Granta Books strana 3 z 16

Anger is all around us, from divisive social media arguments and heightened political divides to road rage and personal spats; from Black Lives Matter and climate justice movements to Trump, incels and white supremacists. When it materialises, it seems to cry out for recognition and response. It affects our bodies and can transition into violence. It can be inherited through the generations; it can manifest in criminal acts. What should we do with it, and can it ever be put to good use? Drawing on case studies of patients, developments in neuropsychology, literature, philosophy and recent political events, acclaimed author and psychoanalyst Josh Cohen identifies the different forms of anger, including the most untrammelled and elemental fury, the more cynical anger that works towards political unrest, and the questioning anger of political protest. Rather than an emotion to ignore, he argues that anger is a primary human feeling. It maps itself onto every aspect of our intimate lives while politically and culturally shaping our world. In a time of intense dissatisfactions and spiralling divisions, and with anger a dominating force, All the Rage offers a new and original understanding of anger, so we may better handle the rage within us.

From the 2024 winner of the International Booker Prize, a collection of short essays on the places, people, rituals and objects that slip into the realm of memory. The Palace of the Republic, that once housed the East German parliament, is demolished. A grandmother's laughter passes from life into memory. Furniture that once made a home is taken to the tip. A friendship drops into silence. Old ways are erased by the new. In this fascinating collection of essays, most of them written for her column in the Frankfurter Allgemeine Zeitung, Jenny Erpenbeck meditates, with a sense of both deep melancholy and wry humour, on the disappearance and impermanence of things. Whether recalling the shop that used to darn tights in the days before you could just buy a new pair, reflecting on changing social attitudes, or considering the mysterious vanishing of a piece of cheese from her fridge, Jenny Erpenbeck's sharp intelligence, eye for telling detail, and her nuanced perspective on her country's past and present imbue these brief pieces with lasting power.

My mother had died, but still I heard her voice... Growing up in an affluent neighbourhood in 1930s Shanghai, Loo Shu-hsin is told that it is 'no good for a girl to be smart' - and yet when rumours of the revolution reach their enclave, she is the one sent abroad for an education. In New York, she meets Chao-Pei, a Chinese engineering student, and they set out to make a life together. By the time their daughter - Gish Jen - is born, her parents have only sporadic contact with their families, who are locked in repressive Maoist China. And in her struggle to discipline her American daughter, Loo Shu-hsin finds herself repeating the punishing refrains - 'Bad bad girl! You don't know how to talk!' - that punctured her own childhood. Bad Bad Girl is a compelling exploration of a mother's life in exile from one of America's finest stylists.

In this concluding volume, intrepid Hiruko and her band of friends embark on a sea voyage in search of Hiruko's lost island homeland - the Land of Sushi. The boat carrying the companions strikes east from Copenhagen across the Baltic Sea, but as it docks in coastal ports along the route, an array of mysterious characters boards the vessel. Deeply inventive, poignant and sublime, Archipelago of the Sun is yet another masterful novel by the grande dame of Japanese literature.

'Amazing...a great present' RICHARD OSMANTHE MUST-READ COMPANION FOR ANY ASPIRING WRITERIn these intimate and frank conversations with some of our best-loved writers, Hattie Crisell uncovers the mysteries of the creative process, asking: Where do ideas come from? How do stories find their shape? What happens when confidence falters or the work fails - and what does success look like? The answers range from the thought-provoking to the hilarious. Here we meet the novelist who makes a playlist for each manuscript; the screenwriter who considers swearing an art form; the author who prefers to work in near-darkness, and the confessional writer at risk of revealing too much. Taken as a whole, these inspiring interviews amount to an insider's guide to the writing process: its disciplines and demands; its ecstasies and agonies; its coffees, word counts and publishing hurdles. Most of all, they reveal how it really feels to write and be read. With contributions from James Acaster, André Aciman, Ayobami Adebayo, Rumaan Alam, Amer Anwar, Mona Arshi, Andrew Billen, Holly Bourne, Charlie Brooker, Wendy Cope, Cressida Cowell, John Crace, Elizabeth Day, Grace Dent, Kit de Waal, Geoff Dyer, Wendy Erskine, Tor Freeman, Will Harris, Anna Hope, John Lanchester, Sophie Mackintosh, Emily St. John Mandel, Meg Mason, Mhairi McFarlane, Liane Moriarty, David Nicholls, Mary Norris, Graham Norton, Maggie O'Farrell, Ruben Östlund, Robert Popper, Lucy Prebble, Georgia Pritchett, Kiley Reid, John Rentoul, Hugo Rifkind, Jon Ronson, Michael Rosen, Sathnam Sanghera, George Saunders, David Sedaris, Elif Shafak, Alexandra Shulman, Curtis Sittenfeld, Raven Smith, Will Storr, Brandon Taylor, Craig Taylor, Barbara Trapido, Emma Jane Unsworth, Robert Webb, Zoe Williams, Meg Wolitzer.

