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Fotografia 
Hudba - noty, spevníky, príručky 
Dizajn, úžitkové umenie, móda 
Architektúra 
Dejiny, teória umenia 
Film - encyklopédie, ročenky 
Divadlo - teória, história,... 
Umenie - ostatné
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Farebné noty 4 - Anglické piesne
Všetkých 15 anglických piesní je možné zahrať na ôsmych tónoch - každá nota má svoju farbu (netreba poznať noty). Sú určené pre všetkých, čo začínajú s angličtinou, najmä pre 1. stupeň ZŠ. Ak nemáte rovnako farebný xylofón, nalepíte si farebné samolepky na klavír, elektronické piano, harmoniku či kalimbu. (Samolepky sú súčasťou nôt, aj záložka s angličtinou.)
Každá pieseň je doplnená ilustráciou pre lepšie zapamätanie:
Baby Shark
Mary Had a Little Lamb
The Wheels on the Bus
Itsy Bitsy Spider
Old McDonald Had a Farm
Baa, Baa, Black Sheep
The Alphabet Song
Finger Family
Five Little Monkeys
Row Your Boat
London Bridge is Falling Down
Twinkle, Twinkle, Little Star
Kumbaya
Jingle Bells
Brahms´ Lullaby
Catherine Opie
Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers
For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.
Edvard Munch
A revised edition of the most comprehensive monograph on Munch
Though The Scream is undoubtedly his best-known piece, Edvard Munch's body of work extends far beyond this silent howl to encompass a wide practice across paint, pastel and print. The joint effort of ten scholars, and first published in 2013 to great acclaim, this volume offers a comprehensive survey of Munch's inimitable contributions to modern art. The publication covers many aspects of Munch's versatile artistic practice, with a focus on specific themes and phenomena that characterize his work. The texts offer a fresh look at Munch's oeuvre in the context of modernism, highlighting the issues that the artist grappled with throughout his career: the relationship between art and reality, the artist and the public, and Munch's misgivings about modernism and his place in the world. With a thorough bibliography, a timeline of the artist's life, and excerpts of Munch's own writing, this monograph proves to be a most comprehensive tribute to the artist. Edvard Munch (1863-1944) was born in rural Norway before his parents moved to Oslo (then called Kristiana). He grew up under the influence of frequent family illness, both mental and physical, and would later use his art as a means of expressing his turbulent psychological state. He studied at the Royal School of Art and Design in Oslo and spent time in Paris and Berlin. Most of his work managed to survive the Nazi purges of "degenerate art."
Depeche Mode by Anton Corbijn
In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: "I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool." Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81-18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed "cool" as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world.
Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as "Enjoy the Silence" and "Personal Jesus"); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master.
Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: "A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them." This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.
Spring Cannot be Cancelled
On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others.
We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.
With 142 illustrations in colour
Underexposed!
A collection of 50 original posters celebrating the most compelling unmade films in the history of moviemaking
For most films, it's a long, strange road from concept to screen, and sometimes those roads lead to dead ends. In Underexposed!: The 50 Greatest Movies Never Made, 50 artists from around the globe each contribute imagined poster art for one such dead-end film-a movie that never made it into production or that changed drastically from initial concept to final film. Each poster is accompanied by a short essay that explains the history behind a never-made film, detailing the speed bumps and roadblocks during development and preproduction that, for better or worse, kept the filmmaker's original vision from ever reaching the silver screen.
Featuring artwork from some of PosterSpy's most beloved artists, including Liza Shumskaya, Scott Saslow, Matt Talbot, Sam Coyle, and many, many more, Underexposed! is sure to spark the cineaste's imagination with tantalizing visions of the greatest movies never made.
Nike: ICONS
In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company's most iconic shoes. With their project The Ten-which reimagines icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others-they reinvigorated sneaker culture.
Virgil Abloh's new designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh plays with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzes what makes each shoe iconic and deconstructs it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.Icons traces Abloh's investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh's typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh's DIY approach, which gives each model in the Off-WhiteTM c/o Nike collection its own unique touch.
The book documents Abloh's cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.
High On... Scandinavian Architects
Scandinavian design is a movement characterised by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Norway, Sweden, Finland, Denmark, and Iceland.
Scandinavian designers are known especially for household goods including furniture, textiles, ceramics, lamps, and glass, but Scandinavian design has been extended to be an influential movement in architecture and industrial design.
High On...Scandinavian Architects presents twenty-eight architects from Scandinavia with their latest projects from the areas of residential, commercial and public buildings. Whether large or small, sharp-edged or soft, coarse or fine, the architecture depicted in this volume is characterised by the iconoclastic flair of Scandinavia.
Igor Cvacho Monografia
Monografia sprevádza výtvarnou tvorbou maliara, grafika a pesničkára Igora Cvacha.
Chtěl_a jsem další zkušenost
Publikace Chtěl_a jsem další zkušenost zhodnocuje desetiletí fungování Ateliéru hostujícího umělce na AVU. Tímto specializovaným pracovištěm akademie prošli významný umělci a umělkyně střední a mladší generace.
