Najnovšie - Umenie strana 3 z 500

Where do great artists get their inspiration? And how could they help you make something extraordinary? In You Are an Artist, over fifty artists from around the world share their creative techniques, and give you brilliantly imaginative exercises to inspire you to make your own art. Among other things, you'll invent imaginary friends, construct a landscape, find the quietest place, measure your history and become someone else (or at least try). You don't need special materials or experience. Your only challenge is to create art that reflects the world as you see it. Curator Sarah Urist Green brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

From timeless polos and enduring knitwear to its iconic partnership with Wimbledon, Ralph Lauren is the epitome of sophisticated fashion. Redefining everyday luxury and promoting a lifestyle that whispers old money, Ralph Lauren promises everything from casual boat shoes to tailored perfection suitable for the Met Gala. Pushing equestrian chic and cable knitwear for over fifty years, the embroidered polo horse has become a signpost of elegance. Little Book of Ralph Lauren charts the imitable rise of an all-American fashion brand from an office in the Empire State Building to a global fashion empire within its own right.

Atmosférická, nepředvídatelná skladba poháněná nezaměnitelně expresivním i ironickým Tománkovým rukopisem na 256 stranách představuje původně barevné fotografie ve škále šedi s řadou unikátních barevných duplexů. Mor je přátelským projektem nenápadné superskupiny House of Cards. Grafický designér Adam Macháček žije v Berkeley v Kalifornii, fotograf Dušan Tománek ve Zlíně a editor a kurátor Michal Nanoru v Londýně. Coby House of Cards někdy vydávají knihy. Někdy si je nechávají pro sebe.

Kniha Williama Kentridge obsahuje kompletní přepisy přednášek z cyklu Slade Lectures, konané na University of Oxford v roce 2024, doplněné fotografiemi a ilustracemi. Přednášky propojují umělcovu osobní zkušenost s analytickým přístupem, a stávají se tak jedinečným průvodcem tvorbou jednoho z nejvlivnějších umělců současnosti. V šesti kapitolách autor reflektuje vznik nápadu, roli omylu a přepracování i proměnu fragmentu v hotová díla. Autobiografické vzpomínky na židovské rodinné zázemí a dospívání v Jihoafrické republice v období apartheidu se prolínají s filozofickými úvahami o umění, mýtu a lidské existenci. Kniha dále obsahuje předmluvu k přednáškám předního nizozemského básníka Alfreda Schaffera a kurátorský text Christelle Havranek doprovázející výstavu William Kentridge: The Battle Between YES and NO, první soubornou výstavu umělce v České republice.

Publikace Typo života běh = Solpera je v pravém slova smyslu autorskou monografií, pokud jde o celkovou koncepci, výběr prací, hlavní text i grafickou úpravu. V první části po úvodu Ivy Knobloch, nazvaném "Posedlost písmem", následuje rozsáhlý výběr ze Solperových divadelních a kulturních plakátů i logotypů. Ve druhé části je vlastní autorův text doplněný dobovými dokumenty a jeho ranými pracemi. Nejsou to paměti, ale záznam profesní cesty jednoho typografa, tvůrce písma a pedagoga UMPRUM včetně popisu některých technologických postupů z doby předdigitální a problémů, se kterými se při své práci setkal. Třetí část je věnována ukázkám z jeho knižní typografie a letteringů, realizovaným písmovým fontům i známkové tvorbě. Publikaci uzavírá text Františka Štorma "Zase to ‚typografické počasí‘" a řada Solperových lettristických novoročenek. Vychází česky, hlavní texty též anglicky. Grafika Jan Solpera, sazba Barbora Solperová.

Ve své kritické eseji AI umění. Strojové vize a pokřivené sny (2020) zkoumá Joanna Zylinska možnosti i limity strojové kreativity v současném umění. S humorem, ironií a filosofickou erudicí propojuje oblasti umění, médií a technologií a zpochybňuje zažité binarity mezi člověkem a strojem, inteligencí a programem, estetikou a etikou. Publikace není technofobní ani nekriticky technofilní – nabízí komplexní pohled na fenomén umělé inteligence jako kulturní i politické události. Autorka se ptá, jaký smysl má umění ve věku algoritmů, kdo je jeho adresátem a co se skrývá za módním označením „AI art“. Text oscilující mezi manifestem, výzkumnou zprávou a spekulativní esejí je cenným příspěvkem k mezioborové diskusi na pomezí filosofie, mediální teorie a vizuální kultury. Překlad z angličtiny Ivan Adamovič. Grafika Kateřina Šuterová.

