Phaidon strana 14 z 55

In the late 1960s feminism exploded into popular consciousness. As women began to carve their own spaces in politics and the workplace, so too they demanded to enter art history - where traditionally they had chiefly featured as anonymous bodily subjects of art produced, patronized, collected and theorized by men. Indeed most feminist art until the late 1970s was preoccupied with re-presenting the female body, ranging from the guerilla street actions of Valie Export to the naked performances of Hannah Wilke, to Ana Mendieta's outlines of absent female bodies in the landscape. The emerging debates surrounding new feminist art were fiercely discussed: should women artists compete with men or exclude them? Is the naked female body, even in feminist artists' performances, still an objectification of women? From the 1960s to the millennium, "Art and Feminism" traces the changing art practices, art historical debates, manifestos, challenges, rediscoveries and reawakenings that characterize the dynamic, continuing dialogue between feminism and contemporary art. "Art and Feminism" explores the spaces "between" feminism and art, uncovering a shifting, reciprocal relationship. Accessibly and comprehensively ranging across the whole spectrum of art practice and theory, this volume includes the key texts of each period, ranging from the polemics of Germaine Greer and Valerie Solanas to definitions of new artforms by Lucy R. Lippard, to Laura Mulvey's influential film theory, to Craig Owen's Postmodern criticism, as well as rare original artists' statements and reviews. The diverse range of artists featured includes Laurie Anderson, Vanessa Beecroft, Louise Bourgeois, Sophie Calle, Marlene Dumas, Tracey Emin, Coco Fusco, Nan Goldin, Mona Hatoum, Jenny Holzer, Rebecca Horn, Barbara Kruger, Yayoi Kusama, Shirin Neshat, Yoko Ono, Adrian Piper, Pipilotti Rist, Jenny Saville, Carolee Schneemann, Rosemarie Trockel, Gillian Wearing and many others.

The Story of Art, one of the best-known and best-loved books on art ever written, has been a world bestseller for over half a century. Professor Gombrich's clear and engaging text combines with hundreds of full-colour illustrations to trace the history of art in an unfolding narrative, from primitive cave paintings to controversial art works of the present day.

The title of this book is a remark allegedly made by Kurt Schwitters to an acquaintance when asked what he was going to do that day. Frankly, considering his poor command of English, it seems unlikely. Anyway, the intention was clear. He was off to make things. - Alan Fletcher. Following on the success of "The Art of Looking Sideways", "Picturing and Poeting" presents an eye-catching and mind-teasing collection of visual games, doodles, graphic objects, sketches and quotations, that demonstrates how images can often convey meaning more clearly than text. It is a fascinating and entertaining exploration of the potential that words have to become pictures, and that drawings have to convey meanings, as well as an intriguing collection of ephemera. Assembled from the notebooks and travel diaries of Alan Fletcher, over a lifetime of noticing the detail and wit in everything and applying his own unique style, this book will appeal to everyone who enjoys visual games, puns and witty stories. Accompanied by succinct and insightful observations into the nature of meaning and the workings of images, this book attempts to illustrate the inner workings of one of the most creative minds and most internationally influential figures in graphic design working today.

The world's oceans are one of the last great largely unexplored places on earth. They teem with life some of it familiar and some of it strange to us and "Fish Face" takes us closer to the fish that live here. Showing full-page pictures of close up portraits of their faces, the book takes us from the beautiful to the ugly, from spiky to rotund. The huge variety of species is appealing and astounding. The book takes a look at the work of David Doubilet, widely acclaimed as the world's leading underwater photographer. He has photographed fish for over 25 years and "Fish Face" looks at the most colourful, fun and bizarre fish he has encountered. This book should appeal to anyone who has ever wondered about the variety of fish living in our oceans and to naturalists and photographers alike.

Through the lens of a microscope or the shaft of a telescope exists a universe of boundless life and beauty, that is entirely invisible to the naked eye. Atoms, ice crystals, grains of pollen, snowflakes, butterfly wings, cloud formations, searing comets, and showers of stars are born, live and die. The unprecedented scope of "Heaven &, Earth" offers an awe-inspiring voyage of discovery through this infinite world that is science - from the smallest particles on the earth's surface to tiny dots in galaxies that are billions of light years away. Revealing the extensive range of matter contained in the cosmos, this book navigates a fascinating trajectory through an unexplored world, to celebrate the immeasurable beauty and countless mysteries of planet earth and the universe. It charts - chapter by chapter - intricate landscapes of increasing scale and distance, captured by microscope, x-ray, satellite and telescope. Each magnificent photograph is accompanied by an extended caption that explains it in detail, offering a dose of scientific information that enables us to associate with it on a human scale. This volume presents a unique and richly illustrated insight into the momentous relation between aesthetics and nature, in the light of nature's magnitude and its complexity of life. The result is the ultimate fusion of art and science, through a sequence of images that are as subtle as they are stupendous.

