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Fiery Words for Hellish Times
As the news goes from awful to worse, Attila the Stockbroker chronicles his times - as he has done for the last four and a half decades. Poems to make you laugh, cry, get angry, and above all, think!Fiery Words for Hellish Times is Attila’s most topical and incendiary publication yet. Powerful, passionate, personal, political performance poetry. "Pithy and persuasive or eloquent and expansive - but never dull." Morning Star"A profound source of reassurance and comfort in troubled times" Louder Than War
Every Day a Celebration
A poetic journey through five decades of Karnataka’s history, this collection brings K. S. Nisar Ahmed’s timeless verses to a new audience. K. S. Nisar Ahmed captured the soul of Karnataka and the pulse of everyday life in verses that are as provocative as they are deeply lyrical. Every Day a Celebration gathers some of his finest poems, spanning over five decades, and introduces his voice to a wider audience through Roopa Pai’s sensitive translation. Steeped in both Romantic and Modernist traditions, his work fluidly interweaves Sanskrit and Urdu influences, blending intellectual rigor with heartfelt emotion. Whether reflecting on the burdens of history or simply delighting in life’s fleeting joys, his words remain strikingly relevant across generations. With this landmark translation, English readers can now experience the brilliance of one of Kannada’s most beloved poets—a voice that continues to resonate with urgency and humanity.
A Year of Last Things
With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI'A generous, moving book' GUARDIANBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Moliere’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loveshe slips them into a pocket,wishes to die with his clothesfull of torn-free stanzasand the telephone numbersof his children in far citiesPoetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.
Appeasements
'That was yesterday / Those were my hands / That was yesterday / When the future came...' Yves Nedonsel - born in Normandy in 1947 - was a poet of time and out of keeping with his time. His first book, Remugles, was published in 1974. He then fell silent for decades, turning his attention to the study of transhumance paths and the cultivation of a vineyard in his adopted home of Provence. Yet he continued to revise his poems and compose new ones, creating a body of work remarkable for its intensity, its feverish rhythms, and its grim humour. In 'Autopsy of a Week', 'Summerhill', and 'In Quarantine', the speaker rails against the cant of the contemporary world, yet the language is electrified by the stuff of this world: 'the future is shrink-wrapped', and 'the cheapjack shines / mesmerising to memorise...' By turns profane and profound, Nedonsel's poems give voice, as he himself writes, to 'a voiceless cry torn to shreds by writing'. Appeasements is the first selection of Nedonsel's poems to appear in English. The book also includes a translator's note about the poet and the poetry, as well as several of Nedonsel's letters. Alex Andriesse has translated into English works by Chateaubriand, Paul Lafargue, Cristina Campo, Roberto Bazlen and Jacques Dupin, amongst others. He is an associate editor at New York Review Books.
The Distance of a Shout: Selected Poems
From independence movements in Sri Lanka to train stations in contemporary Ontario, an intimate and witty selection of Michael Ondaatje’s most widely loved poems taken across fifty years''My life always stops for a new book by Michael Ondaatje'' JHUMPA LAHIRI''Each new book of Michael Ondaatje’s is a literary event, but that is particularly true for his books of poetry'' TERRANCE HAYESThe poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like - as tender as they are heart-wrenching - the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.Assembling Michael Ondaatje’s finest poems in one brilliant volume, The Distance of a Shout chronicles the poet’s journey - moving book to book, moment to moment, border to border - and leads the reader through the threshold of discovery itself. The Distance of a Shout is a profound and gorgeous collection by an indispensable poet of our time, and proof of why miraculous poetry endures.
Ticho, ktoré hovorí nahlas
"Táto kniha nevznikla preto, že by som mala všetky odpovede. Vznikla v momente, keď som ich prestala hľadať mimo seba.
Je to osobná výpoveď o tichu, ktoré bolí, o tele, ktoré kričí skôr než myseľ, a o odchode, ktorý nebol slabosťou, ale vyslobodením.
O vzťahu, ktorý ma ničil potichu.
O úzkosti, pochybnostiach a hanbe,
ktoré sa nenápadne stali súčasťou každodenného života.
A o návrate k sebe a k vlastnej hodnote.
Pre všetkých, ktorí sa niekedy báli nadýchnuť, stratili sa vo vzťahoch, ktoré ich oslabovali, a hľadajú domov nie vonku, ale v sebe."