A BBC RADIO 4 BOOK OF THE WEEKCold-blooded, slippery, wet and strange: fish can be hard to think of as fellow animals and easier to consider as food. But what do we know of these creatures on our plates, and what do we know of how they got there? In Every Last Fish, Rose George takes us inside the vast legal industries that support our appetite for fish fingers and salmon sandwiches, and the equally colossal illegal fishing trade whose practices and standards are unmonitored and often dangerous. It introduces us to the men (and it is mostly men) who fish, the women (and it is mostly women) who process the flesh and strive to keep fishing communities afloat. It takes us from Alaska to Senegal, via Scotland, Norway, and Massachusetts, and from the nets on the surface to the murky depths of the sea bed. It will transform the way you look at fish and change your understanding of what lies behind the inscrutable eye that looks back at you.

In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings - but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. Unfolding over geological eons, Under the Eye of the Big Bird is at once an astonishing vision of the end of our species as we know it and a meditation on the qualities that, for better and worse, make us human.

'The book of you is dominated by night-black seas, sprinkled with shining island sentences: tiny islets of remembrance, glimmering in the night.'Memory isn't all that we think it is. Each time we revisit even our most deeply ingrained memories, they can soften and consolidate, distorted. Yet they also carry within them the blueprint of each person's unique style. From episodic memories like shining islands in dark water, and forgotten memories that underpin our personalities, to the memories authored by others that we carry within us, Rowlands explores our negotiations with the past and how memory makes us who we are. Drawing on the latest neurological and psychological research and on a range of writers and thinkers, The Book of Memory is a mesmerising journey into how memories are made, lost and remembered, with important consequences for how we understand ourselves.

SHORTLISTED FOR THE EDWARD STANFORD TRAVEL WRITING AWARDIn Somebody is Walking on Your Grave, Mariana Enriquez blends journalistic rigour and her fascination with the macabre as we encounter famous graveyards steeped in history, such as Montparnasse in Paris, Highgate in London, and the Jewish cemetery in Prague, as well as more remote, decrepit, hidden, or secretly beautiful ones. These pages are full of the graves of famous figures - Elvis in Memphis, Karl Marx in London - mournful sculptures, traces of voodoo, catacombs, skeletons and an array of legends and stories. Mariana's personal journey weaves through haunting narratives, transforming burial grounds into spaces of reflection, obsession, and emotional discovery between the living and the dead. From the haunting statues of Staglieno in Genoa to the eerie silence of Rottnest Island's hidden Aboriginal cemetery, Enriquez's narrative shifts effortlessly between travelogue, essay, and memoir. In her unique voice, cemeteries transform into living, breathing places of reflection, obsession and revelation. As she roams, each cemetery becomes a lens through which she examines everything from colonial violence to the strange rituals surrounding death.

The French have always loved to protest, to strike, to take to the streets in rebellion against the state or the status quo. But in the last few years, the level of anger and violence has taken many by surprise and the atmosphere has changed. The voices of hostility are not only from the extreme far-right, but from the ordinary French who feel excluded from the closed circle of wealth and privilege within the prospering cities. In this fascinating new book, Andrew Hussey travels the length of his adopted homeland to uncover the past and present of the culture of the working class in France, a culture invisible to most tourists and ignored by the metropolitan classes. From the industrial north to the southern borders with Italy, Hussey maps the mood of a nation, and reveals the social, political and economic fault lines that may only deepen and spread. Combining vivid travel narrative and sharp cultural analysis, this will be a compulsively readable and important book.

Which countries were under a dictatorship? Where did the Beatles perform live outside the UK? Where were atomic bombs tested? Which nations boycotted the 1966 World Cup? What was the route of the Hippy Trail? The 1960s was a momentous decade whose legacy is colourful and enduring. Here is a book that maps those years - through their culture, their politics, their technological and scientific advances, their conflicts and their natural disasters. What emerges is a fresh and revealing portrait of a decade which saw enormous social change, seemed to offer boundless potential, but also had its darker side.

