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Longlisted for the Dublin Literary Award Heralded as the most important Brazilian novel of the century so far, this bestseller’s unique blend of magic and social realism won it three literary awards and global acclaim ‘I heard our grandmother asking what we were doing.'”Say something!” she demanded, threatening to tear out our tongues. Little did she know that one of us was holding her tongue in her hand.’ Deep in Brazil’s neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother’s bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever. Heralded as a new masterpiece, this fascinating and gripping story about the lives of subsistence farmers in Brazil’s poorest region, three generations after the abolition of slavery, is at once fantastic and realist, covering themes of family, spirituality, slavery and its aftermath, and political struggle.

Think today's anti-abortion ideas are rooted in religious prohibitions or arguments about where life begins? Wrong: today's anti-abortion movements is largely financed and planned by far-right extremists. Many of them are avowedly fascist and white supremacist, afraid of a "great replacement" of the world's white population by other races, who are working hard to reshape governments and policies across Europe, North America and around the world. Much of this far-right organizing and funding network, however, has been overlooked by today's feminist and left movements. As investigative journalist Sian Norris uncovers here, it is through attacking abortion rights that fascist ideas from the dark web, incel chat boards, and fringe organizations comes to enter mainstream debate -- and to then shape governmental policy across Europe, from authoritarian regimes like Hungary's to liberal democracies like Britain. As Norris goes undercover at anti-abortion activist meetings, and pieces together the money trail linking American think tanks to far-right fascist groups, she maps out the pipeline by which fascism has become respectable across the Global North by taking away women's reproductive rights and autonomy.

Sex and art, we're told, are sacred, two spheres that ought to be kept separate from the ravages of the marketplace. Yet both prop up two incredibly lucrative industries, built on the commodification of creativity and desire, authenticity and intimacy. Our reaction to this should not be moral or political outrage, nor legal regulation or denial, but rather-as Sophia Giovannitti argues here-acceptance, through which we can find a more autonomous way to live. In this searching and provocative work, drawing on cultural and political theory, the contemporary art world, and the author's own experience as a sex worker and artist trying to make a living, Giovannitti argues that if we delve into our anxieties around art and sex, we can instead find new ways to live and spaces, however small, of freedom. When there is nothing left to protect, she argues, everything is possible.

All hail the new masters of Capitalism: How asset managers acquired the world Banks have taken a backseat since the global financial crisis over a decade ago. Today, our new financial masters are asset managers, like Blackstone and BlackRock. And they don't just own financial assets. The roads we drive on; the pipes that supply our drinking water; the farmland that provides our food; energy systems for electricity and heat; hospitals, schools, and even the homes in which many of us live-all now swell asset managers' bulging investment portfolios. As the owners of more and more of the basic building blocks of everyday life, asset managers shape the lives of each and every one of us in profound and disturbing ways. In this eye-opening follow-up to Rentier Capitalism, Brett Christophers peels back the veil on "asset manager society." Asset managers, he shows, are unlike traditional owners of housing and other essential infrastructure. Buying and selling these life-supporting assets at a dizzying pace, the crux of their business model is not long-term investment and careful custodianship but making quick profits for themselves and the investors that back them. In asset manager society, the natural and built environments that sustain us become one more vehicle for siphoning money from the many to the few.

Questions of class, power and distribution have reemerged as central concerns in the public discourse. When we talk about class, we don’t always know what is meant. Is class about income or affect or the ownership of the means of production? Perhaps it is about authority or autonomy? But what happens when, as is often the case in complex advanced economies, people can occupy social and economic roles that seem to indicate membership in more than one class? And what does this mean for the supposed relationship between class and potential political capacity and affinity? In Classes, Erik Olin Wright, the greatest American Marxist sociologists, rises to the twofold challenge of both clarifying the abstract, structural account of class implicit in Marx, and of applying and refining the account in the light of contemporary developments in advanced capitalist societies. What Wright calls “contradictory class locations” can make the class landscape appear much more complex than the simple model presented in Marx. Despite this complexity, common interests and therefore political alliances can still be found. In a society, like the US, characterized by extreme inequality, Classes provides not just a useful descriptive account of the operation of class but also the tools to understand the interplay of class interests and political (re)alignment.