Kniha představuje jednotlivé semestrální projekty a relevantní texty z již publikovaných katalogů (od autorů nebo přizvaných teoretiků), medailony umělců, kteří v daném období ateliér vedli a studentskou reflexi, zpracovanou formou rozhovorů. Její součástí jsou také dva teoretické příspěvky, které se zabývají obecnějšími problémy uměleckého vzdělávání a ukazují konkrétní genealogii Šalounova ateliéru. Kniha odhaluje různé perspektivy a pohledy na takto specifickou a ojedinělou vzdělávací platformu uvnitř vysoké umělecké školy.
Texty: Tomáš Džadoň, Anna Daučíková, Václav Janoščík, Luis Cammitzer
Hostující umělci: Anton Čierny, Magdalena Jetelová, Zbigniew Libera, Jan Merta, Florian Reither, Marcus Geiger, Althea Tauberger, Silke Otto-Knapp, Florian Pumhösl, Nicole Wermers, Jan Mladovský, Ruth Noack, Artur Źmijewski, Simon Wachsmuth, Josef Dabernig, Ilona Németh, Ricarda Denzer, Christina Della Giustina, John Hill, Oleksandr Burlaka, Simon Starling, Sus Zwick a Muda Mathis
Kniha vychází česky a anglicky.
Brand New Brand
How can small businesses make huge impacts? If a picture speaks a thousand words, branding is the tool to shine in a sea of thousands of competitors. This title presents the best branding for small, traditional businesses from the last years. Collecting the best in class examples, it shows how well-curated, holistic branding can take a butchers, bookstore, bakery or even a physiotherapist from one of the pile to one in a million. No matter if you're launching a new venture or giving your business a makeover, creativity is the biggest asset to do more with less and creating an everlasting imprint in the client. Small budgets, sustainable approaches, and hyperlocal inspirations are behind the most successful projects of the last years. This book is your tool to stand out.
Circus
In its heyday, the American circus was the largest showbiz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping superheroes and scantily clad starlets, fearless animal trainers, and startling "freaks" gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows.
This book sheds fresh light on the circus phenomenon. With photographic gems of early circus performers, as well as original posters, lithographs, sideshow banners and engravings from the 16th to 19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames.
How to be an Art Rebel
This irreverent introduction to art gives children the confidence to respond to art on their own terms, and - most importantly - to have fun with it.
Under the playful guidance of Leo, the museum cat, readers encounter abstract, Surrealist, nude and contemporary art, ancient sculpture, still lifes and portraits. But instead of being told facts to memorize, they're equipped with the knowledge that allows them to come up with their own interpretations of famous art works. Knowing how symbols work, they'll decipher clues in Frida Kahlo's self-portrait; understanding Surrealism, they'll decide for themselves what Joan Miro's abstract doodles are all about.
This book shows that art isn't about knowing the right answers - it's about having fun, making up your own mind and seeing things from a different angle.
Georg Baselitz
A prolific artist with a protean output, Georg Baselitz has rethought the conventions of a range of media, predominantly painting and sculpture, over the course of a career of some sixty years. Born in 1938, Baselitz was expelled from art school in East Berlin in 1956 for 'socio-political immaturity', and moved to the western half of the city. By the late 1950s, he had rejected the dominant tendencies of both sides of the country and his singular achievement was to reintroduce the figure, compromised and discredited though it was by both Nazism and Communism, into art. By drawing attention to art by 'outsiders', such as psychiatric patients, and invoking a Parisian model of existentialist art and literature, Baselitz proposed an alternative European tradition that did not eliminate the human subject.
In alluding later to movements in German painting such as Expressionism as well as to artists like Munch, he also consciously rehabilitated the kind of art that was condemned by Hitler as 'degenerate'. The book follows the development of Baselitz's unique style from his earliest work through to the most recent creations of his eighth decade. Calvocoressi's masterful construction of a chronological narrative helps us to evaluate Baselitz's work in terms of the disruptions of his life - historical upheavals witnessed alongside an astonishing career.
Mezi sjezdy a tanečními
Originální monografie se detailně věnuje tématu, které se teprve v posledních letech dostává do hledáčku historiků umění a architektury dějinám kulturních domů. Éra jejich výstavby se počátkem devadesátých let 20. století víceméně uzavřela a význam i existence tohoto stavebního typu v podstatě přestaly být aktuální. Možná i díky tomu jim však můžeme lépe porozumět či z odstupu obdivovat jejich dosud opomíjené architektonické vlastnosti.
Významná architektonická i urbanistická role nebo ideologický obsah zajistily kulturním domům v rámci poválečné architektury výjimečné postavení. Přesto zájem o ně roste teprve poslední dobou. Postupně totiž mizí předpojatost vůči reliktům režimu a ony doslova lákají badatele, před nimiž stojí nelehký úkol zasadit toto téma do nepřehledného a vrstevnatého kontextu, který je komplikován neustálou proměnlivostí společenských i ekonomických požadavků doby. Právě proto monografie Lukáše Veverky sleduje vznik tohoto fenoménu již od počátku 20. století přes první republiku až po kapitoly o době poválečné, které jsou stěžejní. Nalezneme v nich nejen charakteristiku období se zaměřením na klíčové realizace, ale také zpracování společenské i legislativní situace, ve které domy vznikaly. Poznatky uvedené v této práci vycházejí z dobové literatury, archivních rešerší a autorovy znalosti většiny lokalit.
