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Up until the 20th century, children's play was not a subject that demanded much attention. While objects that entertained children have been present from ancient history, it was only with industrial mass production-and a developing urban middle class-that toys appeared more frequently. As playthings began to display a robust economic performance, an industry rose to provide this new market with the objects of their desire. European manufacturers dominated the toy market, with Germany, in particular, supplying the American market with the bulk of both singular and mass-produced products. World War I ended its dominance, and by the 1920s, bolstered by American ingenuity, an ever-growing consumer culture supported by the media empires of newspapers, radio, and television, American toys became ubiquitous in the consumer market. Ranging from the simple to the complex, children were inundated with a commodity to be wished for and sold to by the millions. From frilly dolls to science sets, children were marketed to with gusto, first through magazines and comic books and later through television. Toys fell along familiar gender lines all while being developed with the unspoken subtext of stimulating developing minds and being vehicles of problem solving with educational value. If the first part of the 20th century represented the rise of toys in America, the postwar period signaled a market unleashed by the baby boom. That one event gained traction for the toy industry and propelled it to its current state. Unforeseen was the next chapter in the industry-the advancement of the technical revolution-which would create another dimension of toy products that would captivate both children and adults as one century blended into the next.In the world of toy production, the multimillion dollar industry took the advertising of their product seriously, and toy manufacturers inundated customers with their latest product via trade journals. In New York City, the hub of the toy industry for most of the 20th century, annual trade shows introduced a deluge of new playthings to the buying public. Frisbees, board games, baseball mitts, Hula-Hoops, air rifles, video games, dolls, and miniature trains were all served up to generations of children, cementing forever the memories playtime. Filled with a Santa's sack full of surprises Toys. 100 Hundred Years of All-American Toy Ads takes us down the aisles of America's toy store delivering the favorites and forgotten memories of toys that were hugged and hoarded, saved and disposed of, and now finally brought back in their pristine glory. Once again it's Christmas, your birthday, and a reward for a job well-done.

In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: "I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool." Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81-18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed "cool" as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world. Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as "Enjoy the Silence" and "Personal Jesus"); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master. Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: "A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them." This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.

In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company's most iconic shoes. With their project The Ten-which reimagines icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others-they reinvigorated sneaker culture. Virgil Abloh's new designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh plays with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzes what makes each shoe iconic and deconstructs it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.Icons traces Abloh's investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh's typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh's DIY approach, which gives each model in the Off-WhiteTM c/o Nike collection its own unique touch. The book documents Abloh's cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.

In its heyday, the American circus was the largest showbiz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping superheroes and scantily clad starlets, fearless animal trainers, and startling "freaks" gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows. This book sheds fresh light on the circus phenomenon. With photographic gems of early circus performers, as well as original posters, lithographs, sideshow banners and engravings from the 16th to 19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames.

In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building facades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia's ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist's creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes's key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work.Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

Follow photographer Frederic Chaubin as he embarks on a unique, century-spanning journey through Europe. Featuring images of more than 200 buildings in 21 countries, Stone Age presents the history and architecture of the most dramatic medieval castles of the continent in an unprecedented collection. Building on the success of his foray into Soviet design with CCCP, Chaubin once again documents the afterlife of highly rational structures that seem out of place in a modern-day world. Precursors of Brutalism, these castles value function over form and epitomize the raw materials and shapes that would go on to define so much of architectural history. Shot on film with a Linhof view camera, the collection is the outcome of five years of travel and investigation. Complete with a practical map and explanatory essay, its castles tell the story of 400 years, unfolding through the feudal Middle Ages into the 15th century. A photographic study of decay as much as endurance, Stone Age traces the history of some of these singular structures that continue to enchant their audiences today and that occupy a distinct, mystical place in our collective imagination.

Part design history, part trip down musical memory lane, this anthology of jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life. From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it complements the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

