Taschen strana 92 z 97

Ceci n'est pas un livre, ceci n'est pas un film...This title includes urrealist visions, confused identities, obsession, fetish and seething desire. Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complimentary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire. Equal parts erotica, fashion shoot, art monograph, metaphysical mystery, social and cultural archaeology of the French capital, and neo-noir arthouse film - Rose, c'est Paris is the steamy tale of twin sisters, known only as B and Rose, and a third principal - the city itself. An abduction leads to a detective story that unfolds in the streets, cafes, cabarets, museums, abandoned factories, and grand hotels of Paris. What happened to the missing sister? Was there a plot? Was she really kidnapped? Is she alive or dead? Is it in fact a case of mistaken identity? Rheims and Bramly create a series of extraordinary tableaux suggesting all these possibilities and many more, featuring a host of celebrity figures including Naomi Campbell, Michelle Yeoh, Monica Bellucci, Charlotte Rampling, Valerie Lemercier, Ines Sastre, Anna Mouglalis, Audrey Marnay, Anthony Delon, Rona Hartner, Jean-Pierre Kalfon, Azzedine Alaia, Louise Bourgoin, and Helena Noguerra.

A comprehensive, illustrated guide to the shifting styles and influences of furniture design from Rococo to Art Deco. The book traces the history of the techniques, the production methods, and the innovators of furniture design.

While the female nude has long played a concpicuous role in western iconography, the male nude has not always enjoyed such adoration. This collection provides an overdue review of material that at one time could only be bought under the counter, beginning with the anonymous erotica of the 19th century. It features the pioneer homoerotic nude photographs of Baron Wilhelm von Gloeden, posing nude youths in classical postures at Taormina in Sicily. It includes illustrations from groundbreaking magazines such as Physique Pictorial, the leading organ of the mid-50s gay scene, and it covers the entire range from classic masters of male nude photography, such as Herbert List, George Platt Lynes or Robert Mapplethorpe, to the pin-up beefcake of the sex magazines.

A far cry from the aggressive ads we’ve become used to, American print advertisements from the first two decades of the 20th century were almost shockingly pleasant. Intricately designed and beautifully illustrated, often in the art nouveau style popular at the time, four-color, full-page magazine advertisements were welcome respites from the bland, text-filled pages among which they appeared. Sales pitches were earnest and friendly&894 beer, for example, was billed as “The Evening Glass of Cheer” and toothpaste was described as “Delicious Ribbon Dental Cream”—perhaps not the catchiest slogans, but they were on to something. The American consumerist boom of the 20th century was just beginning and advertising was getting its sea legs. From motorcars to hair tonics to steamship cruises to Coca-Cola (“After the theatre drink a glass… it relieves fatigue”), America was peddling its wares in style and setting an example of how to advertise in the modern age. This exhaustive compendium of ads from the period—many of which haven’t been seen for over eight decades—is a fascinating reminder of surprisingly simpler times and a rediscovery of a forgotten age in advertising history.

Italian architect and designer Gio Ponti (1891–1979) was the creator of a multifaceted oeuvre. Starting off with ceramics and majolika works at the First International Exhibition of Decorative Arts in Monza, he moved on to furniture and interior design and built structures of all kinds, from small residential dwellings to high rise buildings, schools, and office blocks. One of his great interests was the theme of the home, for which he continually sought to find new solutions. Ponti’s colorful, carefree, elegant spaces were designed to inspire optimism in their occupants. The founder and nearly lifelong editor of domus magazine never stopped developing and reinventing his style. This book provides an introduction to Ponti’s creative process and gives an overview of the various phases of his career.

Hey, did you realize you were making history when you went to see The Blair Witch Project, one of the most profitable movies ever made? Do you know what it took to recreate the sinking of the Titanic, what a jump cut is, or who the leading box office stars of the 90s are? These are just a few of the countless things you'll learn in this new book dedicated to celluloid history of the 90s. This guide presents our selection of the best movies from the years 1990 to 1999, covering a wide range of genres, budgets, and cultures, and revealing details from behind the scenes. Packed full of photos and film stills, this opulent factbook pays homage to cinema around the world at the end of the 20th century.

A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer and photographic artist of the 20th century, from the earliest representatives of classical Modernism right up to the immediate present. Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last hundred years—especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. While most of the 400-plus entries feature North American or European photographers, the scope is worldwide, with significant emphasis on the photography of Japan and Latin America, Africa and China.

Flip through this book and take a trip through 72 of the world's most enchanting, welcoming, and unforgettable hotels. Some are sleek and minimal, others charmingly plush and traditionally luxurious; whether you prefer a secluded rural retreat or the pulsing centre of the urban experience, you'll find a room—or suite—to your taste. However, what all these establishments share is personality, atmosphere, sophistication and a great location. Similarly, though their rooms range from modest to extravagant, all of them represent excellent value, no matter which end of the price scale, from two to five star hotels. The eclectic mix includes the romantic hotel Spielweg in Germany's Black Forest, where everyone should spend Christmas once in their life; the secret jewel Ksar Char-Bagh in Marrakech; the Al Mamlouka in the middle of Damascus, and the most exquisite Spa hotel in Jordan, the Evason Ma’In Hot Springs. Other highlights are the Shigar Fort Residence, a 400-year-old palace saved and restored by the Aga Khan Foundation in Northern Pakistan; a sensitively restored 1930's colonial guest house, the Boddhi Tree Del Gusto in Phnom Penh, for less than 40 dollars a night; or the outstanding Corbusier-style beach villas in Kep, Cambodia, called Knai Bang Chatt resort. To get away from it all, there's Richard Gere's Bedford Post in upstate New York, or the Golden Rock Estate on the Caribbean island of Nevis, owned by American artist Brice Marden. Finally, nobody who has stayed there will ever forget the stunning Remota, surrounded by the mountains, lakes and glaciers of Chilean Patagonia.

