Flammarion strana 14 z 14

De conception traditionnelle, cette collection a le mérite d'aborder l'œuvre intégrale sous des angles diversifiés. Outre le résumé détaillé des différentes parties et les commentaires composés qui le complètent, chaque ouvrage propose une synthèse littéraire assez riche : il y est question de l'auteur, des personnages, de la genèse et de l'architecture de l'œuvre mais aussi de ses particularités stylistiques, des réseaux d'intertextualité et des interprétations possibles. Par ailleurs, les documents situés en annexe offrent à l'élève la possibilité de se repérer rapidement dans l'œuvre : le lexique, l'index thématique et les citations retenues lui permettent de traiter aisément les sujets de dissertation et d'entretien oral. C'est donc une première approche qui a pour but de familiariser le lecteur avec l'œuvre en question. Elle lui en donne une vision synthétique et lui suggère des pistes de lecture pour l'analyse. À l'inverse, la bibliographie finale invite à enrichir ses connaissances au moyen d'études plus approfondies. --Claire Mazurel

Contes de vampires

This comparison of the works of Monet and Rothko provides exhilarating new insight on these pioneers of abstraction and masters of color. Recent research on late impressionism has highlighted the surprising correspondences between the work of impressionist paragon Claude Monet and that of abstract painters such as Mark Rothko. This book offers an unprecedented dialogue between the paintings of Monet and Rothko, two artists who explored the frontiers of abstraction. It explores the uncanny similarities between their works, painted almost half a century apart, as well as the significance of the differences between the master artists’ styles. Monet conveyed the immediacy of his impressions of nature, while Rothko plunged the viewer into the depths of colors that he superimposed and interwove. And yet this book—originally conceived to accompany an exhibition at the Musée des Impressionnismes Giverny and illustrated with sixty chromatically organized reproductions—reveals an undeniable relationship between their pictorial universes, challenging the viewer’s perception of abstraction and modernity. This confrontation, contextualized through the analysis of renowned critics, sheds new light on the oeuvre of two of the greatest masters of painting and offers fresh insight into the essence of what makes their works so inherently original.

This broad survey of modernism-the most scintillating creative era in Paris-spans all domains: architecture, art, design, entertainment, fashion, film, literature, photography. The lives and works of artists in every creative discipline transformed Paris into a crucible of modernity in the first half of the twentieth century. Profiles of eighty-eight influential artists, designers, photographers, architects, writers, and personalities-including Gabrielle Chanel, Eileen Gray, Jean Prouvé, Pablo Picasso, Tamara de Lempicka, Sonia and Robert Delaunay, Brassai, Man Ray, Robert Mallet-Stevens, Charlotte Perriand, Le Corbusier, Adolf Loos, Walter Benjamin, Josephine Baker, Jean Renoir, Gertrude Stein, and more-highlight the boundless creative energy and optimism that permeated the City of Light at this key historical juncture. Richly illustrated alphabetical entries with cross-references to related topics are complemented by six thematic essays on cinema, fashion, graphic design, habitation, painting, and urban planning. A portfolio of original contemporary photographs-from the historic center to the suburbs of Paris-reveals traces of modernism in dozens of buildings and their interiors that are rarely open to the public. This catalog-published to accompany an exhibition at the Power Station of Art in Shanghai in summer 2023-sketches a panorama of human invention across the vast creative landscape of Paris from 1914 to 1945.

Pierre Frey, the leading French producer of furniture, textiles and wallcoverings, seamlessly combines artisanal craftsmanship with modernity. Enchanting brocades and damasks, luminous hand-woven silken velvets, traditional woodblock printed fabrics, striking contemporary patterns made into works of art: Pierre Frey, a family business founded in 1935, is famous for the variety and boldness of its inspired designs, and has asserted itself in the luxury market as the uncontested global leader in soft furnishing textiles and wallpapers. Having acquired the venerable houses Braquenié and Le Manach, Pierre Frey possesses one of the most important private textile heritages in the world. Pierre Frey has worked with the Louvre and the château de Versailles, decorated castle interiors, and provides the fabrics and wallpapers of elegant private homes around the world—from Paris to Hong Kong to New York. Drawing from their archives of more than 25,000 documents, which date from the sixteenth century to the present, this indispensable volume will serve as a reference and a basis for contemporary inspiration to professional and amateur designers.

