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Envelope Poems


Although a very prolific poet?and arguably America?s greatest?Emily Dickinson (1830?1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson?s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy?addressed to no one and everyone at once.Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin?s pioneering transcriptions of Dickinson?s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes).
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15,63 € 15,95 €

Henry Miller on Writing


Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.
Vypredané
18,57 € 18,95 €

No Longer Human


Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
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15,63 € 15,95 €

The Setting Sun


Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.
Na sklade 2Ks
16,61 € 16,95 €

Is that Kafka? - 99 Finds


In the course of compiling his highly acclaimed three-volume biography of Kafka, while foraying to libraries and archives from Prague to Israel, Reiner Stach made one astounding discovery after another: unexpected photographs, inconsistencies in handwritten texts, excerpts from letters, and testimonies from Kafka's contemporaries that shed surprising light on his personality and his writing. Is That Kafka? presents the crystal granules of the real Kafka: he couldn't lie, but he tried to cheat on his high-school exams; bitten by the fitness fad, he avidly followed the regime of a Danish exercise guru; he drew beautifully; he loved beer; he read biographies voraciously; he made the most beautiful presents, especially for children; odd things made him cry or made him furious; he adored slapstick. Every discovery by Stach turns on its head the stereotypical version of the tortured neurotic--and as each one chips away at the monolithic dark Kafka, the keynote, of all things, becomes laughter. For Is That Kafka? Stach has assembled 99 of his most exciting discoveries, culling the choicest, most entertaining bits, and adding his knowledgeable commentaries. Illustrated with dozens of previously unknown images, this volume is a singular literary pleasure.
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Poetry as Insurgent Art


In 1953 Lawrence Ferlinghetti founded the first paperback bookstore in the United States. In over five decades City Lights, the bookstore and publisher, has become a Mecca for millions. Ferlinghetti's A Coney Island of the Mind (ND, 1958) is a number one best-selling volume of poetry by any living American poet.
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Too Much of Life - The Complete Cronicas


The things I've learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don't know. Or maybe they do even when they don't. There are various ways of knowing by not-knowing. I know: it happens to me too. The cronica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector's pieces for the Saturday edition of Rio's leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Cronicas presents a new aspect of the great writer-at once off the cuff and spot on.
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24,45 € 24,95 €

Spadework for a Palace


Spadework for a Palace bears the subtitle "Entering the Madness of Others" and offers an epigraph: "Reality is no obstacle." Indeed. This high-octane obsessive rant vaults over all obstacles, fueled by the idees fixe of a "gray little librarian" with fallen arches whose name-mr herman melvill-is merely one of the coincidences binding him to his lodestar Herman Melville ("I too resided on East 26th Street . . . I, too, had worked for a while at the Customs Office"), which itself is just one aspect of his also being "constantly conscious of his connectedness" to Lebbeus Woods, to the rock that is Manhattan, to the "drunkard Lowry" and his Lunar Caustic, to Bartok. And with this consciousness of connection he is not only gaining true knowledge of Melville, but also tracing the paths to "a Serene Paradise of Knowledge." Driven to save that Palace (a higher library he also serves), he loses his job and his wife leaves him, but "people must be told the truth: there is no dualism in existence." And his dream will be "realized, for I am not giving up: I am merely a day-laborer, a spade-worker on this dream, a herman melvill, a librarian from the lending desk, currently an inmate at Bellevue, but at the same time-may I say this?-actually a Keeper of the Palace."
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The Woman Who Killed the Fish


"That woman who killed the fish unfortunately is me," begins the title story, but "if it were my fault, I'd own up to you, since I don't lie to boys and girls. I only lie sometimes to a certain type of grownup because there's no other way." Enumerating all the animals she's loved-cats, dogs, lizards, chickens, monkeys-Clarice finally asks: "Do you forgive me?" "The Mystery of the Thinking Rabbit" is a detective story that explains that bunnies think with their noses: for a single idea a bunny might "scrunch up his nose fifteen thousand times" (he may not be too bright, but "he's not foolish at all when it comes to making babies"). The third tale, "Almost True," is a shaggy dog yarn narrated by a pooch who is very worried about a wicked witch: "I am a dog named Ulisses and my owner is Clarice." The wonderful last story, "Laura's Intimate Life" stars "the nicest hen I've ever seen." Laura is "quite dumb," but she has her "little thoughts and feelings. Not a lot, but she's definitely got them. Just knowing she's not completely dumb makes her feel all chatty and giddy. She thinks that she thinks." A one-eyed visitor from Jupiter arrives and vows Laura will never be eaten: she's been worrying, because "humans are a weird sort of person" who can love hens and eat them, too. Such throw away wisdom abounds: "Don't even get me started." These delightful, high-hearted stories, written for her own boys, have charm to burn and are a treat for every Lispector reader.
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The Flowers of Buffoonery


