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William Beckford's Vathek is a touchstone of eighteenth-century Orientalism and of the Gothic novel. Beckford's later work, The Episodes of Vathek, shares Vathek's irreverent and decadent style, and an edition that unites the two has long been overdue. The Broadview edition includes a newly discovered early version of the first episode, never before in print, that centres on male-male love, as well as the previously published version that was re-written by Beckford as a heterosexual narrative. This edition based on that of 1823 -- the last on edited by the author -- also introduces The Episodes in the order Beckford planned, and incorporates his final corrections.

The story of the daily lives and broken dreams of men and women forced to earn a living by the pen. It tells of a group of novelists, journalists, and scholars caught in the literary and cultural crisis that hit Britain in the closing years of the 19th century.

Pudd'nhead Wilson (1894) was Mark Twain's last serious work of fiction, and perhaps the only real novel that he ever produced. Written in a more sombre vein than his other Mississippi writings, the novel reveals the sinister forces that Mark Twain fe lt to be threatening the American dream. In spite of a plot which includes child swapping, palmistry, and a pair of Italian twins, this astringent work also raises the serious issue of racial differences. This volume also includes two other late work s `Those Extraordinary Twins' and `The Man that Corrupted Hadleyburg'.

This is Trollope's most detailed and concise study of middle-class life in a small provincial community - in this case Baslehurst, in the luscious Devon countryside. It is also a charming love-story, centering on sweet-natured Rachel Ray and her suitor Luke Rowan, whose battle to wrest control over Baslehurst's brewery involves a host of typically Trollopian local characters.

Aurora Leigh is the foremost example of the mid-nineteenth-century poem of contemporary life. This verse-novel is a richly detailed representation of the early Victorian age. The social panorama extends from the slums of London, through the literary world, to the upper classes and a number of superb satiric portraits: an aunt with rigidly conventional notions of female education; Romney Leigh, the Christian socialist; Lord Howe, the amateur radical; Sir Blaise Delorme, the ostentatious Roman Catholic; and the unscrupulous society beauty Lady Waldemar. However, the dominant presence in the work is the narrator, Aurora Leigh herself. From early years in Italy and adolescence in the West Country to the vocational choices, creative struggles, and emotional entanglements of her first decade of adult life, Aurora Leigh develops her ideas on art, love, God, the Woman Question, and society. This is the first critically edited and fully annotated edition for almost a century.

This new translation of The Princesse de Cleves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.

The story of the daily lives and broken dreams of men and women forced to earn a living by the pen. It tells of a group of novelists, journalists, and scholars caught in the literary and cultural crisis that hit Britain in the closing years of the 19th century.

Georg Buchner died in 1837 at a tragically early age, and his three works for the stage remained virtually unknown for half a century. Today all three, especially Danton's Death, his great play about the French Revolution are performed regularly.

A swift-moving historical romance that places an anachronistically liberal hero against the forces of fanaticism in 17th-century Scotland in the period infamous as the killing time". Henry Morton is torn between his love for a royalist's granddaughter and his loyalty to his downtrodden countrymen."

This new translation of The Princesse de Cleves also includes two shorter works also attributed to Mme de Lafayette, The Princesse de Montpensier and The Comtesse de Tende.

The first of Chekhov's works to be published in a serious literary journal, `The Steppe', with its masterly account of a spectacular thunderstorm, signifies his maturation as a writer of short stories. While the majority of his tales focus on the pri vileged classes, this selection shows that Chekhov never forgot his origins as the son of a failed provincial grocer, and characters as varied as the brutal soldier in `Gusev', the downtrodden old constable in `On Official Business', and the bemused peasants in `New Villa' testify to the power and flexibility of his art.

