Najnovšie - Fotografia strana 40 z 88

Araki's career in full, from the portraits of the early 1960s to city scenes and tender tributes to his wife Araki is known the world over for his controversial erotic portraits of Japanese women, often bound using the kinbaku (Japanese bondage) technique. A unique figure in contemporary photography, he has always found creative inspiration in his daily existence, without making any distinction between his personal life and public and professional practice. The Araki Effect offers a broad overview of his career: from the first series from 1963-65, Satchin and His Brother Mabo, to Subway of Love, a large collection of images taken in the Tokyo subway between 1963 and 1972, the year he also made Autumn in Tokyo, which recounts the autumn he spent wandering through the city in the twilight hours. These are followed by Sentimental Night in Kyoto, less known than the famous Sentimental Journey, both tributes to his wife, Yoko; Balcony of Love, Death Reality, Tokyo Diary from 2017, and one of his latest collections, Araki's Paradise from 2019. Born in Tokyo in 1940, Nobuyoshi Araki worked at an advertising agency in the 1960s, where he met his future wife, Yoko Araki, the subject of his now classic volume Sentimental Journey. Araki's oeuvre spans erotic portraits of women, still lifes, images of plants, scenes of everyday life and architectural photography. He has published around 400 books, shown in many international exhibitions and his work is part of important collections worldwide. Araki lives and works in Tokyo.

Urban islands and bamboo hideaways set the stage for a pop culture phenomenon like no other. In mid-century America, the imaginative appeal of Tiki penetrated fashion, music, eating, drinking, and architecture. In handy Bibliotheca Universalis format, Tiki Pop traces the development of Tiki as romantic vision and cultural appropriation. Follow Tiki from James Cook's first Pacific Island expeditions, through Gauguin's exotic paintings, Hollywood jungle fantasies, and elaborate temples erected to celebrate Tiki as the god of recreation. With hundreds of images, Tiki the pop icon unfolds from its earliest, enthusiastic beginnings to its spectacular downfall in the dawning awareness of the Western world's colonial misdeeds. This book is the culmination of the extensive research of Sven Kirsten, urban archaeologist, Tiki sage, and author of earlier TASCHEN investigations, The Book of Tiki and Tiki Modern, which first recovered the figure of Tiki from obscurity. In his widely lauded graphic style, Kirsten places venerable ancient godheads next to their Polynesian pop counterparts, movie posters next to matchboxes, comic strips next to Robinson Crusoe illustrations. The result is at once a visual feast, a piece of cultural history, and a tribute to a very particular vision of paradise.

The Book of Images tells the story of 310 scenography produced by Images Vevey from 2008 to 2018. Throughout 400 pages and almost 1000 pictures, the reader finds monumental and unexpected installations on façades, underwater, on roofs, in gardens, basements, churches, prisons or luxury hotels of the town of Vevey. Featuring 299 contemporary artists and photographers such as John Baldessari, René Burri, Christian Marclay, Lee Friedlander, Graciela Iturbide, JR, David Lynch, Daido Moriyama, Arnold Odermatt, Martin Parr, Alex Prager, Andres Serrano, Cindy Sherman, Laurie Simmons, Roman Signer, Erwin Wurm, etc.

On the unique synthesis of word and image in Dorothea Lange's boldly political photography, which defined the iconography of WPA and Depression-era America Toward the end of her life, Dorothea Lange reflected, "All photographs--not only those that are so-called 'documentary'... can be fortified by words." Though Lange's career is widely heralded, this connection between words and pictures has received scant attention. A committed social observer, Lange paid sharp attention to the human condition, conveying stories of everyday life through her photographs and the voices they drew in. Published in conjunction with the first major MoMA exhibition of Lange's in 50 years, Dorothea Lange: Words & Pictures brings fresh attention to iconic works from the collection together with lesser-known photographs--from early street photography to projects on the criminal justice system. The work's complex relationships to words show Lange's interest in art's power to deliver public awareness and to connect to intimate narratives in the world. Presenting Lange's work in its diverse contexts--photobooks, Depression-era government reports, newspapers, magazines, poems--along with the voices of contemporary artists, writers and thinkers, the book offers a nuanced understanding of Lange's career, and new means for considering words and pictures today. An introductory essay by curator Sarah Hermanson Meister is followed by sections organized according to "words" from a range of historical contexts: Lange's landmark photobook An American Exodus, Life and Aperture magazines, an illustrated guide to minimize racism in jury trials, and many more. These contexts are punctuated with original contributions from a distinguished group of contemporary writers, artists and critical thinkers, including Julie Ault, Kimberly Juanita Brown, River Encalada Bullock, Sam Contis, Jennifer Greenhill, Lauren Kroiz, Sally Mann, Sandra Phillips, Wendy Red Star, Christina Sharpe, Rebecca Solnit, Robert Slifkin and Tess Taylor. Dorothea Lange (1895-1965) operated a successful San Francisco portrait studio in the 1920s before going on to work with the Resettlement Administration (and later the Farm Security Administration) documenting the hardships of the Great Depression and Dust Bowl migration. During World War II, Lange worked for the US government photographing the Japanese American internment camps, and California's wartime economy. Lange's photographs were published widely during her lifetime. Lange worked closely with curator John Szarkowski on a retrospective that opened posthumously in 1966 at the Museum of Modern Art. --Charles Caesar "Galerie"

