Granta Books strana 6 z 16

Winner of the 2015 Independent Foreign Fiction PrizeFrom one of the most daring voices in European fiction, this is a story of the twentieth century traced through the various possible lives of one woman. She is a baby who barely suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone. Moving from a small Galician town at the turn of the century, through pre-war Vienna and Stalin's Moscow to present-day Berlin, Jenny Erpenbeck homes in on the moments when life follows a particular branch and 'fate' suddenly emerges from the sly interplay between history, character and pure chance. The End of Days is a novel that pulls apart the threads of destiny and allows us to see the present and the past anew.

In the Montana backcountry live two brothers who run a saw mill and do a little poaching on the side. Thad is the brains of the operation. His brother Hazen has a talent for tracking and hunting and getting himself into trouble. Together they have just about made it work, but now there are mounting bills, a leaky roof and winter is closing in. When a menacing figure known as the Scot offers them a risky but potentially lucrative hunting job in Yellowstone National Park, the brothers can't refuse, but before long the precarious nature of their lives and their bond is exposed. From a fresh new voice in American fiction, this is a propulsive, bracing story about the cost of survival set against the unforgiving wilderness of the American northwest.

Richard has spent his life as a university professor, immersed in the world of books and ideas, but now he is retired, his books remain in their packing boxes and he steps into the streets of his city, Berlin. Here, on Oranienplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us. At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

SHORTLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2025FROM THE BESTSELLING AUTHOR OF STRANGE WEATHER IN TOKYOIn the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings - but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world. Unfolding over geological eons, Under the Eye of the Big Bird is at once an astonishing vision of the end of our species as we know it and a meditation on the qualities that, for better and worse, make us human.

How do you rebuild a life? How do you move forward into joy when haunted by loss? How do you claim hope, while accepting the harm you've caused? This is the story of a ruptured marriage - one that was once brimming with hope. It is also the story of Leslie Jamison's consuming love for her young daughter, and the shaping legacy of her own parents' complicated bond. Exceptionally astute, and written with remarkable candour, Splinters is an account of motherhood, art and love, and what it means for a woman to be many things at once.

Funny, joyous and wholly irreverent... a breath of fresh air... it is incredibly moving to follow Sofie's journey to the place it's possible to become "less of a girl and more of a boy ? Irish Times Meet Sofie. The history of her sexuality begins when she loses her virginity to Walter the recruitment consultant. So, naturally, she thought that things could only improve from there. But she was wrong. It seems Sofie's been wrong about a lot of things. First, she thought she was into men: wrong. Then she met Frida and thought she was set for life: wrong again. Turns out, facing up to everything she thought she knew about herself requires a lot of trial and error. Will Sofie ever be able to untangle the impossible knot of sex, love, loneliness, family relationships and grief that constitutes a life? Does it even matter? The History of My Sexuality is a frank, funny, exuberant journey through the highs and lows of your 20s, and making peace with getting it wrong again and again...

The must-have companion for any writer, based on Hattie Crisell's hit podcast. Hattie Crisell invites some of our most-read authors, poets, journalists and screenwriters to share their secrets, as she asks them: where do ideas come from? What happens when confidence falters or the work fails? And what does writing success look like? The answers are as revelatory and entertaining as they are diverse. With contributions from André Aciman, Jesse Armstrong, Charlie Brooker, Wendy Cope, Cressida Cowell, Elizabeth Day, Kit de Waal, Geoff Dyer, John Lanchester, Emily St John Mandel, Liane Moriarty, David Nicholls, Maggie O'Farrell, Jon Ronson, Michael Rosen, David Sedaris, Curtis Sittenfeld, Brandon Taylor, Barbara Trapido, Meg Wolitzer and many many more.

This is a lively, moving, thoughtful and erudite survey of the more disturbing aspects of the modern world's most important festival. It is probably the best, and certainly the most accessible -- Ronald Hutton As winter comes and the hours of darkness overtake the light, we seek out warmth, good food, and good company. But beneath the jollity and bright enchantment of the festive season, there lurks a darker mood - one that has found expression over the centuries in a host of strange and unsettling traditions and lore. Here, Sarah Clegg takes us on a journey through midwinter to explore the lesser-known Christmas traditions, from English mummers plays and Austrian Krampus runs, to modern pagan rituals at Stonehenge and the night in Finland when a young girl is crowned with candles as St Lucy - a martyred Christian girl who also appears as a witch leading a procession of the dead. At wassails and hoodenings and winter gatherings, attended by ghastly, grinning horses, snatching monsters and mysterious visitors, we discover how these traditions originated and how they changed through the centuries, and we ask ourselves: if we can't keep the darkness entirely at bay, might it be fun to let a little in?

