Taschen strana 70 z 96

The Fab Five. Behind Beatlemania. In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper "The Daily Express". He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life. Benson was warmly welcomed into The Beatles' inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on "The Ed Sullivan" show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of "A Hard Day's Night". The relationship continued in 1966, including George's honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon's comment that the Beatles were "bigger than Jesus Christ." Benson's luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The Fab Five. Behind Beatlemania. In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper "The Daily Express". He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life. Benson was warmly welcomed into The Beatles' inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on "The Ed Sullivan" show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of "A Hard Day's Night". The relationship continued in 1966, including George's honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon's comment that the Beatles were "bigger than Jesus Christ." Benson's luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

Open house. Tour the world's most exceptional recent homes. This third installment in our popular "Architecture Now! Houses" series includes 60 of the most dramatic new residences around the world. See the extraordinary House Turtle designed by the artists Carten Holler and Marcel Odenbach in Biriwa, Ghana; visit Tadao Ando's dramatic House in Monterrey, Mexico, or take off to see the Flight of Birds House in the Azores by Bernardo Rodrigues. More than any magazine or website, this new book allows you to explore the most beautiful and spectacular houses, both inside and out. These private worlds, designed by some of the most talented architects of the moment, suddenly open their doors to you for a private tour. As in all the "Architecture Now!" books, the houses are presented with photos and drawings, but so too are the architects, with their project lists and their addresses for those who may be tempted to ask Shigeru Ban to design an 800-square-meter house on a cliff in Sri Lanka for them (Villa Vista). But even if the budget for such extravagance is lacking curiosity will surely bring you to plunge into "Architecture Now! Houses 3".

Open house. Tour the world's most exceptional recent homes. This third installment in our popular "Architecture Now! Houses" series includes 60 of the most dramatic new residences around the world. See the extraordinary House Turtle designed by the artists Carten Holler and Marcel Odenbach in Biriwa, Ghana; visit Tadao Ando's dramatic House in Monterrey, Mexico, or take off to see the Flight of Birds House in the Azores by Bernardo Rodrigues. More than any magazine or website, this new book allows you to explore the most beautiful and spectacular houses, both inside and out. These private worlds, designed by some of the most talented architects of the moment, suddenly open their doors to you for a private tour. As in all the "Architecture Now!" books, the houses are presented with photos and drawings, but so too are the architects, with their project lists and their addresses for those who may be tempted to ask Shigeru Ban to design an 800-square-meter house on a cliff in Sri Lanka for them (Villa Vista). But even if the budget for such extravagance is lacking curiosity will surely bring you to plunge into "Architecture Now! Houses 3".

Human (and) nature. Epic journeys to the ends of the earth: Salgado's opus on our planet in its natural state. On a very fortuitous day in 1970, 26-year-old Sebastiao Salgado held a camera for the first time. When he looked through the viewfinder, he had an epiphany: suddenly life made sense. From that day onward - though it took years of hard work before he had the experience to earn his living as a photographer - the camera became his tool for interacting with the world. Salgado, who "always preferred the chiaroscuro palette of black-and-white images," shot very little color in his early career before giving it up completely. Having been raised on a rural farm in Brazil, far from civilization and without television, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his esteemed career, three long-term projects stand out: "Workers" (1993), documenting the vanishing way of life of manual laborers across the world, "Migrations" (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, "Genesis", the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society - the land and life of a still-pristine planet. "Some 46 per cent of the planet is still as it was in the time of genesis," Salgado reminds us. "We must preserve what exists." The Genesis project, along with Salgado's Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 32 trips - traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions - Salgado created a collection of images showing us nature, animals, and indigenous peoples in such shocking and intense beauty as to take one's breath away. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black and white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de la Tour. On the earth is instilled a glistening, textured fabric so intricate in its weave that even the most finite details seem to extend to infinity. What does one discover in "Genesis"? The ancient animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Kurowai people of West Papua; nimadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska...and beyond. Having gone, quite literally in some cases, where no man has gone before, and having spent so much time, energy, and passion dedicated to the making of this work, Salgado likens "Genesis" to "my love letter to the planet."

How can we pack so much big booty into such a tiny and inexpensive package? Sorry, but it’s a trade secret we can’t divulge, except to say that shoehorns and spandex were involved. The original Big Butt Book featured a great cross-section of delectable rears from the 1950s to the present day. Here, in the Little Book of Butts, since life is such an ironic deal, we decided to pare the original content down to just the biggest and the best, in-your-face phatties to which the great Sir Mix-a-lot alluded when penning, "My anaconda don’t want none, unless you’ve got buns, hun." Then we added in about 30 new photos, just to be generous. Now in these 150 plus photos you’ll see the big and the bountiful, then the bigger and more bountiful, in black and white and in color. The models may be largely anonymous, but their curves are legendary, and now that they’re collected in a discrete little package affordable by all in these financially trying times, why hold back? Your badonkadonk is calling.

Many loved The Big Book of Legs but some found it just too darn big, weighing in at nearly seven pounds. True, it was packed with shapely legs spanning six decades, from the first shy emergence of the ankle in the 1910s, through the rolled stockings and rouged knees of the 1920s, to the Betty Grable ’40s, the stockinged and stilettoed ’50s, on into the sexually liberated ’60s and ’70s, but it could still put a dent in your own thighs if you sat reading for too long. Fortunately here at TASCHEN we listen to your groans of agony as well as your moans of ecstasy; thus, the light and portable Little Book of Legs, packing over 100 of the choicest photos from the original volume, as well as 38 new photos, into a compact (and frankly adorable) package. From Betty Grable to Bettie Page, the greatest legs of the 20th Century can be found within, shot by Irving Klaw, Peter Gowland, Bunny Yeager, and the incomparable Elmer Batters, father of leg art. There are silk and nylon stockings, high heels in abundance, curvy calves, taut thighs, playful toes and towering arches—with no bothersome text to get in the way. Could leg love get any sweeter?

