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Edgar Allan Poe was a writer of uncommon talent; in "The Murders in the Rue Morgue" he created the genre of detective fiction while his genius for finding the strangeness lurking within us all has been an influence on everyone from Freud to Hollywood . This complete collection of all his short stories and novellas contains well-known tales 'The Pit and the Pendulum' and 'The Tell-Tale Heart' alongside hidden gems that both unsettle and enthrall the reader.

Running away seemed like a good idea at the time! The Widow Douglas is doing her best to civilise Huckleberry Finn, but it just isn't working. Wearing clean clothes, going to school, and having a hot meal waiting for him when he gets home are becomin g boring and tedious. So, to make his life more interesting Huck, as he is normally called, decides to join Tom Sawyer's gang of outlaws. However, when they fail to be the vicious ransom specialists they claim to be, Huck decides to forget about exci tement and tries to give his civilised life another go. He attends school and minds his own business! for a while. After his father turns up out of the blue and starts causing trouble, Huck decides he's had enough of normal life and sets sail on his raft for a secluded island. When he arrives he finds he's not the only one who has decided to live there. On the island, he encounters thieves, a flood that provides a nice surprise, con men, violent shootouts, family feuds and much more. After so mu ch adventure, Huckleberry Finn ends up wishing he was back at home, tucked up in bed after a hot meal. But does this wish come true, or do his adventures continue?

"Everything Flows" is as important a novel as anything written by Solzhenitsyn, and Robert Chandler's superb translation makes it a joy to read' - Antony Beevor. Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin's death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan's fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan's lover, who tells of her involvement as an activist in the Terror famine of 1932-3. "Everything Flows" is Vasily Gros sman's final testament, written after the Soviet authorities suppressed "Life and Fate". 'Vasily Grossman is the Tolstoy of the USSR' - Martin Amis.

"Everything Flows" is as important a novel as anything written by Solzhenitsyn, and Robert Chandler's superb translation makes it a joy to read' - Antony Beevor. Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin's death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan's fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan's lover, who tells of her involvement as an activist in the Terror famine of 1932-3. "Everything Flows" is Vasily Gros sman's final testament, written after the Soviet authorities suppressed "Life and Fate". 'Vasily Grossman is the Tolstoy of the USSR' - Martin Amis.

A remarkable, panoramic biography of the author of Suite Française.

A remarkable, panoramic biography of the author of Suite Française.

A remarkable, panoramic biography of the author of Suite Française.

Winner of the Man Booker Prize for Fiction 2011. From the hairdessing salon where an old man measures out his life in haircuts, to the concert hall where a music lover carries out an obsessive campaign against those who cough in concerts; from the woman reads elaborate recipes to her sick husband as a substitute for sex, to the woman 'incarcerated' in an old people's home beginning a correspondence with an author that enriches both their lives - all Barnes' characters, in their different ways, square up to death and rage against the dying light.

264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie. Later, when Edmund inherited the ‘netsuke’, they unlocked a story far larger than he could ever have imagined… The Ephrussis came from Odessa, and at one time were the largest grain exporters in the world; in the 1870s, Charles Ephrussi was part of a wealthy new generation settling in Paris. Charles’s passion was collecting; the netsuke, bought when Japanese objets were all the rage in the salons, were sent as a wedding present to his banker cousin in Vienna. Later, three children – including a young Ignace – would play with the netsuke as history reverberated around them. The Anschluss and Second World War swept the Ephrussis to the brink of oblivion. Almost all that remained of their vast empire was the netsuke collection, dramatically saved by a loyal maid when their huge Viennese palace was occupied. In this stunningly original memoir, Edmund de Waal travels the world to stand in the great buildings his forebears once inhabited. He traces the network of a remarkable family against the backdrop of a tumultuous century and tells the story of a unique collection.

A magisterial and acclaimed history of post-war Europe, from Germany to Poland, from Western Europe to Eastern Europe, selected as one of New York Times Ten Best Books of the Year Europe in 1945 was drained. Much of the continent was devastated by war, mass slaughter, bombing and chaos. Large areas of Eastern Europe were falling under Soviet control, exchanging one despotism for another. Today, the Soviet Union is no more and the democracies of the European Union reach as far as the borders of Russia itself. Postwar tells the rich and complex story of how we got from there to here, demystifying Europe's recent history and identity, of what the continent is and has been. 'It is hard to imagine how a better - and more readable - history of the emergence of today's Europe from the ashes of 1945 could ever be written...All in all, a real masterpiece' Ian Kershaw, author of Hitler

This is the winner of the Nobel Prize in Literature. This first-ever selection of Alice Munro's stories sums up her genius. Her territory is the secrets that cackle beneath the facade of everyday lives, the pain and promises, loves and fears of apparently ordinary men and women whom she renders extraordinary and unforgettable.

Brilliantly paced, lit with sparks of danger and underlying menace, these are dazzling, provocative stories about Svengali men, and radical women who outmanoeuvre them, about destructive marriages and curdled friendships, about mothers and sons, about moments which change or haunt a life. Alice Munro takes on complex, even harrowing emotions and events, and renders them into stories that surprise, amaze and shed light on the unpredictable ways we accommodate to what happens in our lives. A wife and mother, whose spirit has been crushed, finds release from her extraordinary pain in the most unlikely place. The young victim of a humiliating seduction (which involves reading Housman in the nude) finds an unusual way to get her own back and move on. An older woman, dying of cancer, weaves a poisonous story to save her life. Other stories uncover the 'deep holes' in marriage and their consequences, the dangerous intimacy of girls and the cruelty of children. The long title story follows Sophia Kovalevsky, a late nineteenth-century Russian emigree and mathematical genius, as she takes a fateful winter journey that begins with a visit to her lover on the Riviera, and ends in Sweden, where she is a professor at the only university willing to hire a woman to teach her subject. Munro's unsettling stories turn lives into art, expand our world and our understanding of the strange workings of the human heart.

In 1971 Mao's campaign against the intellectuals is at its height. Our narrator and his best friend, Luo, distinctly unintellectual but guilty of being the sons of doctors, have been sent to a remote mountain village to be 'reeducated'. The kind of education that takes place among the peasants of Phoenix Mountain involves carting buckets of excrement up and down precipitous, foggy paths, but the two seventeen-year-olds have a violin and their sense of humour to keep them going. Further distraction is provided by the attractive daughter of the local tailor, possessor of a particularly fine pair of feet. Their true re-education starts, however, when they discover a comrade's hidden stash of classics of great nineteenth-century Western literature - Balzac, Dickens, Dumas, Tolstoy and others, in Chinese translation. They need all their ingenuity to get their hands on the forbidden books, but when they do their lives are turned upside down. And not only their lives: after listening to their dangerously seductive retellings of Balzac, the Little Seamstress will never be the same again. Without betraying the truth of what happened, Dai Sijie transforms the bleak events of China's Cultural Revolution into an enchanting and unexpected story about the resilience of the human spirit and the magical power of great storytelling.

As a child I loved The Jungle Books . . . If you want to look at the India of Kipling's time, there is no writer who will give it to you better.  —Salman Rushdie The Jungle Book and The Second Jungle Book tell stories of the irrepressible Mowgli, who is rescued as a baby from the jaws of the evil tiger, Shere Khan. Raised by wolves and guided by Baloo the bear, Mowgli and his animal friends embark on a series of hair-raising adventures through the jungles of India.

Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead. The dead men were criminals, victims of what seems to

“Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo”. Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a “boca a boca” —como gusta decir el escritor— son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero.