Najnovšie - Fotografia strana 39 z 88

It was on a Malibu beach in 1988 that Peter Lindbergh shot the White Shirts series, images now known the world over. Simple yet seminal, the photographs introduced us to Linda Evangelista, Christy Turlington, Rachel Williams, Karen Alexander, Tatjana Patitz, and Estelle Lefebure. This marked the beginning of an era that redefined beauty, and Lindbergh would go on to alter the landscape of fashion photography for the decades that followed. This book gathers more than 300 images from forty years of Lindbergh's career. It traces the German photographer's cinematic inflections and humanist approach, which produced images at once seductive and introspective. In 1980 Rei Kawakubo asked Lindbergh to shoot a Commes des Garcons campaign, one of his earlier forays into commercial photography. Kawakubo gave him carte blanche. The following years brought forth collaborations with the most venerated names in fashion and resulted in a relationship of mutual reverence; Lindbergh's respect for some of the greatest designers of our time is palpable in his portraits. Among those photographed are Azzedine Alaia, Giorgio Armani, Alber Elbaz, John Galliano, Jean Paul Gaultier, Karl Lagerfeld, Thierry Mugler, Yves Saint Laurent, Jil Sander, and Yohji Yamamoto. Widely considered a pioneer in his field, Lindbergh shirked the industry standards of beauty and instead celebrated the essence and individuality of his subjects. He was pivotal to the rise of models such as Kate Moss, Naomi Campbell, Linda Evangelista, Cindy Crawford, Mariacarla Boscono, Lara Stone, Claudia Schiffer, Amber Valletta, Nadja Auermann, and Kristen McMenamy. Lindbergh's reach also extended across Hollywood and beyond: Cate Blanchett, Charlotte Rampling, Richard Gere, Isabelle Huppert, Nicole Kidman, Madonna, Brad Pitt, Catherine Deneuve, and Jeanne Moreau all appear in his works. From the picture chosen by Anna Wintour as the cover of her first Vogue issue to the legendary shot of Tina Turner on the Eiffel Tower, it is never the clothes, celebrity, or glamour that takes center stage in a Lindbergh photograph. Each picture conveys the humanity of its subject with a serene melancholy that is uniquely and unmistakably Lindbergh. From the outset of his career, Lindbergh was well-known in the contemporary art world, where his photographs were exhibited in galleries long before they appeared in magazines. This edition features an updated introduction adapted from an interview in 2016, allowing a glimpse behind Lindbergh's lens, where the photographer recounts his early collaborations, the tenuous relationship between commercial and fine art, and the power of storytelling.

Kdo by se nechtěl podívat do záhadných míst? Nová kniha NEJTAJEMNĚJŠÍ MÍSTA SVĚTA nabízí pohled na ty největší záhady, s nimiž se lidstvo dodnes potýká. Čtivou formou přiblížené tajemné stavby, jejich technologie či posvátná místa každého přitáhnou a nepustí, dokud nedočte poslední stránku. Kniha se díky svému poutavému zpracování stane bestsellerem na českém záhadologickém trhu. Každý čtenář si najde právě tu svoji záhadu, která jej doslova uhrane. NEJTAJEMNĚJŠÍ MÍSTA SVĚTA nabízejí netradiční pohled na vskutku netradiční místa! Obří záhady, nečekané technologie, překvapivé postupy, dráždivá tajemství, to všechno a ještě mnohem více nabízí novinka vydavatelství RF-Hobby NEJTAJEMNĚJŠÍ MÍSTA SVĚTA.

Venezia, Roma, Napoli, Firenze. This is Italy through the eyes of Testino and this is Testino as we’ve never seen before. Gathering personal, previously unpublished photographs, this is an ode to Italy’s people, art, food, and fashion. By the sea and on the streets, from Torino to Montepulciano, discover an intimate portrait of the Italy that Mario Testino knows and loves. Widely regarded as one of the most influential fashion and portrait photographers, Mario Testino is responsible for the creation of emblematic images, transmitting emotion and energy in an open and intimate way. Throughout his four-decade career, Testino has been on a journey beyond the world of fashion capturing Earth’s traditions and cultures with unparalleled access and an extraordinarily unique point of view. Peruvian by birth, Testino’s intimate connection to Italy found its roots in his Italian heritage, but blossomed when he experienced the country for himself. Discovering Italy was, for Testino, synonymous with discovering his passion for fashion. “Rome was all about the hottest, latest trends and fresh new styling, and I loved the way Italians could shed the latest look for an even newer thing without ever losing their own identity.” In Ciao, Testino handpicks his favorite images of Italy, a country that has featured heavily in his life, from his friendships and breathtaking vistas to quintessentially Italian iconic fashion shoots and Italians’ ever-evolving allure to their effervescent lifestyle. Featuring three sections, IN GIRO (on the road), ALLA MODA (in fashion), and AL MARE (by the sea), the result is a highly personal journey across the country through Testino’s lens paying homage to Italy, and it’s culture as well as a chronicle of 40 years of genre-defining photography.

