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The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal and political case for re-unifying the Parthenon frieze in Athens. The opening of the New Acropolis Museum emphatically trumps the British Museum's long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.

When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny's story about the birth of painting to Nabokov's butterflies, the first use of slo-mo in film to the first aerial photograph.

Is social integration all it's cracked up to be? Not in the defiant view of first-time French author Louisa Yousfi, who herself has North African roots. Taking its inspiration from the leading Algerian writer Kateb Yacine ('I'm better off not being too cultivated. I have to retain a certain barbarianism'), this provocative essay explores ways of resisting the cultural and moral hegemony of the French 'Empire'. Citing a wide range of cultural references, from the characters of Chester Himes and Toni Morrison to the in-your-face rap lyrics of the 'street prophets' Booba and PNL, she extolls the virtues of her inner barbarian and champions those brave souls who refuse to be 'domesticated'. Challenging the conventional wisdom that posits integration as an unalloyed good, she shows how assimilation can equate to the loss of traditions, religion, language, and culture. And, whether discussing 9/11, the Algerian colonial era, the media treatment of celebrities of Arab origin, or the second-class status of French citizens from an immigrant background, she holds an uncompromising mirror up to the West and its moral shortcomings, as if to say: a barbarian I may be, but who is the real monster? Yousfi - a young, charismatic and dynamic author who uses a refreshingly wide range of cultural reference points, including rap music, to construct her argument - opens up the path of a decolonial cultural politics and an aesthetics of resistance.

Malm unearths the shared roots of colonial adventurism in Palestine and fossil fuelled warfare. Israel’s pulverization of Gaza since October 7, 2023 is not only a humanitarian crisis, but an environmental catastrophe. Far from the first event of its kind, the devastation Israel has inflicted on Palestine since October 2023 has merely ushered in a new phase in a long history of colonization and extraction that reaches back to the nineteenth century. In this book, Andreas Malm argues that a true understanding of the present crisis requires a longue durée analysis of Palestine's subjugation to fossil empire. Returning to the British empire’s first use of steam-power in war, in which it destroyed the Palestinian city of Akka, Malm traces the development of Britain’s fossil empire and shows how this enduring commitment to fossil energy continues to drive Western support for the destruction of Palestine today.

Probing the depths of the modern psyche in a voice at once caustic and vulnerable, melancholic and humorous, Baudelaire's infamous book brings to the surface a new understanding of evil, of eroticism, and of social life through an astonishing variety of poetic forms and styles. This edition adds the poems banned from the original 1857 publication to the expanded collection of 1861 and includes an introduction from the translator, acclaimed poetry scholar Nathan Brown.

The father of psychoanalytic philosophy’s invaluable introduction to his own thought, available in English for the first time Bringing together three previously unpublished lectures presented to the public by Lacan at the height of his career, and prefaced by Jacques-Alain Miller, My Teaching is a clear, concise introduction to the thought of the influential psychoanalyst after Freud.

One of the most provocative and controversial writers of his time, these essays comprise George Bataille’s most incisive study of surrealism For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille’s links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with André Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.

Now a global bestseller, the remarkable life of Rigoberta Menchú, a Guatemalan peasant woman, reflects on the experiences common to many Indian communities in Latin America. Menchú suffered gross injustice and hardship in her early life: her brother, father and mother were murdered by the Guatemalan military. She learned Spanish and turned to catechistic work as an expression of political revolt as well as religious commitment. Menchú vividly conveys the traditional beliefs of her community and her personal response to feminist and socialist ideas. Above all, these pages are illuminated by the enduring courage and passionate sense of justice of an extraordinary woman.

Fredric Jameson introduces here the major themes of French theory: existentialism, structuralism, poststructuralism, semiotics, feminism, psychoanalysis, and Marxism. In a series of accessible lectures, Jameson places this effervescent period of thought in the context of its most significant political conjunctures, including the Liberation of Paris, the Algerian War, the uprisings of May ’68, and the creation of the EU. The philosophical debates of the period come to life through anecdotes and extended readings of work by the likes of Sartre, Beauvoir, Fanon, Barthes, Foucault, Althusser, Derrida, Deleuze, groups like Tel Quel and Cahiers du Cinéma, and contemporary thinkers such as Ranciere and Badiou. Eclectic, insightful, and inspired, Jameson’s seminars provide an essential account of an intellectual moment comparable in significance to the Golden Age of Athens, historically fascinating and of persistent relevance.

Reportage from the frontline of the crisis in the Middle East from a leading Israeli journalist Gideon Levy is one of the most respected critics of Israel's apartheid policies against the Palestinian people. He is the outspoken award-winning journalist who has been writing on the conflict for decades. In The Killing of Gaza he brings together his on-the-ground perspectives of the events leading up to the October 7th attack and the ensuing devastation of Gaza. His clear-eyed analysis is a vital aperture into current events but he also brings essential historical and political context to the moment. He is unafraid to speak truth to power, and his work is an urgent rebuttal to the propaganda that is distributed through the mainstream press throughout the world. Levy's words should be read by anyone who wants to get the heart of this most brutal conflict and see for themselves that silence is no longer possible in the face of such atrocity.

