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Having crash-landed in the Sahara desert, a pilot comes across a young boy who introduces himself as the "Little Prince" and tells him the story of how he grew up on a tiny asteroid before travelling across the galaxies and coming to Earth. His encounters and discoveries, seen through childlike, innocent eyes, give rise to candid reflections on life and human nature. First published in 1943 and featuring the author's own watercolour illustrations, The Little Prince has since become a classic philosophical fable for young and old, as well as a global publishing phenomenon, selling tens of millions of copies worldwide and being translated into dozens of languages.

In Bulgakov's "Diaboliad", the modest and unassuming office clerk Korotkov is summarily sacked for a trifling error from his job at the First Central Depot for the Materials for Matches, and tries to seek out his newly assigned superior Kalsoner, responsible for his dismissal. His quest through the labyrinth of Soviet bureaucracy takes on the increasingly surreal dimensions of a nightmare. This early satirical story, reminiscent of Gogol and Dostoevsky, was first published in 1924 and incurred the wrath of pro-Soviet critics. Along with the three other stories in this volume which also feature explorations of the absurd and bizarre, it provides a fascinating glimpse into the artistic development of the author of "Master and Margarita".

Presented as a collection of confessional letters written by the eponymous protagonist, The Sorrows of Young Werther charts the emotional journey of a young man who, during a stay in a picturesque German village, falls in love with Lotte, a local woman engaged to another man. As he realizes that his passion is doomed to failure and constant pain, Werther contemplates taking the most drastic measures.

Using a sharply realistic and humorous style, Bulgakov reveals his doubts about his own competence and the immense burden of responsibility, as he deals with a superstitious and poorly educated people struggling to enter the modern age. This cclaimed collection contains some of Bulgakov's most personal and insightful observations on youth, isolation and progress.

Written between 1920 and 1921 while Bugakov was working in a hospital in the remote Caucasian outpost of Vladikavkaz, Notes on a Cuff is a series of journalistic sketches which show the young doctor trying to embark on a literary career among the chaos of war, disease, politics and bureaucracy.

Dante's dramatic journey through the circles of hell in search of redemption - and his encounter with devils, monsters and the souls of some of the greatest sinners who ever walked on earth - is one of the cornerstones of Western literature, the summit of medieval thinking and arguably the highest poetic achievement of all time. Inferno, the first part of Dante's Divine Comedy, is presented here in a new verse translation by acclaimed poet and prize-winning translator J.G. Nichols, together with the original text facing, extensive notes, illustrations and a critical apparatus focusing on the author's life and works.

Charles Dickens's second novel is the tale of a young orphan who faces the gruelling conditions of a Victorian workhouse before finding himself sucked into the criminal underworld of London. Teeming with unforgettable characters such as the villainous Fagin, the virtuous Nancy and the brutal Bill Sikes, Oliver Twist combines dark humour, elements of melodrama and social polemic. At once a ferocious indictment of the author's era and a timeless story of coming of age, this classic has enthralled readers and inspired countless adaptations and imitations since it was first published in 1838.

A novel of high romance and great intensity, Jane Eyre has enjoyed popular success and critical acclaim ever since its publication in 1847. Jane's journey from a troubled childhood to independence - and her turbulent love affair with the enigmatic Mr Rochester - electrified Victorian readers with its narrative power.

When the young salesman Gregor Samsa wakes up one morning transformed into a monstrous insect, his shock and incomprehension are coupled with the panic of being late for work and having to reveal his appearance to family and colleagues. Although over the following weeks he gradually becomes used to this new existence confined within the bounds of the apartment, and his parents and sister adapt to living with a grotesque bug, Gregor notices that their attitudes towards him are changing and he feels increasingly alienated. One of the masterpieces of twentieth-century world literature, 'The Metamorphosis' is accompanied in this volume by a selection of other classic tales and sketches by Kafka - such as 'The Judgement', 'In the Penal Colony' and 'A Country Doctor' - all presented in a lively and meticulous new translation by Christopher Moncrieff.

