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No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven. The Sultan Schahriar's misguided resolution to shelter himself from the possible infidelities on his wives leads to an outbreak of barbarity in his kingdoms and a reign of terror in his court, stopped only by the resourceful Scheherazade. The tales with which Scheherazade nightly postpones the muderous intent of the sultan have entered our language and our lives like no other collection of narratives before or since. Sinbad, Aladdin, Ali Baba: all make their spectacular entrance on to the stage of English literary history in the Arabian Nights Entertainments (1704-17). The stories contained in this 'store house of ingenious fiction' initiate a pattern of literary reference and influence which today remains as powerful and intense as it was throughout the eighteenth and nineteenth centuries. This edition reproduces in its entirety the earliest English translation of the French orientalist Antoine Galland's Mille et une Nuits. This remained for over a century the only English translation of the story cycle, influencing an incalculable number of writers, and no other edition offers the complete text supplemented by full textual apparatus.

The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greater knowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature. David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice to archaism or over-modern idiom. It is as near an 'equivalent' rendering of the German as has been achieved.

New Upper-Intermediate edition of the course that gets students talking.

`Long may the barbarians continue, I pray, if not to love us, at least to hate one another.' Cornelius Tacitus, Rome's greatest historian and the last great writer of classical Latin prose, produced his first two books in AD 98. He was inspired to take up

The dictionary that helps students write and speak natural-sounding English, now in a new edition with CD-ROM. Which words usually go together? This dictionary shows you the common word combinations (collocations) that are essential for natural-sounding British and American English. Completely revised and extended, the new edition has over 250,000 collocations and over 75,000 examples.

Sparkling with the witty dialogue between Beatrice and Benedicts, Much Ado About Nothing is one of Shakespeare's most enjoyable and theatrically successful comedies. This edition offers a newly edited text and an exceptionally helpful and critically aware introduction. Paying particular attention to analysis of the play's minor characters, Sheldon P Zitner discusses Shakespeare's transformation of his source material. He rethinks the attitudes to gender relations that underlie the comedy and determine its view of marriage. Allowing for the play's openness to reinterpretation by successive generations of readers and peformers, Zitner provides a socially analytic stage history, advancing new views for the actor as much as for the critic.

A fitting conclusion to the Palliser novels, one of the most remarkable achievements in British fiction, The Duke's Children is a touching story of love, family relationships, loyalty, and principles, following the aging Duke of Omnium as he struggles to come to terms with the loss of his vivacious wife, Lady Glencora, and the willfulness of his three children. The wide-ranging introduction explores the implicit politics of the novel about the nature of conservatism and liberalism in all their facets; the "woman question"; autobiographical echoes; gambling; and the novel's interest in modernity and the United States. The book also includes an invaluable appendix that outlines the political context of the Palliser novels and establishes the internal chronology of the series, providing a unique understanding of the six books as a linked narrative. The editors also provide explanatory notes, and the preface provides both a compact biography of Anthony Trollope and a Chronology charts his life against the major historical events of the period. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Audiences have always delighted in the robust comedy and verbal inventiveness of The Taming of the Shrew. It has survived many adaptations ranging from, probably, the play printed in 1594 as The Taming of the Shrew through several eighteenth-century versions to modern-dress productions and transformations into ballet, musical, film, and opera. Introducing this new edition, H.J. Oliver pays attention to the play's theatrical virtues while also providing a deeply considered study of its textual problems, structural complexities, and interpretive challenges.

In these texts, Virginia Woolf considers the implications of the historical exclusion of women from education and from economic independence. In "A Room of One's Own" (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In "Three Guineas" (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

A new six-level grammar practice series for primary pupils aged 6 to 12 which provides an introduction to grammatical concepts and written practice of them.

No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven. The Sultan Schahriar's misguided resolution to shelter himself from the possible infidelities on his wives leads to an outbreak of barbarity in his kingdoms and a reign of terror in his court, stopped only by the resourceful Scheherazade. The tales with which Scheherazade nightly postpones the muderous intent of the sultan have entered our language and our lives like no other collection of narratives before or since. Sinbad, Aladdin, Ali Baba: all make their spectacular entrance on to the stage of English literary history in the Arabian Nights Entertainments (1704-17). The stories contained in this 'store house of ingenious fiction' initiate a pattern of literary reference and influence which today remains as powerful and intense as it was throughout the eighteenth and nineteenth centuries. This edition reproduces in its entirety the earliest English translation of the French orientalist Antoine Galland's Mille et une Nuits. This remained for over a century the only English translation of the story cycle, influencing an incalculable number of writers, and no other edition offers the complete text supplemented by full textual apparatus.

The Ladies' Paradise (Au Bonheur des Dames) recounts the spectacular development of the modern department store in late nineteenth century Paris. The store is a symbol of capitalism, of the modern city, and of the bourgeois family; it is emblematic of consumer culture and the changes in sexual attitudes and class relations taking place at the end of the century. Octave Mouret, the store's owner-manager, masterfully exploits the desires of his female customers. In his private life as much as in business he is the great seducer. But when he falls in love with the innocent Denise Baudu, he discovers she is the only one of the salesgirls who refuses to be commodified. This new translation of the eleventh book in the Rougon-Macquart cycle captures the spirit of one of Zola's greatest novels of the modern city.

The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy

Graded 'read and do' fiction and non-fiction readers that teach children about the world around them.

Immár több mint negyed százada biztosítja a Project sorozat, hogy minden felső tagozatos diák használható nyelvtudáshoz juthasson. Tom Hutchinson logikus, ugyanakkor rendkívül gyerekközpontú és motiváló tananyaga sikert sikerre halmozva képezi alapvető részét a magyarországi közoktatásnak. A legáltalánosabb tanítási helyzetekben is használható, ugyanakkor magas színvonalú tankönyvsorozattal akár B1 szintre is eljuthatnak a tanulók az öt kötet elvégzése után. Bizonyítottan biztos alapokat nyújt minden további életkorban történő nyelvtanuláshoz.

Pamela under the Notion of being a Virtuous Modest Girl will be introduced into all Familes,and when she gets there, what Scenes does she represent? Why a fine young Gentleman endeavouring to debauch a beautiful young Girl of Sixteen.' (Pamela Censured, 1741) One of the most spectacular successes of the burgeoning literary marketplace of eighteeent-century London, Pamela also marked a defining moment in the emergence of the modern novel. In the words of one contemporary, it divided the world 'into two different Parties, Pamelists and Antipamelists', even eclipsing the sensational factional politics of the day. Preached up for its morality, and denounced as pornography in disguise, it vividly describes a young servant's long resistance to the attempts of her predatory master to seduce her. Written in the voice of its low-born heroine, but by a printer who fifteen years earlier had narrowly escaped imprisonment for the seditious output of his press, Pamela is not only a work of pioneering psychological complexity, but also a compelling and provocative study of power and its abuse. Based on the original text of 1740, from which Richardson later retreated in a series of defensive revisions, this edition makes available the version of Pamela that aroused such widespread controversy on its first appearance.