of a Polar Bear takes the reader into foreign bodies and foreign climes, and immerses us in what the New Yorker has called 'Yoko Tawada's magnificent strangeness'.

One day in 1968, at the height of the Biafran civil war, Ijeoma's father is killed and her world is transformed forever. Separated from her grief-stricken mother, she meets another young lost girl, Amina, and the two become inseparable. Theirs is a relationship that will shake the foundations of Ijeoma's faith, test her resolve and flood her heart. In this masterful novel of faith, love and redemption, Okparanta takes us from Ijeoma's childhood in war-torn Biafra, through the perils and pleasures of her blossoming sexuality, her wrong turns, and into the everyday sorrows and joys of marriage and motherhood. As we journey with Ijeoma we are drawn to the question: what is the value of love and what is the cost?