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Society isn t working for women - or any of us. But what if the rules were different? Imagine a world in which women have all the power. A world in which they work together to shape their societies and their futures. In reality, women's communities have always existed, and continue to thrive. In this vital and ground-breaking book, Megha Mohan goes in search of their roots, discovering a vibrant global history, brought together here for the first time. She also takes us into today's women-led spaces, where women live on their own terms, showing us how we can rethink society for new ways of living, working and collaborating. Through extensive research and exclusive first-hand reporting and inspired by her great-grandmother s own matrilineal community in South India, Mohan introduces us to fascinating and diverse groups of women. From the controversial feminist online trolls of South Korea to older women co-housing in Paris and North London and the Rain Queens of South Africa, this is a truly global look at women's community. Essential reading for anyone interested in our collective histories, cultures, economics and governance, Herlands shows the power and possibility of new ways of living - and leading - for us all.

A baby girl is abandoned, banished from London to the storm-ravaged American city of New Bohemia. Her father has been driven mad by jealousy, her mother to exile by grief. Seventeen years later, Perdita doesn't know a lot about who she is or where she's come from – but she's about to find out. Jeanette Winterson’s cover version of The Winter’s Tale vibrates with echoes of Shakespeare's original and tells a story of hearts broken and hearts healed, a story of revenge and forgiveness, a story that shows that whatever is lost shall be found.

He's the best cop they've got. When a drug bust turns into a bloodbath it's up to Inspector Macbeth and his team to clean up the mess. He's also an ex-drug addict with a troubled past. He's rewarded for his success. Power. Money. Respect. They're all within reach. But a man like him won't get to the top. Plagued by hallucinations and paranoia, Macbeth starts to unravel. He's convinced he won't get what is rightfully his. Unless he kills for it.

‘Ela Lee is a remarkable new voice in fiction'' Stacey Halls, bestselling author of The HouseholdMinbak (n.) a lodging in a private homeThree generations of women living together in one room with a lifetime of secrets between them.London, 2008: When her husband dies unexpectedly, Hana is left with a pile of debt and no way to pay it off. With her teenage daughter Ada and her declining mother Yuna relying on her, she has no choice but to move her family into one room, opening up the rest of their home to paying guests as a minbak.Korea, 1985. Hana was in the same place; running a minbak with her mother and making some life-altering mistakes. Living with Yuna again brings back long-archived secrets for Hana, and, eventually, the truth of what happened over twenty years ago comes erupting to the surface. Eventually, the three women are forced to confront how little they know about each other, and whether it will bring them closer or break them apart.

When Winnie is happy, Lillian is happy, too. It’s the mid-1960s and Lillian Wells is a clever teenager with a daring pixie cut, tangerine mini-dress and new boyfriend, Jim, who works at the brewery. Even better, he lives across the road, so she’s never far from her bee-hived, high-heeled single mother Winnie, who is prone to attacks of the nerves. But Lillian harbours secret dreams of going to art school in London. When she gets in, how will she tell her mother – and Jim – that she’s leaving Abingdon – and them?Forty years later, Lillian’s own daughter Rachel is heading off to university, but Lillian is not sure either of them are ready. She sees herself and Winnie in Rachel, who is ambitious and intelligent, but also prone to nervous habits. As Lillian tries to bite her tongue about Rachel’s symptoms, she is reminded of what everyone in Abingdon used to say: It’s a short road to Longbrook… the local institution for the mentally ill. Lillian knows this is all too true, but in a family where secrets run through generations like the rushing waters of the local river, can she bring herself to break the cycle and tell Rachel the truth about her past?‘Roberts is an exceptionally tender and empathetic writer’ Grazia

A motherless girl grows up in isolated luxury, hidden from the world by her wealthy father. She believes their life together is normal – but as time passes, she has a growing sense that something between them is very wrong. She cannot escape, so she seeks solace in her books. Her favourite tales are those that conjure ancient worlds – of angry gods and heroic mortals, one of whom will some day come to her rescue. Soon, she will forget where the page ends and her mind begins.

In the aftermath of a massacre from which he doubts the world will ever recover, Ferdinand Draxler finds himself at the crossroads of history. Unless it’s just a bend in the cul-de-sac of his own gloomy nature.The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who accuses him of genocide, Draxler longs to be a hero for his people or the comic scourge of their enemies, but does he have the mettle to be either? He isn’t even sure he has what it takes to go mad.He wades through protests and searches London for menacing graffiti, whilst dodging the warring staff in the primary school where he is headmaster and the pleas of his non-Jewish wife to seek ''mental health'' support. But can''t she see that the world is crumbling around them, and he is at the centre?A devastating psychological portrait filled with wit, dark humour and tragedy, Howl is the propulsive new novel from Booker-Prize winner Howard Jacobson.

A tragicomic portrait of one man's unravelling in an absurd, twisted world, Howl is the propulsive new novel from Booker-Prize winner Howard Jacobson. In the aftermath of October 7, Ferdinand Draxler walks the streets of London in despair. Everything has changed the sights, the sound, the spirit. He too is not who he was. Is he at the crossroads of history or is it just a bend in the cul-de-sac of his own gloomy nature? The son of a Holocaust survivor who accuses him of cowardice and the father of a daughter who sees him as complicit in genocide, Draxler fixates on bad news. He shouts at the television. He carries his own tin of paint to cover up graffiti. The staffroom at the primary school of which he is headmaster has become a battlefield of inflamed opinion he does nothing to quiet. His wife Charmian is a beacon of calm but even she isn't sure she can save Ferdie from himself. 'Don't worry about me,' he tells her. 'I don't have what it takes to go mad.'

Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he’s staging a Tempest like no other. It will boost his reputation. It will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. Also brewing revenge. After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It’s magic! But will it remake Felix as his enemies fall?

Shakespeare's The Merchant of Venice is ingeniously reinvented by Howard Jacobson, in his merciless, sharp and funny story of revenge, justice and antisemitism. 'Who is this guy, Dad? What is he doing here?' With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire's Golden Triangle, he invites him back to his house. It's the beginning of a remarkable friendship...

‘R’ is a zombie. He has no name, no memories, and no pulse, but he has dreams. Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows – warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons he can’t understand, R chooses to save Julie instead of eating her, and a tense yet strangely tender relationship begins. This has never happened before. It breaks the rules and defies logic, but R is no longer content with life in the grave. He wants to breathe again, he wants to live, and Julie wants to help him. But their grim, rotting world won’t be changed without a fight...

A profound and provocative journey through the human body. For Gabriel Weston, there was always something missing from the anatomy she was taught at medical school. As she became a surgeon, a mother and then a patient herself, she grew increasingly fascinated by the gap between the body she understood as a doctor and the messy reality of living in one. Alive is a captivating investigation into our organs and the role they play in the stories of our lives. In Weston’s hands, a fuller and more human picture of our bodies emerges – more fragile, frightening and miraculous than we could ever have imagined.

SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2026SHORTLISTED FOR THE BOOKER PRIZE 2025WATERSTONES FICTION BOOK OF THE MONTHA moment is all it takes to shatter a family. The echoes last a lifetime... ‘Ferociously smart and full of surprises’ Eleanor Catton‘Engrossing... Full of brains and mystery’ TelegraphOne evening, ten-year-old Louisa and her father, Serk, take a walk out on the breakwater. They are spending the summer in a coastal Japanese town. Hours later, Louisa wakes on the beach, soaked to the skin. Her father is missing: presumably drowned. This sudden event shatters their small family. As Louisa and her American mother return to the US, Serk's disappearance reverberates across time and space, and the mystery of what really happened that night slowly unravels. A Book of the Year for the Guardian, Time, New Yorker, Esquire, Vanity Fair, FT and Barack Obama‘Big, bold and surprising’ Guardian‘Illuminates the buried secrets of the human heart’ Oprah Daily‘Gorgeous... Almost impossibly heartbreaking’ New York Magazine‘It will make your head spin in the best way’ Dakota Johnson‘Endlessly dazzling’ VogueREADERS LOVE FLASHLIGHT‘Compelling, fascinating, original. Read this book’‘Five stars. Heartbreaking’‘A beautifully written story of a family across decades’‘I loved it - the best read in years. Glorious’‘Absolutely brilliant’

‘By turns bloody, sweet, bleak and joyful… It is also very, very funny’ NEW STATESMANThis is a graphic memoir (like a graphic novel, but true – and also a bit graphic). It’s about the delirium, chaos and strangeness of becoming a parent for the first time. It’s for every one who has ever wondered if it’s ok to cry when the baby cries – and also laugh, snort, lie on the floor naked and drool when the baby drools. This is definitely not a parenting manual, but it might be the only book about parenting you’ll ever need. ‘You will cry, yes, but mainly snort with laughter’ SUNDAY TIMES'The most accurate account of becoming a parent I have ever read' PHILIPPA PERRY'Bracingly truthful... very funny' OBSERVER'It made me laugh, weep, cheer and howl... essential reading for parents and their peers.' NELL FRIZZELL‘So clever, so funny, so astute, so healing. Becky Barnicoat is a stone cold genius' LUCY JONES

** FROM THE NY TIMES and Costa shortlisted author, comes a NEW standalone thriller**The truth might set her free ... but will it be the death of her?When blood spatter expert Claudia O’Shiel finds herself on stage to talk about the most famous criminal case in recent history, she has a choice to make: explain how her evidence put away the man responsible for the brutal double murder? Or tell them the truth – that the real killer is still out there, and if she tries to expose this conspiracy, it won’t just be her life on the line.A taut, intelligent suspense novel for fans of Val McDermid, Elly Griffiths and Tana French, The Good Liar is about power, class, and the lengths we''re willing to go for family.Praise for Denise Mina''Crime-writing royalty'' IAN RANKIN''A delight'' ANN CLEEVES''Highly original'' THE TIMES ''Darkly brilliant'' OBSERVER

A master forger. A hidden fortune. A dangerous game of cat and mouse...In post-war Flanders, Adelais de Wolf''s family is slowly, inexplicably, falling apart: her mother evermore lost to religious devotion, her father to alcohol. But with the death of a beloved uncle, Adelais finds herself in receipt of an unexpected legacy: a shuttered house in a rundown district and its contents – contents that hold the promise of independence and wealth. All that is required is application, nerve, and a willingness to break the law.Adelais stifles her doubts and her fortunes are transformed. But with her rise comes complications: her victimless crimes may not be as victimless as she supposed. Nor has she counted on the singular fanaticism of Major de Smet of the Federal Gendarmerie, a brutal detective who never forgives and never forgets.Embroiled in a game that has gone on too long, will Adelais find the cost of her fortunes too high?