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Ever since Henry David Thoreau’s described his two years, two months, and two days of cabin existence at Walden Pond, Massachusetts in Walden, or, Life in the Woods (1854), the idea of a refuge dwelling has seduced the modern psyche. In the past decade, as our material existence and environmental footprint has grown exponentially, architects around the globe have become particularly interested in the possibilities of the minimal, low-impact, and isolated abode. This new TASCHEN title, combining insightful text, rich photography and bright, contemporary illustrations by Marie-Laure Cruschi, explores how this particular architectural type presents special opportunities for creative thinking. In eschewing excess, the cabin limits actual spatial intrusion to the bare essentials of living requirements, while in responding to its typically rustic setting, it foregrounds eco-friendly solutions. As such, the cabin comes to showcase some of the most inventive and forward-looking practice of contemporary architecture, with Renzo Piano, Terunobu Fujimori, Tom Kundig and many fresh young professionals all embracing such distilled sanctuary spaces. The cabins selected for this publication emphasize the variety of the genre, both in terms of usage and geography. From an artist studio on the Suffolk coast in England to eco-home huts in the Western Ghats region of India, this survey is as exciting in its international reach as it is in its array of briefs, clients, and situations. Constant throughout, however, is architectural innovation, and an inspiring sense of contemplation and coexistence as people return to nature and to a less destructive model of being in the world.

All of Richard Neutra's works gathered together in one volume "[...] the definitive volume on the Viennese-born architect." - Los Angeles Times, Los Angeles Originally from Vienna,Richard Neutracame to America early in his career, settling in California.His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works(nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs,including those of Julius Shulman and other prominent photographers.

A Photographic Journey from Lebanon to Easter Island The world's biggest continent captured by National Geographic's master photographers For over five generations, National Geographic magazine has dazzled and educated people with its incredible photographs and gripping stories of all corners and oceans of the Earth. Inspired from our monumental Around the World in 125 Years, this volume curates over 250 captivating images, sourced directly from the National Geographic archives. Traversing travel, wildlife, science, history, culture, and conservation, this compendium is in equal parts a breathtaking homage to the kaleidoscopic wonders of Asia and Oceania, and a unique tribute to the world's most famous photography magazine. Split into geographical sections Middle East, South, Southeast, North and East Asia, as well as Australia, New Zealand, New Guinea, and the Pacific and South Pacific Islands, our trans-continental journey through time and space spans across evocative black-and-white pictures to autochromes, from the golden age of Kodachromes to digital. Along the way, we tread the mile-long rock cleft leading up to the singular approach of the lost city of Petra; take in the majesty of the Taj Mahal; get uncomfortably close and personal with Kamchatka brown bears; discover Japan's 'naked festival' where men heedlessly plunge into darkness wearing next to nothing; and come nose to nose with gray reef sharks in the waters of the Marshall Islands. Photographers featured include Steve McCurry, David Doubilet, Jodi Cobb, and Frans Lanting. Readers will discover how National Geographic evolved from presenting a romantic view of the continent for its armchair travellers, long before the Travel Channel and Google Images, to edgier stories reflecting overcrowded cities, rural hardships, and environmental threats. Complete with prime examples of the magazine's revered and groundbreaking underwater and wildlife photography, this book is both a window to the world and a cultural investment to be cherished and shared.

Elemental Ancient Greek mathematics meet modernist design Nearly a century before Mondrian made geometrical red, yellow, and blue lines famous, 19th-century mathematician Oliver Byrne employed the color scheme for his 1847 edition of Euclid's mathematical and geometric treatise Elements. Byrne's idea was to use color to make learning easier and "diffuse permanent knowledge." The result has been described as one of the oddest and most beautiful books of the 19th century. The facsimile of Byrne's vivid publication is now available as part of TASCHEN's Bibliotheca Universalis series. A masterwork of art and science, it is as beautiful in the boldness of its red, yellow, and blue figures and diagrams as it is in the mathematical precision of its theories. In the simplicity of forms and colors, the pages anticipate the vigor of De Stijl and Bauhaus design. In making complex information at once accessible and aesthetically engaging, this work is a forerunner to the information graphics that today define much of our data consumption.Text in English, French, and German

