Jonathan Cape

Choose life. Choose love? The Trainspotting crew fall for rave and romance in Irvine Welsh's blazing new novel. * A Best Summer Read for the Guardian, i Paper, Esquire, Scotsman and more * It is the late 1980s, the closing years of Thatcher's Britain. For the Trainspotting crew, a new era is about to begin - a time for hope, for love, for raving. Leaving heroin behind and separated after a drug deal gone wrong, Renton, Sick Boy, Spud and Begbie each want to feel alive. They fill their days with sex and romance and trying to get ahead; they follow the call of the dance floor, with its promise of joy and redemption. Sick Boy starts an intense relationship with Amanda, his 'princess' - rich, connected, everything that he is not. When the pair set a date for their wedding, Sick Boy sees a chance for his generation to take control at last. But as the 1990s dawn, will finding love be the answer to the group's dreams or just another doomed quest?

A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series. ‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’ It is summer. Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life. Over a year, their fates collide in outrageous and poignant ways, revealing their destinies in a new light. Parallel Lines is a novel about connection, family, love, and the cascading consequences of our choices.

TWO BOYS MEET. EVERYTHING CHANGES. THE INSTANT IRISH TIMES BESTSELLER On the cusp of adulthood, James dreams of another life far away from his small village. As he contends with the expectations of his family, his burgeoning desire - an ache for autonomy, tenderness and sex - threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, but underneath his bravado lie anxieties and hopes of his own. With the passing seasons, the two teenagers grow closer and the bond that emerges between them transforms their lives. James falls deeply for Luke, yet he is never sure of Luke's true feelings. And as the end of summer nears, he has a choice to make - will he risk everything for the possibility of love?

In the remotest reaches of Central Asia where rival groups war over oil, a minor god is chained to a mountainside. Unfolding in a series of conversations with his unlikely friend the eagle, who visits every day to carry out a gruesome sentence of torture, Tongues I follows the titan’s pursuit of revenge on the god that imprisoned him. Entwined with their story are those of Astrid, a teenage East African orphan on an errand of murder, and a man with a teddy bear strapped to his back wandering aimlessly in the wilderness. Tongues I is a postmodern, apocalyptic reimagining of Prometheus' story, here a fallible god failing in his duty as the creator and protector of humanity. A visual meditation on our deep evolutionary past and our complicated prospects for the future, Tongues I is both a propulsive story of adventure and an examination of human nature in our present moment.

At first there seems to be no reason to deny the body what it wants, whenever it wants it. Fifteen-year-old István lives with his mother in a quiet apartment complex in Hungary. New to the town and shy, he is unfamiliar with the social rituals at school and soon becomes isolated, with his neighbour - a married woman close to his mother's age - as his only companion. As these encounters shift into a clandestine relationship, István's life spirals out of control. Years later, rising through the ranks from the army to the elite circles of London's super-rich, he navigates the twenty-first century's tides of money and power. Torn between love, intimacy, status, and wealth, his newfound riches threaten to undo him completely.

A glorious antidote to parenting books, this darkly humorous, candid and insightful graphic memoir brings the early years of parenthood to life - in all their chaos, wonder and delirium. Intimate, relatable and very funny, Becky Barnicoat explores everything from the anatomy of the hospital bag to the frantic obsession with putting your baby down drowsy but awake, to the tyranny of gentle parenting. From pregnancy to the feral toddler years, Barnicoat extends a sticky hand to all new parents grappling with the impossible but joyous jigsaw puzzle of their lives. Barnicoat gives us permission to cry when the baby cries - and also laugh, snort, lie on the floor naked, drool and generally revel in a deeply strange new world ruled by a tyrannical tiny leader, growing bigger and more loved by the day.

