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Western Civilisation was in its pomp when Jacob Burckhardt delivered his Judgements on History and Historians, European Empires spanned the globe, while the modern age was being forged in the nationalist revolutions of 1848. As a tutor to the young Friedrich Nietzsche as well as one of the first historians to take 'culture' as his subject rather than the triumphs and travails of kings and generals, Burckhardt was at the vanguard of this modern sensibility. Ambitious in its scope, ranging from the days of Ancient Egypt, through the Reformation to the time of Napoleon, this is indeed a history of 'Western Civilization', written before two monstrous world wars threw such a concept into disrepute.

Max Weber's best-known and most controversial work, The Protestant Ethic and the Spirit of Capitalism, first published in 1904, remains to this day a powerful and fascinating read. Weber's highly accessible style is just one of many reasons for his continuing popularity. The book contends that the Protestant ethic made possible and encouraged the development of capitalism in the West. Widely considered as the most informed work ever written on the social effects of advanced capitalism, The Protestant Ethic and the Spirit of Capitalism holds its own as one of the most significant books of the twentieth century. The book is one of those rare works of scholarship which no informed citizen can afford to ignore.

In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of Americas most  observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -  the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of Americas most  observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema -  the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

"Sartre is a true post-colonial pioneer. His ethical and political struggle against all forms of oppression and exploitation speak to the problems of our own times with a rare courage and cogency." Homi K. Bhabha, Anne F. Rothenberg Professor of English and American Literature Harvard University Nearly forty years after its first publication in French, this collection of Sartre's writings on colonialism remains a supremely powerful, and relevant, polemical work. Over a series of thirteen essays Sartre brings the full force of his remarkable intellect relentlessly to bear on his own country's conduct in Algeria, and by extension, the West's conduct in the Third World in general. The tussle is not equal, and the western imperialists emerge at the end, bloody, bruised and thoroughly chastened. Most startling of all is Sartre's advocacy of violence as a legitimate response to repression, motivated by his belief that freedom was the central characteristic of being human. Whether one agrees with his everyconclusion or not,Colonialism and Neo-Colonialismshows a philosopher passionately engaged in using philosophy as a force for change in the world. An important influence on postcolonial thought ever since, this book takes on added resonance in the light of the West's most recent bout of interference in the non-Western world.

There would be no need for sociology if everyone understood the social frameworks within which we operate. That we do have a connection to the larger picture is largely thanks to the pioneering thinker Émile Durkheim. He recognized that, if anything can explain how we as individuals relate to society, then it is suicide: Why does it happen? What goes wrong? Why is it more common in some places than others? In seeking answers to these questions, Durkheim wrote a work that has fascinated, challenged and informed its readers for over a hundred years. Far-sighted and trail-blazing in its conclusions, Suicide makes an immense contribution to our understanding to what must surely be one of the least understandable of acts. A brilliant study, it is regarded as one of the most important books Durkheim ever wrote.

Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey’s first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory. The reissue of this work as a Routledge Classic brings some radical ideas to a new audience, and argues persuasively for a totally new way of reading. As such, it is an essential work for anyone interested in the development of literary theory.

Midgley exposes the illogical logic of poor doctrines that shelter themselves behind the prestige of science. Always at home when taking on the high priests of evolutionary theory - Dawkins, Wilson and their acolytes - she has described evolution as "the creation-myth of our age". In "Evolution As A Religion" she examines how science comes to be used as a substitute for religion and points out how badly that role distorts it. Her argument is insightful - a lively indictment of these misuses of science.

Use and Abuse of History has become a key text of current historiography, this is a book that poses fundamental and disturbing questions about the use and abuse of history. Engaging and challenging, this book confronts the reader with the many 'histories' that exist and have existed around the world, from the Zulu kingdoms to Communist China. This title has now been extensively revised by Marc Ferro, a well respected historian, and presents the different narratives that constitute the histories of countries as diverse as India, Iran, Trinidad and the United States makes for fascinating reading in their own right. What makes this book so valuable, though, is what these narratives tell us about the societies which create them – how much is history distorted in order to condition the minds of those who are taught it? Use and Abuse of History appeals to anyone with a general interested in history.

Terry Eagleton once wrote in the Guardian, 'Few post-colonial writers can rival Homi Bhabha in his exhilarated sense of alternative possibilities'. In rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity, one that goes far beyond previous attempts by others. A scholar who writes and teaches about South Asian literature and contemporary art with incredible virtuosity, he discusses writers as diverse as Morrison, Gordimer, and Conrad. In The Location of Culture, Bhabha uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.

'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception. From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in 1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty’s birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul Cézanne.

Intolerance and bigotry lie at the heart of all human suffering. So claims Bertrand Russell at the outset of In Praise of Idleness, a collection of essays in which he espouses the virtues of cool reflection and free enquiry, a voice of calm in a world of maddening unreason. From a devastating critique of the ancestry of fascism to a vehement defence of 'useless' knowledge, with consideration given to everything from insect pests to the human soul, this is a tour de force that only Bertrand Russell could perform.

When he was 26, the great psychoanalyst and philosopher Erich Fromm abandoned Judaism, though he himself was descended from a long line of rabbis and the product of a devout Jewish upbringing. The title essay of this collection was first published in 1930, just four years after he made that first, decisive split. It was to point towards the future Fromm's work, presenting the view that an understanding of basic human needs is essential to the understanding of society and mankind itself. The following essays too, show a man who would eventually establish himself as a major thinker, producing some of that era's most influential and astute political works.

A cornerstone of Sartre’s philosophy, The Imaginary was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, The Imaginary crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom.

The world would be a very different place if it were not for Albert Einstein. Like Newton and Galileo before him, this remarkable scientist changed forever mankind's understanding of the universe. In 1921, five years after proclaiming his general theory of relativity, Einstein was awarded the Nobel Prize for Physics in recognition of his remarkable achievements. In the same year he travelled to the United States to give four lectures that consolidated his theory and sought to explain its meaning to a new audience. These lectures were published the following year as The Meaning of Relativity, which he revised with each new edition until his death. It remains a key work for anyone wishing to discover at first hand the workings of one of the most inspiring minds of the twentieth century.

Now published with a new introduction by Griselda Pollock, Vision and Difference remains as powerful and as essential reading as ever for all those seeking not only to understand the history of the feminine in art but also to develop new strategies for representation for the future.