though a great many men and not a few women knew Ferdinand Lopez very well, none of them knew whence he had come' Despite his mysterious antecedents, Ferdinand Lopez aspires to join the ranks of British society. An unscrupulous financial speculator, he determines to marry into respectability and wealth, much against the wishes of his prospective father-in-law. One of the nineteenth century's most memorable outsiders, Lopez's story is set against that of the ultimate insider, Plantagenet Palliser , Duke of Omnium. Omnium reluctantly accepts the highest office of state; now, at last, he is 'the greatest man in the greatest country in the world'. But his government is a fragile coalition and his wife's enthusiastic assumption of the role of pol itical hostess becomes a source of embarrassment. Their troubled relationship and that of Lopez and Emily Wharton is a conjunction that generates one of Trollope's most complex and substantial novels. Part of the Palliser series, The Prime Minister ' s tale of personal and political life in the 1870s has acquired a new topicality in the early twenty-first century

'The present system means joyless drudgery, semi-starvation, rags and premature death; and they vote for it and uphold it. Let them have what they vote for! Let them drudge and let them starve!' There is no other novel quite like The Ragged Trousered Philanthropists". George Orwell called it 'a wonderful book'; its readers have become a living part of its remarkable history. Tressell's novel is about survival on the underside of the Edwardian Twilight, about exploitative employment when the only safety nets are charity, workhouse, and grave. Following the fortunes of a group of painters and decorators and their families, and the attempts to rouse their political will by the Socialist visionary Frank Owen, the book is both a highly entertaining story and a passionate appeal for a fairer way of life. It asks questions that are still being asked today: why do your wages bear no relation to the value of your work? Why do fat cats get richer when you don't? Tressell's answers are 'The Great Money Trick' and the 'philanthropy' of an unenlightened workforce, who give away their rights and aspirations to a decent life so freely. Intellectually enlightening, deeply moving and gloriously funny (complete with exploding clergyman), "The Ragged Trousered Philanthropists" is a book that changes lives."

B'..melodrama is perennial and the craving for it is perennial and must be satisfied' T. S. Eliot ('Wilkie Collins and Dickens') Collins's ability to construct a gripping situation and to create an atmosphere of mystery and menace is fully evident in the three novellas reprinted here. All proceed through a series of dramatic scenes to a climax that in one case at least is literally explosive. The fast-paced Miss or Mrs? (1871) opens on a yacht, features a remarkably unconventional heroine, and entails murder attempts, blackmail, clandestine marriage and commercial fraud. Dramatic and psychologically absorbing, the action of The Haunted Hotel (1878) takes place in an ancient Venetian palazzo converted into a modern hotel that houses a grisly secreI. Lastly, set in a beautiful water-mill, The Guilty River (1886) depicts a group of alienated characters, whose relationships threaten to erupt in violence and murder. Varied in setting and tone, these stories demonstrate Collins's plot-making skill at its most succinct and intricate. *Introduction * Textual Note * Bibliography * Chronology * * Explanatory Notes *Appendix: Collins's prefaces.

The Father; A Dream Play; Miss Julie; The Ghost Sonata; The Dance of Death 'Ibsen can sit serenely in his Doll's House,' Sean O'Casey remarked, 'while Strindberg is battling with his heaven and his hell.' Strindberg was one of the most extreme, and ultimately the most influential theatrical innovators of the late nineteenth century. The five plays translated here are those on which Strindberg's international reputation as a dramatist principally rests and this edition embraces his crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898. Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism. Introduction Textual Note Bibliography Chronology Explanatory Notes

Only in her final novel, in 1876, did George Eliot turn to contemporary English and European life as material for the expression of her own idealism. Daniel Deronda is a psychologically incisive investigation, probing the egoism of a spoiled girl and her increasing awareness of conscience through suffering. Gwendolen comes to regard Daniel as her moral and spiritual mentor, but chance, the revelation of his Jewish birth, and his practical and sympathetic identification with his race draw him away from her. The text is that of Graham Handley's Clarendon edition, which is based on the novel's first published form. emergent nationalism and the bitter internal struggle.