This book is the first monograph on the product designer Ross Lovegrove. Written by the designer himself, with a forward by Paola Antonelli, it presents a complete overview of the designer's career, featuring realized and unrealized project. While the main texts explains Ross Lovegrove's philosophy and way of working, the products descriptions reveal the main feature and characteristic of every project. This book will present the work of Ross Lovegrove, one of the most interesting and fascinating individuals working in contemporary design. His work includes a wide range of products from furniture to high-tech products, from water bottles to airplane seats and explores the possibility of realizing sculptural and organic shapes through modern technology and material. Born in 1958, Lovegrove studied industrial design at Manchester Polytechnic and at the Royal College of Art in London. At the beginning of the eighties he started working for the industrial design consultancy Frogdesign in Germany, where he was assigned to projects for Apple and Sony. After this experience he became an in-house designer for Knoll in Paris where he developed different office systems. He went back to England in 1986 where he established his own practice and started to collaborate with the most important design manufacturers such as Kartell, Luceplan and Cappellini. He is currently working on a number of projects in Japan where he enjoys unparalleled success as a European designer. In recent years Ross Lovegrove has worked on a design concept that he likes to define as organic essentialism, inspired by elements and aesthetics taken from the natural world and reshaped in futuristic forms. His interest in this sort of new naturalism, which he terms supernatural, is accompanied by research into new materials, new applications and new methods of production. This combination of archetypal inspiration and up to date technology makes him one of the most interesting and unusual figures in the design world.

An introductory monograph on one of Magnum's best-loved photographers. Louise Baring The influential Magnum photographer Martine Franck (b.1939) is one of the few women photojournalists to have achieved international recognition This book documents Fra

The first monograph on the work of Konstantin Grcic (b.1965), one of the most interesting and prolific product designers working today.

The Last Supper is not only one of the most intensely dramatic episodes in the Gospels, but also has enormous symbolic significance as the origin of the central Christian ritual of the Eucharist or Holy Communion. With its large cast of characters an d its underlying theme of betrayal, it has been a tirelessly compelling subject for a diversity of artists throughout the centuries.

Eugene Richards was born in Dorchester, Massachusetts, a neighborhood of Boston. After graduating from Northeastern University with a degree in English and journalism, he studied photography with Minor White at MIT. In 1968 he became a health care advocate in eastern Arkansas. Two years later, he helped found a social service organization and a community newspaper, Many Voices, that reported on black political action and the Ku Klux Klan. After publication of his first two books, Few Comforts or Surprises: The Arkansas Delta (1973) and Dorchester Days (self-published in 1978), Richards was invited to become a nominee at Magnum. He was a member until he departed in 1995, returned to the cooperative in 2002, and departed for a second time in 2005.Richards has been the recipient of numerous awards over the course of his career, including the W. Eugene Smith Memorial Award, a Guggenheim Fellowship, three National Endowment for the Arts grants, the Leica Medal of Excellence, the Leica Oskar Barnack Award, the Olivier Rebbot Award, and the Robert F. Kennedy Lifetime Achievement Award for coverage of the disadvantaged. His photographs are collected and exhibited widely, and a major touring retrospective of his work premiered at the Rencontres Internationales de la Photographies in Arles, France in 1997. His photo essays have appeared in countless publications, including The New York Times Magazine, Esquire, TIME, Newsweek, The New Yorker, Fortune, and Life. In addition to his prolific photography, Richards has also written, photographed, directed, and produced four short films as well as an hour-long documentary. His documentary, entitled Now, then, forever, is a cinema verite treatment of life inside a Nebraska nursing home that had its world premiere at the 2003 Full Frame Documentary Film Festival. Other films included Cocaine True, Cocaine Blue, a powerful portrait of a crack-infested neighborhood in Philadelphia, and But, the day came chronicles the passage of a 92-year-old farm into a nursing home. The latter received the Jury Award for Best Short Film at the 2000 Full Frame Documentary Film Festival.Despite his success in other fields, Richards remains best known for his books and photo essays on cancer, drug addiction, poverty, emergency medicine, the mentally disabled, aging, and death in America. His intense vision and unswerving commitment have led him to become what many believe is America's greatest living social documentary photographer. This new body of work, entitled The Blue Room, is one of Richards' most personal works to date. It his is first-ever color project, and it brings together the overarching themes of all his work ''the transient nature of things'' in a beautiful and moving series of pictures of the landscape and abandoned houses of the American West, covering the states of Kansas, Colorado, Wyoming, Montana, Arkansas, Nebraska, New Mexico, and the Dakotas. This is the area where settlers came around the turn of the twentieth century, pursuing the promise of homesteads where they could build successful communities. However, in the wake of the Great Depression and the dust storms of the 1930s, the farms in this isolated, semi-arid region faltered and failed, leaving the land littered with forgotten homes.Richards' photographs are a statement on the vulnerability of man in the face of the shifting economic opportunities and the climate, a commentary on the inevability of change. In these contemplative pictures we are inspired to imagine the lives of the homes' former occupants. Richards enigmatic pictures make The Blue Room a thought-provoking meditation on memory, a quiet yet incredibly powerful body of work.

