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"His trump card is his art, the creator of beauty: of natural harmony, peace and joy. The extra-lucid power of his analytical sensitivity makes him the perfect decoder of global culture and its guided information. He reveals the prodigious quality re sources of naturist empiricism against the abusive uniformity of rationalist totalitarianism, against the tyranny of ugliness and the iron rule of its straight line." Excerpt from: Pierre Restany, Hundertwasser, The Power of Art - The Painter-King wi th the five skins, Cologne, 1998, p. 94 Viennese-native Friedrich Stowasser (1928-2000) called himself Hundertwasser Friedensreich Regentag Dunkelbunt. True to the colorful variety of his names, he pursued many activities as a painter, architect and ecologist, and as "one who awakens identities." This presentation of Hundertwasser's work in all of its different facets is guided by the artist's own view of himself and his purpose. And, because his work is virtually inseparable from his personal l ife and political activity, a vivid portrait of the artist takes shape before the reader's eyes. Excerpts from conversations between the author and the artist lend a sense of immediacy and authenticity to the narration.

"Coop Himmelb(l)au is not a color but an idea of creating architecture with fantasy, as buoyant and variable as clouds." So the architecture group itself defines its name and design concept. Beginning with inflated bubbles and interactive installations in the 1960s, the group, consisting of the architects Wolf D. Prix, Helmut Swiczinsky and Michael Holzer, began to create harsh interventions in the urban context under the headline "architecture must burn." The designs of the buildings are like oversized sound boxes, with dancing silhouettes and collapsing lines that are always rushing and echoing. As one of only a few groups in those early times, they are among the leading international architecture offices today, justified by their outstanding expressiveness and professionalism. Coop Himmelb(l)au's most well-known projects include the Rooftop Remodeling Falkestraße in Vienna, Austria (1988); the Groningen Museum, East Pavilion, in Groningen, Netherlands, (1994); the UFA Cinema Center in Dresden, Germany, (1998); the BMW Welt in Munich, Germany (2007); the Akron Art Museum in Ohio, USA, (2007) and the Central Los Angeles Area High School #9 of Visual and Performing Arts in Los Angeles, USA (2008). Among the recent projects that Coop Himmelb(l)au is pursuing throughout the world are the Musée des Confluences in Lyon, France, the House of Music in Aalborg, Denmark, the European Central Bank's new headquarters in Frankfurt am Main, Germany, and the Dalian International Conference Center in China.

Artists have always been early adopters of emerging media technologies, from Albrecht Dürer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. The advent of the internet as a popular medium catalyzed a global art movement that began to explore the cultural, social, and aesthetic possibilities of such new communication technologies—the web, CCTV surveillance cameras, cell phones, hand-held computers, and GPS devices. Focusing on New Media art as a specific art historical movement, this book explores its technologies, thematic content and conceptual strategies. New Media art often involves appropriation, collaboration, and the sharing of ideas and expressions, and frequently addresses issues of identity, commercialization, privacy, and the public domain. Many New Media artists are profoundly aware of their art historical antecedents, making reference to Dada, Pop Art, Conceptual art, Performance art, and Fluxus.

This book explores contemporary interiors in the sun-soaked land that stretches from the Sahara to the Mediterranean: Morocco. The diversity is breathtaking: the rural pisé architecture of the south is a far cry from the Hispano-Mooresque ornamental beauty of the imperial cities.Moroccan Interiors are as endlessly varied as the country itself, from the restored palaces in the medina of Marrakesh (where aesthetes of the international set now live) to humble troglodyte fishermen’s homes at Sidi Moussa d’Aglou. The colorful palette of this country and the light there themselves suffuse these very different homes with a vitality that is as distinctive to modern Morocco as it is a reflection of contemporary trends in décor worldwide.

From the early days as a member of the New York Five, Richard Meier has been a central figure in contemporary architecture in the United States. With the Getty Center and more recent buildings such as the Jubilee Church in Rome, the New Yorker has ce mented his reputation as a truly international figure who has expanded the horizons of contemporary American architecture while maintaining his rigorous approach to design and detailing. Known for carefully conceived grid plans and frequent use of wh ite, Richard Meier is a master of light and space, able to adapt his style to very different circumstances and locations. The entire span of Meier's career, right up to his most recent designs for New York and Shenzhen, is included in this exceptiona l volume, created in close collaboration between the architect, the author, and the eminent graphic designer Massimo Vignelli. This spectacular monograph displays Meier's work in unprecedented size and brilliance, and features a preface by the noted Spanish architect Alberto Campo Baeza.

Umelecká produkcia Rubensa bola obrovská. V začiatkoch tvoril pod vplyvom manierizmu, no neskôr si vypracoval vlastný štýl. Šerosvit v jeho podaní má špecifickú formu. Mnohé z jeho obrazov sú chronicky známe. Gilles Néret, autor knihy, prináša ucelený pohľad na jeho dielo a život.

Step right up and get your fill of 80s nostalgia with the movie bible to end all movie bibles. We’ve diligently compiled a list of 140 of the most influential movies of the 1980s that’s sure to please popcorn gobblers and highbrow chin-strokers alike. The 80s was a time for adventurers, an era of excess, pomp, and bravado. In the era when mullets and shoulder pads were all the rage, moviegoers got their kicks from flicks as wide-ranging as Blade Runner, When Harry Met Sally, and Blue Velvet. Without a doubt, sci-fi was the most important genre of the decade, with non-human characters like E.T. winning the hearts of millions while the slimy creatures from Aliens became the stuff of nightmares and movies like Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere. In fact, the 1980s saw the invention of a new reality, a movieworld so convincingly real - no matter now far-fetched - that spectators could not help but abandon hemselves to it. Now that’s entertainment, folks.