'Is this honest? Are we all being honest here?'You couldn't really call the man soon to be christened TonyInterruptor a heckler, but he seems to feel an unquenchable urge to disrupt and interrupt live cultural events. Who is he? What does he want? Why does he indulge in behaviour that violates the social contrac? fter just such a public interruption goes viral, a small group of characters determine to find out the answers to these question, and end up learning more than they might possibly like about music, culture, relationships, Art, integrity, each other and their own endlessly disrupted and disruptable selves. As profound as it is exuberant, TonyInterruptor is a comic masterpiece that traces the aftermath of a single event as it reverberates through the online world and its characters' lives, upending everything in its wake and posing fundamental questions about authenticity, the internet, love and, yes, truth.

Rachel and Jaime: their story isn't simple. It might not even be their story. Augustus Fate, a once-lauded novelist and now renowned recluse, is struggling with his latest creation. But when Jaime and Rachel stumble into his remote cottage, he spies opportunity, imprisoning them inside his novel-in-progress. Now, the fledgling couple must try to find their way back home through a labyrinthine network of novels. 'And as they move from Victorian Oxford to a utopian Manchester, a harsh Russian winter to an AI-dominated near-future, so too does the narrative of their relationship change time and again. Together, they must figure out if this relationship of so many presents can have any future at all. The Watermark is a heart-stopping exploration of the narratives we cling to in the course of a life, and the tendency of the world to unravel them. Kaleidoscopic and wildly imaginative, it asks: how can we truly be ourselves, when Fate is pulling the strings?

SHORTLISTED FOR A NERO BOOK AWARD SHORTLISTED FOR THE GOLDSMITHS PRIZE Plans for the expansion of the Capmeadow Business Park are in full swing - its mission is to become the greatest business park in the region. Tom Crowley, a mid-level employee, loses his daughter at 'bring your daughter to work day'. He raises the alarm, and his colleagues rush to help him find her. Eventually, after no sign of her is found, it transpires she was never there. And yet, as time goes on, Tom still cannot reconcile that she is really at home. Refusing to accept that she is safe, Tom continues to search for her in the maze of corridors and impossible multi-dimensional spaces that make up his place of work... Because Capmeadow is expanding in unexpected ways, a Liaison Officer becomes the central focus for complaints about how the expansion is impacting the lives of the employees - unexpected buildings, years-long business days, cursed farmers' markets, and corridors of the mind are draining the life from Tom and everyone he works with. Years pass, and Tom remains at the company, convinced he is in the presence of his now adult daughter. But has he judged it correctly? And can anything go back to the way it was?

If a dog could write a book of philosophy, what would it contai? f you have spent part of your life with a dog, you may find certain questions popping, unbidden, into your mind. Is my dog living a fulfilled life? Is my dog a good dog? Does my dog love me? This, however only scratches the surface of a canine philosophy. Drawing on his life lived with dogs (two German shepherds, the amiable Hugo and his dark twin Shadow; Brenin, a wolf hybrid, and Tess his wolf dog daughter; and Nina, a German shepherd/malamute mix), on the ideas of philosophers from Socrates to Hume and Sartre, and on the cutting edge psychology of canine cognition, philosopher Mark Rowlands explores the way dogs experience the world to bring us closer to an understanding of ourselves. While dogs feel unparalleled joy and focus in the moment, humans are burdened by the disquietude of anxiety, doubt and even anguish. Happiness for dogs can be achieved in the daily chase of a squirrel, for humans it is much more elusive. Digging deep into their morality, freedoms, consciousness, intelligence and love of life, Rowlands discovers that dogs have a unique way of existing which amounts to a different philosophical outlook altogether - if they could write such a thing - and that they may have better answers to the meaning of life than we do.

Winner of the Samuel Johnson Prize for Non-Fiction: a powerfully moving account of people who heroically resisted the communist dictatorship of East Germany, and of people who worked for its secret police, the Stasi. Anna Funder delivers a prize-winning and powerfully rendered account of the resistance against East Germany’s communist dictatorship in these harrowing, personal tales of life behind the Iron Curtain—and, especially, of life under the iron fist of the Stasi, East Germany’s brutal state security force. In thetradition of Frederick Taylor’s The Berlin Wall and Philip Gourevitch’s We Wish to Inform You That Tomorrow We Will be Killed With Our Families, Funder’s Stasiland is a masterpiece of investigative reporting, written with novelistic vividness and the compelling intensity of a universal, real-life story.