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I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,' wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a 'complicated interweaving of truth and fiction', at its most subtle in the portrait of his father as Mr Micawber, one of Dickens's greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David's affection for the eccentric Betsey Trotwood and her protege Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth's treachery, which reaches its powerful climax in the storm scene. This edition, which has the accurate Clarendon text, includes Dickens's trial titles and working notes, and eight of the original illustrations by 'Phiz'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

InGreenmantle(1916), a classic tale of espionage and adventure, Richard Hannay, hero ofThe Thirty-Nine Steps, travels across war-torn Europe on the trail of a German plot and an Islamic Messiah. He is joined by three more of Buchan's heroes: Peter Pienaar, the old Boer scout; John S. Blenkiron, the American determined to fight the Kaiser; and Sandy Arbuthnot--Greenmantle himself--a character modelled on Lawrence of Arabia. Together they move in disguise through Germany to Constantinople and the Russian border in order to face their enemies: the grotesque Stumm and the evil femme fatale Hilda von Einem.

Male, female, deft, fraudulent, constantly shifting: which of the `masquerade' of passengers on the Mississippi steamboat Fidle is `the confidence man'? The central motif of Melville's last and most `modern' novel can be seen as a symbol of American cultural history.

`Therefore this terror and darkness of the mind Not by the sun's rays, nor the bright shafts of day, Must be dispersed, as is most necessary, But by the face of nature and her laws.' Lucretius' poem On the Nature of the Universe combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour Lucretius demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed not by the gods, but by the mechanical laws of nature. By believing this, men can live in peace of mind and happiness. Lucretius bases his argument on the atomic theory expounded by the Greek philosopher Epicurus. His poem explores sensation, sex, cosmology, meteorology, and geology through acute observation of the beauties of the natural world and with moving sympathy for man's place in it. Sir Ronald Melville's accessible and accurate verse translation is complemented by an introduction and notes situating Lucretius' scientific theories within the thought of 1st century BCE Rome and discussing the Epicurean philosophy that was his inspiration and why the issues Lucretius' poem raisies about the scientific and poetical views of the world continue to be important. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Male, female, deft, fraudulent, constantly shifting: which of the `masquerade' of passengers on the Mississippi steamboat Fidle is `the confidence man'? The central motif of Melville's last and most `modern' novel can be seen as a symbol of American cultural history.

In this elegant and impassioned synthesis from one of the world's leading experts on Africa and poverty, economist Paul Collier writes persuasively that although nearly five billion of the world's people are beginning to climb from desperate poverty and to benefit from globalization's reach to developing countries, there is a "bottom billion" of the world's poor whose countries, largely immune to the forces of global economy, are falling farther behind and are in danger of falling apart, separating permanently and tragically from the rest of the world. Collier identifies and explains the four traps that prevent the homelands of the world's billion poorest people from growing and receiving the benefits of globalization - civil war, the discovery and export of natural resources in otherwise unstable economies, being landlocked and therefore unable to participate in the global economy without great cost, and finally, ineffective governance. As he demonstrates that these billion people are quite likely in danger of being irretrievably left behind, Collier argues that we cannot take a "headless heart" approach to these seemingly intractable problems; rather, that we must harness our despair and our moral outrage at these inequities to a reasoned and thorough understanding of the complex and interconnected problems that the world's poorest people face.

Though I have been dead these fifteen years, I still command here, and none can enter these gates without my permission.' When Sir Philip Harclay returns to England after a long absence, he finds that his childhood friend, Arthur, Lord Lovel, is no longer alive, and that the castle and estates of the Lovel family have twice changed hands. But a mysteriously abandoned set of rooms in the castle of Lovel promises to disclose the secrets of the past. After a series of frantic episodes and surprising revelations, culminating in a trial by combat, the crimes of the usurper and the legitimacy of the true heir are finally discovered. 'The literary offspring of the castle of Otranto', as Reeve described it, The Old English Baron provides an ambitious rewriting of Horace Walpole's groundbreaking work, transporting the trappings of the Gothic to medieval England. Innovative and original in its day, Reeve's historical romance is increasingly recognized as a major influence on the development of Gothic fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book explores the whole of the large and controversial subject of the use of force in international law; it examines not only the use of force by states but also the role of the UN in peacekeeping and enforcement action, and the growing importance of regional organizations in the maintenance of international peace and security. Since the publication of the second edition of International Law and the Use of Force the law in this area has continued to undergo a fundamental reappraisal. Operation Enduring Freedom carries on against Al Qaida and the Taliban in Afghanistan six years after the terrorist attacks of 11 September 2001. Can this still be justified as self-defence in the 'war on terror'? Is there now a wide right of pre-emptive self-defence against armed attacks by non-state actors? The 2006 Israel/Lebanon conflict and the recent intervention of Ethiopia in Somalia raise questions about whether the 'war on terror' has brought major changes in the law on self-defence and on regime change. The 2003 invasion of Iraq gave rise to serious divisions between states as to the legality of this use of force and to talk of a crisis of collective security for the UN.In response the UN initiated major reports on the future of the Charter system; these rejected amendment of the Charter provisions on the use of force. They also rejected any right of pre-emptive self-defence. They advocated a 'responsibility to protect' in cases of genocide or massive violations of human rights; the events in Darfur show the practical difficulties with the implementation of such a duty.