Flowers and Insects, Some Birds and a Pair of Spiders
Forty years after it was first published, Ted Hughes's Flowers and Insects, Some Birds and a Pair of Spiders is presented in a beautifully redesigned edition with a new introduction by the nature writer Tim Dee. The sixteen poems gathered here brim and bristle with the life Hughes generates from the absolute attention he commits to whatever it is he is looking at. His knack for finding a language to animate its subject, without a trace of sentiment or nostalgia, singles out Hughes as one of the truly great poet-interpreters of the natural world. This edition gives full justice to the subtlety of the original watercolour illustrations, produced by Hughes's long-term collaborator and friend, the American artist, Leonard Baskin.
The Gaucho Martin Fierro and Martin Fierro's Return
'Some verses flow on out of menlike headstreams course through a canal. The same holds true for mine, old pal-though I can't say they're worth a lick,they still pour out of me real quick,like sheep escapin' a corral.'José Hernández's long narrative poems The Gaucho Martín Fierro (1872) and Martín Fierro's Return (1879) relate the often harrowing story of a gaucho's misfortunes against the backdrop of Argentina's nation-building a few decades after its independence from Spain. The first poem relates Martín Fierro's forced conscription, the hardships of irregular military service, and his desertion, followed by the discovery of his home and family gone upon his return, murder, and life as a fugitive from the law among the same tribe he was earlier drafted to exterminate. The second continues the narrative, taking in an epic singing contest against an itinerant musician, and culminating in Fierro and his sons going their separate ways in an attempt to live out lives of peace under assumed names. G. J. Racz provides the first metrical, rhyming translation into English in almost a century. Considered classics of Latin American literature, the works embrace the psychology of their oppressed 'common man' protagonist while depicting the larger sociopolitical forces slowly marginalizing his once vibrant cohort of skilled horsemen, itinerant cowhands, and modest livestock ranchers.
She Outgrew the Wound
A heartfelt return to form for veteran poet r.h. Sin, She Outgrew the Wound speaks softly to the resiliency of growth, maturity, and life-altering self-love. For over 10 years, poet r.h. Sin has provided a generation of young lovers with the words to heal from heartbreak, grow from pain, and find the courage to love again after disappointment. With She Outgrew the Wound, he continues this tradition as he offers a hand of encouragement for anyone feeling discouraged and let down, reminding you that the journey back to self-love begins one healed wound at a time.
the witch doesn't drown in this one
In this one, the witch doesn’t burn or die or drown. In this one, she rages.In the witch doesn’t drown in this one, celebrated poetess amanda lovelace revisits the titular voice behind her 2018 bestselling collection the witch doesn’t burn in this one. With candor, honesty, and well-earned wisdom, lovelace expounds on the roller coaster of feelings brought on by simply trying to exist as a woman in the sociopolitical climate of 2025’s America. Through poetry that encompasses a myriad of fem-centric themes, including queer love, trans rights, patriarchal oppression, and intersectional feminism, she demands that women of all backgrounds and lived experiences be seen, heard, defended, and loved. the witch doesn’t drown in this one is a deeply felt and hard-won reminder that though some stories that start with bitch-fire end with tear stains, women are powerful, resilient beings who have always contained the strength to rise again, especially when we swim back to the surface together.
Archívne viny
Básnická zbierka Archívne viny je návratom k ranému autorskému obdobiu básnika, ktorého debut bol literárnou udalosťou ešte pred jeho neskoršími kontroverznými prózami. Kniha obsahuje publikované a nepublikované básne a dopĺňa ju doslov, v ktorom autor približuje okolnosti svojho vstupu do literatúry i význam poézie v jeho osobnom živote.
Material Witness
Material Witness, Edward Ragg's sixth collection, bears witness to all manner of materials: from botany, bower birds, diving bell spiders, rock formations and coral reefs to a Nazi-stamped photo of the poet’s mother as well as Dante’s Divine Comedy and the Las Meninas paintings of Velázquez and Picasso. In three sections — ‘Scenes’, ‘Acts’, ‘Aftermaths’ — Material Witness reveals an interlinking architecture, constructing a poetry profoundly wedded to the physical universe and variously concerned with love, family history, the natural world, even the simple act of stirring a cup of tea. This is a poetry that conjures in all senses ‘the strange companionship of materials’.
