Seagull Books London Ltd

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation. Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aida, a quiet and enigmatic girl whose mother’s marvelous stories captivate him. The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aida, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

A lecturer’s descent into psychological chaos unfolds against the turbulent backdrop of 1990s Budapest. In Other Death, we are thrown into the chaotic life of a forty-year-old university lecturer who is experiencing a sudden, complete psychological and existential breakdown. Afternoons disappear and years chop and change in confusion as he wanders the streets searching for work. Homelessness, alcoholism, and hate are on the rise in 1990s Budapest as symptoms of the regime change. Images flash up from other lives: a Boer pointing a shotgun in Johannesburg, bodies heaped up in the downtown area, a Volkswagen campervan parked by an empty phone box in Switzerland. As he encounters new and historic traumas embedded in the lives and the buildings around him, the unnamed narrator struggles to grasp any coherent identity. It’s only when he starts to work as a gallery attendant, observing the interactions between viewer and artwork, light and space, that he embarks on the slow healing routine towards clarity. In Barnás’s semi-autobiographical novel, meditations on trauma and urban space, image and observation, and spiritual friendships echo the writings of W. G. Sebald and Thomas Bernhard. Like Vertigo meets The Bell Jar, the magnetic language of Other Death draws the reader into the murky workings of a mind severely afflicted.

Aakriti Kuntal wields language like a blade and a balm, carving out poetry that is urgent and unafraid to ask what it means to exist. What does it mean to exist within language—to shape it, and in turn, to be shaped by it? In Night breaks apart, like pomegranate seeds in my palm, Aakriti Kuntal crafts poems that unravel at the edges of self and myth, where language is neither home nor escape, but a threshold to something more elemental. Her verses move like water rolling and sifting through sediment, shifting between dream and flesh. Through intimate confessions and stark observations, she confronts the absurdity of suffering, the weight of the body, and the vast, unknowable machinery of the universe. Each poem resists easy meaning, instead offering raw honesty: language as both wound and salve. For readers drawn to the introspective and the experimental, Kuntal’s poetry echoes the emotional depth of Ocean Vuong and the intellectual play of Anne Carson. This collection is for those who seek poetry not as answers, but as an experience—visceral, and unafraid to press against the limits of being.

This poetry collection masterfully weaves themes of identity, resilience, and the search for meaning against the backdrop of an endless winter. Katarína Kucbelová's whitewards is a haunting and deeply moving sequence of poems that unfolds in a stark, snowbound landscape where winter seems endless. Three unnamed figures struggle to find their way through a snow-covered mountainside, grappling with uncertainty, unspoken fears, and the weight of questions they can barely put into words. Framed as a series of brief fragments and longer passages that use a range of narrative and cinematic techniques, the collection explores themes of identity, survival, and the search for meaning in a time of global crisis-whether political, environmental, or technological. Yet amid the darkness, Kucbelová finds light in storytelling itself, offering it as a form of solace, a way to break through loneliness, and a means to endure. The beauty of her images stimulates and inspires, acting as an antidote to the bleakness of the world. This stunning collection of poems explores identity, survival, and the power that storytelling possesses to bring light even to the bleakest landscapes.

Poems from a new Slovak voice reminiscent of Rilke and Sharon Olds. An evocative collection by Slovak poet Eva Luka, The Minotaur's Daughter seamlessly melds the human and natural worlds, weaving motifs of mythology, nature, and personal freedom into a tapestry of vivid imagery and profound emotion. The poems traverse settings from Japan to mythic landscapes, exploring the complexities of sexuality, desire, and transition. Central to Luka's work is the theme of resistance-against societal pressures and psychic harm. Her poetic voice defies artistic conformity, merging human and animal identities to challenge gender norms and explore mutable identities. Through this innovative fusion, her poems capture both the terror and beauty of existence, drawing parallels to Rilke's metaphysical explorations while grounding her work in the pantheistic and protoplasmic. Journeying through darkness and light, The Minotaur's Daughter reveals an unwavering commitment to artistic and personal truth, establishing Luka as a formidable voice of resistance in contemporary European poetry.