Famous First Edition: First printing of 10,000 numbered copies From the adrenaline-filled 24 Hours of Le Mans to the legendary Goodwood Festival of Speed, Lake Como's famed Concorso d'Eleganza Villa d'Este to the premier Monterey Car Week, the collector car calendar and market has shown one of the most extraordinary growth trajectories of recent years. As thousands flock to specialized meet ups, rallies, auctions, and Concours d'Elegance around the globe, asking prices for the rarest motors have revved higher and higher. So much so, that the value of the 100 cars included in this book exceeds a staggering $ 1 billion. For the seasoned car collector or the awestruck newcomer, this double-volume is the unrivaled collector car anthology. Curating 100 of the most exquisite, remarkable, and desirable cars of all time to tell a spellbinding story of automotive design-and-engineering endeavor in the tireless pursuit of ever-greater performance both on and off the track, from the first Indy 500-winning 1910 Marmon Wasp to the futuristic 2020 Aston Martin Valkyrie. Laps ahead of any generic catalog, this superlative volume exudes authority and elegance, settling for nothing less than the very best of the best, and presenting each model with the lavish spreads it deserves, complete with stunning imagery taken by the world's leading car photographers alongside rare archival treasures, from original factory photos to famous motorsports event posters. Each entry is also accompanied by expert descriptive texts and specs, detailing each car's make, model, year, engine size, horsepower, top speed, transmission, and all-important production numbers. By passionately tapping into their transatlantic expertise and insider knowledge of car auctions, museums, and collections around the world, design authors Peter and Charlotte Fiell survey the autoworld's finest cars of all time. Their carefully curated selection spans the whole history of the automobile, taking in such rare models as a 1912 Stutz Model A Bearcat, as well as lesser-known jewels such as the astonishing 1937 Talbot-Lago T150-C SS "Goutte d'Eau" Coupe by Figoni et Falaschi. This definitive compendium includes a foreword from Rob Myers, the founder of RM Sotheby's, and includes an introduction from the authors that gives a unique perspective on the ins and outs of car collecting at the highest level. The main content is interspersed with interviews with Dr. Frederick Simeone, founder of the Simeone Foundation Automotive Museum; The Duke of Richmond and Gordon, founder of the Goodwood Festival of Speed and Goodwood Revival; Sandra Button, Chairman of the Pebble Beach Concours d'Elegance; John Collins, leading dealer of historic Ferraris; and Shelby Myers, global head of Private Sales at RM Sotheby's, which offer key personal insights into the car-collecting world.

Greece's ancient art and culture form the cradle of Western civilization-numerous monuments and museums tell to this day of the country's rich history. Greece is unique also by virtue of its breathtaking landscapes, the hospitality of its inhabitants, and its fabulous hotels, making it the dream destination of many travelers. The fresh and healthy cuisine, the crystal clear sea, and the canvas-worthy sunsets do the rest-a trip to Greece is pure delight. Angelika Taschen travels from the mountains of Macedonia in the north to the Peloponnese with its mythical places like Corinth, Sparta, and Olympia, and to the larger and smaller groups of islands in the south. She opens the doors to some of the country's most extraordinary hotels, including Imaret in Kavala, located in a former Ottoman complex; Tainaron Blue Retreat in a secluded former defense tower in the Mani; and The Windmill, a converted windmill on the island of Kimolos in the Cyclades. She invites readers to discover legendary luxury hotels, like Eagles Palace in Halkidiki or Poseidonion Grand Hotel on Spetses, and takes them to enchanting B&Bs like Guesthouse Mazaraki in Mystras or Melisses on Andros, run by food blogger Allegra Pomilio. Along her itinerary, she visits hotels on well-known picturesque islands-such as the Mystique on Santorini and the Soho Roc House on Mykonos-but also accommodations in remote places like the Mediterraneo on the island of Kastelorizo, which lies in the very southeast of Greece off the Turkish coast. In addition she shows interesting architectural and design concepts, such as The Rou Estate hotel village, a historic, carefully restored hamlet on Corfu; the minimalist Olea All Suite Hotel on Zakynthos; and Ammos on Crete, where no two pieces of furniture are alike and new eccentric pieces are added every year.

Emilio Pucci had a passion for women, a visionary sense of style, and an eye for color and design. With these talents, he created a fashion house unlike any other. By the early '50s, his boutique on the isle of Capri was catering to wealthy sophisticates, heiresses, and movie stars buying his "Capri pants," silk scarves, and lightweight separates. By the end of the decade, Jacqueline Kennedy and Marilyn Monroe were wearing his dresses, and by the mid-'60s, the label was synonymous with the gilded lifestyle of an international jetset. The Pucci story is a modern epic with its roots in renaissance Italy: the brand's founder, the Marchese Emilio Pucci di Barsento, was a charismatic aristocrat whose lineage extends back to the 15th century. It is a story of evolution: a family company that grew from one tiny store to an international brand. And finally, it is a tale of innovation: Pucci was one of the first brands to bear a logo, and a pioneer of diversification into interiors, athletic wear, and accessories. It introduced free-moving, lightweight fabrics, pop-art prints, and a new color palette into womenswear, and constantly pushed fabric and printing technologies. Featuring hundreds of photographs, drawings, and candid shots from the archive of the Emilio Pucci Foundation, this XL tome captures the breathtaking elegance and drama of a unique brand. Vanessa Friedman's text places Emilio's achievements in the context of fashion history and provides insight into the remarkable Pucci dynasty.Each book is uniquely bound with one of a selection of original print fabrics from Emilio Pucci's collection and will be delivered with one of the stunning fabrics available.Also available in an Art Edition with a vintage silk scarf from the Emilio Pucci Archive

Trace the evolution of machines in this visual survey of the Information Age, from analog to digital, mainframes to mobile phones. Jens Muller's exploration features photographs, advertisements, and concept drawings of inventions that ushered in the digital era, revealing how creations like the pager, the internet, and the computer, irreversibly transformed our world.