When Asa's husband is offered a new job away from the city, the couple end up relocating. And since his new office is very close to his family's home, it makes sense to move in next door to his parents. Through the long hot summer, Asa does her best to adjust to their new rural lives, to the constant presence of her in-laws, to the emptiness of her existence and the incessant buzz of cicadas. And then one day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole - a hole that seems to have been made specifically for her. Thus begins a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape and the family she has married in to, leading her to question her role in this world and, eventually, who she even is.

Beyond the town, there is the factory. Beyond the factory, there is nothing. Within the sprawling industrial complex, three employees are assigned to different departments. There, each must focus on a specific task: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. As they grow accustomed to the routine and co-workers, their lives become governed by their work. Days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while - it could be weeks or years - the three workers struggle to answer the most basic question: what am I doing here? With hints of Kafka and Beckett and unexpected moments of creeping humour, The Factory is a vivid, and sometimes surreal, portrait of the absurdity and meaninglessness of the modern workplace.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She knows how to survive in a world of constant surveillance, Thought Police, Newspeak, Doublethink, child spies and the black markets of the prole neighbourhoods. She's very good at staying alive. But Julia becomes intrigued by a colleague from the Records Department - a mid-level worker of the Outer Party called Winston Smith, she comes to realise that she's losing her grip and can no longer safely navigate her world. Seventy-five years after Orwell finished writing his iconic novel, Sandra Newman has tackled the world of Big Brother in a truly convincing way, offering a dramatically different, feminist narrative that is true to and stands alongside the original. For the millions of readers who have been brought up with Orwell's Nineteen Eighty-Four, here, finally, is a provocative, vital and utterly satisfying companion novel.

A deluxe 75th anniversary cloth-bound edition of the most iconic British novel of the twentieth century, with an introduction by Sandra Newman, author of Julia and exclusive archival materialGeorge Orwell's dystopian vision of a government that will do anything to control the narrative has never been more essential reading. Winston Smith obeys the Party, rewriting history at the Ministry of Truth. But increasingly, Winston grows to hate the persecution of those who commit Thoughtcrime. But as he starts to think for himself, Winston can't escape the fact that Big Brother is always watching... This 75th anniversary edition contains reproduced facsimile pages from Orwell's original manuscript, and a new introduction by Sandra Newman, author of the Sunday Times bestselling Julia.

Berlin. 11 July 1986. They meet by chance on a bus. She is a young student, he is older and married. Theirs is an intense and sudden attraction, fuelled by a shared passion for music and art, and heightened by the secrecy they must maintain. But when she strays for a single night he cannot forgive her and a dangerous crack forms between them, opening up a space for cruelty, punishment and the exertion of power. And the world around them is changing too: as the GDR begins to crumble, so too do all the old certainties and the old loyalties, ushering in a new era whose great gains also involve profound loss. From a prize-winning German writer, this is the intimate and devastating story of the path of two lovers through the ruins of a relationship, set against the backdrop of a seismic period in European history.

A tale of modern Japan and old-fashioned romance. Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love. Strange Weather in Tokyo is perfectly constructed, warmly funny and deeply moving. This edition contains the bonus story, 'Parade', which imagines an ordinary day in the lives of this unusual couple.

SHORTLISTED FOR THE BOOKER PRIZE 2023 NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 A powerful, compressed masterwork for fans of Shirley Jackson and Claire-Louise Bennett A woman moves from the place of her birth to a remote northern country to be housekeeper to her brother, whose wife has just left him. The youngest child of many siblings - more than she cares to remember - from earliest childhood she has attended to their every desire, smoothed away the slightest discomfort with perfect obedience, with the highest degree of devotion. The country, it transpires, is the country of their family's ancestors, an obscure though reviled people. Soon after she arrives, a series of unfortunate events occurs - collective bovine hysteria; the demise of a ewe and her nearly-born lamb; a local dog's phantom pregnancy; the containment of domestic fowl; a potato blight. She notices that the local suspicion about incomers in general seems to be directed particularly in her case. What is clear is that she is being accused of wrongdoing, but in a language she cannot understand and so cannot address. And however diligently and silently she toils in service of the community, still she feels their hostility growing, pressing at the edges of her brother's property. Inside the house, although she tends to her brother and his home with the utmost care and attention, he too begins to fall ill...

When Asa’s husband is offered a new job away from the city, the couple end up relocating. And since his new office is very close to his family’s home, it makes sense to move in next door to his parents. Through the long hot summer, Asa does her best to adjust to their new rural lives, to the constant presence of her in-laws, to the emptiness of her existence and the incessant buzz of cicadas. And then one day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole – a hole that seems to have been made specifically for her. Thus begins a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape and the family she has married in to, leading her to question her role in this world and, eventually, who she even is.