Loving the Alien Behind the scenes of Nic Roeg's 1976 sci-fi masterpiece starring David Bowie First advertised as a "mind-stretching experience," Nicolas Roeg's 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and a haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton. Based on Walter Tevis's 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveler glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry. To celebrate the 40th anniversary of this cult movie, TASCHEN's The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A new introductory essay explores the shooting of the film and it's lasting impact, drawing upon an exclusive interview with David James, who brings firsthand insights into the making of this sci-fi masterwork. About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price! Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia. Bookworm's delight -- never bore, always excite! Text in English, French, and German

Max Beckmann (1884-1950) found his central theme in the loneliness of the twentieth century man, threatened by catastrophe and torn between materialism and freedom of mind and spirit. His early pictures showed the influence of Impressionism, with a p reponderance of biblical, historical, and allegorical themes. World War I made a deep impression on him: somewhere between Expressionism and Neue Sachlichkeit (New Objectivity), the succinct forms and hard contours in his memorable paintings and grap hic works showed man at the limit of physical and mental endurance. Later, the harshness and severity of his style softened and his colors became more radiant, but the monumentality remained. Theater, circus, and music hall became parables of human e xistence. Beckmann's work is concerned with the fundamental conditions of human existence and the tragic entanglement of the human being dependent on the whims of gods, sexuality, and society. His relentless search for knowledge, his uncompromising c ommitment to the picture, and his belief in the power of its form and color give his work it's distinctive, fascinating character, and have earned him a high-ranking place among the artists of the twentieth century.

At Delacroix' studio sale, held six months after his death in 1864, crowds and critics were astonished at both the abundance and the multi-disciplinary nature of the work on display, the life's vision of a man praised by Baudelaire for being the last great artist of the Renaissance period and the first of the Modern. But Delacroix himself was well aware of the position he wanted to occupy. Taking his cue from Rubens in both lifestyle and visual inventiveness, he took the order of classical composition and allied it to a universally appreciated symbolic and allegorical intent, producing from that marriage works of unmatched integrity and sensuality. From the spectacular Salon reception in 1824 to a work such as the major Scenes from the Chios Massacre (when the term Romantique was first applied to his style) through to the liberating and controversial carnality of The Agony in the Garden, Delacroix' genius in graphic design, in the liberation and reinvention of colour, and in the portrayal of bodies was never in doubt. His numerous sketchbooks attest to a personality committed to the most truthful results, in both his Goyaesque fantasias of horror, cruelty and sacrifice and in his huge historical canvases. Excessive, monumental, Byronic even, this Victor Hugo of the art world has proved profoundly influential, his technique studied by movements as diverse as Impressionism, Expressionism and the Abstract painters of mid-century. Leaving the self-indulgence of the Romantics far behind, the nobility of Delacroix' spirit will continue to speak to any and every age.

If orgasm is the little death, is masturbation the little suicide? The title means "the little death," a euphemism for orgasm, but the women who exuberantly masturbate for Toronto photographer Will Santillo in this book are as lively a bunch as you&# x2019;ll ever meet. Santillo conceived the project eight years ago to include a thorough cross section of women: young to old, slim to thick, perfect beauties to those not considered beautiful until seen through his lens. The one constant would be th at each would decide and direct how she masturbated to climax while he captured the moment. From previous projects with amateur subjects Santillo had come to believe that masturbation is a far more personal act than most sex play because it is conduc ted almost exclusively in private. He set out to reveal the diversity and creativity with which women approach self-stimulation, and to portray the beauty of ordinary women in the throes of orgasm-a beauty far richer than the male oriented depictions seen in pornography. Santillo says he seeks to uncover the hidden face of his subjects, and indeed, it’s the faces that best show the intensity of response in these artfully explicit photos. Dian Hanson interviewed 37 of the women, and their candid insights on overcoming inhibition, giving in to exhibitionism, and achieving orgasm in front of a stranger with a camera provide a framework for the lush, sepia-toned photos. For all who are curious about just what the woman next door-or one's own wife-gets up to in her private moments,La Petite Mortis a breath of life.

