Jonathan Cape strana 5 z 5

Set in the valley of the Mesta, one of the oldest inhabited river valleys in Europe and a nexus for wild plant gatherers, Elixir is an unforgettable exploration of the deep connections between people, plants and place Over several seasons, Kassabova spends time with the people of this magical region. She meets women and men who work in a long lineage of foragers, healers and mystics. She learns about wild plants and the ancient practice of herbalism, and experiences a symbiotic system where nature and culture have blended for thousands of years. Through her captivating encounters we come to feel the devastating weight of the ecological and cultural disinheritance that the people of this valley have suffered. Yet, in her search for elixir, she also finds reasons for hope. The people of the valley are keepers of a rare knowledge, not only of mountain plants and their properties, but also of how to transform collective suffering into healing. Immersive and enthralling, at its heart Elixir is a search for a cure to what ails us in the Anthropocene. It is an urgent call to rethink how we live - in relation to one another, to the Earth and to the cosmos.

It is 1969 and James Bond is about to go solo, recklessly motivated by revenge. A seasoned veteran of the service, 007 is sent to single-handedly stop a civil war in the small West African nation of Zanzarim.

When we look beyond the headlines, everyone has a story to tell It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and 'bad apples': the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's nowhere for her to go and no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.

A poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape from genocide One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China's internment camps for Muslim minorities. Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labour camp. But even having endured three years in the camp, he could never have predicted the Chinese government's radical solution to the Uyghur question two decades later. When he noticed that the park near his home was nearly empty because so many neighbours had been arrested, he knew the police would be coming for him any day. It soon became clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced.

As with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review. Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this: Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".

Monica is a dazzling, spectacular tapestry of interconnected narratives that together tell a life story. Abandoned by her free-spirited parents, this eponymous protagonist is a rag-to-riches character who succeeds in clawing her way to the top - only to lose it all in a stroke of bad luck. Monica lives out the rest of her contemplative days in search of her parents, encountering a cast of eccentric characters who help piece together the story of her life. This graphic novel extravaganza is an unforgettable ode to the many genres that have defined the comics form - from war, romance and horror to crime and the supernatural. Mysterious, uncategorisable and quintessentially Clowesian, here is a multi-layered masterpiece born of a lifetime of inspiration. Monica marks the creative apex of Daniel Clowes' distinguished career, one of the defining voices of the graphic novel boom over the past quarter-century.