Becoming Wetland
As the global ecological crises deepens, fire and water, elements that bring warmth, life, become increasingly threatening as we hold our breath, the earth burning and drowning. In Becoming Wetland Yvonne Baker dives into the existential menace of a world whose waters have lost rhythm and balance. But we are never in the realm of the didactic. This watery world is one of sorrow and questions, of images so precise and clear we feel them as our own. With her gift for making connections, between heart and world, between events and objects that could go unnoticed and the ripples of their impact, Yvonne Baker skilfully takes us ‘into the waters / of the reedbed as it sinks into darkness’ where we find the lost objects of ordinary, inundated lives. And in a central sequence we move forward through time, looking back on ourselves through the eyes of those still to be born to find, ‘a reminder of the years when we still had hope.’ But back in the present, that hope has not failed, if only we will listen and accept the blessing on those of us, all of us, ‘caught / between the ochre heat, the black rain.’ Timely, poignant and beautiful, from a poet whose writing warns, comforts and invites us to feel deeply.
In the Shadow of the Yew
In a tight sequence of 33 poems, In the Shadow of the Yew, John Barnie leads us through ‘the cemetery of hopes’ (Conrad). A layered monologue in a distinctive voice that is incisive and deeply questioning, Barnie asks whether the suffering of humanity and the suffering we inflict renders our species a curse. ‘...better than both / is the one who has never been born, / who has not seen the evil / that is done under the sun.’ says the writer of Ecclesiastes, and Barnie sits in a long line of writers who consider that the natural world would be better off without us. There’s a note of Leopardi, Hardy, Beckett, Cioran and, above all, Robinson Jeffers in this unflinching collection, with a tone that builds on Jeffers’s The Double Axe and its philosophy of inhumanism. And yet, at the heart of this collection, is tenderness and compassion. Woven through poems that refuse to turn away from war and torture, starvation, greed, injustice and suffering, there are glimpses of a childhood by the banks of the Usk, fragments of the stories of friends and loved ones and homage to writers who have come before the poet. And there is a litany of extinct flora and fauna interspersed through the sequence as well as lines mourning so much loss:six hundred million birds have disappeared from Europe what tonnage is that how many hearts pattering faster than rain on a canopy of leavesAt heart there is a delight in the world that humanity is laying waste to, a yearning for life that is otherwise and the repeated cry: What do we do now?
Y Golau yn y Gadair
We all remember the touching moment Tudur Hallam was chaired as The Bard of the Chair at The National Eisteddfod of Wrexham, 2025. This accomplishment touched the heart of our nation. Y Golau yn y Gadair includes his winning ‘awdl', a traditional long poem written in strict metre, on the theme of ‘Dinas' (The City). The poem is about coming to terms with a diagnosis of invasive cancer. -- Cyngor Llyfrau Cymru
The Doll’s House Maker’s Room
The Dolls’ House Maker’s Room sits in a house of tools and memories, the tools as much metaphors as objects, the memories laden with objects and images, with the places and events that shape what we know and what we don’t. A maven of gentle surprise, Robin Thomas’ language is supple, generous and deeply reflective; his observations sharp, quick-witted and beautifully controlled. There is a signature breadth of reference in these poems — travel, film, the absurdities of life and human history, art, mortality, loss — united by a confident, distinctive, humane voice. bats foxes planes clouds lives made and unmade revolutions tea and cake a stately moon eternal stars I wake. It’s day. You’re still not here. (from ‘Wake’)
Všetko, čo sa nedá napísať
Kniha básní a fotografií Vigga Mortensena Všetko, čo nedá napísať (2026) ukazuje, že
tento svetoznámy herec a režisér je človekom mnohých talentov a medzi tie ďalšie patrí
poézia, fotografovanie a výtvarná tvorba. V básnickom výbere, ktorý pripravil autor
osobitne pre slovenských čitateľov, sa predstavuje ako empatický človek, ktorému nie
sú cudzie problémy iných a ktorý sa, podobne ako my ostatní, stále učí nájsť si svoje
miesto vo svete práve pre seba.