A new collection of stories from the cult author of Terminal Boredom. Izumi Suzuki had ideas about doing things differently, ideas that paid little attention to the laws of physics, or the laws of the land. In this new collection, her skewed imagination distorts and enhances some of the classic concepts of science fiction and fantasy. A philandering husband receives a bestial punishment from a wife with her own secrets to keep; a music lover finds herself in a timeline both familiar and as wrong as can be; a misfit band of space pirates discover a mysterious baby among the stars; Emma, the Bovary-like character from one of Suzuki's stories in Terminal Boredom, lands herself in a bizarre romantic pickle. Wryly anarchic and deeply imaginative, Suzuki was a writer like no other. These eleven stories offer readers the opportunity to delve deeper in this singular writer's work.

If we are to avert the catastrophic effects of climate change, then we need to fundamentally change how and why we live and consume in the ways that we do. But, rather than restricting our freedom, could this actually result in a new and more fulfilling way of life? Post-Growth Living is urgent plea for a new vision of the good life, one that is capable of delinking prosperity from the cult of endless growth. In it, philosopher Kate Soper calls for a renewed emphasis on solidarity and the joys of being, in which we might cultivate an ability for collective happiness and a more fulfilled existence. This is an urgent and necessary intervention into debates on climate change, one that offers a compelling vision of a life that is capable of changing the future for all of us.

Where have we gone wrong, and what can we do about it? George Monbiot is one of the most vocal, and eloquent, critics of the current consensus. How Did We Get into this Mess?, based on his powerful journalism, assesses the state we are now in: the devastation of the natural world, the crisis of inequality, the corporate takeover of nature, our obsessions with growth and profit and the decline of the political debate over what to do. While his diagnosis of the problems in front of us is clear-sighted and reasonable, he also develops solutions to challenge the politics of fear. How do we stand up to the powerful when they seem to have all the weapons? What can we do to prepare our children for an uncertain future? Controversial, clear but always rigorously argued, How Did We Get into this Mess? makes a persuasive case for change in our everyday lives, our politics and economics, the ways we treat each other and the natural world.

Despite insoluble contradictions, intense volatility and fierce resistance, the crisis-ridden capitalism of the 21st century lingers on. To understand capital’s paradoxical expansion and entrenchment amidst crisis and unrest, Mute Compulsionoffers a novel theory of the historically unique forms of abstract and impersonal power set in motion by the subjection of social life to the profit imperative. Building on a critical reconstruction of Karl Marx’s unfinished critique of political economy and a wide range of contemporary Marxist theory, philosopher Soren Mau sets out to explain how the logic of capital tightens its stranglehold on the life of society by constantly remoulding the material conditions of social reproduction. In the course of doing so, Mau intervenes in classical and contemporary debates about the value form, crisis theory, biopolitics, social reproduction, humanism, logistics, agriculture, metabolism, the body, competition, technology and relative surplus populations.

The Autonomous City is the first popular history of squatting as practised in Europe and North America. Alex Vasudevan retraces the struggle for housing in Amsterdam, Berlin, Copenhagen, Detroit, Hamburg, London, Madrid, Milan, New York, and Vancouver. He looks at the organisation of alternative forms of housing-from Copenhagen's Freetown Christiana to the squats of the Lower East Side-as well as the official response, including the recent criminalisation of squatting, the brutal eviction of squatters and their widespread vilification. Pictured as a way to reimagine and reclaim the city, squatting offers an alternative to housing insecurity, oppressive property speculation and the negative effects of urban regeneration. We must, more than ever, reanimate and remake the urban environment as a site of radical social transformation.