After being saved from a suicide attempt by a literary editor, the journalist and failed novelist Sergei Maxudov has a book suddenly accepted for stage adaptation at a prestigious venue and finds himself propelled into Moscow's theatrical world. In a cut-throat environment tainted by Soviet politics, censorship and egomania - epitomized by the arrogant and incompetent director Ivan Vasilyevich - absurdity gradually gives way to tragedy. Unpublished in Bulgakov's own lifetime, Black Snow (also known as A Theatrical Novel) - here presented in a new translation - is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

Written in the 1830s and early 1840s, these comic stories tackle life behind the cold and elegant facade of the Imperial capital from the viewpoints of various characters, such as a collegiate assessor who one day finds that his nose has detached itself from his face and risen the ranks to become a state councillor ('The Nose'), a painter and a lieutenant whose romantic pursuits meet with contrasting degrees of success ('Nevsky Prospect') and a lowly civil servant whose existence desperately unravels when he loses his prized new coat ('The Overcoat'). Also including the 'Diary of Madman', this new translation of Petersburg Tales paint a critical yet hilarious portrait of a city riddled with pomposity and self-importance, masterfully juxtaposing nineteenth-century realism with madcap surrealism, and combining absurdist farce with biting satire.

After spending several years in a sanatorium recovering from an illness that caused him to lose his memory and ability to reason, Prince Myshkin arrives in St Petersburg and is at once confronted with the stark realities of life in the Russian capital - from greed, murder and nihilism to passion, vanity and love. Mocked for his childlike naivety yet valued for his openness and understanding, Prince Myshkin finds himself entangled with two women in a position he cannot bring himself to resolve. Dostoevsky, who wrote that in the character of Prince Myshkin he hoped to portray a "wholly virtuous man", shows the workings of the human mind and our relationships with others in all their complex and contradictory nature. Populated by an unforgettable cast of characters, from the beautiful, self-destructive Nastasya Filippovna to the dangerously obsessed Rogozhin and the radical student Ippolit, The Idiot is one of Dostoevsky's most personal and intense works of fiction presented here in a new translation.

The tale of Heathcliff and Cathy's ungovernable love and suffering, and the havoc that their passion wreaks on the families of the Earnshaws and the Lintons, shocked the book's first readers, with even Emily's sister Charlotte wondering 'whether it is right or advisable to create beings like Heathcliff'. Replete with unforgettable characters and situations that have seared themselves into our literary consciousness, Emily Bronte's intense masterpiece is one of the most haunting love stories in the canon of English literature.

The goddess Folly gives a speech, praising herself and explaining how much humanity benefits from her services, from politicians to philosophers, aristocrats, schoolteachers, poets, lawyers, theologians, monarchs and the clergy. At the same time, her discourse provides a satire of Erasmus's world, poking fun at false pedantry and the aberrations of Christianity. Woven throughout her monologue, a thread of irony calls into question the goddess's own words, in which ambiguities, allusions and interpretations collide in a way that makes Praise of Folly enduringly fascinating.

Beautiful Emma Rouault yearns for the life of wealth, passion and romance she has encountered in popular sentimental fiction, and when her doctor, the well-meaning but awkward and unremarkable Charles Bovary, begins to pay her attention, she imagines that she may be granted her wish. However, after their marriage, Emma soon becomes frustrated with the boredom of provincial life and finds herself seeking escape and contemplating adultery. As Emma's efforts to make a reality of her fantasies become more dangerous, both she and those around her must face the shattering consequences of her actions. Causing widespread scandal when it was published in 1857, Madame Bovary is Gustave Flaubert's masterpiece and one of the landmark works of nineteenth-century realist fiction.

Although he is now mostly remembered as a novelist, it is as a poet and translator of poetry that Sandor Marai - the acclaimed author of Embers and Conversations in Bolzano - first made his name in the literary world. This collection, the first and only edition of Marai's poems in the English language - here presented in John Ridland's and Peter V. Czipott's brilliant verse translation - offers a comprehensive selection spanning the author's whole career and exemplifying his mastery of what he considered to be the highest form of literary expression.