Jonathan Cape strana 2 z 7

The second novel from Booker-longlisted Bill Clegg Following his acclaimed New York Times bestseller, Did You Ever Have a Family, Bill Clegg returns with a profoundly moving, emotionally resonant second novel about the complicated bonds and breaking points of family and friendship. The End of the Day is an exploration of class and power, the corrosive force of secrets, the heartbeat of longing, and the redemption found in forgiveness. A retired widow in rural Connecticut wakes to an unexpected visit from her childhood best friend whom she hasn't seen in forty-nine years. A man arrives at a Bethlehem, Pennsylvania hotel to introduce his estranged father to his newborn daughter and finds him collapsed on the floor of the lobby. A sixty-seven-year-old taxi driver in Kauai receives a phone call from the mainland that jars her back to a traumatic past. These seemingly disconnected lives come together as half-century-old secrets begin to surface. Deeply observed and beautifully written in Bill Clegg's signature 'eloquent, elegant voice' (Entertainment Weekly), the novel is a feat of storytelling, capturing sixty years within the framework of one fateful day.

A triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted author While on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one - one that strikes closer to home? In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.

The title of Vicki Feaver's remarkable new collection derives from Blake's illustration of a child standing with one foot on a ladder to the moon, crying 'I want! I want!' In the title poem it represents her childhood ambition to be a poet; in another, she rejects pressure towards achievement and longs to return to the sensual world of the earth. This startlingly honest book follows the ladder of a life for seventy-five years, in poems that show how much is connected. Unlocking the voice of a silenced, powerless girl, Feaver writes about an apparently stable childhood which, to her, was painfully insecure: tormented with parental expectations and sibling jealousy, torn between mother and grandmother. The eleven-year-old who wanted to become a poet becomes the woman 'buried under ice with words burning inside', who becomes the old woman still 'searching for words' - fearful now of memory loss and a failing body. I Want! I Want! is the work of a poet looking for a pattern in her life before it's too late. Urgent, accessible and deeply moving, this is poetry of witness and survival: a vivid testament to the triumph of a poet's spirit.

In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixotefor the modern age. Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where "Anything-Can-Happen". Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote Don Quixoteto satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse. And with the kind of storytelling magic that is the hallmark of his work, the fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.

From one of America's greatest non-fiction writers, an epic saga of the rise and fall of American power, from Vietnam to Afghanistan, told through the life of one man. Richard Holbrooke was one of the most legendary and complicated figures in recent American history. Brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites, he was both admired and detested. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. He was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. Holbrooke's story is the story of the rise and fall of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. Drawing on Holbrooke's diaries and papers, George Packer's narrative is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man, and the elite spheres of society and government he inhabited.

Look - anyone who invents something really great has a moment where they think it's going to destroy the world. For the first time in her life, Fin is off the network. A few months ago, she was the inventor of a programme so powerful, so unusual that she was untouchable. Until she wasn't. Meanwhile, people have started disappearing from the streets of the city and the technology she created might be implicated. Square Eyes is a graphic novel about a future where the boundaries between memory, dreams and the digital world start to blur. It's a kaleidoscopic mystery story which asks: in a city built on digital illusion, who really holds the power? What is weakness? And when is it most dangerous?

Why do we no longer trust experts, facts and statistics? Why has politics become so fractious and warlike? What caused the populist political upheavals of recent years? How can the history of ideas help us understand our present? In this bold and far-reaching exploration of our new political landscape, William Davies reveals how feelings have come to reshape our world. Drawing deep on history, philosophy, psychology and economics, he shows how some of the fundamental assumptions that defined the modern world have dissolved. With advances in medicine and the spread of digital and military technology, the divisions between mind and body, war and peace are no longer so clear-cut. In the murky new space between mind and body, between war and peace, lie nervous states: with all of us relying increasingly on feeling rather than fact. In a book of profound insight and astonishing breadth, William Davies reveals the origins of this new political reality. Nervous States is a compelling and essential guide to the turbulent times we are living through.

Food. Shelter. Warmth. Love. Voices. Other people's voices, singing - the fifth essential necessity of life. Nick Coleman's new book is an exploration of what singing means and how it works. What does it do to us to listen hard and habitually to somebody else's singing? And why is the singing of others so essential to human life? Why do we love it so? The book asks many other questions too. What was Roy Orbison's problem? Who does Joni Mitchell think she is? Why did Jagger and Lennon sing like that (and not like this)? What did Aretha Franklin do to deserve the title `Queen of Soul'? For that matter, what is 'soul'? What is the point of crooning? What does it say about you if Frank Sinatra leaves you cold? Billie, Janis, Amy: must the voices of anguish always dissolve into spectacle? The history of post-war popular music is traditionally told sociologically or in terms of musicological influence and innovation in style. Voices takes a different tack. In ten discrete but cohering essays Coleman tackles the arc of that history as if it were an emotional experience with real psychological consequences - as chaotic, random, challenging and unpredictable as life itself. It is the story of what it is to listen and learn. Above all, it is a story of what it means to feel.

Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation - Olivia Laing Bluets winds its way through depression, divinity, alcohol, and desire, visiting along the way with famous blue figures, including Joni Mitchell, Billie Holiday, Yves Klein, Leonard Cohen and Andy Warhol. While its narrator sets out to construct a sort of 'pillow book' about her lifelong obsession with the colour blue, she ends up facing down both the painful end of an affair and the grievous injury of a dear friend. The combination produces a raw, cerebral work devoted to the inextricability of pleasure and pain, and to the question of what role, if any, aesthetic beauty can play in times of great heartache or grief. Much like Roland Barthes's A Lover's Discourse, Bluets has passed between lovers in the ecstasy of new love, and been pressed into the hands of the heartbroken. Visceral, learned, and acutely lucid, Bluets is a slim feat of literary innovation and grace, never before published in the UK.

Twenty-one stories and a novella that will disturb and delight, from the author of Fight Club. The absurdity of both life and death are on full display; in 'Zombies', the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In 'Knock, Knock', a son hopes to tell one last off-colour joke to his dying father , while in 'Tunnel of Love', a massage therapist runs the curious practice of providing 'relief' to dying clients. And in 'Excursion', Fight Club fans will be thrilled to find a side of Tyler Durden never seen before. Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk.

This book is short-listed for the 2015 Bollinger Everyman Wodehouse prize for comic fiction. A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, 'Juice' Terry Lawson, finally met his match in Hurricane 'Bawbag'? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without...A Decent Ride? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, 'Juice' Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler - a central character who is shameless but also, oddly, decent -and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy...

This book is short-listed for the 2015 Bollinger Everyman Wodehouse prize for comic fiction. A rampaging force of nature is wreaking havoc on the streets of Edinburgh, but has top shagger, drug-dealer, gonzo-porn-star and taxi-driver, 'Juice' Terry Lawson, finally met his match in Hurricane 'Bawbag'? Can Terry discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison? Will he find out the real motives of unscrupulous American businessman and reality-TV star, Ronald Checker? And, crucially, will Terry be able to negotiate life after a terrible event robs him of his sexual virility, and can a new fascination for the game of golf help him to live without...A Decent Ride? A Decent Ride sees Irvine Welsh back on home turf, leaving us in the capable hands of one of his most compelling and popular characters, 'Juice' Terry Lawson, and introducing another bound for cult status, Wee Jonty MacKay: a man with the genitals and brain of a donkey. In his funniest, filthiest book yet, Irvine Welsh celebrates an un-reconstructed misogynist hustler - a central character who is shameless but also, oddly, decent -and finds new ways of making wild comedy out of fantastically dark material, taking on some of the last taboos. So fasten your seatbelts, because this is one ride that could certainly get a little bumpy...

From the author of Fight Club, the classic portrait of the damaged contemporary male psyche, now comes this novel about the apocalyptic marketing possibilities of female pleasure. Sisters will be doing it for themselves. And doing it. And doing it. And doing it some more...Penny Harrigan is a low level associate in a big Manhattan law firm with an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, aka 'Climax-Well', a software mega-billionaire and lover of the most gorgeous and accomplished women on earth. After dining at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed of heights of orgasmic pleasure for days on end. What's not to like? This: Penny discovers that she is a test subject for the final development of a line of sex toys to be marketed in a nationwide chain of boutiques called 'Beautiful You'. So potent and effective are these devices that women line up in their millions outside the stores on opening day then lock themselves in their room and stop coming out. Except for batteries. Maxwell's plan for erotically enabled world domination must be stopped. But how?

In Chris Ware's own words, '`Building Stories` follows the inhabitants of a three-flat Chicago apartment house: a thirty-year-old woman who has yet to find someone with whom to spend the rest of her life; a couple who wonder if they can bear each other's company for another minute; and finally an elderly woman who never married and is the building's landlady...' The scope, the ambition, the artistry and emotional heft of this project are beyond anything even Chris Ware has achieved before.

On 14 February 1989, Valentine's Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been 'sentenced to death' by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being 'against Islam, the Prophet and the Quran'. So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov - "Joseph Anton". How do a writer and his family live with the threat of murder for over nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.

Family, that slippery word, a star to every wandering bark, and everyone sailing under a different sky. After his mother's death, Richard, a newly remarried hospital consultant, decides to build bridges with his estranged sister, inviting Angela and her family for a week in a rented house on the Welsh border. Four adults and four children, a single family and all of them strangers. Seven days of shared meals, log fires, card games and wet walks. But in the quiet and stillness of the valley, ghosts begin to rise up. The parents Richard thought he had. The parents Angela thought she had. Past and present lovers. Friends, enemies, victims, saviours. And watching over all of them from high on the dark hill, Karen, Angela's stillborn daughter. "The Red House" is about the extraordinariness of the ordinary, weaving the words and thoughts of the eight characters together with those fainter, stranger voices - of books and letters and music, of the dead who once inhabited these rooms, of the ageing house itself and the landscape in which it sits. Once again Mark Haddon, bestselling author of "The Curious Incident of the Dog in the Night-time" and "A Spot of Bother" has written a novel that is funny, poignant and deeply insightful about human lives.