2. doplněné vydání fotografické publikace Duchové historie. Západní Čechy 19391945 s předmluvou George Pattona Waterse a s několika novými fotografiemi. Kniha je věnována veteránům, hrdinům americké armády a dalších jednotek, kteří osvobodili Plzeň a Západní Čechy v květnu 1945. Ve světě velmi oblíbený princip zobrazování historických událostí prolínání historických snímků se současnou podobou stejných míst. Kniha obsahuje šest desítek montáží s uvedením původní fotografie, mapou, kde byly fotografie pořízeny, a stručným dvoujazyčným popisem události.

From photographing a dewdrop in spring to a beautiful winter frost, follow your hobby throughout the year with renowned photographer Tom Ang. Whatever your level of expertise or type of camera, from the best digital SLRs on the market right down to camera phones, you'll find tips and tricks to help you get the most out of your shots. Now in its third edition, and fully updated with the latest developments in technology and equipment, this book will teach you everything you need to know to take great photographs that convey a sense of time, place and atmosphere. Packed with "how to" advice and projects to keep you snapping throughout the year, Digital Photography Month by Month is an inspiring and practical guide to taking beautiful photos whatever the season and weather conditions.

In 1987 Fabio Ponzio decided to embark on a photographic odyssey in search of Eastern Europe. When he arrived in Poland the country was on the verge of collapse. There was little food in the shops and the queues to buy bread were immense. In Ceausescu's Romania, people's lives were reduced to a succession of dark days; the Securitate wielded absolute control and used informants, bribery and violence to beat any instinct for freedom out of individuals. In the same period, in Yugoslavia, the beginnings of what was to become the catastrophe of successive years were being laid out, while the West looked on in supreme indifference. In the autumn of 1989, everything changed. The various regimes of the communist countries of Central and Eastern Europe began to collapse in Budapest, Berlin, Warsaw, Prague, Sofia and Bucharest in a domino effect that continued in Albania and ended two years later in the Soviet Union. Ponzio continued his travels across an immense territory with a Leica, three Nikons and 100 rolls of film, in search of the people of the East, documenting the old energy that had been fortified through pain and sacrifice, now joined by a new energy, full of hope. Year after year, Ponzio returned to capture the many faces and stark differences of the other Europe, in search of the elements that make up the shared destiny of the peoples of Eastern Europe. Collected here are his stunning portraits of their traditions and faith, humility and courage, vulnerability and survival.

Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O'Neill's photographs.

Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson's earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moments was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Gandhi, and the creation of the People's Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking's Imperial Court. Divided into six thematic sections, the book presents the photographs in spare double-page spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, "In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder." His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity.

As a little boy of seven or eight, Jacques Henri Lartigue was given his first camera, and soon was developing his own photographs. Born into a prosperous family, from childhood Lartigue acutely observed the social rituals of the upper echelons of society through his photography. The hand-held Kodak camera, first introduced in 1888, granted the young photographer flexibility to capture the fine details of eccentric family members at home, the elaborate social parade in the Bois de Boulogne, on the beach in Normandy and beyond. Classic images of motor cars and high fashion sit alongside previously unpublished photographs from the Lartigue archive. These images of family beau-monde and demi-monde life are not only evidence of a prodigious talent, but also offer an intimate, adolescent perspective of Belle-Epoque Paris, the world of Proust, Debussy and the Nabis, before the outbreak of the First World War. At a young age Lartigue mastered the medium of photography: this exploration of his extraordinary childhood is interwoven with a social and cultural portrait of the Belle Epoque. Bonnard and Vuillard used the camera as a reference point for painting, Eugene Atget documented the architecture of the old Paris ahead of its developers, but Lartigue was the first to harness the immediacy of the snapshot, often capturing his subjects mid-gesture as in real life, creating a new visual language for the 20th century.

Fotografie byla od počátku využívána cestovateli jako v porovnání s do té doby rozšířenými kresbami objektivní médium k zaznamenání vzdálených objektů a míst. Už v roce jejího vynálezu (1839) zachytili francouzští cestovatelé pomocí daguerrotypie egyptskou sfingu. Mezi českými cestovateli se nová technologie ujímala pomaleji, ve druhé polovině 19. století spíše nakupovali suvenýrové fotografie jako pomůcky pro své přednášky. Prvním doloženým českým cestovatelem-fotografem v mimoevropských zemích byl až v 80. letech 19. století Enrique Stanko Vráz. Publikace přináší jeho podrobný profil a profily dalších sedmi českých cestovatelů a vědců (Alois Musil, Vojtěch Suk, Alberto Vojtěch Frič a další), kteří byli zároveň fotografy a po nichž mnohdy zůstaly bohaté sbírky fotografického materiálu. Ve druhé části knihy se autoři zaměřují na technologii restaurování a analýzu archivních cestovatelských fotografií a zařazen je také modelový příklad průzkumu fotografických sbírek, fondu díla cestovatele Jiřího Viktora Daneše.

