Granta Books strana 2 z 16

From her childhood in Romania, in a village 'as small as a thimble on the edge of the world', through to life in exile in Germany, Herta Müller's story unspools against the tumultuous history of Romania in the latter half of the twentieth century. Here, the Nobel Prize laureate reflects on cultural history, memory and trauma, and on what it was to live and write during Ceausescu's regime: on the friendships that buckled under the weight of fear and paranoia; on the experience of being surveilled and interrogated; and on the unique blend of fear and tedium borne through life under totalitarianism. The Village on the Edge of the World is a book that chronicles the minutiae of life under both fascism and the Soviet Union, while charting the existential questions posed by these regimes of the twentieth century - and how they remain with us in the twenty-first.

'A singular, devastating journey into the ungovernable reaches of the heart' ObserverSHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place. Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

Why did people, who lived so briefly in this universe, contain so much tim? ina and her ailing father have taken refuge at an enclave called the Sea, a staging post between migrations, with only a few possessions, among them three volumes from The Great Lives of Voyagers encyclopaedia series. In this mysterious and shape-shifting building, pasts and futures collide. Lina befriends her unusual neighbours: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China, and through their stories, she comes to understand the role of fate in history and the way that ideas can shape the world, and to face up to the cost wrought on her family and others by her father's betrayals. Profound, adventurous, and with extraordinary subtlety of thought, The Book of Records explores our search for home and the place of faith and humanity in our world. A work of huge originality and heft, it shows the great novelist Madeleine Thien at her most ambitious and enriching.

The ear is the organ of fear. It is a door to that which is not of this world. Leaving behind the dread and decay of the city, Noa and her best friend, Nicole, travel up into the Andes, heading for Solar Noise: an eight-day festival that takes place on the side of a volcano, in the infinite expanse of the páramo. A world of mysticism and underground music, in tune with the thunder of the earth and the bellows of the mountains. Noa has been drawn there in search of her father, who, wrestling with the violence of Ecuador, abandoned her as a child. But soon after their arrival at the festival, Noa appears possessed, speaking in a voice that is not her own. Believing Noa to be in danger, Nicole struggles to care for her friend. Until, as the party spills into Inti Raymi - the Incan festival of the sun - the girls' desire for belonging burns, incandescent, collapsing the thin membrane separating life from death, and trauma from transcendence. Wild and incantatory, Electric Shamans at the Festival of the Sun is both an hallucinogenic trip of a novel, and a heartfelt meditation on love, family and kinship - one that announces the arrival of a major writer.

'A work of strange, slow-motion, underwater intensity. Put your ear to the page and you can almost hear the ocean whisper' IndependentA single lighted match banishes Triton from his father's home to the employ of Mister Salgado, a marine biologist obsessed by swamps, sea movements and a Sri Lankan island's disappearing reef. Stranded in London years later, Triton plumbs the depths of his childhood memories - a period of brewing political, ethical and religious turmoil - and brings us to understand how he has navigated this brave new world, which once lost will haunt him forever.

'Smart and subtle... You'll read it, then want to read it again' - GQA writer returns to his college town, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor. But after he drops his smartphone in the hotel sink, he arrives at Thomas's house with no recording device - a fact he is mysteriously unable to confess. What unfolds from this dreamlike circumstance is both a brilliant meditation on those technologies that enrich and impoverish our connections to each other, that store and obliterate our memories, and a moving exploration of the relationships that make us who we are.

In the piazza, a man lies dead. No one will say if they witnessed his killing. This presents a challenge to the investigating officer, a man who earnestly believes in the values of a democratic and modern society. Indeed, his enquiries are soon blocked off by a wall of silence and vested interests; he must work against the community to save it and expose the truth.The narrative moves on two levels: that of the investigator, who reveals a chain of savage crimes; and that of the bystanders and watchers, of those complicit with secret power, whose gossipy, furtive conversations have only one end - to stop the truth coming out. This novel about the Mafia is also a mesmerizing demonstration of how that organization sustains itself. It is both a beautifully, tautly written story and a brave act of denunciation.

'An instant classic' DazedA nameless barman tends a decaying bar in Hollywood and takes notes for a book about his clientele. Initially, he is morbidly amused by watching the regulars roll in and fall into their nightly oblivion, pitying them and their loneliness. In hopes of uncovering their secrets and motives, he establishes tentative friendships with them. He also knocks back pills indiscriminately and treats himself to gallons of Jameson's. But as his tenure at the bar continues, he begins to lose himself, trapped by addiction and indecision. When his wife leaves him, he embarks on a series of squalidly random sexual encounters and a downward spiral of self-damage and irrational violence. To cleanse himself and save his soul, he attempts to escape...

Solnit maps the extraordinary revolution of ideas and rights that we've experienced over the last fifty years, which has profoundly changed our world. In recognising the interdependent and symbiotic relationships in nature and among humans, this revolution is beginning to overturn capitalism, white supremacy, patriarchy and the human domination of nature - despite the best efforts of the old world to fight back. From one of the most significant thinkers of our day, The Beginning Comes After the End is a culmination of years of activism and offers a unique perspective on our politics and our humanity, to give hope in difficult times and to urgently remind us that the power to change the world is within our reach.