Open your notebooks, sharpen your pencils, and get ready for a history lesson like none you’ve ever experienced. You’re about to learn everything you could ever want to know about the world history of men’s magazines—not magazines about sports, not fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those titillating periodicals embracing the subject dearest to all heterosexual men’s hearts and other body parts: the undraped female form. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you’ll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men’s magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and “spicy” fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men’s magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.

From the time The Big Penis Book was published, readers anticipated The Big Book of Pussy. Granted, perhaps not the same readers, but the seed had been planted and the calls and letters began flowing in. Once they had that long-awaited book, some found themselves overwhelmed by the variety and abundance, as well as the sheer size of the book. As one reviewer wrote, "let’s give credit to Amazon for…the strength of its packaging. Who wants a 2-ton pussy book being ’exposed’ for the mailman…?" For those who worry that there can be too much of a good thing, we’ve made a pared down, "best of" edition of The Big Book of Pussy, a petite little kitten of a book that puts those in-your-face photos in proper perspective. Now you can follow the evolution of genital exposure with ease, through 100 years of photos with one thing in common: the exhibitionistic pleasure with which the models present their feminine pulchritude. And with over 150 photos - 36 new to this book - of the pet we love to pet, no bothersome text to interrupt the flow, all in a package that won’t stress the mailman’s back, we just may have produced the perfect self-gifter of the year.

You talkin' to me? This title features previously unseen photographs from Scorsese's masterpiece. "Taxi Driver" has long been regarded as a cinematic milestone, and Robert DeNiro's portrait of a trigger-happy psychopath with a mohawk is widely believed to be one of the greatest performances ever filmed. "Time" magazine includes the film in its list of 100 Greatest Movies, saying: "The power of Scorsese's filmmaking grows ever more punishing with the passage of time." Steve Schapiro - whose photographs were featured in TASCHEN's "Godfather Family Album" - was the special photographer on the set of "Taxi Driver", capturing the film's most intense and violent moments from behind the scenes. This book - more than a film still book but a pure photo book on its own - features hundreds of unseen images selected from Schapiro's archives, painting a chilling portrait of a deranged gunman in the angry climate of the post-Vietnam era.

Few photographers have created such a legacy as Edward Weston (1886-1958). After a decade of successfully making photographs with painterly soft-focus techniques, Weston became the key pioneer of the school of precise and sharp presentation, dubbed "Straight Photography." This title deals with the life and art of Edward Weston.

Ringmaster of dreams. This is the complete works of one of the most influential filmmakers. Forever a circus ringleader at heart, Federico Fellini (1920-1993) is remembered as one of cinema's greatest storytellers. From bittersweet, heart wrenching tales ("La Strada" and "Nights of Cabiria") to semi-autobiographical classics ("La Dolce Vita" and the much-imitated "81/2") to ambitious period-pieces ("Satyricon" and "Casanova") to dreamlike pseudo-documentaries ("The Clowns", "Roma", and "Intervista"), Fellini brought his inner world to the silver screen in a profoundly original and innovative way. Among his many gifts to the world of cinema are the roles he created for his wife, the unforgettable Giulietta Masina.

Fuzzy bunnies, big - eyed girls, meat, magic, and mystery. Mark Ryden's carnival of curiosities. Blending themes of pop culture with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," dragging a host of followers in his wake. He has trumped the initial surrealist strategies by choosing subject matter loaded with cultural connotation. Ryden's vocabulary ranges from cryptic to cute, treading a fine line between nostalgic cliche and disturbing archetype. Seduced by his infinitely detailed and meticulously glazed surfaces, the viewer is confronted with the juxtaposition of the childhood innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the surface of cultural kitsch. In Ryden's world cherubic girls rub elbows with strange and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic subject matter, Ryden's work can leave no viewer unmoved. "Pinxit", whose title refers to the Latin term meaning "painted by," is organized by the themes of Ryden's major exhibitions - The Meat Show, Bunnies & Bees, The Tree Show, and so on - and includes collected essays by Yoshitomo Nara, Carlo McCormick, and others, and a new essay by culture critic Kristine McKenna. This sweeping retrospective brings together nearly two decade's worth of Mark Ryden's paintings and works on paper, broadening the horizons of his uncanny universe and bringing it to the world, one page at a time.

This title includes highlights from the legendary photo journal. Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary, far ahead of his time. Around the turn of the 20th century he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing "Camera Work", an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. "Camera Work" was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together a broad selection from the journal's 50 issues.

Les petits miracles de la vie. This title deals with one of the great chroniclers of Parisian life in the 20th century. Produced in close cooperation with Willy Ronis and featuring images from his archives, this book traces the career of one of France's most remarkable photographers, to whom, along with Doisneau, Cartier-Bresson, and Brassai, we owe our romantic vision of France. In Ronis' photos of Paris, the city is inseparable from the working class men, women, and children who inhabit its streets and cafes. He once described his approach to photography in five words: "patience, thinking, chance, form, and time." Working with available light, Ronis sought to capture the fleeting moments of everyday life, and his body of work documents, with timeless beauty and grace, the feel of French life in the 20th century.

More than two centuries have passed since the publication of Robert John Thornton's "The Temple of Flora" in 1799, but its charm remains unsullied. In addition to the botanical and cultural historical explanations of the individual plate illustrations, this reprint narrates the history of the origin of the work and the life of its author.