Yves Saint Laurent invented a multitude of new silhouettes—minimalist, exuberant, round, ultra-structured—that eclipsed traditional forms in fashion. A fashion revolutionary, Yves Saint Laurent and his creations were resolutely modern. His ongoing exploration of shape and form incessantly pushed the boundaries of his creativity, and lead to his most groundbreaking and iconic designs. His works were influenced by the artistic trends of the time?from simple and geometric abstraction to constructivism and concrete art?whose many movements mirror the multifaceted talent of the designer. A bold, exacting gesture underpinned his art: his minimalist dresses were often monochromatic compositions seemingly sprung from a single line. A colorist, he imagined pure yet exuberant abstract designs by juxtaposing flat surfaces in vibrant hues. Transposing pictorial material into textile, he thus balanced color, form, surface, and line. An illusionist, he would juxtapose black and white to suggest movement in the garment through optical illusion. By using flat, simple lines, shape prevailed over color. This volume accompanies an exhibition at Musée Yves Saint Laurent Paris from June 9, 2023 to January 14, 2024, which will feature key pieces from the Yves Saint Laurent archives in dialogue with the set design and works by ceramic artist Claudia Wieser.

Jacques Henri Lartigue's elegant black and white and color photography spans a century; this affordable volume celebrates the best of his joyful and stylish work. Jacques Henri Lartigue's carefree, joyful, and spontaneous spirit permeates his photography. And yet there are other lesser-known aspects of his work that invite us to take a closer look. Whether capturing amusing scenes on film or sketching them on paper or canvas, the artist covered a vast range of themes. Lartigue took photographs throughout his career, almost as a matter of routine, which makes his work a vital record of his times. His style gradually evolved, influenced by artistic experiments and personal encounters. He left behind a rich and varied body of work. Albums of his private photographs provide a romanticized view of the photographer's personal life, revealing his doubts and attempts to understand his place in the world; they constitute an essential part of his body of work. Lartigue played with visual tricks, styles, and recurring themes-transportation, sports, shadow play, chic women-bridging different periods and lending consistency to his work. The selection of photographs reproduced here represents the best examples of his most popular themes

Jacques Henri Lartigue's elegant black and white and color photography spans a century; this affordable volume celebrates the best of his joyful and stylish work. Jacques Henri Lartigue's carefree, joyful, and spontaneous spirit permeates his photography. And yet there are other lesser-known aspects of his work that invite us to take a closer look. Whether capturing amusing scenes on film or sketching them on paper or canvas, the artist covered a vast range of themes. Lartigue took photographs throughout his career, almost as a matter of routine, which makes his work a vital record of his times. His style gradually evolved, influenced by artistic experiments and personal encounters. He left behind a rich and varied body of work. Albums of his private photographs provide a romanticized view of the photographer's personal life, revealing his doubts and attempts to understand his place in the world; they constitute an essential part of his body of work. Lartigue played with visual tricks, styles, and recurring themes-transportation, sports, shadow play, chic women-bridging different periods and lending consistency to his work. The selection of photographs reproduced here represents the best examples of his most popular themes

An insightful look at the history of Tibet and Buddhism through historical narratives and striking art from the Alain Bordier collection. Fascinated by Buddhist art and Asian spirituality, Alain Bordier has spent more than forty years building a unique collection of religious objects from the Himalayas (Tibet, Nepal, and Bhutan). On display today at the Tibet Museum in the heart of the medieval city of Gruyéres, Switzerland, some six hundred works offer visitors the rare opportunity to discover an endangered world heritage. This volume presents a general historic and artistic framework of Tibetan art through narratives, anecdotes, and commentary from Bordier on the different subjects and the collection itself. Beyond the artistic aspect, this work demonstrates the symbolism and spirituality that emerge from each object and offers an interpretation of the themes from a Buddhist viewpoint. The highlight of the book is the presentation of an unpublished manuscript retracing the life of Milarepa, the great eleventh-century Tibetan yogi, whose analysis provides an excellent introduction to the great Buddhist principles.

Anciens amants et grands libertins, le vicomte de Valmont et la marquise de Merteuil se confient, par lettres, leurs projets de conqu?tes amoureuses. La marquise cherche ? dépraver la jeune Cécile de Volanges pour assouvir une vengeance, tandis que le vicomte man?uvre pour séduire la vertueuse présidente de Tourvel. Tantôt alliés, tantôt rivaux, c’est avec art qu’ils trompent leur entourage tout en préservant leur réputation. Mais le jeu des masques a ses limites… Roman épistolaire majeur du XVIII? si?cle dont les contemporains disaient qu’il était « ? clés », assemblage brillant de styles variés, Les Liaisons dangereuses (1782) sont une démonstration virtuose des pouvoirs illusionnistes du langage.