Vintage Classics strana 6 z 8

A wondrous, exhilarating novel about nine strangers brought together by an unfolding natural catastrophe. The perfect literary escape. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. An Air Force crewmember in the Vietnam War is shot out of the sky, then saved by falling into a banyan. This is the story of these and five other strangers, each summoned in different ways by the natural world, who are brought together in a last stand to save it from catastrophe. 'It changed how I thought about the Earth and our place in it' Barack Obama 'Really, just one of the best novels, period' Ann Patchett, author of The Dutch House VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.

'You can live on a shilling a day in Paris if you know how. But it is a complicated business' As a struggling writer in his twenties, Orwell lived as a down-and-out among the poorest members of society. In this, his early memoir, Orwell recalls with vivid clarity his time working as a penniless dishwasher in Paris, pawning clothes to buy a day's worth of bread and wine, sleeping in bug-infested bunks, trading survival skills and cigarette butts with fellow tramps, and trudging between London's workhouse spikes for a few hours' sleep and tea. With all of the sensitivity and compassion that Orwell is known and loved for, he exposed the hardships of poverty and gave readers an unprecedented look at life lived on the fringes of society.

THE PREQUEL TO LIFE AND FATE NOW AVAILABLE IN ENGLISH FOR THE FIRST TIME, STALINGRAD IS A SUNDAY TIMES BESTSELLER AND NOW A MAJOR RADIO 4 DRAMA 'One of the great novels of the 20th century, and now published in English for the first time' Observer 'A gripping panorama of the human experience' Kenneth Branagh In April 1942, Hitler and Mussolini plan the huge offensive on the Eastern Front that will culminate in the greatest battle in human history. Hundreds of miles away, Pyotr Vavilov receives his call-up papers and spends a final night with his wife and children in the hut that is his home. As war approaches, the Shaposhnikov family gathers for a meal: despite her age, Alexandra will soon become a refugee; Tolya will enlist in the reserves; Vera, a nurse, will fall in love with a wounded pilot; and Viktor Shtrum will receive a letter from his doomed mother which will haunt him forever. The war will consume the lives of a huge cast of characters - lives which express Grossman's grand themes of the nation and the individual, nature's beauty and war's cruelty, love and separation. For months, Soviet forces are driven back inexorably by the German advance eastward and eventually Stalingrad is all that remains between the invaders and victory. The city stands on a cliff top by the Volga River. The battle for Stalingrad - a maelstrom of violence and firepower - will reduce it to ruins. But it will also be the cradle of a new sense of hope. Stalingrad is a magnificent novel not only of war but of all human life: its subjects are mothers and daughters, husbands and brothers, generals, nurses, political officers, steelworkers, tractor girls. It is tender, epic, and a testament to the power of the human spirit. 'You will not only discover that you love his characters and want to stay with them - that you need them in your life as much as you need your own family and loved ones - but that at the end... you will want to read it again' Daily Telegraph

Relax and relish Nigella Lawson's delicious prose in her first, revelatory cookery book, published as a reading edition in Vintage Classics for the first time to celebrate twenty years of How to Eat. WITH AN INTRODUCTION BY JEANETTE WINTERSON `How to eat, how to cook, how to write: I want two copies of this book, one to reference in the kitchen and one to read in bed' Yotam Ottolenghi When Nigella Lawson's first book, How to Eat, was published in 1998, two things were immediately clear: that this fresh and fiercely intelligent voice would revolutionise cookery writing, and that How to Eat was an instant classic of the genre. Here was a versatile culinary bible, through which a generation discovered how to feel at home in the kitchen and found the confidence to experiment and adapt recipes to their own needs. This was the book to reach for when hastily organising a last-minute supper with friends, when planning a luxurious weekend lunch or contemplating a store-cupboard meal for one, or when trying to tempt a fussy toddler. This was a book about home cooking for busy lives. The chief revelation was the writing. Rather than a set of intimidating instructions, Nigella's recipes provide inspiration. She has a gift for finding the right word to spark the reader's imagination, evoking the taste of the ingredients, the simple, sensual pleasures of the practical process, the deep reward of the finished dish. Passionate, trenchant, convivial and wise, Nigella's prose demands to be savoured, and ensures that the joy and value of How to Eat will endure for decades to come. (This Vintage Classics reading edition of How To Eat is faithful to the original and has no pictures of the recipes. Photos below are from a celebratory How To Eat cooking session.)

The Vintage Classics Europeans series - with covers provided by textile design firm Wallace Sewell, these are must-have editions of European masterpieces, celebrating the warp and weft of a shared literary treasuryAging writer Gustave von Aschenbach is disappointed by Venice. The skies are leaden, the air is thick and sultry, and a sickening stench emanates from the murky labyrinth of canals. It would hardly be sensible to stay, especially not when rumours of a `sickness' spread through the city. And yet Aschenbach cannot leave: he has seen an entirely beautiful young boy and has fallen under an enchantment. He must stay near the boy, though never speaking to him, even until it is too late. Also includes the stories 'LITTLE HERR FRIEDEMANN', 'THE JOKER', 'THE ROAD TO THE CHURCHYARD', 'GLADIUS DEI', 'TRISTAN' and 'TONIO KRUGER'. TRANSLATED FROM THE GERMAN BY DAVID LUKE`Mann was a master magician of German - and world - literature in the twentieth century' Sunday Telegraph

The Vintage Classics Europeans series - with covers provided by textile design firm Wallace Sewell, these are must-have editions of European masterpieces, celebrating the warp and weft of a shared literary treasury It is the spring of 1869 and there is talk of revolution in Sicily, by day the rattle of firing squads and by night the flickering lights of bonfires lit by rebel bands. Prince Fabrizio knows that beneath these outward signs of transformation, the sensuality, languor and corruption of his native land will never change. But can his family's ancient power endure? Lampedusa's macabre myth remains astounding relevant, reflecting any modern edifice of power and money just as surely as it shows us a corner of Italy long ago. TRANSLATED FROM THE ITALIAN BY ARCHIBALD COLQUHOUN

A gang war is raging through the dark underworld of Brighton. Seventeen-year-old Pinkie, malign and ruthless, has killed a man. Believing he can escape retribution, he is unprepared for the courageous, life-embracing Ida Arnold. Graham Greene's gripping thriller was adapted into a British film noir in 1947 starring Richard Attenborough as the razor-wielding Pinkie.

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS. How to go on in a world where everything is set against you? With hope? In fear? Or, in violent struggle? In this gripping and disturbing book, Richard Wright weaves his own childhood recollections with those of Bigger Thomas - a young black man trapped in a life of poverty in the slums of Chicago, and unwittingly involved in a wealthy woman's death - to paint a portrait of insurmountable oppression. Through the strange pride Bigger takes in his crime, Wright brings us to confront the systems of justice we blindly assume are always on our side. Selected from the books Black Boy and Native Son by Richard Wright