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Some are subtle as a fan dance, while others are saucy as twirling tassels, and they're all collected here—the finest, raunchiest, most teasing burlesque poster art, from the Follies Bergère of 1880 to the London Burlesque of 2008. More than 150 poster designs illustrate the history -of bumping and grinding, flirting and subverting. All graphic designers eager to study the evolution of this specific art form will find this collection essential.

Bibliographic: 100 Classic Graphic Design Books is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century. Classic graphic design manuals by László Moholy-Nagy and Josef Müller-Brockmann are included, alongside groundbreaking instructional titles on advertising and corporate identity. Monographs designed by and covering the major individuals and studios of the era – from A.M. Cassandre and Alexey Brodovitch to Stefan Sagmeister and Peter Saville – are explored, along with seminal anthologies on trademark design, Polish film posters, the impact of the avant-garde and more. All titles, whether classic histories of Bauhaus design or rarely seen sourcebooks of symbols and type, are illustrated with a wide selection of spreads and their covers, all in colour. In addition, top international designers have provided lists of favourite books from their own libraries. Bibliographic will be a rich source of ideas for graphic designers and a fascinating series of histories of great design books, and should find a place in any studio’s library.

Under the witty and metaphorical guise of a high-end cookbook, the author provides visual “ingredients,” such as grid structures, folios, border devices, type treatments, abstract graphic elements, categorized stylistically and functionally. These ingredients are shown in use through a “recipe” format to accomplish strategies such as movement, rhythm, organization, contrast, metaphor, etc. Ingredients are coded and cross-referenced among categories for mix and matching purposes as well as demonstrating varied alternate combinations to achieving different approaches to strategies. Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and freelance consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York’s largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York’s School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements; and, most recently, Design Evolution, released in January 2008. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.

Includes packaging for food and drink, technology and entertainment products, health and beauty items. and Production Finishes for Packaging shows the different effects that can be created, and the key print and production techniques used to achieve them.

Spas are becoming increasingly common all over the world. In holiday resorts as well as in private homes, yesterdays bathrooms are giving way to wellness rooms for recovery from modern lifes hustle and bustle. Architects and designers integrate their clients longing for rest and relaxation in their designs. Bath & Spa presents seventy projects for relaxation, recreation and dreaming with photos, plans and drawings. Whether in a small bathroom or a top-flight spa, surprising design opportunities arise from different combinations of materials. The publication of the series Architecture in Focus invites the reader to discover the new trends at this exciting interface between the solid and liquid states.

Anglický výraz loftsmá viacero významov, no najčastejšie sa používa vo význame skladovacie priestory. Vydavateľ rozšíril jeho chápanie, takže slovom lofts(v poslovenčenej podobe lofty) označujeme bývalé hospodárske objekty, ale takisto aj verejné budovy, ktoré sa po úpravách zmenili na obydlia. Kniha, ktorú ste otvorili, vás pozýva na prechádzku širokým spektrom pozoruhodných priestorov zahrnutých pod pojem lofts. Na ich priblíženie sme zvolili veľkoformátové ilustrácie, ktoré čitateľovi umožnia, aby priam vstúpil do interiérov a dal sa nimi inšpirovať.