From the creator of the viral Kardashian Kolloquium comes a New Media manifesto for the TikTok age - blending theory, cultural analysis and history to explain the meteoric rise of the Kardashians and what their fame reveals about how media functions today. Since 2007, Kim Kardashian and her extended family have mesmerised - and scandalised - the American public. We've been immersed in their social lives, controversies and reality TV exploits, while witnessing the staggering ascent of their multibillion-dollar fashion, beauty and media empire. But the central question remains: why are the Kardashians so famous? And what does their enduring relevance tell us about the media systems that shaped - and were shaped by - the? n Dekonstructing the Kardashians, MJ Corey, creator of the viral social platform Kardashian Kolloquium, delivers more than just the definitive cultural chronicle of the First Family of reality TV. She offers a probing exploration of how media has evolved in the internet age -and how it's reshaping our identities, our attention, and our understanding of reality itself. Part media theory, part cultural critique and part historical deep-dive, Dekonstructing the Kardashians weaves together fifty years of Western media history. Corey shows that the Kardashians aren't just celebrities - they're a mirror of our media moment, offering a key to understanding fame, identity and reality in the digital age.

From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game. When Paul McCartney closed Live Aid in July 1985 at the grand old age of forty-three, we thought he was on the road to retirement. But as it turns out, he - and many others of his generation - were just getting started. In the last four decades, the big names of the 60s and 70s have been exploiting the age of spectacle that Live Aid created to enjoy the longest lap of honour in the history of humanity, carrying on long after everyone else had given up. In this brave new world, Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though, thanks to technology, they will all be playing Las Vegas forever.

We live in a world where many aspects of late twentieth century science fiction have become technological reality. As gadgets and technology in general have become more miniaturised, sleek and capable, so too has an appetite for the sort of quirky, retro tech that wistfully reminds us of earlier times. Nintendo has enjoyed great success with the re-release of their console systems from the 1980s, and US brand Analogue has created a hardware emulator for Sega's classic Mega Drive games. Audio formats such as vinyl records and cassettes have seen a resurgence, along with the devices that can play them. This book sets out to provide a comprehensive survey of electronic and time-saving gadgets and devices, their evolution and genealogy, revealing where they come from, and how they are developed. In charting the diverse spectrum of gizmos by type and purpose, it uncovers the sometimes unexpected connections between them. Finally, we discover how these technologies have become the nexus of our interaction with each other and the world around us, shaping creativity and culture, storing memories, helping, guiding and, increasingly, thinking for us.

Monografie. Nejde o katalog výstavy, ale o bilanci života a díla člověka, který většinu svého času po ukončení vysoké školy věnoval práci pro Plzeň a Plzeňský kraj. O tom všem pojednává na třech stech dvaceti stranách kniha plná ukázek jeho tvorby od mládí až po současnost. V textech této knihy, kterou napsal Josef Mištera naleznete klíč k jeho osobnosti a dílu. Realizaci knihy inicioval Rostislav Vaněk, který ji vizuálně koncipoval, vybral obrazové přílohy a vytvořil její překrásný design.

Traces the intellectual history of cinema's aspiration to create a universal language, examining how this vision has been articulated in both writings and films. Celluloid Babel offers a transnational intellectual history of cinema's quest for universal language, unfolding through both writings and films. Today, algorithms and data-collection systems play a significant role in predicting the viewer's preferences and suggesting content specifically tailored to their particular interests. However, this promise of on-demand personalized media is markedly different from the promise outlined in cinema's initial promotional discourse, which celebrated the medium’s ability to appeal to a universal audience. Instead of targeting fragmented audiences, cinema was supposed to captivate and engage everyone all at once, regardless of social station, educational level, or national affiliation. The aspiration for a universal language left an indelible mark on film history, yet despite its significance, the history and theory behind it remain largely unexplored. Celluloid Babel illuminates a pivotal chapter in early film theory and establishes it as the inaugural paradigm of thought on cinema’s nature. By exploring this pursuit, the book reveals the forgotten utopian potential of mass media and uncovers complex correlations among political ideals, aesthetic preferences, material conditions, modes of spectatorship, and governance.