An introduction to the work of acerbic Slovak writer Peter Macsovszky. Simon Blef, who comes from "a small, stifling country without a sea" in some corner of Europe, has gone to live in the Netherlands. There he has found a wife and hopes he may yet find work. He is making preparations: he carries around a notebook and jots down his thoughts. One day he would like to write a novel, but in the meantime, he records, embellishes, invents, and combines what he sees with what he dreams: the happy, hard-working Dutch, with their seventy-year-old hippies-the "superannuated generation of rockers"- and their new "sexless generation," as well as the tourists and immigrants from beyond the seven seas. Set in a single day, Making Skeletons Dance is full of impressionistic musings, in equal measure mordant and humorous. Simon has left his small unhappy country to get away from the past-but how is it that the past is so devilishly resourceful, liable to turn up in any Amsterdam pub? As the afternoon wears on, the drama of his life unfolds in fascinating detail, be it comedy or tragedy, or both.

Stories that entwine the mundane with the mystical, written by a cult favorite Slovakian writer. An unhappily married woman is impregnated by her elderly neighbor who lives in a building across the street and with whom she has never had any physical contact. Just as his attention creates life within her, his own life waxes and wanes with her gaze and attention. A man finds himself trapped in a pub on a sweltering afternoon after refusing to buy a beer with his cigarettes. Guarded by a vigilante bartender and his beer-obsessed patrons, his every attempt at escape is foiled until their life-giving elixir, the beer, runs out. This collection introduces English-language readers to the work of Dušan Mitana, a cult figure in contemporary Central European literature. In Mitana’s stories, appearing in English for the first time, the rational and the irrational are indistinguishable. His tales infect a banal, quotidian realism with mystical and supernatural distortions. Tinged with Hitchcockian paranoia and full of unexpected turns, the seventeen stories collected here offer a glimpse into Mitana’s trademark absurdist style.

A beautifully written and moving story about the power of tradition and the importance of women’s stories. The Bonnet, the first work of prose by Slovak poet Katarína Kucbelová, defies easy pigeonholing: both political and personal, it is a work of literary reportage, a quest for one’s roots, a critical exploration of folk art and, not least, social commentary on the coexistence of the Slovak majority and the Roma minority, offering a nuanced and sympathetic look at the lives of Roma people in Slovakia, and raising important questions about the nature of prejudice and discrimination. Over two years, the author made regular visits to the remote village of Šumiac in Slovakia to learn the dying craft of bonnet making from one of its last practitioners, Il’ka, an elderly local woman who in the process became her mentor in more ways than one. Through the parallel stories of Il’ka and the narrator’s grandmother, The Bonnet also offers a subtly feminist reading of the position of women in rural Europe from the early twentieth century to the present day.

A glimpse into the world of young people, modern nomads, roving in search of a new and promising life. The Moon in Foil traces the stories of Petra, Natália, Anka, Mika, Juliana, and Jackie as they go out into the world in search of a better life-or maybe just a different one. In post-communist Europe, they have the freedom to study and work in places their parents couldn't even have visited-Paris, London, Helsinki, and Budapest. But the reality of that "freedom," they soon discover, is often nothing more than tedious work and poor living conditions. From close looks at the work of a housekeeper at a French hotel, a bartender at an Irish pub, a snowboarding instructor in Slovakia in the winter and an office worker in London in the summer, and a programmer in Helsinki, to explorations of larger topics such as marriage, divorce, and relationships, Zuska Kepplová's novel is a millennials' odyssey-a search for the self by the post-Cold War generation.