Sharing a passion for fast cars, Steve McQueen (1930-1980) and William Claxton became friends early in McQueens career and remained close until his premature death. Claxton frequented McQueen throughout his many incarnations (daredevil, dirt biker, movie star, sports car driver, ladies man, family man, etc.), capturing at every turn another side of McQueens enigmatic tough-guy/nice-guy personality. As this photo album demonstrates, Claxtons photographic talent and sensibilities were perfectly attuned to the actors multifaceted character. This is the real Steve McQueen, immortalized by Claxtons empathetic lens.

This compilation of projects from around the world pays special attention to the particular features of each space, within the common restriction of a limited surface area. The range of projects will be of interest to not only architects and designers but also residents of modern cities, therebly creating basic tool for understanding how architects, designers, or owners of small apartments approach a project involving minimal living space.

Ceci n'est pas un livre, ceci n'est pas un film...This title includes urrealist visions, confused identities, obsession, fetish and seething desire. Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complimentary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire. Equal parts erotica, fashion shoot, art monograph, metaphysical mystery, social and cultural archaeology of the French capital, and neo-noir arthouse film - Rose, c'est Paris is the steamy tale of twin sisters, known only as B and Rose, and a third principal - the city itself. An abduction leads to a detective story that unfolds in the streets, cafes, cabarets, museums, abandoned factories, and grand hotels of Paris. What happened to the missing sister? Was there a plot? Was she really kidnapped? Is she alive or dead? Is it in fact a case of mistaken identity? Rheims and Bramly create a series of extraordinary tableaux suggesting all these possibilities and many more, featuring a host of celebrity figures including Naomi Campbell, Michelle Yeoh, Monica Bellucci, Charlotte Rampling, Valerie Lemercier, Ines Sastre, Anna Mouglalis, Audrey Marnay, Anthony Delon, Rona Hartner, Jean-Pierre Kalfon, Azzedine Alaia, Louise Bourgoin, and Helena Noguerra.

This book brings together a colorful mixture of various works focusing on themes of the fantastic and surreal, starting with Böcklin's "Toteninsel" and including Dorothea Tanning, Max Ernst, Hans Bellmer’s dolls, the Australian painter Sidney Nolan, Giger's monsters, Cattelan's pope, and the Chapman brothers’ hybrids, as well as surreal painting from Magritte and Delvaux, the mystical and sensual work of Gustav Klimt, and Frida Kahlo’s dreamlike self-portraits.

"Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture. These skilfully illus trated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately tras hy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!

Family Houses presents a compilation of examples of the emerging residential architecture, which are linked by the manner in which they propose innovative and experimental solutions. Refinement in the selection of finishes, restraint in the distribution of rooms, and pains taken in integrating these spaces into their surroundings represent just some of the skills exercised by their designers.

From Dickensian charm to modern cool, London has it all–and this guide will help you find it. With a selection of stylish hotels, from classic to designer; antique markets, vintage stores and the hippest boutiques; and all the best of the capital's restaurants, bars, tea rooms and pubs, Angelika Taschen's compact compendium is a must for the discerning traveller. Highlights include Number Sixteen, a chic South Kensington hotel in a beautiful Victorian townhouse with romatic gardens; The Wolseley, a grand café and restaurant in a reconverted 1920s car showroom beautifully renovated by star designer David Collins; celebrity chef Jamie Oliver's restaurant and social project, Fifteen, where teenagers cook the meals; China Tang at The Dorchester, where stars go for delectable duck with plum sauce; historic London pub, The Grenadier, once frequented by the Duke of Wellington's troops; Dover Street Market, the multi-floor concept store founded in 2004 by Comme des Garçons; and Penhaligon's, purveyors of classic English fragrances since 1872.

Debate over cinema’s credibility as an art form is as old as the medium itself, and largely defined in terms of formal, psychological, ideological, social, or auteurist theories. To explore how artists are also using the medium to investigate a wider range of aesthetic issues that are generally related to modern and contemporary art practices, this book is broken down into 10 subgenres, including abstraction, collage, appropriation, post-surrealism, structuralism, duration, parody, and expanded cinema. The history of each subgenre is illustrated by over 300 films and filmmakers, from past masters such as Hans Richter, Man Ray, and Stan Brakhage to contemporary artists Stan Douglas, Pipilotti Rist, and Doug Aitken; from art-house legends David Lynch, Jean-Luc Godard, and Luis Buñuel to underground icons and contemporary artists Kenneth Anger, Matthew Barney, Bruce Conner, Michael Snow, Owen Land, and Paul McCarthy.