An intoxicating mix of color, pattern, and texture, The Sartorialist: India is a photographic tribute to the country's diversity and splendor. Famed American photographer and blogger Scott Schuman journeyed to India many times to capture its wildly idiosyncratic styles, whether on the streets, in markets, on the cricket fields, or at residences in cities like Delhi, Jaipur, Pushkar, and Mumbai. Schuman's affinity for his subjects is evident, and he celebrates people of all ages and from all walks of life, from ravers, transgender subjects, wrestlers, surfers, grandfathers, and fashionistas to children and laborers. He also shines a light on the new India as much as on the time-honored. The casually chic layering of textiles, the enduring prevalence of traditional attire, and India's pure physical beauty all add up to a richly satisfying visual and cultural experience. The images are also illuminated by an introduction by the acclaimed fashion writer Bandana Tewari. This vibrant monograph is Schuman's first for TASCHEN, and it showcases all the unique qualities that have brought him worldwide renown: a photojournalist's eye for a decisive moment, a humanist's sense of empathy, and a fashion aficionado's appreciation for design.

Talk of the town: A landmark in urban mapping More than four centuries on from its first publication, discover one of thejewels of urban cartography and civic studies. This quality reprint includes the most enchanting color plates from theCivitates orbis terrarum, a magnificent collection of town map engravings, produced between1572 and 1617.Featuringplans, bird s-eye views, and maps for all major cities in Europe, plus important urban centers in Asia, Africa, and Latin America, this masterwork in urban mapping gives us a comprehensive view of city life at the turn of the 17th century. It was edited and annotated by theologian and publisherGeorg Braunand largely engraved by Franz Hogenberg, but also involved over a hundred different artists and cartographers who contributed not only town views, but additional elements, such as figures in local dress, courtroom scenes, and topographical details, to help convey thesituation, commercial power, and political influenceof each city.TASCHEN's reprint contextualizes the plates with selected extracts from Braun s original texts on thehistory and significance of each urban centeras well as detailed commentaries to place each city map in itscartographical and cultural context. About the Series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing.Bibliotheca Universalisbrings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite! "

Bella Figura Milan's sumptuous modernist hallways First impressions count, especially in Milano. In this unprecedented photographic journey, editor Karl Kolbitz opens the door to 140 of the city's most sumptuous entrance halls, captivating in their diversity and splendor. These vibrant Milanese entryways, until now hidden away behind often restrained facades, are revealed as dazzling examples of Italian modernism, mediating public and private space with vivid configurations of color and form, from floors of juxtaposed stones to murals of minimalist geometry. The collection spans buildings from 1920 to 1970 and showcases the work of some of the city's most illustrious architects and designers, including, and Luigi Caccia Dominioni, as well as non-pedigreed architecture of equal impact and interest. The photographs for the publication were exclusively created by the Delfino Sisto Legnani, Paola Pansini and Matthew Billings, each evoking the entryways with individual sensibility and a stylistic interplay of detail shots - such as stones, door handles, and handrails - with larger architectural views. The images are accompanied by outstanding written contributions from Penny Sparke, Fabrizio Ballabio, Lisa Hockemeyer, Daniel Sherer, Brain Kish, and Grazia Signori, together bring a wealth of architecture, design, and natural stone expertise to guide the reader through the art-historical, social, and technical intricacies of the ingressi. As much an architectural city guide as an architectural study, the book provides the exact address and an annotated Milan map for all featured entryways, as well as the architect name and date of construction. In the well-documented realm of 20th-century Italian design, Kolbitz has stepped over the threshold and delivered a brand new area of enquiry in Milanese modernism. With the rigor of its multi-faceted research, poised photography, and breadth of its featured hallways, this is an invigorating new reference work and an inside look at the city's design DNA across high to low architecture.Text in English and Italian