To the untrained eye, the rabbi is far from desirable. He is lofty and unkempt, he is ageing and his congregation is ever diminishing. But to one man, he is the object of obsession. Our narrator adores the rabbi and worships the universe between his legs. But so too does he bristle at being relegated to the peripheries of the rabbi's life. When they're apart, he manically contemplates every element of the rabbi's being: his absent husband; his first (and only) wife and child, both now deceased; his unstable, yet alluring, adopted son. Until, in a bid to help sustain their relationship, our narrator embarks on an increasingly urgent quest to better understand his mercurial lover - one which threatens to upturn the lives of both men. Lavish and lascivious, My Lover, the Rabbi is an exuberant exploration of devotion and desire, as well as a careening Catherine wheel of a novel about queer family-making, one which is attuned to the mysterious constellations and patterns that shape our lives.

In 2000, a Chinese woman gave birth to twins in a bamboo grove, trying to avoid detection by the government because she already had two daughters. Two years later, an American couple travelled to Shaoyang to adopt a Chinese toddler they thought had been abandoned. Their understanding had been that China's brutal one-child policy was leading to hundreds of abandoned girls, desperate for the care of adopted parents. What they didn't know - and what award-winning journalist Barbara Demick uncovered in 2007, while working as a correspondent in Beijing - was that their daughter had been snatched from her beloved family and her identical twin. Under China's one-child policy hundreds of poor Chinese were giving up their children due to soaring fines and threats of violence. More sinister still, international demand for adoptees was sky-rocketing, and local officials were forcibly seizing children and trafficking them to orphanages, who were selling them abroad. Daughters of the Bamboo Grove tells the gripping story of separated twins, their respective fates in China and the USA, and Barbara Demick's role in reuniting them against huge odds. Painting a rich portrait of China's history and culture, it asks questions about the roots, impact and consequences of China's one-child policy, the ethics of international adoption, and, ultimately, the assumptions and narratives we hold about the quality of lives lived in the East and the West.

At what point does a low mood tip over into depression? When does a distressing experience qualify as trauma? When does a cluster of symptoms indicate an underlying condition? As the conversation around mental health has moved from the consulting room to the public arena, so the concept of normal is shifting. Today, we are seeing an unprecedented rise in diagnosable conditions, in waiting lists, in diagnoses, and in medication. Yet, are we really less psychologically healthy than previous generations? In this brave, engrossing and vitally important new book, consultant neuropsychiatrist Dr Alastair Santhouse argues that the consequences of the new climate of diagnosis are immense. Drawing on his decades of clinical experience, Dr Santhouse explores our current malaise and proposes a solution - that we pull back from this diagnostic expansion, focus on the effective treatment of a core group of severe mental health problems, and de-medicalise a vast range of other normal human experiences.

'For a long time I had not been that person. For a long time horses had not occurred to me at all.'For a long time, she and her husband have their dog and she almost certainly doesn't want to have a child. But then the dog dies and she learns she can't have a child even if she wanted to, and she begins to think about horses again. When she hears about a mare who needs looking after part-time, it sounds like an ideal arrangement. Something to care for two days a week, without getting in too deep. But as she brushes and feeds and rides the horse, affection grows into obsession and she must confront what it means to love a being who did not come from her body and who does not belong to her. Emily Haworth-Booth's award-winning debut novel is a bold and beautiful exploration of contemporary (non)motherhood and the surprising ways in which desire can enthral us and set us free.

Amane is ten years old when she discovers she's not like everyone else. Her school friends were all conceived the normal way, by artificial insemination, and raised in the normal way, by parents in 'clean', sexless marriages. But Amane's parents committed the ultimate taboo: they fell in love, had sex and procreated. As Amane grows up and enters adulthood, she does her best to fit in and live her life like the rest of society: cultivating intense relationships with anime characters, and limiting herself to extra-marital sex, as is the norm. Still, she can't help questioning what sex and marriage are for. But when Amane and her husband hear about Eden, an experimental town where residents are selected at random to be artificially inseminated en masse (including men who are fitted with artificial wombs), the family unit does not exist and children are raised collectively and anonymously, they decide to try living there. But can this bold experiment build the brave new world Amane desires, or will it push her to breaking point?

A young Vietnamese woman is invited to travel from Ho Chi Minh City to speak at an International Youth Conference in East Berlin. On her arrival, as she is preparing to present her paper in Russian on 'Vietnam as a Victim of American Imperialism', she is abruptly kidnapped and taken to a small town on the western side of the Berlin Wall. There she falls under a strange spell of domestic and sexual boredom with her abductor, until one night she manages to escape on a train to Moscow... but mistakenly arrives in Paris. Alone, penniless, and in a completely foreign land, Anh (her false name) wanders the fringes of society, meeting a sex worker, another Vietnamese immigrant, a theatre troupe and other shadowy characters. But at the centre of her new life is Catherine Deneuve, the iconic film star whose films she loses herself in and who becomes the object of her obsessions. Crossing borders of language, nation, ethnicity, sexuality and art, The Naked Eye is a cinematic, incandescent novel that anticipates and embodies our twenty-first century nightmares and dreams.

When two quiet men form a tentative connection neither knows where it might lead. M has inherited his family's ironmongery business and B is younger by eleven years and can see no future in the place where he has grown up, but when M offers him a job and lodgings, he accepts. As the two men work side by side in the shop, they also begin a life together in their one shared room above - the kind of life they never imagined possible and that risks everything if their public performance were to slip. Unfolding in South Wales against the backdrop of Section 28, the age of consent debate and the HIV and AIDS crisis, this is a tender and resonant love story, and a powerful debut.