Swiss photographer Rene Burri (1933-2014) has been wherever history had been played out. A member of the famous Magnum Photos cooperative since 1955, he photographed in the Middle East in the 1950s and 1960s, recording the Six-Days and Yom Kippur Wars, as well as the Vietnam War during the 1960s. His many travels took him to Japan and China, across Europe and the Americas to report sharply many of the 20th century's major events. His extraordinary sense for people and their personalities helped him create portraits of celebrities such as architects Le Corbusier, Oscar Niemeyer, and Luis Barragan; or artists Alberto Giacometti, Pablo Picasso, and Jean Tinguely. His iconic picture of Che Guevara with cigar, shot in 1963, is one of the world's most famous and widely reproduced photographic portraits ever. Burri had a close relationship with Lausanne's Musee de l' Elysee and in 1987 the museum staged a first exhibition of his work, entitled The Ruins of the Future, followed by his first major retrospective in 2004. The museum also hosts the Fondation Rene Burri, which the artist established in 2013 as a home for his estate. Published to coincide with a new exhibition at Musee de l'Elysee in spring 2020, Rene Burri: An Eye Explosion draws from this vast collection. It brings together for the first time Burri's entire body of work, photographic and non-photographic. Black-and-white and colour photographs feature alongside previously unpublished archival documents as well as book designs, exhibition projects, travel diaries, collages, watercolours, and other multiple objects he collected. It offers a new, multi-faceted and uniquely intimate view of one of the world's greatest photo reporters.

Alongside American photographers such as Saul Leiter, Joel Meyerowitz, Stephen Shore and William Eggleston, Harry Gruyaert became one of the few European pioneers to explore the creative possibilities of colour in the 1970s and 1980s. The previous decades had elevated black and white photography to the realms of art, relegating colour to use in advertising, the press and illustration. Gruyaert's work suggested new territory for colour photography: an emotive, non-narrative and boldly graphic way of perceiving the world. Gruyaert's ability to seamlessly weave texture, light, colour and architecture comes together to wonderful effect in this new collection. His photographs of airports beautifully - and at times surreally - record these liminal, yet reliably inhabited spaces.

Africa State of Mind gathers together the work of an emergent generation of photographers from across Africa, including both the Maghreb and sub-Saharan Africa. It is both a summation of new photographic practice from the last decade and an exploration of how contemporary photographers from the continent are exploring ideas of 'Africanness' to reveal Africa to be a psychological space as much as a physical territory - a state of mind as much as a geographical place. Dispensing with the western colonial view of Africa in purely geographic or topographic terms, Ekow Eshun presents Africa State of Mind in four thematic parts: Hybrid Cities; Inner Landscapes; Zones of Freedom; and Myth and Memory. Each theme, introduced by a text by Eshun, presents selections of work by a new wave of African photographers who are looking both outward and inward: capturing life among the sprawling cities and multitudinous conurbations of the continent, turning the legacy of the continent's history into the source of resonant new myths and dreamscapes and exploring questions of gender, sexuality and identity. Each of the photographers seeks to capture the experience of what it means, and how it feels, to live in Africa today.

ToiletMartin PaperParr Book is a high-impact visual volume revealing the most iconic images from the prolific archives of internationally celebrated artist Martin Parr and the duo who created Toiletpaper, Maurizio Cattelan and Pierpaolo Ferrari. Martin Parr's ironic, full color images combine perfectly with the irreverent and poignant wit created by Maurizio Cattelan and Pierpaolo Ferrari. The 120 vibrant back-to-back images included in this compelling volume are sensually and visually appealing, as well as reflecting reality. This book of the books shakes up our minds and leads us to move our gaze in multiple directions.

As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world's greatest rock 'n' roll band, Wyman continued his hobby. When he didn't have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band. From travelling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones.

Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave. This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave's life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke. Stranger Than Kindness asks what shapes our lives and makes us who we are, and celebrates the curiosity and power of the creative spirit. The book has been developed and curated by Nick Cave in collaboration with Christina Back. The images were selected from 'Stranger Than Kindness: The Nick Cave Exhibition', opening at the Royal Danish Library in Copenhagen in June 2020.

How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm. From interviews with leading architects--such as David Adjaye, Denise Scott Brown, and Annabelle Selldorf--and a reconsideration of the irreverent interiors magazine Nest, to previously unpublished work by Robert Adams and new portfolios by artists, including Alejandro Cartagena, Fumi Ishino, Mauro Restiffe, and the duo Randhir Singh and Seher Shah, House & Home considers the concepts of home across diverse geographies and time periods.

The natural beauties of Oceania's island world, scattered far across the South Pacific and divided into the cultural areas of Polynesia, Micronesia and Melanesia, are overwhelming. But besides lonely palm islands, ever-warm lagoons and colorful coral reefs, there are also more rugged beauties such as the volcanic islands of Marquesas, where beaches are rare. The book shows in over 400 photographs the unique beauty of the region.

The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the Dusseldorf Kunstpalast served as a blank canvas for the photographer's unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncomprimising collection that sheds an unexpected light on his colossal oeuvre. This book, the official companion to the landmark exhibition, offers an extensive, firsthand look at the highly personal collection. Renowned the world over, Lindbergh's images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Jeanne Moreau, Naomi Campbell, Charlotte Rampling and many more. This XL volume presents more than 150 photographs--many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper's Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Kramer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.