Albert Camus strana 3 z 8

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

'To create today is to create dangerously' Camus argues passionately that the artist has a responsibility to challenge, provoke and speak up for those who cannot in this powerful speech, accompanied here by two others. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Hat novella - hat történet az emberi magányról, az ember elmagányosodásáról. Hat írás a számkivetettségről. Hat különféle vágy a saját Ország után. Önmagukat elvesztő és önmagukra rátaláló emberek, akik a sivatag perzselő forróságát és csontig hatoló hidegét is megtapasztalják. A szerző csípős, játékos iróniával vezeti az olvasót a történetek változatos díszletei közé. Albert Camus-t mélyen megérintette Algéria függetlenségi háborújának kirobbanása, gyötörte a hazájában tapasztalt megosztottság, ez ihlette novellaciklusát. A száműzetés és az ország a szerző életművének utolsó darabja, és ezzel az utolsó könyvvel indul a Jelenkor Kiadó Camus-életműsorozata.

The summation of the existentialist philosophy threaded throughout all his writing, Albert Camus' The Myth of Sisyphus is translated by Justin O'Brien with an introduction by James Wood in Penguin Classics. In this profound and moving philosophical statement, Camus poses the fundamental question: is life worth living? If human existence holds no significance, what can keep us from suicide? As Camus argues, if there is no God to give meaning to our lives, humans must take on that purpose themselves. This is our 'absurd' task, like Sisyphus forever rolling his rock up a hill, as the inevitability of death constantly overshadows us. Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The Outsider and The Plague. Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man.Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Myth of Sisyphus, you might like Camus' The Outsider, also available in Penguin Modern Classics. 'Camus could never cease to be one of the principal forces in our domain, nor to represent, in his own way, the history of France and of this century' Jean-Paul Sartre

My mother died today. Or maybe yesterday, I don't know.' In The Outsider (1942), his classic existentialist novel, Camus explores the alienation of an individual who refuses to conform to social norms. Meursault, his anti-hero, will not lie. When his mother dies, he refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal. Albert Camus' portrayal of a man confronting the absurd, and revolting against the injustice of society, depicts the paradox of man's joy in life when faced with the 'tender indifference' of the world. Sandra Smith's translation, based on close listening to a recording of Camus reading his work aloud on French radio in 1954, sensitively renders the subtleties and dream-like atmosphere of L'Etranger. Albert Camus (1913-1960), French novelist, essayist and playwright, is one of the most influential thinkers of the 20th century. His most famous works include The Myth of Sisyphus (1942), The Plague (1947), The Just (1949), The Rebel (1951) and The Fall (1956). He was awarded the Nobel Prize for Literature in 1957, and his last novel, The First Man, unfinished at the time of his death, appeared in print for the first time in 1994, and was published in English soon after by Hamish Hamilton. Sandra Smith was born and raised in New York City and is a Fellow of Robinson College, University of Cambridge, where she teaches French Literature and Language. She has won the French American Foundation Florence Gould Foundation Translation Prize, as well as the PEN Book-of-the-Month Club Translation Prize.

A mű a pestissel jelképezi -szimbolikus formában és meggyőzően- a fasizmus iszonyatát. Egy csendes kisvárosban pestisjárvány tör ki, s egyre inkább elhatalmasodva, egyre több embert legyilkolva hatalmába keríti a várost. A főhős, Rieux doktor, Camus leghíresebb korai esszéjének -Sziszüphosz mítosza- irodalmi megtestesülése, aki nem hajlandó tudomásul venni a vereséget, újra és újra lázad a könyörtelen sorssal szemben, s az emberi lét értelmét a küzdelemben keresi, mely bármennyire reménytelen is , az ember győzelmét képviselheti a vak végzettel szemben. A regény egyike a legnépszerűbb műveinek, a járvány teremtette sajátos világ kiválóan alkalmas a legkülönbözőbb magatartásformák bemutatására.

A peerless work of philosophical fiction that is as shocking today as when it was first published, the "Penguin Modern Classics" edition of Albert Camus' "The Outsider" is translated by Joseph Laredo. Meursault will not pretend. After the death of his mother, everyone is shocked when he shows no sadness. And when he commits a random act of violence in Algiers, society is baffled. Why would this seemingly law-abiding bachelor do such a thing? And why does he show no remorse even when it could save his life? His refusal to satisfy the feelings of others only increases his guilt in the eyes of the law. Soon Meursault discovers that he is being tried not simply for his crime, but for his lack of emotion - a reaction that condemns him for being an outsider. For Meursault, this is an insult to his reason and a betrayal of his hopes; for Camus it encapsulates the absurdity of life.

Kötelezők röviden című sorozatunk célja a kedvcsinálás, az ismeretek gyors felfrissítése és a klasszikus irodalom bemutatása. A hangoskönyveken keresztül megelevenednek a novellák, színpadi művek és kisregények, a XIX-XX. századi irodalom nagy klasszikusai. Sorozatunk nyolcadik darabján Arany János elbeszélő költeménye, a Toldi, illetve Albert Camus-tól a Pestis című mű hallgatható meg. Kiadványaink semmiféleképp nem helyettesítik a teljes művek ismeretét, mi több, az olvasást!

A philosophical novel described by fellow existentialist Sartre as 'perhaps the most beautiful and the least understood' of his novels, Albert Camus' The Fall is translated by Robin Buss in Penguin Modern Classics. Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ... Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Fall, you might like Jean-Paul Sartre's Nausea, also available in Penguin Modern Classics.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

Is it possible to die a happy death? This is the central question of Camus' astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways, "A Happy Death" is a fascinating first sketch for "The Outsider", but it can also be seen as a candid self-portrait, drawing on Camus' memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

A philosophical exploration of the idea of 'rebellion' by one of the leading existentialist thinkers, Albert Camus' The Rebel looks at artistic and political rebels throughout history, from Epicurus to the Marquis de Sade. This Penguin Modern Classics edition is translated by Anthony Bower with an introduction by Oliver Todd. The Rebel is Camus' 'attempt to understand the time I live in' and a brilliant essay on the nature of human revolt. Published in 1951, it makes a daring critique of communism - how it had gone wrong behind the Iron Curtain and the resulting totalitarian regimes. It questions two events held sacred by the left wing - the French Revolution of 1789 and the Russian Revolution of 1917 - that had resulted, he believed, in terrorism as a political instrument. In this towering intellectual document, Camus argues that hope for the future lies in revolt, which unlike revolution is a spontaneous response to injustice and a chance to achieve change without giving up collective and intellectual freedom.

Through the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd." First published in 1946; now in a new translation by Matthew Ward.