Kniha Všetko, čo sa nedá napísať narúša ustálený spôsob vnímania toho, čo je všedné
alebo výnimočné, čo je jedinečné a čo sa dá povedať o každom z nás. Kniha vychádza
ako viacjazyčné vydanie a okrem básní v slovenskom preklade, obsahuje tiež originály
textov v angličtine a španielčine. Preložili Eva Lalkovičová a Ján Gavura.
A Nature Poem for Every Night of the Year
A classic Batsford poetry collection, now reissued with a stunning new cover. This calming anthology of nature poems, with one for every day of the year, is the perfect bedside companion to help you relax and unwind at the end of every day. Now more than ever we’re in need of a daily fix of the natural world, to comfort and distract us from the cares of everyday life. Keep this beautiful book by your bedside and enjoy a dreamy stroll through nature every evening, just before you go to sleep. All the great, time-honoured poets are here – William Wordsworth, John Keats, Emily Dickinson, Robert Bridges — along with some newer and less well-known poetic voices. The poems reflect and celebrate the changing seasons: read Emily Brontë on bluebells in spring and Edward Thomas’s evocative ‘Adlestrop’ in summer, then experience golden autumn with Hartley Coleridge and get some winter comfort from William Blake’s ‘To Winter’. Beautifully illustrated with scenes from each season, this wonderful book deserves a place on your bedside table for years to come.
Startlement
''I marvel at Ada Limón''s ability to weave on the page her playfulness and wisdom. Her lyricism dances. This is the poetry of a tender and compassionate human'' Joan Baez''Startlement is a book of rare treasures. With lyrical mastery and intimate storytelling, Limón''s poetry reveals new ways of paying attention. This powerful collection is a gift'' Amy Tan''Ada Limón is a bright light in a dark time'' Vanity Fair''Limón is a poet of ecstatic revelation'' Tracy K. Smith, GuardianDrawing from six previously published books - including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things - as well as introducing vibrant new work, Startlement exalts the mysterious. With a tender curiosity, Ada Limón wades into potent unknowns - the strangeness of our brief human lives, the ever-changing nature of the universe - and emerges each time with new revelations about our place in the world.Both a lush overview of her work and a powerful narrative of a poet''s life, this curation embodies Limón''s capacity for ''deep attention,'' her ''power to open us up to the wonder and awe that the world still inspires'' (New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón''s poetry bears witness to the arc of all we know with patient lyricism and humble wonder.''A poet of ecstatic revelation'' (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring ''What we are becoming, we are / becoming together.''
Pre niekoho nezmyselné, pre iného uchu lahodiace. Také je básnické umenie.
Tu ste správne, ak si radi vychutnáte krátke verše o láske alebo dlhé o živote, poéziu veselú či vážnu. Nájdite si v našej ponuke ideálnu báseň na prednes alebo na intímne tiché čítanie.
Ak obľubujete klasikov, vyberte si niektorého z najprekladanejších svetových básnikov. Vychutnajte si nesmrteľné verše z pera Apollinairea, Walta Whitmana, Johna Keatsa a mnohých ďalších. O tom, že romantická poézia nemusí byť vždy o láske vás presvedčí Stendhal či Lord Byron. O temných stránkach ľudskej duše nás aj po desaťročiach vie poučiť Baudelaire či Rilke.
Očarila vás súčasná tvorba? Nesklamú vás ani slovenskí autori. Pavel Hirax Baričák a množstvo jeho kolegov i kolegýň poetiek vám rado spríjemní dlhé večery. Siahnite po veršoch Jany Melcerovej inšpirovaných ženskou dušou, po básnických zbierkach dvojjazyčnej autorky Judity Kaššovicovej či po Mile Haugovej, držiteľke prestížnej ceny Dominika Tatarku.
Radi si beriete básne ako spoločníkov na cesty? Vtedy sa vám bude hodiť niektorý z našich titulov „do vrecka“. Čas strávený vo vlaku či let na dovolenku bude razom príjemnejší.
Hľadáte niečo špeciálne? Možno zbierate zaujímavosti či pátrate po darčeku pre blízkeho. Skúste zbierky poézie od známeho režiséra Tima Burtona alebo beatlesáka Johna Lennona. Pre skalných fanúšikov ako stvorené.
Nájdete tu slovenskú poéziu, českú poéziu, svetovú poéziu aj antológie.
