Granta Books strana 9 z 16

Natsuki isn't like the other girls. She has a wand and a transformation mirror. She might be a witch, or an alien from another planet. Together with her cousin Yuu, Natsuki spends her summers in the wild mountains of Nagano, dreaming of other worlds. When a terrible sequence of events threatens to part the two children forever, they make a promise: survive, no matter what. Now Natsuki is grown. She lives a quiet life with her asexual husband, surviving as best she can by pretending to be normal. But the demands of Natsuki's family are increasing, her friends wonder why she's still not pregnant, and dark shadows from Natsuki's childhood are pursuing her. Fleeing the suburbs for the mountains of her childhood, Natsuki prepares herself with a reunion with Yuu. Will he still remember their promise? And will he help her keep it?

Over the course of his life, Mr Nishino falls hopelessly in love again and again. One woman is a colleague, another a chance encounter; one is the girlfriend of a classmate, another the best friend of Nishino's latest conquest. Some are entranced by Nishino, others care more for their freedom, their children (or their cats). As we come to learn of the torments, desires and delights of each woman, a portrait emerges of a complicated man whose great capacity for love may well be the cause of his downfall.

One day, the children begin to show up in the subtropical town of San Cristobal. Aged between nine and thirteen, the children are covered in dirt and hungry. They beg food, commit small acts of vandalism, play games that don't seem to have any rules, and communicate with each other in a strange language. No one knows where they come from or where they disappear to each night. And then, they rob a supermarket and stab two adults, bringing fear to the town. Thus begins a fearsome and thrilling modern morality tale that retraces the lines between good and evil, the civilised and the wild, and drags our assumptions about childhood and innocence out into the light.

Kevin Maxwell was a dream candidate for the police force - he had a long-held desire to serve his community, a strong moral compass and a clear aptitude for both the strategic and practical aspects of policing. And, as a gay black man from a working class family, he could easily have been a poster boy for the force's stated commitment to equal opportunities. Joining just after the 9/11 attacks, Kevin entered policing determined to keep communities safe in the face of a changing world. But instead he came up against entrenched prejudice, open racism and homophobia. For more than ten years, Kevin strove against the odds, until he took the force to an employment tribunal - with devastating results. Forced Out is a revelatory expose combining deeply affecting memoir with sharp analysis and a fascinating insider perspective on day-to-day life in the force. It is a touchstone for the silent many who have either tried to ignore abuse for the sake of their career or who have been bullied out of their jobs. It paints a sobering portrait of an institution that has not yet learned the lessons of the past and whose prejudice is informing the cases it chooses to investigate and the way it investigates them. And it asks the important question: what needs to change?

Howard Hinton and his family are living in Japan, escaping from a scandal. Hinton's obsession is his work, his voyages into mathematical pure space, into the fourth dimension, but also his wife and sons, each of whom are entangled in the strange and unknown landscapes of Hinton's science fictions. In a bravura and startling meeting of real and philosophical elements, Mark Blacklock has created a ravishing period piece of late-Victorian social, scientific and domestic life. Hinton is about extraordinary discoveries, and terrible choices. It is about people who discover and map other realms, and what the implications might be for those of us left behind.

1959, Seoul. Divided from his family by the violent tumult of the Korean civil war, Yunho arrives in South Korea's capital searching for his oldest friend. He finds him in the arms of Eve Moon, a dancer with many names who may be a refugee fleeing the communist North, or an American spy. Beguiled, Yunho falls desperately in love. But nothing in Seoul is what it seems. The city is crowded with double agents and soldiers, and wracked by protests and poverty, while across the border, Pyongyang grows more prosperous by the day. When a series of betrayals and a brutal crime drive the three friends into exile, Yunho finds himself caught in the riptide of history. Might a homecoming to North Korea be his only hope for salvation?

A BBC Radio 4 Book of the Week Lake Ohrid and Lake Prespa. Two vast lakes joined by underground rivers. Two lakes that seem to hold both the turbulent memories of the region's past, and the secret of its enduring allure. Two lakes that have played a central role in Kapka Kassabova's maternal family. As she journeys to her grandmother's place of origin, Kassabova encounters a civilisational crossroads. The Lakes are set within the mountainous borderlands of North Macedonia, Albania and Greece, and crowned by the old Roman road, the via Egnatia. Once a trading and spiritual nexus of the southern Balkans, this lake region remains one of Eurasia's most culturally diverse areas. Meanwhile, with their remote rock churches, changeable currents, and large population of migratory birds, the Lakes live in their own time. By exploring on water and land the stories of poets, fishermen, and caretakers, misfits, rulers, and inheritors of war and exile, Kassabova uncovers the human history shaped by the Lakes. Setting out to resolve her own ancestral legacy of the Lakes, Kassabova's journey unfolds to a deeper enquiry into how geography and politics imprint themselves upon families and nations, and confronts her with questions about human suffering and the capacity for change.

By an author described by critics as 'the most accomplished Malaysian writer, full stop'. Lake Like a Mirror is a scintillating exploration of the lives of women buffeted by powers beyond their control. Squeezing themselves between the gaps of rabid urbanisation, patriarchal structures and a theocratic government, these women find their lives twisted in disturbing ways. In precise and disquieting prose, Ho Sok Fong draws her readers into a richly atmospheric world of naked sleepwalkers in a rehabilitation centre for wayward Muslims, mysterious wooden boxes, gossip in unlicensed hairdressers, hotels with amnesiac guests, and poetry classes with accidentally charged politics - a world that is peopled with the ghosts of unsaid words, unmanaged desires and uncertain statuses, surreal and utterly true.