At Delacroix' studio sale, held six months after his death in 1864, crowds and critics were astonished at both the abundance and the multi-disciplinary nature of the work on display, the life's vision of a man praised by Baudelaire for being the last great artist of the Renaissance period and the first of the Modern. But Delacroix himself was well aware of the position he wanted to occupy. Taking his cue from Rubens in both lifestyle and visual inventiveness, he took the order of classical composition and allied it to a universally appreciated symbolic and allegorical intent, producing from that marriage works of unmatched integrity and sensuality. From the spectacular Salon reception in 1824 to a work such as the major Scenes from the Chios Massacre (when the term Romantique was first applied to his style) through to the liberating and controversial carnality of The Agony in the Garden, Delacroix' genius in graphic design, in the liberation and reinvention of colour, and in the portrayal of bodies was never in doubt. His numerous sketchbooks attest to a personality committed to the most truthful results, in both his Goyaesque fantasias of horror, cruelty and sacrifice and in his huge historical canvases. Excessive, monumental, Byronic even, this Victor Hugo of the art world has proved profoundly influential, his technique studied by movements as diverse as Impressionism, Expressionism and the Abstract painters of mid-century. Leaving the self-indulgence of the Romantics far behind, the nobility of Delacroix' spirit will continue to speak to any and every age.

Behind the pyramids: Everyday life in Ancient EgyptHow much do we really know about Ancient Egypt? The pharaohs and pyramids are familiar history fodder, but what about the farmers, the soldiers, the laborers, and the families that made up the vast majority of this much mythologized civilization?With a thrilling spread of visual references, this TASCHEN adventure attempts to set the record straight by offering a distinctive everyday take on Ancient Egypt. Like a piece of published excavation, the book explores the many layers of this ancient society, digging down from the sacred or grandiose to the daily experiences and ordinary individuals.The democratic approach bestows this distant era with exciting vitality and relevance for all the family. As we explore everything from family arrangements to leisure activities to labor movements, we not only uncover the different experiences of this ancient land but also parallels and precedents to our own societies. With a bounty of visual references to document this distinct social history, the result is a particularly vivid encounter with an ancient age and with some of our most ingenious and influential forebears.

Famous Manuscripts. This is the fascinating world of medieval miniature painting and illumination. From The Book of Kells to Boccaccio's Decameron and from the Vienna Genesis to Dante's Divine Comedy - see the breathtaking originals of 167 of the greatest classics of all time. This lavishly produced book introduces the reader to the fascinating world of medieval miniature painting and illumination. 167 of the most beautiful and important medieval scripts from the 4th century to 1600 are presented in chronological order and described in full. Each sample of script is headed by highly informative synopses which serves to orient the reader at a glance. These synopses-together with the abundance of brilliant, large-format reproductions-make this book unparalleled in its field. Although the focus is on European manuscripts (French, Dutch, German, Italian, English and Spanish), examples have also been selected to illustrate the refinement and intricacy of manuscript illumination from non-European cultures (Mexican, Persian, Indian, Ottoman etc.). A 36-page appendix contains biographies of the artists as well as an extensive bibliography, an index and, most importantly, a glossary in which the technical terms used in the book can quickly be found. This is a rare opportunity to come face-to-face with incredibly precious treasures that one would otherwise never see, treasures once belonging to emperors and kings, and now worth many millions. This edition by TASCHEN author editor Ingo F. Walther, is now available in a new format.

Forms on the front line: Architecture and design in the context of WWIIFounded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.This fresh reprint of domus s coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti s interregnum between 1941 and 1948.The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design.domus distilled Seven volumes spanning 1928 to 1999 Over 6,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context New introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers and manufacturers names About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, German, and Italian"

Behind closed doors. Lustful places, luscious women. A number of years ago I began to see distinctive layouts in "Hustler's Leg World" that got me nervous. The photographs were that good. Whoever it was had style and made the women his women. Krider women. Women I began to desire on a monthly basis. In the world of professional golf there is an expression "the world's greatest golfer not to win a major tournament." Chas Ray Krider was the world's greatest erotic photographer not to have a book. Thanks to TASCHEN we now have over 160 Krider images to pore over. To salivate over. Like a good film noir, he takes us to lustful places. Is it a crime scene or a sea of lust? These beautiful, languid women wait for whom? For me. For you. They play the "waiting game" beautifully. An ass in the air, a pair of crossed legs in nylons, all bathed in warm tones. A still life unstuck in time. So this is what goes on behind closed doors? Oh, I almost forgot. Alongside these many Midwest femme fatales is Dita, raven-haired icon. Not since Betty Page has a woman fleshed out so correctly a vintage girdle and bra ensemble. Enjoy. He takes you places where you only vaguely think you have been.