She wanted to swim far out, where no woman had swum before.' Kate Chopin was one of the most individual and adventurous of nineteenth-century american writers, whose fiction explored new and often startling territory. When her most famous story, The Awakening, was first published in 1899, it stunned readers with its frank portrayal of the inner word of Edna Pontellier, and its daring criticisms of the limits of marriage and motherhood. The subtle beauty of her writing was contrasted with her unwomanly and sordid subject-matter: Edna's rejection of her domestic role, and her passionate quest for spiritual, sexual, and artistic freedom. From her first stories, Chopin was interested in independent characters who challenged convention. This selection, freshly edited form the first printing of each text, enables readers to follow her unfolding career as she experimented with a broad range of writing, from tales for children to decadent fin-de siecle sketches. The Awakening is set alongside thirty-two short stories, illustrating the spectrum of the fiction from her first published stories to her 1898 secret masterpiece, 'The Storm'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

An expanding series of short, specialist English courses for different professions, work skills, and industries.

This is the first fully annotated modern-spelling edition ofKing Henry VIIIto appear for over a decade and includes up-to-date scholarship on all aspects of the play, including dating authorship, printing, sources and stage history. The editor accepts the view that the play is a collaboration between Shakespeare and Fletcher. Unique to this edition is the frequent reference to Cavendish's biography of Wolsey, neglected in earlier editions. This edition includes a fully detailed commentary and a selective collation of major variant readings appear immediately beneath the text. Special attention has been paid to the frequent allusion to scripture and proverb law. An index to all words glossed and authorities cited appears at the end of the volume.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Byron's poetry and prose - all the major poems, complemented by important letters, journals, and conversations - to give the essence of his work and thinking. Byron is regarded today as the ultimate Romantic, whose name has entered the language to describe a man of brooding passion. Although his private life shocked his contemporaries his poetry was immensely popular and influential, especially in Europe. This comprehensive edition includes the complete texts of his two poetic masterpieces Childe Harold's Pilgrimage and Don Juan, as well as the dramatic poems Manfred and Cain. There are many other shorter poems and part of the satire English Bards and Scotch Reviewers. In addition there is a selection from Byron's inimitable letters, extracts from his journals and conversations, as well as more formal writings.

'They lived in a kind of hieroglyphic world, where the real thing was never said or done or even thought, but only represented by a set of arbitrary signs.' Edith Wharton's most famous novel, written immediately after the end of the First World War, is a brilliantly realized anatomy of New York society in the 1870s, the world in which she grew up, and from which she spent her life escaping. Newland Archer, Wharton's protagonist, charming, tactful, enlightened, is a thorough product of this society; he accepts its standards and abides by its rules but he also recognizes its limitations. His engagement to the impeccable May Welland assures him of a safe and conventional future, until the arrival of May's cousin Ellen Olenska puts all his plans in jeopardy. Independent, free-thinking, scandalously separated from her husband, Ellen forces Archer to question the values and assumptions of his narrow world. As their love for each other grows, Archer has to decide where his ultimate loyalty lies. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Into a compellingly real portrait of nineteenth-century Russian society, Dostoevsky introduces his ideal hero, the saintly Prince Myshkin. The tensions subsequently unleashed by the hero's innocence, truthfulness, and humility betray the inadequacy of his moral idealism and disclose the spiritual emptiness of a society that cannot accommodate him. Myshkin's mission ends in idiocy and darkness, but it is the world that is rotten, not he. Written under appalling personal circumstances when Dostoevsky was travelling in Europe, The Idiot not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most incisive indictment of Russia's struggling to emulate contemporary Europe and sinking under the weight of Western materialism. This new translation by Alan Myers is meticulously faithful to the original and has a critical introduction by W. J. Leatherbarrow. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This single volume, blank verse translation of The Divine Comedy includes an introduction, maps of Dante's Italy, Hell, Purgatory, Geocentric Universe, and political panorama of the thirteenth and early fourteenth century, diagrams and notes providing the reader with invaluable guidance.Described as the "fifth gospel" because of its evangelical purpose, this spiritual autobiography creates a world in which reason and faith have transformed moral and social chaos into order. It is one of the most important works in the literature of Western Europe and is considered the greatest poemof the European Middle Ages.

The Flowers of Evil, which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its unremitting irony, and its unflinching celebration of the seamy side of urban life. Including the French texts and comprehensive explanatory notes to the poems, this extraordinary body of love poems restores the six poems originally banned in 1857, revealing the richness and variety of the collection.