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How else do we return to ourselves but to fold.The page so it points to the good part. In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the value of joy in a perennially fractured American spirit. Vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment.These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time is a Mother is a return and a forging-forth all at once.

The first volume of the graphic adaptation of Yuval Noah Harari's global phenomenon and smash Sunday Times #1 bestseller, with gorgeous full-colour illustrations and a beautiful package - the perfect gift for the curious beings in your life. One hundred thousand years ago, at least six different species of humans inhabited Earth. Yet today there is only one-homo sapiens. What happened to the others? And what may happen to us? In this first volume of the full-colour illustrated adaptation of his groundbreaking book, renowned historian Yuval Harari tells the story of humankind's creation and evolution, exploring the ways in which biology and history have defined us and enhanced our understanding of what it means to be "human". From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, Sapiens challenges us to reconsider accepted beliefs, connect past developments with contemporary concerns, and view specific events within the context of larger ideas. Featuring 256 pages of full-colour illustrations and easy-to-understand text covering the first part of the full-length original edition, this adaptation of the mind-expanding book furthers the ongoing conversation as it introduces Harari's ideas to a wider new readership.

The Plantagenet queens of England played a role in some of the most dramatic events in our history. Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle, queens who enlivened England with the romantic culture of southern Europe - these determined women often broke through medieval constraints to exercise power and influence, for good and sometimes for ill. Alison Weir's ground-breaking history of the queens of medieval England now moves into a period of even higher drama, from 1154 to 1291: years of chivalry, dynastic ambition, conflict with the church, baronial wars, and the all-pervading bonds of feudalism. We see events such as the murder of Becket, Magna Carta and the birth of parliaments from a new perspective. Her narrative begins with the formidable Eleanor of Aquitaine, whose marriage to Henry II establishes a dynasty which rules for over three hundred years and creates the most powerful empire in western Christendom - but also sows the seeds for some of the most destructive family conflicts in history and for the collapse, under her son King John, of England's power in Europe. The lives of Eleanor's successors were just as remarkable: Berengaria of Navarre, queen of Richard the Lionheart, Isabella of Angouleme, queen of John, and Alienor of Provence, queen of Henry III, and finally Eleanor of Castile, the grasping but beloved wife of Edward I. Through the story of these first five Plantagenet queens, Alison Weir provides an enthralling new perspective on a dramatic period of high romance and sometimes low politics, with determined women at its heart.

The second novel from Booker-longlisted Bill Clegg Following his acclaimed New York Times bestseller, Did You Ever Have a Family, Bill Clegg returns with a profoundly moving, emotionally resonant second novel about the complicated bonds and breaking points of family and friendship. The End of the Day is an exploration of class and power, the corrosive force of secrets, the heartbeat of longing, and the redemption found in forgiveness. A retired widow in rural Connecticut wakes to an unexpected visit from her childhood best friend whom she hasn't seen in forty-nine years. A man arrives at a Bethlehem, Pennsylvania hotel to introduce his estranged father to his newborn daughter and finds him collapsed on the floor of the lobby. A sixty-seven-year-old taxi driver in Kauai receives a phone call from the mainland that jars her back to a traumatic past. These seemingly disconnected lives come together as half-century-old secrets begin to surface. Deeply observed and beautifully written in Bill Clegg's signature 'eloquent, elegant voice' (Entertainment Weekly), the novel is a feat of storytelling, capturing sixty years within the framework of one fateful day.

A triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted author While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one - one that strikes closer to home? In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.

The title of Vicki Feaver's remarkable new collection derives from Blake's illustration of a child standing with one foot on a ladder to the moon, crying 'I want! I want!' In the title poem it represents her childhood ambition to be a poet; in another, she rejects pressure towards achievement and longs to return to the sensual world of the earth. This startlingly honest book follows the ladder of a life for seventy-five years, in poems that show how much is connected. Unlocking the voice of a silenced, powerless girl, Feaver writes about an apparently stable childhood which, to her, was painfully insecure: tormented with parental expectations and sibling jealousy, torn between mother and grandmother. The eleven-year-old who wanted to become a poet becomes the woman 'buried under ice with words burning inside', who becomes the old woman still 'searching for words' - fearful now of memory loss and a failing body. I Want! I Want! is the work of a poet looking for a pattern in her life before it's too late. Urgent, accessible and deeply moving, this is poetry of witness and survival: a vivid testament to the triumph of a poet's spirit.