Budapest katolikus templomépítészete a két világháború között
Fabó Beáta, a könyv szerzője így vall munkájáról: "Ránézünk egy emberre és valamilyen benyomásunk keletkezik róla, csinos, okos, buta, semmilyen, vagy van kisugárzása. Amikor elkezd beszélni magáról, megismerjük a hátterét, a gondolatait, feltárul a világ, amely egy kimondott szó mögött rejtőzik. Kiléphetünk a sztereotípiákból, és sokkal árnyaltabb képet kapunk róla, jót vagy rosszat, de gazdagot.
Így van ez a két világháború közötti templomépítészet világával is. Ha megismerjük a meg nem valósult gondolatokat, a finomságokat és főleg a miérteket, akkor sokkal közelebb kerülhet hozzánk ez a templomépítészeti korszak. Nem jobb vagy rosszabb lesz a képünk róla, hanem árnyaltabb, ezáltal szerethetőbb."
A kötet mögött hatalmas levéltári és egyéb forrásfeltáró munka áll. A levéltári iratanyag közelsége Fabó Beáta számára lehetővé tette eddig kevésbé vagy egyáltalán nem kutatott irategyüttesek szisztematikus átnézését. Munkájában kiemelten foglalkozik a születendő templomok tervezési hátterével, az épületek elhelyezésével, városképben elfoglalt szerepével, a tervező megválasztásával, a stílus és anyag választásának okaival, az elhúzódó döntések hátterével. A szerző egyik fő célja volt, hogy a nagyszámú terv-és képanyag egyesítve, egy helyen megtalálható legyen. A kitűzött célt sikerült elérni: a tartalmában és kivitelezésében is impozáns kötet átfogó képet ad a két világháború közötti katolikus templomépítészetről, alapmunkának fog számítani a korszak egyházi építészetének kutatásához.
Beatriz Milhazes
In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction.
In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building facades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia's ballet ensemble.
This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist's creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes's key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work.Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes
Mother
An elephant, a waterfall, a tree. For award-winning nature photographer Marsel van Oosten, simplicity is the ultimate form of expression. Through singular subjects and pared-down motifs, he captures the beauty, diversity, and vulnerability of the natural world. This visually stunning volume begins with photographs from Africa before moving through all the continents. The alternations between landscapes and close-ups, colour and black-and white photographs, create a stunning, emotive journey across the planet we call home.
Lost Beauties
Ever heard of the Volkhart Sagitta? L'OEuf electrique, or the Stanley Steamer? If not, you are in for a beautiful surprise, 50 times over!
Often times the cars in this richly illustrated book were lost because the manufacturer ceased to exist, or because they were found on the bottom of Lake Maggiore after 75 years, like the Bugatti Brescia. Among the 50 beauties there are one-offs, concepts, trendsetters, and failures as well as cars of the rich and famous, from Marilyn Monroe to Clark Gable.
Text in English and German.
Milujete kvalitné filmy, architektúru, krásne fotografie, výtvarné umenie a dizajn? Chcete vedieť, ako vyzerala Obchodná ulica? Tu nájdete viac o histórii divadla, príručky o hudbe, noty, slovníky, filmové encyklopédie a ročenky.
Toto je priestor, kde sa stretnú tvorivosť, inovácia a estetika. Kategória umenia nám otvára dvere do sveta výrazových médií, ktoré nám umožňujú hĺbkový pohľad na ľudské myšlienky, emócie a skúsenosti.
Tu nájdete pestrú škálu umenia vrátane vizuálneho umenia ako maľba, sochárstvo, fotografie, a tiež literárneho umenia. Kategória umenie vám ponúka príležitosť objaviť diela od umelcov z rôznych časových období a kultúrnych kontextov, čím sa otvára pohľad na rôzne estetické perspektívy.
Sledujeme vývoj umenia od historických majstrov až po súčasných tvorcov, ktorí používajú nové technológie a prístupy na vyjadrenie svojej kreativity. Bez ohľadu na to, či sa zaujímate o tradičné umenie alebo experimentálnu tvorbu, táto kategória vám umožní objaviť rôznorodé prejavy ľudského ducha a predstavivosť.
Zaostrite na krásu v módmej fotografii s Karolom Kállayom. Objavte dokonalú renesančnú osobnosť Leonarda da Vinciho. Zaujímate sa o to, ako vyzerá archív Adidas, alebo skôr o spevník obľúbeneho pesničkára Tomáša Klusa. Toto všetko a mnoho ďalšieho objavíte v tejto sekcii.
Kategória umenie ponúka literatúru o Architektúre,Dizajne a úžitkovom umení a móde , Fotografii, Výtvarnom umení , Dejinách a teórii umenia, Divadle, Filme a Hudbe - noty, spevníky, príručky.