A pioneer in interaction design tells the stories of designers who changed the way people use everyday things in the digital era, interviewing the founders of Google, the creator of The Sims, the inventors and developers of the mouse and the desktop, and many others. Digital technology has changed the way we interact with everything from the games we play to the tools we use at work. Designers of digital technology products no longer regard their job as designing a physical object—beautiful or utilitarian—but as designing our interactions with it. In Designing Interactions, award-winning designer Bill Moggridge introduces us to forty influential designers who have shaped our interaction with technology. Moggridge, designer of the first laptop computer (the GRiD Compass, 1981) and a founder of the design firm IDEO, tells us these stories from an industry insider's viewpoint, tracing the evolution of ideas from inspiration to outcome. The innovators he interviews—including Will Wright, creator of The Sims, Larry Page and Sergey Brin, the founders of Google, and Doug Engelbart, Bill Atkinson, and others involved in the invention and development of the mouse and the desktop—have been instrumental in making a difference in the design of interactions. Their stories chart the history of entrepreneurial design development for technology. Moggridge and his interviewees discuss such questions as why a personal computer has a window in a desktop, what made Palm's handheld organizers so successful, what turns a game into a hobby, why Google is the search engine of choice, and why 30 million people in Japan choose the i-mode service for their cell phones. And Moggridge tells the story of his own design process and explains the focus on people and prototypes that has been successful at IDEO—how the needs and desires of people can inspire innovative designs and how prototyping methods are evolving for the design of digital technology. Designing Interactions is illustrated with more than 700 images, with color throughout. Accompanying the book is a DVD that contains segments from all the interviews intercut with examples of the interactions under discussion. Interviews with: Bill Atkinson, Durrell Bishop, Brendan Boyle, Dennis Boyle, Paul Bradley, Duane Bray, Sergey Brin, Stu Card, Gillian Crampton Smith, Chris Downs, Tony Dunne, John Ellenby, Doug Englebart, Jane Fulton Suri, Bill Gaver, Bing Gordon, Rob Haitani, Jeff Hawkins, Matt Hunter, Hiroshi Ishii, Bert Keely, David Kelley, Rikako Kojima, Brenda Laurel, David Liddle, Lavrans Lovlie, John Maeda, Paul Mercer, Tim Mott, Joy Mountford, Takeshi Natsuno, Larry Page, Mark Podlaseck, Fiona Raby, Cordell Ratzlaff, Ben Reason, Jun Rekimoto, Steve Rogers, Fran Samalionis, Larry Tesler, Bill Verplank, Terry Winograd, Will Wright

Minimalism: Less is more: minimalism stands for simple, clear and often geometric forms. This book offers a well-grounded overview of this architectural style, one of contemporary architecture's major trends. After an introduction to the development and consequences of minimalism in the arts, the book presents a number of international projects. Clearly written, informative articles and a wide range of high-quality colour photographs provide a broad overview of the possibilities of minimalist design in the areas of fashion, architecture, furnishing and interior design.

In seven independent, but closely related chapters, the author presents his personal conception of the European novel, which he describes as 'an art born of the laughter of God'.

Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims. Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before? According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes. Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home. Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face. A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary. For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.

This is the authentic experience of a decade's design trends and styles. Published annually from 1906 until 1980, "Decorative Art, The Studio Yearbook" was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. TASCHEN's "Decorative Art 50s" explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future - between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

First came the Teds, then the Mods, Rockers, Hippies, Skinheads, Suedeheads and Punks. But by the late Seventies, a new youth fashion had appeared in Britain. Its adherents were often linked to violent football gangs, wore designer sportswear and made the bootboys of previous years look like the dinosaurs they were. They were known as scallies, Perry Boys, trendies and dressers. But the name that stuck was Casuals. And this grassroots phenomenon, largely ignored by the media, was to change the face of both British fashion and international style. Casuals recounts how the working-class fascination with sharp dressing and sartorial one-upmanship crystallised the often bitter rivalries of the hooligan gangs and how their culture spread across the terraces, clubs and beyond. It is the definitive book for football, music and fashion obsessives alike.

Anglické vydání monografie o životě a díle Ladislava Sutnara. Jeho česká tvorba je mezinárodně uznávána a reprezentovala české umění na důležitých zahraničních výstavách. Jde o klíčové dílo amerického designu, které ´předběhlo´ svou dobu. Ladislav Sutnar v USA založil moderní vizuální komunikaci, např. firemní vizuální styl nebo různé formy informativních pomůcek v oblastech průmyslu, marketingu, popularizace vědy a ekologie. Jeho práce s informacemi předznamenává internet. Zároveň design odráží a často předstihuje soudobý vývoj volného umění. Sutnar se stal také jedním z prvních publicistů a teoretiků grafického designu. Jeho americká tvorba představuje dnes již klasickou kapitolu ve všech encyklopediích designu.