A groundbreaking, profound and intimate novel about capitalism's effects on the human heart: Money to Burn is the first volume of the Scandinavian Star series, a new masterpiece of Danish literature 'Buzzes with electricity… intriguing, maddening, exciting. I'm in' Observer 'Taut and intelligent… a moving love story and an incendiary indictment of contemporary society' Literary Review Maggie and Kurt are struggling to hold their marriage together after their only daughter has left home. They live in an old farmhouse in Nyborg but somehow keep missing each other, unable to discuss the events that brought them together. Decades ago, a passenger ferry called the Scandinavian Star caught fire, killing 159 people. The event is still considered a national tragedy in Denmark and Norway. Years later, it was revealed not to be an accident, but the result of an insurance scam gone wrong. How is the Scandinavian Star disaster connected to Maggie and Kurt? How does money affect and infect our closest relationships? And is it ever possible to escape?

** THE ONLY GUT-HEALTH COOKBOOK YOU NEED FROM THE #1 SUNDAY TIMES BESTSELLING AUTHOR OF FOOD FOR LIFE AND ITV LORRAINE’S GUT-HEALTH EXPERT ** 'A book full of fantastic recipes and ideas.' Yotam Ottolenghi ‘Packed with food you will love – and that your microbes will, too’ Dr Clare Bailey Mosley 'Flavours and recipes you’ll want to eat every day' Melissa Hemsley ‘Delicious and astonishingly, life-changingly, simple’ Davina McCall 'Tim’s principles for eating well are totally transformative' Hugh Fearnley-Whittingstall In: 30 plants a week. Out: Calorie counting. In: Fermenting. Out: Ultra-processed foods. But, how? The Food For Life Cookbook takes the ground-breaking guidance in Tim Spector's #1 bestselling guide to the new science of eating well and, in over 100 delicious and achievable recipes created in collaboration with ZOE, the nutrition science company that he co-founded, shows just how simple and enjoyable it can be to adapt to a gut-friendly way of eating. Shaped by Tim's own experience of transforming the way he eats, as well as common requests from readers and ZOE members, chapters include 15-minute meals, ideas for eating well when the fridge looks bare, and generous feasts and sweet treats for special moments with friends. Packed with plant-led inspiration for delicious meals to feed you, your family and your microbiome, as well as tips for increasing plant diversity and science-based explanations for the nutritional benefits of the ingredients and recipes included, The Food For Life Cookbook is a must-have for every gut-loving home and kitchen and the perfect gift for anyone who wants to embrace a new way of eating. Cook for life. Join the food revolution.

Once there was magic in Britain. There were dragons and wizards and green knights and kings who pulled swords out of stones. But now, the doors to the Otherworld have closed. Young Hag has grown up believing her mother and grandmother are the last witches in the land. But when tragedy strikes, she turns her back on these tales. Where is their magic when they really need it? Then one day they find a changeling in the woods. Confronted with real magic at last, Young Hag has no choice but to believe. She sets off on the greatest quest of her life; but can Young Hag bring the magic back? Or will she become a footnote in the tale of famous kings and wizards? From the acclaimed creator of Glass Town and The One Hundred Nights of Hero comes a dazzlingly imaginative escape into the world of myth. Young Hag ingeniously reinvents the women in Arthurian legend, transforming the tales of old into a heart-warming coming-of-age story.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Moliére’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A stunning detective story from the winner of the World Illustration Award In this stunning reimagining of a nineteenth-century Russian crime thriller from the world of Dostoevsky, Carol Adlam presents Charlie Fox, stunt journalist, magician, liar and thief, who reluctantly returns to her hometown of Nowheregrad to investigate the murder of Elena Ruslanova, daughter of a fabulously wealthy glass manufacturer. In Nowheregrad Charlie finds herself caught up in a multi-layered story that is told through the richly varied visual devices of the time. With the unwitting assistance of her lover, Netochka, Charlie unravels the mystery of the Bobrov family, only to face the truth about herself. Exquisitely drawn and compellingly told, Adlam's complex, elegant narrative brings to life the lost legacies of early crime fiction and the first women journalists and detectives.