Since the 1960s Mary Ellen Mark has worked on over 100 film sets as what the film studios call a 'special stills photographer', making thousands of documentary photographs of life behind the scenes, rather than the conventional still photographs made of actors on camera. This exciting book presents the best of her images ranging from the first films that Mark shot in the 1960s such as "Fellini's Satyricon", to legendary 1970s productions like Francis Ford Coppola's "Apocalypse Now" and Milos Forman's "One Flew Over the Cuckoo's Nest", as well as films from the ensuing decades that range from "Network" to "Tootsie", from "Gandhi" to "Showgirls". She continues to work on film sets and over the last decade has photographed recent Oscar-winning productions such as Baz Luhrmann's "Moulin Rouge", Alejandro Gonzalez Inarritu's "Babel" and Tim Burton's "Sweeney Todd".Over her career, Mark has been given unprecedented access to the film sets she has worked on, roaming freely among cast and directors, and photographing in make-up, during rehearsals, on the set and off the set to provide a full picture of life behind the scenes. Her experience over the last forty years reveals much about the changes in film-making. She recalls in her introduction how she loved to photograph the director's reaction and interaction during rehearsal when he was behind the camera; but now in contemporary film-making the director is nowhere near the camera, but rather in front of a video monitor away from the set. Her iconic 1960s portraits of Fellini behind his camera fix this moment in film history and are evidence of the changes in technology. Mark's 1960s, 1970s and 1980s portraits also reveal the changing nature of celebrity.When she first started working she would be just another person on set with full access to every cast member and every set. Now with the massive power and impact of celebrity it has become more difficult for photographers to work on set, when actors are constantly surrounded by their entourage of publicists and agents and have their schedules carefully planned with every minute accounted for. In this current climate Mark's more recent, candid pictures of major celebrities such as Cate Blanchett, Brad Pitt, Johnny Depp and Nicole Kidman are rare and particularly special.This book includes beautiful and engaging portraits, documentary pictures that reveal the way a film is made, dramatic moments in direction and filming, and amusing pictures that reveal the camaraderie on set - such as Henry Fonda making faces behind Katharine Hepburn, well-known prankster Jack Nicholson turning Stockard Channing upside down, and Dustin Hoffman causing a lot of amusement in his female costume in between scenes on "Tootsie". The text for the book comes from a number of high profile actors, directors and film industry professionals who complete this picture of life 'behind the scenes' by sharing their anecdotes and thoughts about their profession. Among these engaging texts

WHAT COLOUR IS YOUR WORLD? is a much-loved children's classic reissued for the first time in forty years. This imaginative, inspiring book encourages children to look at and think about colour in the world around them. Bob Gill presents a beautifully woven sequence of text and images. The book is notable for being a combined UK/US edition that highlights our different approaches to spelling. WHAT COLOUR IS YOUR WORLD? is destined to be a classic for design lovers of all ages.

Like its successful predecessor 10x10 (published by Phaidon in 2000), 10x10_2 is a comprehensive overview of new architecture today. This generously illustrated volume presents 100 of the world's most exceptional emerging architects, selected by 10 internationally prominent critics, architects, and curators. Arranged alphabetically by architect, the book features more than 1,500 illustrations of approximately 250 buildings and projects around the world from the past five years. These projects include recently built work as well as competition entries, theoretical projects, and works under construction. The result is an up-to-the-minute collection representing the best of global architectural tendencies as well as regional trends. Each critic has contributed an essay written exclusively for this publication and has selected 10 cultural references from varying genres and media to illustrate the context in which architects operate today.