This book is suitable for those who work with automated text and image design. It shows examples of working correctly on a conceptual level. Exact directions for using all of the grid systems presented (8 to 32 grid fields) are given to the user. These can be used for the most varied of projects. The three-dimensional grid is treated as well. Put simply: a guidebook from the profession for the profession. The development of organisational systems in visual communication was the service and the accomplishment of the representatives of simple and functional typography and graphic design. In the 1920s in Europe, works already arose in the areas of typography, graphic design and photography with objectified conception and rigid composition. In 1961 a brief presentation of the grid with text and illustrations appeared for the first time in an earlier book by the author. Articles published mainly in trade journals then followed. This book now attempts to close a gap by giving examples and exact directions to the professional concerning all grid problems that can occur. The author, a world-renowned professional, thus offers his colleagues the tools to solve problems more easily.

This book is the legacy of Emil Ruder, one of the originator of Swiss Style, famous throughout the world for the use of asymmetric layouts, use of a grid, sans-serif typefaces and flush left, ragged right text. His holistic approach is still recognized as fundamental for graphic designers and typographers all over the world. The voume is a comprehensive masterpiece seen in its overall structure: in the themes presented, in the comparison of similarities and contrasts, in the richness of the illustrations and the harmoniously inserted types. Behind the purely pedagogic examples of exact proportions, a rich, philosophical thinking shines through. Today, fifty years after this book was first published, it is still widely used and referenced.

This book sets out to investigate the wealth of the artistic production that developed in Central Europe (Austria and Bohemia in particular) in the first half of the 19th century, when Biedermeier appeared as an original attempt to give rise to a "universal" stylistic expression. Its simplicity of line, rigorous and simple although not lacking in elegance and refinement, the appearance of the first craft productions based on standard models and its unquestionable modernity all make Biedermeier the first example of design, the undisputed point of breakdown between Classicism and Modernism. Indeed, it is considered on the most fascinating genres of the 19th century. The volume offers a 360° view of Central European production using more than 300 objects of extraordinary originality, quality and workmanship from the National Gallery and Museum of Decorative and Applied Arts of Prague and from major Bohemian museums. Paintings, furnishings, sculptures, drawings, graphic works, artistic craftsmanship, jewels, ceramics and glassware that decorated the homes of gentry and bourgeois, miniatures, daguerreotypes... Remarkable pieces such as the refined lady's desk, designed and constructed in the workshop of the most important creator of Biedermeier furniture, the Viennese Josef Danhauser (1780- 1829), and a beautiful lyre- shaped secrétaire with walnut veneer and musical motif carvings that overcome the ostentation of Empire style.

Web Design Indexes are international bestsellers, with about a quarter million copies sold worldwide. Since its first edition in the year 2000, the annual Web Design Index has developed into one of the most important publications in its field. Year after year, it gives an accurate overview of the state of the art in web design. Every Web Design Index contains 1002 outstanding web pages. With each web page, the URL is indicated, as well as the names of those involved in the design and programming. Selection for the Web Design Index is based on design quality, innovation, and effectiveness, and the books offer examples of all conceivable forms and styles. In addition to the Web Design Indexes, The Pepin Press / Agile Rabbit Editions has started to publish the annual Web Design Index by Content. These volumes feature some 600 sites, arranged by content (qualified by trade, profession, vocation, etc.), covering all conceivable uses of the Web. Of each site, two pages are reproduced in the book: one opening page and one page representative of the nature of the site. Web Design by Content offers a comprehensive and quickly accessible overview of the standard of web design in any particular field.

Publikace Hyperporyv představuje reprezentativní průřez tvorbou Lucie Svobodové v oblastech: nová média, animace, grafika, fotografie ad. za období 1988 - 2006. Kniha je rozdělena do pěti částí, obsahuje autobiografické texty, zahrnuje interaktivní projekty Nebe, peklo, ráj

All the books in this series will give you the current trends in architecture and interior design. In Architecture Inspirations 1 and 2 and Eco Inspirations, the reader will find examples of all types of architectural constructions, from small houses to large residential complexes and office buildings, cultural or educational centres to urban architecture. In the four issues of Interior Design Inspirations 1 and 2 and Small Apartment Inspirations, a compilation of various styles is presented and everybody will find a multitude of ideas to put into practice in apartments, single---family homes, renovated farmhouses, period buildings, penthouse apartments, lofts and duplex apartments. Essential reading for anyone wishing to follow contemporary interior design and architectural principles.