A rediscovered classic of Holocaust literature translated for the first time - from journalist, poet and survivor József Debreczeni When József Debreczeni arrived in Auschwitz in 1944, had he been selected to go 'left', his life expectancy would have been approximately forty-five minutes. One of the 'lucky' ones, he was sent to the 'right', which led to twelve horrifying months of incarceration and slave labour in a series of camps, ending in the 'Cold Crematorium' - the so-called hospital of the forced labour camp Dörnhau, where prisoners too weak to work were left to die. Debreczeni beat the odds and survived. Very soon he committed his experiences to paper in Cold Crematorium, one of the harshest and powerful indictments of Nazism ever written. This haunting memoir, rendered in the precise and unsentimental prose of an accomplished journalist, compels the reader to imagine human beings in circumstances impossible to comprehend intellectually. First published in Hungarian in 1950, it was never translated due to the rise of McCarthyism, Cold War hostilities and antisemitism. This important eyewitness account that was nearly lost to time will be available in fifteen languages, finally taking its rightful place among the great works of Holocaust literature more than seventy years after it was first published.

In this remarkable second collection, Seán Hewitt describes a journey haunted by love, loss and estrangement - from one of the Sunday Times 30 under 30 in Ireland As the mind wanders and becomes spectral, these poems forge their own unique path through the landscape. The road Hewitt takes us on is a sleepwalk into the nightwoods, a dream-state where nature is by turns regenerated and broken, and where the split self of the speaker is interrupted by a series of ghosts, memories and encounters. Following the reciprocal relationship between queer sexuality and the natural world that he explored in Tongues of Fire, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature. A threnody for what is lost, a dance of apocalypse and rebirth, Rapture’s Road draws us through what is hidden, secret, often forbidden, to a state of ecstasy. It leads into the humid night, through lethal love and grief, and glimpses, at the end of the journey, a place of tenderness and reawakening.

As with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review. Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this: Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".

The acclaimed biographer and obituarist for The Economist reflects on a career spent pursuing life and capturing it on the page. It is soul that I go looking for. Or, to put it another way, real life. 'What is life?' asked the poet Shelley, and could not come up with an answer. Scientists, too, for all their understanding of how life manifests, thrives and evolves, have still not plumbed that fundamental question. Yet biographers and obituarists continue to corral lives in a few columns, or a few hundred pages, aware all the time how fleeting and elusive their subject is. In this dazzlingly original blend of memoir, biography, observation and poetry, Ann Wroe reflects on the art and impossibility of capturing life on the page. Through her experiences and those of others, through people she has known, studied or merely glimpsed in windows, she movingly explores what makes a life and how that life lingers after. Animated by Wroe's rare imagination, eye for the telling detail, and the wit, beauty and clarity of her writing, Lifescapes is a luminous, deeply personal answer to Shelley's question.

A poet's account of one of the world's most urgent humanitarian crises, and a harrowing tale of a family's escape from genocide One by one, Tahir Hamut Izgil's friends disappeared. The Chinese government's brutal persecution of the Uyghur people had continued for years, but in 2017 it assumed a terrifying new scale. The Uyghurs, a predominantly Muslim minority group in western China, were experiencing an echo of the worst horrors of the twentieth century, amplified by China's establishment of an all-seeing high-tech surveillance state. Over a million people have vanished into China's internment camps for Muslim minorities. Tahir, a prominent poet and intellectual, had been no stranger to persecution. After he attempted to travel abroad in 1996, police tortured him until he confessed to fabricated charges and sent him to a re-education through labour camp. But even having endured three years in the camp, he could never have predicted the Chinese government's radical solution to the Uyghur question two decades later. When he noticed that the park near his home was nearly empty because so many neighbours had been arrested, he knew the police would be coming for him any day. It soon became clear to Tahir and his wife that fleeing the country was the family's only hope. Waiting to Be Arrested at Night is the story of the political, social, and cultural destruction of Tahir Hamut Izgil's homeland. Among leading Uyghur intellectuals and writers, he is the only one known to have escaped China since the mass internments began. His book is a call for the world to awaken to the unfolding catastrophe, and a tribute to his friends and fellow Uyghurs whose voices have been silenced.