Welcome to the favela, welcome to the rainforest, welcome to the real Brazil. This is the Brazil where a factory worker is loyal to his company for decades, only to find out that they knew the product he was making would eventually poison him. This is the Brazil where the mothers of the favela expect their sons to die as victims of the drug trade while still in their teens. This is the Brazil where the women initiated into the old Amazonian tradition of 'baby-pulling' deliver babies in their own time, far away from the drugs and scalpels of the modern hospital. In the company of award-winning journalist Eliane Brum, we meet the individuals struggling to stay afloat in a society riven by inequality and violence, and witness the resilience of spirit and commitment to life that makes Brazil one of the most complicated, most exhilarating places on earth.

'One of the most rewarding pieces of hip-hop criticism ever written' Jeff Chang 'Brilliant' Giles Peterson 'Will Ashon's dazzling study gets to the heart of hip hop, pop culture and the history of contemporary America. Essential' Matt Thorne 'Each of these chambers contains wonders of history, destiny and mythology' Margo Jefferson Will Ashon tells, in 36 interlinked 'chambers', the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualise, reveal and honour this singularly composite work of art. From the FBI's war on drugs to the porn theatres of 42nd street, from the history of jazz to the future of politics, Chamber Music is an explosive and revelatory new way of writing about music and culture.

Which nations have North Korean embassies? Which region has the highest number of death metal bands per capita? How many countries have bigger economies than California? Who drives on the 'wrong' side of the road? And where can you find lions in the wild? Revelatory, thought-provoking and fun, Brilliant Maps is a unique atlas of culture, history, politics and miscellanea, compiled by the editor of the iconic Brilliant Maps website. As visually arresting as Information is Beautiful and as full of surprising facts and figures as any encyclopaedia, Brilliant Maps is a stunning piece of cartography that maps our curious and varied planet. For graphic design enthusiasts, compulsive Wikipedia readers and those looking for the sort of gift they buy for someone else and wind up keeping for themselves, this book will change the way you see the world and your place in it.

*SUNDAY TIMES BESTSELLER* 'There to fill the Sapiens-size hole in your life' Observer In this groundbreaking global overview of philosophy, Julian Baggini travels the world to provide a wide-ranging map of human thought. One of the great unexplained wonders of human history is that written philosophy flowered entirely separately in China, India and Ancient Greece at more or less the same time. These early philosophies have had a profound impact on the development of distinctive cultures in different parts of the world. What we call 'philosophy' in the West is not even half the story. Julian Baggini sets out to expand our horizons in How the World Thinks, exploring the philosophies of Japan, India, China and the Muslim world, as well as the lesser-known oral traditions of Africa and Australia's first peoples. Interviewing thinkers from around the globe, Baggini asks questions such as: why is the West is more individualistic than the East? What makes secularism a less powerful force in the Islamic world than in Europe? And how has China resisted pressures for greater political freedom? Offering deep insights into how different regions operate, and paying as much attention to commonalities as to differences, Baggini shows that by gaining greater knowledge of how others think we take the first step to a greater understanding of ourselves.

A pair of girls, Lethe and Lois, navigates the perimeters of a segregated city, armed with canisters of killing gas. Another child, Lessen, is at the centre of a bizarre cultural ritual that could be the subject of a Goya painting. Centring on the garish festivals of an allegorical nation, The Divers' Game moves through worlds in which kindness is no longer meaningful. A scathing indictment of the inequalities of Western society, it makes visible the violence that has threaded its way into every aspect of our lives, and the radical empathy we need to combat it.

Most humans contain between nine and twelve pints of blood. Here Rose George, who probably contains nine pints, tells nine different stories about the liquid that sustains us, discovering what it reveals about who we are. In Nepal, she meets girls challenging the taboos surrounding menstruation; in the Canadian prairies, she visits a controversial plasma clinic; in Wales she gets a tour of the UK's only leech farm to learn about the vital role the creatures still play in modern surgery; and in a London hospital she accompanies a medical team revolutionising the way we treat trauma. Nine Pints reveals the richness and wonder of the potent red fluid that courses around our bodies, unseen but miraculous.

Can music make the world a better place? Can it really 'belong' to anyone? Can the magic, mystery and incertitude of music - of the human brain meeting or making sound - can it stop wars, rehabilitate the broken, unite, educate or inspire? From Jimi Hendrix playing 'Machine Gun' at The Isle of Wight Festival in 1970 to the Bataclan under siege in 2015, Ed Vulliamy has lived the music, met the legends, and asked, when words fail, might we turn to music? There's only one way to find out, and that is to listen...

It is high summer in rural Northumberland. Seventeen-year-old Silvie and her parents have joined an encampment run by an archaeology professor with an interest in the region's dark history of ritual sacrifice. As Silvie finds a glimpse of new freedoms with the professor's students, her relationship with her overbearing father begins to deteriorate, until the haunting rites of the past begin to bleed into the present.