In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixotefor the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where "Anything-Can-Happen". Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixoteto satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

From one of America's greatest non-fiction writers, an epic saga of the rise and fall of American power, from Vietnam to Afghanistan, told through the life of one man. Richard Holbrooke was one of the most legendary and complicated figures in recent American history. Brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites, he was both admired and detested. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. He was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. Holbrooke's story is the story of the rise and fall of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. Drawing on Holbrooke's diaries and papers, George Packer's narrative is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man, and the elite spheres of society and government he inhabited.

Look - anyone who invents something really great has a moment where they think it's going to destroy the world. For the first time in her life, Fin is off the network. A few months ago, she was the inventor of a programme so powerful, so unusual that she was untouchable. Until she wasn't. Meanwhile, people have started disappearing from the streets of the city and the technology she created might be implicated. Square Eyes is a graphic novel about a future where the boundaries between memory, dreams and the digital world start to blur. It's a kaleidoscopic mystery story which asks: in a city built on digital illusion, who really holds the power? What is weakness? And when is it most dangerous?

Why do we no longer trust experts, facts and statistics? Why has politics become so fractious and warlike? What caused the populist political upheavals of recent years? How can the history of ideas help us understand our present? In this bold and far-reaching exploration of our new political landscape, William Davies reveals how feelings have come to reshape our world. Drawing deep on history, philosophy, psychology and economics, he shows how some of the fundamental assumptions that defined the modern world have dissolved. With advances in medicine and the spread of digital and military technology, the divisions between mind and body, war and peace are no longer so clear-cut. In the murky new space between mind and body, between war and peace, lie nervous states: with all of us relying increasingly on feeling rather than fact. In a book of profound insight and astonishing breadth, William Davies reveals the origins of this new political reality. Nervous States is a compelling and essential guide to the turbulent times we are living through.

Food. Shelter. Warmth. Love. Voices. Other people's voices, singing - the fifth essential necessity of life. Nick Coleman's new book is an exploration of what singing means and how it works. What does it do to us to listen hard and habitually to somebody else's singing? And why is the singing of others so essential to human life? Why do we love it so? The book asks many other questions too. What was Roy Orbison's problem? Who does Joni Mitchell think she is? Why did Jagger and Lennon sing like that (and not like this)? What did Aretha Franklin do to deserve the title `Queen of Soul'? For that matter, what is 'soul'? What is the point of crooning? What does it say about you if Frank Sinatra leaves you cold? Billie, Janis, Amy: must the voices of anguish always dissolve into spectacle? The history of post-war popular music is traditionally told sociologically or in terms of musicological influence and innovation in style. Voices takes a different tack. In ten discrete but cohering essays Coleman tackles the arc of that history as if it were an emotional experience with real psychological consequences - as chaotic, random, challenging and unpredictable as life itself. It is the story of what it is to listen and learn. Above all, it is a story of what it means to feel.

Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Twenty-one stories and a novella that will disturb and delight, from the author of Fight Club. The absurdity of both life and death are on full display; in 'Zombies', the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In 'Knock, Knock', a son hopes to tell one last off-colour joke to his dying father , while in 'Tunnel of Love', a massage therapist runs the curious practice of providing 'relief' to dying clients. And in 'Excursion', Fight Club fans will be thrilled to find a side of Tyler Durden never seen before. Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk.

This book is short-listed for the 2015 Bollinger Everyman Wodehouse prize for comic fiction. A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, 'Juice' Terry Lawson, finally met his match in Hurricane 'Bawbag'? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without...A Decent Ride? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, 'Juice' Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler - a central character who is shameless but also, oddly, decent -and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy...

This book is short-listed for the 2015 Bollinger Everyman Wodehouse prize for comic fiction. A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, 'Juice' Terry Lawson, finally met his match in Hurricane 'Bawbag'? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without...A Decent Ride? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, 'Juice' Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler - a central character who is shameless but also, oddly, decent -and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy...

From the author of Fight Club, the classic portrait of the damaged contemporary male psyche, now comes this novel about the apocalyptic marketing possibilities of female pleasure. Sisters will be doing it for themselves. And doing it. And doing it. And doing it some more...Penny Harrigan is a low level associate in a big Manhattan law firm with an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, aka 'Climax-Well', a software mega-billionaire and lover of the most gorgeous and accomplished women on earth. After dining at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed of heights of orgasmic pleasure for days on end. What's not to like? This: Penny discovers that she is a test subject for the final development of a line of sex toys to be marketed in a nationwide chain of boutiques called 'Beautiful You'. So potent and effective are these devices that women line up in their millions outside the stores on opening day then lock themselves in their room and stop coming out. Except for batteries. Maxwell's plan for erotically enabled world domination must be stopped. But how?