What is the Commune? A leading radical historian looks at the global resurgence of the commune and asks how they can become sites of liberation. When the state recedes, the commune-form flourishes. This was as true in Paris in 1871 as it is now whenever ordinary people begin to manage their daily lives collectively. Contemporary struggles over land - from the zad at Notre-Dame-des-Landes to Cop City in Atlanta, from the pipeline battles in Canada to Soulévements de la terre - have reinvented practices of appropriating lived space and time. This transforms dramatically our perception of the recent past. Rural struggles of the 1960s and 70s, like the "Nantes Commune," the Larzac, and Sanrizuka in Japan, appear now as the defining battles of our era. In the defense of threatened territories against all manners of privatization, hoarding, and infrastructures of disaster, new ways of producing and inhabiting are devised that side-step the state and that give rise to unprecedented kinds of solidarity built on pleasurable, fruitful collaborations. These are the crucial elements in the present-day reworking of an archaic form: the commune-form that Marx once called "the political form of social emancipation," and that Kropotkin deemed "the necessary setting for revolution and the means of bringing it about."

Naji al-Ali grew up in the Palestinian refugee camp of Ain al-Hilweh in the south Lebanese city of Sidon, where his gift for drawing was discovered by the Palestinian poet Ghassan Kanafani in the late 1950s. Early the following decade he left for Kuwait, embarking on a thirty-year career that would see his cartoons published daily in newspapers from Cairo to Beirut, London to Paris. Resolutely independent and unaligned to any political party, Naji al-Ali strove to speak to and for the ordinary Arab people; the pointed satire of his stark, symbolic cartoons brought him widespread renown. Through his most celebrated creation, the witness-child Handala, al-Ali criticized the brutality of Israeli occupation, the venality and corruption of the regimes in the region, and the suffering of the Palestinian people, earning him many powerful enemies and the soubriquet “the Palestinian Malcolm X.” For the first time in book form, A Child in Palestine presents the work of one of the Arab world’s greatest cartoonists, revered throughout the region for his outspokenness, honesty and humanity. “That was when the character Handala was born. The young, barefoot Handala was a symbol of my childhood. He was the age I was when I had left Palestine and, in a sense, I am still that age today and I feel that I can recall and sense every bush, every stone, every house and every tree I passed when I was a child in Palestine. The character of Handala was a sort of icon that protected my soul from falling whenever I felt sluggish or I was ignoring my duty. That child was like a splash of fresh water on my forehead, bringing me to attention and keeping me from error and loss. He was the arrow of the compass, pointing steadily towards Palestine. Not just Palestine in geographical terms, but Palestine in its humanitarian sense—the symbol of a just cause, whether it is located in Egypt, Vietnam or South Africa.”—Naji al-Ali, in conversation with Radwa Ashour

Lectures on art, Marxism, and critical theory by the legendary philosopher, collected for the first time, with an afterword by Martin Jay Marxist Modernism is a comprehensive yet concise and conversational introduction to the Frankfurt School. It is also a new resource from one of the twentieth century’s most important philosophers: Gillian Rose. Her 1979 lectures on the Frankfurt School explore the lives and philosophies of a range of the school’s members and affiliates, including Adorno, Lukács, Brecht, Bloch, Benjamin, and Horkheimer, and outline the way each theorist developed Marx’s theory of commodity fetishism into a Marxist theory of culture. Edited by Robert Lucas Scott and James Gordon Finlayson

In every major city in the world there is a housing crisis. How did this happen and what can we do about it? Everyone needs and deserves housing. But today our homes are being transformed into commodities, making the inequalities of the city ever more acute. Profit has become more important than social need. The poor are forced to pay more for worse housing. Households are subjected to eviction and foreclosure. Communities face gentrification and displacement. And the benefits of decent housing are only available for those who can afford it. In Defense of Housing is the definitive statement by leading urban planner Peter Marcuse and sociologist David Madden. They diagnose the causes and consequences of the housing crisis and detail the need for progressive alternatives. Minor policy changes will not solve they problem, they argue. Rather, the housing crisis has deep political and economic roots, and therefore requries a radical response.

A relatively young woman, aged thirty. She married in her early twenties, had two children. It is winter. January and minus 14°C, white, frosty mist around the parked car, around the spruces, the mailbox on its post, but higher up the sky is blue, clear, the sun has come back. She has written in her diary that she is waiting for the heartbreak that will turn her into her true self. She has an impending sense of doom or possibly her own death. Can passion be mistaken for love? When Ida meets Arnold, also married, at a conference, she impulsively invites him to share her bed. She returns home, already half-obsessed, and the dissolution of her marriage and break-up of her family pass almost without her noticing. Arnold has a more relaxed attitude toward the affair. But neither his coolness nor the alarming talk she hears about him can dampen her desire. When she finally has Arnold for herself, all the surface niceties and indulgences they enjoy - travel, sex, beers for breakfast and cocktails for dinner - can't sustain the sweetness of the fantasy. Their mounting jealousies and insecurities metastasize, resulting in violence and addiction. In urgent prose, with layers of candid and vivid detail, Hjorth shows just how devastating love can be when it binds the wrong people.

An insider’s account of the videogame industry telling how gaming can become a force for good. Everything To Play For asks if videogames can achieve egalitarian goals instead of fuelling hyper-materialist, reactionary agendas. Combining cultural theory and materialist critiques with accessible language and personal anecdotes, industry insider Marijam Did engages both novices and seasoned connoisseurs. From the innovations of Pong and Doom to the intricate multiplayer or narrative-driven games, the author highlights the multifaceted stories of the gaming communities and the political actors who organise among them. Crucially, the focus also includes the people who make the games, shedding light on the brutal processes necessary to bring titles to the public. The videogame industry, now larger than the film and music industries combined, has a proven ability to challenge the status quo. With a rich array of examples, Did argues for a nuanced understanding of gaming’s influence so that this extraordinary power can be harnessed for good.