Alvaro Siza's work is recognized internationally for its beauty, simplicity, and gravity. The stark lines and geometric clarity of his buildings produce almost startling experiences of space. Among his earliest projects was a beach bathing complex in Matosinhos, just north of Porto, in which earthworks and a series of concrete walls define pools in the ocean that are enclosed enough to swim in but over which water can flow. This kind of a sensitive intrusion into a site, common to many of Siza's buildings, lends them the serenity of structures much older. Despite the timeless quality of his work, Siza's history is intimately bound up with that of Portugal. Included in this volume is a cooperative housing project he designed in Porto immediately after the 1974 revolution, about one third of which was built under the auspices of a newly-formed housing cooperative. 30 years later, Porto's city council decided to build the rest of the project and refurbish the existing houses. Both phases of building required multiple discussions between the residents and the architect, and reflect the changing political and social life of the country. All projects in this book are documented in full, with sketches, drawings, and photographs, and detailed descriptions by author Carlos Castanheira and Siza himself. Siza's architecture has been defined as continuously experimental; as this generously-illustrated volume makes clear, each of his designs responds creatively to its setting but his work as a whole retains a unity of form. In addition to residential, cultural, and infrastructural projects in Portugal, this book includes the Ibere Camargo Foundation in Puerto Alegre, Brazil, opened to wide acclaim in April 2008, and projects currently under construction including a mimesis museum in Paju, South Korea, as well as a cultural centre in Ceuta and a sports hotel in Huesca, both in Spain.

Following on from "The Art Book" (1994), "30,000 Years of Art" provides an original and accessible way of looking at art. On its publication in 2007, "The Daily Telegraph" described it as 'a bold new publishing event that promises to redefine the parameters of art history'. In this mini format edition of the book, 500 great works of art from all periods and regions in the world have been carefully selected from the original book and are again arranged in chronological order, breaking through the usual geographical and cultural boundaries of art history to celebrate the vast range of human artistry across time and space. The book presents art in a way different from other art history compendia, revealing the diversity, or in many cases similarity, of man's artistic achievements through time and around the globe. Ordered chronologically, the resulting timeline of works leads to compelling browsing: surprising juxtapositions offer intellectual pleasure and a sense of wonder and discovery. The selection of works from across the world, arranged in the sequence in which they were made, takes the reader on a global and historical journey, responding to such questions as 'where does the earliest art appear?' What were artists creating in China or Africa while Rembrandt was painting portraits in Leyden? How were similar subjects - equestrian themes, landscapes, religious scenes - manipulated by artists in Aztec Mexico and Medieval Europe? While artworks from ancient Greece or the European Renaissance or pre-Columbian Americas will be interspersed with contemporaneous works created in Africa, India or Japan, an extraction of the Greek or Renaissance or American works could stand alone as an essential abridgement of the finest art of that period or culture. The selection of works is non-hierarchical and includes both fine and decorative arts - most commonly painting and sculpture, but also textiles, masks, ceramics and jewellery. Primarily functional arts (furniture, architecture, industrial and graphic design etc.) are not covered. Each work is accompanied by key caption information (date, title, place of origin, style or culture, medium, dimensions etcetera), and a text that provides critical review of the work, placing it in its art historical context and thus explaining its contribution to the development of the history of art.

Tracing Warhol's origins as the sickly child of Ruthenian immigrants in working-class Pittsburgh to his transformation into New York's dark prince of Pop and finally into the world's most successful 'business artist', "Andy Warhol "Giant" Size" provides an appropriately larger-than-life look at the celebrated artist's career. Cultural critic Dave Hickey provides a compelling essay on Warhol's geek-to-guru evolution while chapter openers by Warhol friends and insiders give special insight into the way the enigmatic artist led his life and made his art. More than 2,000 illustrations culled from rarely seen archival material, documentary photography, and artwork not only provide a full picture of the artist's life but a telling look at late twentieth-century popular culture. Warhol's little-explored early career as a successful commercial illustrator and designer, his importance as a co-creator of the Pop movement, his midcareer switch to filmmaker and manager of the Velvet Underground, his founding of Interview magazine, and his bid for the hearts and pocketbooks of the high-flying glitterati are shown throughout this stunning new volume.