Cuba is synonymous with sugar and tobacco. This opulent landscape picture book captivates with its beautiful nature photographs and insightful cityscapes. cigars, rum and revolution, classic cars and socialism, dream beaches and music. But it is also a country that has protected one-fifth of its surface area. This book presents fascinating nature of the country and its diverse culture in 300 pictures.

100 Ideas that Changed Photography chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Each photographic idea is presented through lively text and arresting visuals, and explores when the idea first evolved and its subsequent impact on photography.

Award-winning journalist and documentary maker Stefania Rousselle had stopped believing in love. She had covered a series of bleak assignments, from terrorist attacks to the rise of the far right. Her relationship had fallen apart. Her faith in humanity was shaken. She decided to set out alone on a road trip across France, sleeping in strangers' homes, asking ordinary men and women the one question everyone wants to know the answer to: what is love? From a baker in Normandy to a shepherd in the Pyrenees, from a gay couple estranged from their families to a widow who found love again at 70, Amour is a treasure trove of poignant and profound stories about love, accompanied by beautiful photographs.

"What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?" - Sebastiao Salgado When Sebastiao Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil's military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world's largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil's wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets-and Sebastiao Salgado's photographs. Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassai to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado's images reached The New York Times Magazine, something extraordinary happened: there was complete silence. "In my entire career at The New York Times," recalled photo editor Peter Howe, "I never saw editors react to any set of pictures as they did to Serra Pelada." Today, with photography absorbed by the art world and digital manipulation, Salgado's portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images. This book gathers Salgado's complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding.Also available in a signed and limited Collector's Edition and as an Art Edition.

Photographer Steve McCurry's finest work from decades of travel throughout India - now available in paperback India is among the world's most enthralling and fascinating countries and is one that holds a very special place in McCurry's heart, featuring in some of his greatest work. This book includes 150 of his most loved and iconic photographs reproduced in a large format, and accompanied by an evocative introductory essay. Following Phaidon's publication in paperback of his bestseller Untold, McCurry's India, illustrating this most vibrant of countries, is the newest selection of the photographer's beautiful and powerful images to appear in soft cover.

Peter Lindbergh's Images of Women is now available in this new unabridged compact edition. Lindbergh, who passed away in 2019, took a comprehensive look at his body of work from the 1980s and '90s and hand selected these black-and-white photographs of the most beautiful and famous women in the world. It was the era of the supermodels, a phenomenon he himself had helped create, and he left his own unique stamp upon it, influencing an entire generation of fashion photographers with his distinct style. Lindbergh was always interested in the aura, individuality, and personality of his models which resulted in images that captured an ideal of beauty more than just perfection and glamour. This splendid monograph represents the definitive collection of Lindbergh's considerable oeuvre: classic fashion photographs, arresting candids, portraits of female celebrities--including Madonna, Isabella Rossellini, Sharon Stone, Catherine Deneuve, Charlotte Rampling, Daryl Hannah--and of course his signature shots of the world's supermodels.

Rich in art and history, characterized by a Mediterranean climate and breathtaking landscapes--probably no other region in Italy embodies the Dolce Vita as much as Tuscany. This book shows the most beautiful places, the most important sights and provides interesting background information.

Modern megacities, breathtaking natural backdrops and a varied cultural landscape with a long tradition - China captivates with its contrasts and unbelievable diversity. The most populous country in the world can be seen here in over 500 impressive photographs.

Queensland is a vast land of diverse and unrelenting beauty: from the rainforest-covered mountains, unique islands such as the Whitsunday Islands and Fraser Island to the undeveloped deserts of the outback. And of course the largest contiguous coral reef in the world, the Great Barrier Reef. In more than 340 photographs the fascination of this unique area is clearly presented.

Guatemala is considered the land of eternal spring. Tropical rain forests, mountainous highlands, bubbling volcanoes, black lava sand beaches, fresh fruits and strange smells--this illustrated book shows the fascinatingly colorful facets of the country and gives insights into another world.