Wherever you shop, be it online or in a brick-and-mortar store, the first thing you notice about a product is its packaging. The quality of the packaging has a significant influence on whether or not a customer decides to buy a product. In fact, packaging has become more important than ever in recent years: Unboxing videos are watched by millions of followers on social media platforms, college Packaging Design courses are full to bursting, more and more agencies are specializing in this area, and companies are investing ever greater sums of money in the outward appearance of their products. Packaging design has long since grown to become not just part of our everyday lives, but a powerful marketing tool as well. High-quality packaging can increase the value of an entire brand. With over 500 projects from more than 45 different countries, the sixth edition of TASCHEN's The Package Design Book celebrates the 14th anniversary of the Pentawards, one of the industry's most important international competitions. We will be casting our spotlight on all the winners from 2019 and 2020. With awards in six major categories - Beverages, Food, Body, Luxury, Other Markets, and Packaging Concepts - this spectacular and inspiring collection presents an array of unusual, intelligent and charming packaging concepts, demonstrating once again the importance of this design discipline.

From the time The Big Penis Book was published, readers anticipated The Big Book of Pussy. Granted, perhaps not the same readers, but the seed had been planted and the calls and letters began flowing in. Once they had that long-awaited book, some found themselves overwhelmed by the variety and abundance, as well as the sheer size of the book. As one reviewer wrote, "let's give credit to Amazon for...the strength of its packaging. Who wants a 2-ton pussy book being 'exposed' for the mailman...?" For those who worry that there can be too much of a good thing, we've made a pared down, "best of" edition of The Big Book of Pussy, a petite little kitten of a book that puts those in-your-face photos in proper perspective. Now you can follow the evolution of genital exposure with ease, through 100 years of photos with one thing in common: the exhibitionistic pleasure with which the models present their feminine pulchritude. And with over 150 photos-36 new to this book-of the pet we love to pet, no bothersome text to interrupt the flow, all in a package that won't stress the mailman's back, we just may have produced the perfect self-gifter of the year.

"Sirs" begins the missive from our imaginary correspondent. "It's not that I don't love your original Big Penis Book, but that, perhaps, I love it too much. I now become anxious leaving the house without it, and long business trips are simply torture. Couldn't you make a smaller, less obtrusive edition, still packed with men whose generative members measure over 8 inches, that doesn't form a suspiciously large bulge in my carry-on luggage? And while you're at it, could you make it highly affordable, since my pockets are as shallow as this premise?" Done! The Big Penis Book features over 150 massively endowed models from the 1940s through the '90s, including photos by Bob Mizer of AMG, David Hurles of Old Reliable, Rip Colt of Colt Studio, Craig Calvin Anderson of Sierra Domino, Hal Roth of Filmco, Jim Jaeger of Third World Studios, Falcon Studios, Mike Arlen, Fred Bisonnes, Carlos Quiroz, and Charles Hovland in a compact and inexpensive format. Photos come not just from the original overstuffed 384-page edition, but from subsequent Big Penis Calendars, meaning that 30% of the content is unique to this edition. Add a reduced text to make more room for the stunning black-and-white and color photos and how could anyone-big, small, or just right-ask for a better deal?

Born in 1926, married in 1947, crowned as Queen in 1953, Her Majesty Queen Elizabeth II has carried out her duty for more than six decades. TASCHEN celebrates her remarkable royal story with a new edition of Her Majesty, a definitive photographic collection of her public and private life. Brimming with history, tradition, glamour, and culture, the book spans the Queen's early years right through to her most recent state tours and ceremonies. Along the way, we trace her coming of age during World War II; her marriage, motherhood, and coronation; her encounters with such icons of their age as the Beatles, Marilyn Monroe, and JFK; and her extensive international travels. We visit the spectacular royal palaces and enjoy the infectious celebration of royal weddings and jubilees. We witness the elegance of official portraits, and the tenderness and humor of informal and family moments. As much a showcase of top photographers as a royal celebration, Her Majesty includes the work of such luminaries as Cecil Beaton, Studio Lisa, Dorothy Wilding, Karsh, Lord Snowdon, David Bailey, Patrick Lichfield, Wolfgang Tillmans, Rankin, and Annie Leibovitz

The Big Book of Breasts features over 150 celebrated big breast models from the 1950s, '60s, and '70s, including Michelle Angelo, Virginia Bell, Roxanne Brewer, Joan Brinkman, Lorraine Burnett, Lisa DeLeeuw, Uschi Digard, Sylvia McFarland, Chesty Morgan, Roberta Pedon, Rosina Revelle, Janie Reynolds, Candy Samples, Tempest Storm, Mary Waters, June Wilkinson, and Julie Wills, plus Guinness Book of World Records bra-buster Norma Stitz in a compact and inexpensive format. Photos come not just from the original 398-page edition, but from subsequent Big Breast Calendars, meaning that 40% of the content is unique to this edition. Add reduced text to make more room for the stunning black-and-white and color photos and how could anyone-big, small, or in-between-ask for a better deal?