The Flowers of Buffoonery opens in a seaside sanatorium where Yozo Oba-the narrator of No Longer Human at a younger age-is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a light-hearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes and trying to make each other laugh. While No Longer Human delves into the darkest corners of human consciousness, The Flowers of Buffoonery pokes fun at these same emotions: the follies and hardships of youth, of love and of self-hatred and depression. A glimpse into the lives of a group of outsiders in pre-war Japan, The Flowers of Buffoonery is a darkly humorous and fresh addition to Osamu Dazai's masterful and intoxicating oeuvre.
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14,65 € 14,95 €

Early Light


Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew. "Everything's gone," the father explains to his daughter: "Mr. Rabbit, our shoes, the Ogigari house, the Chino house, they all burned up," "Yeah, they all burned up," she said, still smiling. "One Hundred Views of Mount Fuji," another autobiographical tale, is much more comic: Dazai finds himself unable to escape the famous views, the beauty once immortalized by Hokusai and now reduced to a cliche. In the end, young girls torment him by pressing him into taking their photo before the famous peak: "Goodbye," he hisses through his teeth, "Mount Fuji. Thanks for everything. Click." And the final story is "Villon's Wife," a small masterpiece, which relates the awakening to power of a drunkard's wife. She transforms herself into a woman not to be defeated by anything, not by her husband being a thief, a megalomaniacal writer, and a wastrel. Single-handedly, she saves the day by concluding that "There's nothing wrong with being a monster, is there? As long as we can stay alive."
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The Famous Magician


A writer is offered a devil’s bargain: will he give up reading books in exchange for total world domination? A certain writer ("past sixty, enjoying 'a certain renown'") strolls through the old book market in a Buenos Aires park: "My Sunday walk through the market, repeated over so many years, was part of my general fantasizing about books." Unfortunately, he is suffering from writer's block. However, that proves to be the least of our hero's problems. In the market, he fails to avoid the insufferable boor Ovando?"a complete loser" but a "man supremely full of himself: Conceit was never less justified." And yet, is Ovando a master magician? Can he turn sugar cubes into pure gold? And can our protagonist decline the offer Ovando proposes granting him absolute power if the writer never in his life reads another book? And is his publisher also a great magician? And the writer's wife? Only César Aira could have cooked up this witch's potion (and only he would plop in phantom Mont Blanc pens as well as fearsome crocodiles from the banks of the Nile)?a brew bubbling over with the question: where does literature end and magic begin?
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The English Understand Wool


A modern amorality play about a 17-year-old girl, the wilder shores of connoisseurship, and the power of false friends Maman was exigeante?there is no English word–and I had the benefit of her training. Others may not be so fortunate. If some other young girl, with two million dollars at stake, finds this of use I shall count myself justified. Raised in Marrakech by a French mother and English father, a 17-year-old girl has learned above all to avoid mauvais ton ("bad taste" loses something in the translation). One should not ask servants to wait on one during Ramadan: they must have paid leave while one spends the holy month abroad. One must play the piano; if staying at Claridge’s, one must regrettably install a Clavinova in the suite, so that the necessary hours of practice will not be inflicted on fellow guests. One should cultivate weavers of tweed in the Outer Hebrides but have the cloth made up in London; one should buy linen in Ireland but have it made up by a Thai seamstress in Paris (whose genius has been supported by purchase of suitable premises). All this and much more she has learned, governed by a parent of ferociously lofty standards. But at 17, during the annual Ramadan travels, she finds all assumptions overturned. Will she be able to fend for herself? Will the dictates of good taste suffice when she must deal, singlehanded, with the sharks of New York?
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A Mountain to the North, a Lake to the South, Paths to the West, a River to the East


The grandson of Prince Genji lives outside of space and time and wanders the grounds of an old monastery in Kyoto. The monastery, too, is timeless: a place of prayer and deliverance, with barely a trace of any human presence. The wanderer is searching for a garden that has long captivated him: "he continually saw the garden in his mind's eye without being able to touch its existence." This exquisitely beautiful novel by National Book Award-winner Laszlo Krasznahorkai-perhaps his most serene and poetic work-describes a search for the unobtainable and the riches to be discovered along the way. Despite the difficulties in finding the garden, the reader is closely introduced to the construction processes of the monastery (described in poetic detail) as well as the geological and biological processes of the surrounding area (the underground layers revealed beneath a bed of moss, the travels of cypress-tree seeds on the wind, feral foxes and stray dogs meandering outside the monastery's walls), making this an unforgettable meditation on nature, life, history, and being.
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A Coney Island of the Mind


The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's-as if they were, taken together, a kind of Coney Island of the mind, a kind of circus of the soul.
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11,71 € 11,95 €

100 Poems from the Japanese


It is remarkable that any Westerner?even so fine a poet as Kenneth Rexroth?could have captured in translation so much of the subtle essence of classic Japanese poetry: the depth of controlled passion, the austere elegance of style, the compressed richness of imagery. The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.
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