Traditional African narrative forms combined with European modernism. The stories comprising The Healer, Marek Vadas’s first collection, which was originally published in 2006, are steeped in the culture, rituals, and traditions of Africa, blurring the boundaries between dream and reality and peopled with characters whose gender, shape, skin color or even memories may change at a stroke. Nevertheless, Vadas refuses to exoticize this world, and many of the stories, told in pared-down language, blend mythical elements with realistic depictions of harsh living conditions, economic deprivation, and colonial oppression. The narratives unfold from the perspective of their protagonists-children (often orphaned), and men struggling to make ends meet and trying in vain to resist the allure of strong women endowed with magic powers. As a Slovak writer focusing on the African continent, Vadas is a rare voice that helps to build bridges between very different cultures, and now his writing is introduced to the global anglophone readership.

Set in Slovakia, a revealing narrative about contemporary society. An accidental pregnancy, a good-looking man who cares about no one but himself, marriage because the man "had a bit of a Christian upbringing," divorce-that is the trajectory of Pipina's life, leading to single motherhood and a thousand cruelties of everyday life because she is an ugly woman in a world where ugliness is worse than a death sentence. At every turn, she is reminded of her inferiority. She can't wait for the end of each day when she can sit in the stairwell outside of her dilapidated apartment and retreat into her thoughts. Her drab life full of indignities dissolves only in her beautiful, cinematic dreams. In them, she experiences whatever she can't do or have in real life. She creates a rich inner world, and her razor-sharp observations, interlaced with a good dose of humor, produce a revealing narrative about contemporary society. In the first English translation of her work, the brilliant Slovak author Zuzana Cigánová pulls back the veil on people's most private thoughts-thoughts that could very much be our own.

A novel that offers a timely and important viewpoint on the immigration experience about the need for resistance to blind assimilation in a host country. In 1968, in search of a better world, a young person flees her country and ends up in Switzerland, the land of hard cheese. There she's told not to talk nonsense, or not to "talk cheese," as they say in the local dialect. Home is where you can grumble, but here you have to be grateful. Her new environs seem unwieldy, aloof, and she rebels against this host country that insists on her following its rules, that won't let her be herself. But as an interpreter, she meets many others who have ended up here-petty criminals, depressives, hustlers, refugees, victims of exploitation, and others who have gone out of their way to assimilate, people who share a hope that they can make something new of their lives. Gradually she learns to experience the richness of exile and foreignness, to build bridges between cultures. A brilliantly written novel about the search for identity between assimilation and resistance, Irena Brezná's The Thankless Foreigner is a significant addition to the important literature of immigrant experience.

An engrossing novel about the lives in a small Slovak town during the tumultuous twentieth century. In this highly acclaimed novel, Jana Bodnarova offers an engrossing portrayal of a small Slovak town and its inhabitants in the north of the country against the backdrop of the tumultuous history of the twentieth century. As Sara, the protagonist of Necklace/Choker, returns to her native town after many years in exile to sell the old family house and garden, she begins to piece together her family's history from snippets and fragments of her own memory and the diaries of her artist father, Imro. A talented painter, he survived the Holocaust only to be crushed by the constraints imposed on his art by Stalinist censorship, and Sara herself was later driven into exile after dreams of socialism with a human face were shattered by the Soviet-led invasion of Czechoslovakia in 1968. Through their stories, and that of Sara's friend, Iboja, the daughter of a hotelier, readers will be immersed in key moments of Slovak history and their bearing on the people in this less familiar part of Central Europe.

The moving yet humorous story of a girl struggling to care for herself and others in post-communist Slovakia. Emotionally neglected by her immature, promiscuous mother and made to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete apartment-block jungle in Bratislava, Slovakia. She spends her days roaming the streets and daydreaming in the only place she feels safe: a small garden inherited from her grandfather. One day, on her way to the garden, she stops at a suburban railway station and impulsively abducts twin babies. Jarka teeters on the edge of disaster, and while struggling to care for the babies, she discovers herself. With a vivid and unapologetic eye, Monika Kompanikova captures the universal quest for genuine human relationships amid the emptiness and ache of post-communist Europe. Boat Number Five, which was adapted into an award-winning Slovak film, is the first of two books that launch Seagull's much-anticipated Slovak List.