This book presents an encompassing, detailed and thorough overview and reconstruction of Lefebvre’s theory of space and of the urban. Henri Lefebvre belongs to the generation of the great French intellectuals and philosophers, together with his contemporaries Michel Foucault and Jean-Paul Sartre. His theory has experienced a remarkable revival over the last two decades, and is discussed and applied today in many disciplines in humanities and social sciences, particularly in urban studies, geography, urban sociology, urban anthropology, architecture and planning. Lefebvre, together with David Harvey, is one of the leading and most read theoreticians in these fields. This book explains in an accessible way the theoretical and epistemological context of this work in French philosophy and in the German dialectic (Hegel, Marx, and Nietzsche), and reconstructs in detail the historical development of its different elements. It also gives an overview on the receptions of Lefebvre and discusses a wide range of applications of this theory in many research fields, such as urban and regional development, urbanization, urbanity, social space, and everyday life.

Economic growth isn't working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, The Future Is Degrowth argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, "now-topias" that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system. A handbook and a manifesto, The Future Is Degrowth is a must-read for all interested in charting a way beyond the current crises.

Adam Smith and Karl Marx recognized that the best way to understand the economy is to study the most advanced practice of production. Today that practice is no longer conventional manufacturing: it is the radically innovative vanguard known as the knowledge economy. This book explores the hidden nature of the knowledge economy and its possible futures. In every part of the production system, the knowledge economy remains a fringe excluding the vast majority of workers and businesses. This confinement has become a driver of economic stagnation and inequality throughout the world. Traditional mass production has stopped working as a shortcut to economic growth. But the alternative?a deepened and socially inclusive form of the knowledge economy?continues to lie beyond reach in even the richest countries. Unger sets out the route to a knowledge economy for the many: changes not just in economic institutions but also in education, culture, and politics. Just as Smith and Marx did in their time, he uses an understanding of the most advanced practice of production to rethink both economics and the economy as a whole.

The unwritten contract of the internet, that a user is what is used, extends from the well-examined issue of data privacy and consent to the very selves women are encouraged to create in order to appear. Invited to self-construct as 'girls online', vloggers, bloggers and influencers sign a devil's bargain: a platform on the condition they commodify themselves, eternally youthful, cute and responsibility-free, hiding offline domestic, professional and emotional labour while paying for their online presence with ‘accounts’ of personal ‘experience’. Can a Girl Online use these platforms not only to escape meatspace oppressions, but as spaces for survival, creativity and resistance? Told via the arresting personal narrative of one woman negotiating the (cyber)space between her identities as girl, mother, writer, and commodified online persona, Girl Online is written in a plethora of the online styles, from programming language to the blog/diary, from tweets to lyric prose, taking in selfies, social media, celebrity and Cyberfeminism.

In 1970, Richard Sennett published the groundbreaking The Uses of Disorder, arguing that the ideal of a planned and ordered city was flawed. Fifty years later, Sennett returns to these still fertile ideas and, alongside campaigner and architect Pablo Sendra, sets out an agenda for the design and ethics of the Open City. The public spaces of our cities are under siege from planners, privatisation and increased surveillance. Our streets are becoming ever more lifeless and ordered. What is to be done? Can disorder be designed? In this provocative essay Sendra and Sennett propose a reorganisation of how we think and plan the social life of our cities. 'Infrastructures of disorder' combine architecture, politics, urban planning and activism in order to develop places that nurture rather than stifle, bring together rather than divide up, remain open to change rather than closed off.

Originally published in French in 1974, radical feminist Francoise d'Eaubonne surveyed women's status around the globe and argued that the stakes of feminist struggle was not about equality but about life and death-for humans and the planet. In this wide-ranging manifesto, d'Eaubonne first proposed a politics of ecofeminism, the idea that the patriarchal system's claim over women's bodies and the natural world destroys both, and that feminism and environmentalism must bring about a new 'mutation'-an overthrow of not just male power but the system of power itself. As d'Eaubonne prophesied, "the planet placed in the feminine will flourish for all." Never before published in English, and translated here by French feminist scholar Ruth Hottell, this edition includes an introduction from scholars of ecology and feminism situating d'Eaubonne's work within current feminist theory, environmental justice organizing, and anticolonial feminism.