70 years of DIOR history set against the bustle of Times Square: this was Peter Lindbergh’s concept, extraordinary both in scope and dimension, for which the House allowed an unprecedented number of its most iconic garments to travel across the Atlantic. In this two-volume compendium, the legendary photographer’s final book project, discover the shoot in never-before-published images, as well as a tribute to an electrifying partnership between two pillars of fashion. Peter Lindbergh photographed DIOR’s most exceptional muses, Marion Cotillard and Charlize Theron among them, and signed campaigns for Lady Dior and J'Adore with his inimitable style. Throughout his career, the photographer was one of the house’s closest collaborators. This final book was an original cocreation that was close to the artist’s heart—and to ours. Seventy years of DIOR history projected against the effervescence of Times Square, New York: this was the concept behind Lindbergh’s project, extraordinary both in scope and dimension, for which DIOR, in an unusual move, allowed an unprecedented number of priceless garments to be taken from its vaults in Paris and shipped across the Atlantic. The result is electric. Amid the frenzy of Times Square, Alek Wek glows in the immaculate 1947 Bar suit, the storied ensemble that launched the House of DIOR. In snatches of street scenes, models Saskia de Brauw, Karen Elson, and Amber Valletta flit through crowds and scaffolding, are reflected in building façades, and draped in haute couture, from pieces hand-sewn by Christian Dior to more recent designs by Maria Grazia Chiuri. Lindbergh’s trademark monochrome and color photographs masterfully highlight the intricacies, silhouettes, and textures of each garment. Lindbergh himself is present in every aspect of this two-volume publication designed by his long-time collaborator and friend Juan Gatti. Volume one features 165 never-before-published images from the shoot, including an introduction by Martin Harrison. Volume two pays homage to Lindbergh’s profound relationship with the Parisian House by curating more than 100 of his photographs of DIOR creations, from haute couture to ready-to-wear, men’s and women’s, originally published in some of the world’s most prestigious magazines such as Vogue and Harper’s Bazaar. A breathtaking tribute to two pillars of fashion and photography and their timeless collaborations. The photographer Peter Lindbergh (1944–2019) was a master of his craft who has made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Bunkamura Museum of Art, Tokyo, and the Pushkin Museum of Fine Arts in Moscow. The contributing author Martin Harrison is a historian of art and photography and an exhibition curator. He worked with Linda McCartney on Roadworks (1996), Light from Within (2001), and her exhibitions at the National Museum of Photography, Film and Television in Bradford and the International Center of Photography in New York. He has published widely on photography and, most recently, on the paintings of Francis Bacon.

Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence, Photo Icons puts some of the most important photographic landmarks under the microscope. From some of the earliest photography, such as Nicephore Niepce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in experimental Surrealist shots of the 1920s and the gritty photorealism of the 1930s, including Dorothea Lange's Migrant Mother. We witness the power-makers (Che Guevara) and the heartbreakers (Marilyn Monroe) as well as the great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric Kiss in Front of City Hall (1950) by Doisneau to the horror of Nick Ut's Napalm Against Civilians showing nine-year-old Phan Thi Kim Phuc running naked toward the camera from South Vietnamese napalm.

In December 1948, Henri Cartier-Bresson travelled to China at the request of Life magazine. He stayed for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in 'the last days of the Kuomintang', and then headed back to Shanghai, where he recorded the new regime's takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The 'picture stories' he sent to Magnum and Life on a regular basis played a key role in Westerners' understanding of Chinese political events. Many of these images are among the most significant photographs in Cartier-Bresson's oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. Henri Cartier-Bresson in China allows these photographs to be re-examined along with all of the documents that were preserved: the photographer's captions and comments, contact sheets and abundant correspondence, as well as the published versions that appeared in both American and European magazines. A welcome addition to any photography lover's bookshelf, this is an exciting new volume on one of the 20th century's most important photographers.

NEW YORK TIMES BESTSELLER - The first published collection of photographs by the icon of street style, bringing together favorites published in The New York Times alongside never-before-seen work across five decades. "A dazzling kaleidoscope from the gaze of an artist who saw beauty at every turn."--André Leon Talley Bill Cunningham's photography captured the evolution of style, of trends, and of the everyday, both in New York City and in Paris. But his work also shows that street style is not only about fashion; it's about the people and the changing culture. These photographs--many never before seen, others having originally appeared in The New York Times and elsewhere--move from decade to decade, beginning in the 1970s and continuing until Cunningham's death in 2016. Here you'll find Cunningham's distinctive chronicling of the 1980s transit strike, the rise of 1990s casual Fridays, the sadness that fell over the city following 9/11, Inauguration Day 2009, the onset of selfies, and many other significant moments. This enduring portfolio is enriched by essays that provide a revealing portrait of Cunningham and a few of his many fascinations and influences, contributed by Cathy Horyn, Tiina Loite, Vanessa Friedman, Ruth La Ferla, Guy Trebay, Penelope Green, Jacob Bernstein, and a much favored subject, Anna Wintour. More than anything, On the Street is a timeless representation of Cunningham's commitment to capturing the here and now. "An absolute delight."--People

Costa Rica captivates with tropical rain forest, high mountain ranges, volcanoes and fertile high valleys with coffee and fruit plantations. The two coasts of the country boast fine white sandy beaches, coral reefs and palm groves. Of special fascination is the versatile fauna and flora which is protected in twenty-seven natural parks. In 280 photographs, this illustrated book shows the impressive beauty of this green oasis.