Abstract expressionism—the non-representational use of paint as a means of personal expression—emerged in America in the 1940s, inspired by the innovative work of Arshile Gorky. Considered the first art movement originating in the Americas to have a worldwide influence, abstract expressionism spawned two very different sub-categories: action painting (exemplified by Willem de Kooning and Jackson Pollock) and color field painting, made most famous by Mark Rothko. Abstract expressionists strove to express emotions and ideas directly on canvas via color, form and texture—the quality of brushstrokes and other marks, the dripping of paint, for example—while embracing accident and chance, and celebrating the very act of painting.

Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World’s Largest Natural Breasts.

At the turn of the century, the American photographer Edward Sheriff Curtis (1868–1952) started on his thirty-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out.With tireless personal commitment Curtis visited American Indian tribes from the Mexican border to the Bering Straits, gaining their confidence by his patience and sensitivity. This, his photographic life’s work, was printed in 20 volumes between 1907 and 1930 as The North American Indian. There were only 272 copies in total, so original copies are now extremely rare. This book gives lasting life to Curtis’s great achievements by making the photographs available again.

How do today’s brightest and best designers see the future of design? What are the defining elements of form, function, and aesthetics at the turn of the millennium? In response to these burning questions, we’ve put together the definitive book on cutting-edge product design, furniture, ceramics, glassware, and textiles. Including a cross-section of the world’s most influential designers, from superstars to newcomers, and stunning images of their most progressive work, Designing the 21st Century is like no other book of its kind. Making it especially unique are the contributions from all designers featured: each sent us his or her answer to the question, “What is your vision for the future of design?” Crack the book to see how their revolutionary ways of thinking take shape. The experimental concepts and predictions featured here will serve as an important reference for generations to come - when researchers in 2101 want to see what was going on in design a century earlier, this is the book they’ll turn to.

Hailing from Vienna, Rudolph Michael Schindler (1887-1953), like his colleague Richard Neutra, emigrated to the US and applied his International Style techniques to the movement that would come to be known as California Modernism. Influenced by the work of Frank Lloyd Wright and taking cues from spatial notions found in cubism, he developed a singular style characterized by geometrical shapes, bold lines, and association of materials such as wood and concrete, as seen in his own Hollywood home (built in 1921-22) and the house he designed for P.M. Lovell in Newport Beach (1923-24).

Monografie významné osobnosti pozdního středověku. Hieronymus Bosch stále fascinuje svými alegorickými a fantaskními mystickými obrazy původně náboženských námětů. Tradičně velmi dobře zpracovaná publikace plná kvalitních reprodukcí.

The extraordinary significance of the painter and sculptor Henri Matisse in the history of modern art, but also his influence, was no less decisive than that of his main rival, PabloPicasso. In fact, Matisse’s stylistic liberation actually goes one step further in the pursuit of his own personal goal — the perfect synthesis of line and color — by which he sought revolutionary approaches to the great tradition of French painting by drawing upon its classical aspects. For those who wish to know more about this lodestar of modern art and follow the adventurous path of his creative career, this publication is surely the most comprehensive and informative source available. Lavishly illustrated, its authoritative commentaries trace the artist’s search for balance, purityand serenity, from the chromatic brilliance of his Fauve period, through his travels, the Orient, geometric synthesis (it was he who introduced Picasso to African art by givinghim his first mask), and the odalisques to the final triumph when, at the age of eighty, he invented his gouache cut-outs that culminated in his illustrations for Jazz and allowed him to achieve his goal of sculpting in paint just as a sculptor works in stone. Matisse is widely acknowledged as an artist whose canvases are extremely difficult to reproduce in print. With this in mind, each work presented here has been painstakingly compared with the respective original, in close collaboration with the artist’s grandson, Claude Duthuit. The bard of color deserves no less.

From magazines and newspapers to ads, websites, album covers, and even mobile phone wallpaper, illustration is a crucial element in visual communication today. With unlimited creative possibilities, illustration is as unbound as imagination itself&894 whether it's a simple pencil drawing, an ornate airbrushed painting, or a computer-generated image, an illustration speaks the international language of ideas. This comprehensive guide showcases 150 of today's best commercial and editorial illustrators from over 50 countries&894 each entry highlights examples of recent work and includes the artist's contact information, favorite media, awards, clients, and work philosophy. Look no further for what works and who's who in the world of illustration: it's all here.

Originally published in France between 1876 and 1888, Auguste Racinet's Le Costume historique was the most wide-ranging and intelligent study of clothing ever published. Covering the world history of costume, dress, and style from antiquity through the end of the 19th century, the great work—"consolidated" in 1888 into 6 volumes containing nearly 500 plates—remains, to this day, completely unique in its scope and detail. Racinet's organization by culture and subject has been preserved in TASCHEN's magnificent reprint, as have excerpts from his delightful descriptions and often witty comments. Perusing these beautifully detailed and exquisitely colored illustrations, you'll discover everything from the garb of ancient Etruscans to traditional Eskimo attire to 19th century French women's couture. Though Racinet's study spans the globe from ancient times through his own, his focus is on European clothing from the Middle Ages to the 1880s and this subject is treated with exceeding passion and attention to detail. The Costume History is an absolutely invaluable reference for students, designers, artists, illustrators, and historians; it is also an immensely fascinating and inspirational book for anyone with an interest in clothing and style.