This is a sophisticated interior design book that delves into the artistry of luxurious living spaces crafted by renowned designers. The book showcases a stunning collection of homes that exemplify masterful design, blending elegance, comfort, and innovation. Each featured space highlights the creative vision of design experts who elevate everyday interiors into extraordinary environments. From modern minimalist apartments to opulent estates, High on Living Masters of Style explores diverse styles, offering readers a glimpse into how top designers incorporate high-end materials, bespoke furniture, and meticulous attention to detail. The book also provides insights into the design process, revealing how balance, proportion, and texture are used to create spaces that exude sophistication while remaining livable. Perfect for design enthusiasts and professionals alike, Masters of Style serves as both inspiration and a resource for those seeking to bring a touch of refined style into their own homes, celebrating timeless design with modern flair.

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. This film-by-film photography book on film noir and neo-noir begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive. Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre's most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.

Unfolds the central importance of broken hospitality in the director's work. Hitchcock and Hospitality argues that the violation of hospitality is a driving force behind Alfred Hitchcock's work. From his television hosting to his cameo appearances to the premises of his stories, the Master of Suspense stages a crisis of authority over access to physical and virtual space. Using the familiarity of his work to make a larger contribution to both film and critical theory, this book engages the French tradition of theorizing hospitality with a keen eye for its feminist implications. But the House of Hitchcock unsettles the scene of hospitality further, down to its hold on the organization of social space. Reading for hospitality not just in grand estates and humble cottages but in cars and trains, motels and apartments, and other mobile and transient spaces—including the virtual space of film itself—Hitchcock and Hospitality tracks the drama of modern social exchange and unfolds the central importance of broken hospitality in the director's work. Films considered intensively include the familiar (Rebecca, Rope, Vertigo, North by Northwest, The Birds, and Marnie) as well as those that have received less critical attention (Mr. & Mrs. Smith, Saboteur, Lifeboat, and Dial M for Murder). The book also touches on many other Hitchcock films and on key episodes of Alfred Hitchcock Presents.

These photographs of once top-secret institutes reveal both fantastical and futuristic technology, alongside crumbling and decrepit facilities, forming a unique document of the condition and situation of scientific research in the post-Soviet landscape. In Soviet Scientific Institutes photographer Eric Lusito takes us on a journey through time, space and science. Gigantic control panels, monumental telescopes, inexplicable machinery - the facilities he documents might be found in comic book and graphic novel fantasies or the science fiction of Jules Verne and H.G. Wells. But why were these institutes built and what purposes do they serve today? The Soviets promoted science as a utopian ideal to replace religion and rapidly modernise the country. 'Big science' projects, primarily for Cold War military purposes, involved thousands of researchers working in complete secrecy. In the 1990s, after the collapse of the Soviet Union, many institutes were left destitute, their sophisticated technology condemned to extinction. But some scientists persevered, adapting to the new landscape. Today, defying the odds, they persist - even in wartime - to continue their work. Lusito gained unique access to sites across former republics and satellites of the USSR - from a cosmic ray research centre in the remote Armenian mountains, to one of the world's largest radars located in Ukraine, which locals believed to be a climate-altering weapon. The first visual account of this once closed world, this awe-inspiring publication bears witness to our never-ending quest for knowledge.

The visual dialogue between two maitre couturiers featuring the best creations of Azzedine Alaia and Christian Dior It was in Tunisia, when he was still a teenager, that the young Ala?a first discovered the creations of Christian Dior through fashion magazines made available to him by Madame Pinault. In 1956, on his arrival in Paris, he undertook a brief four-day internship with the great couturier, whom he had always admired. During this time, he immersed himself in the unique atmosphere of a fashion house, observed the work of the head of the atelier, and witnessed the creation of a collection... This seminal experience would be spoken of with emotion for many years to come. The book Azzedine Alaia and Christian Dior: Two Masters of Couture offers a dialogue between Azzedine Alaia's models and those that the couturier patiently collected from Christian Dior. It highlights concepts of style and creation that, despite being separated by several decades, respond to, unite or confront each other, bearing witness to a shared sensibility over time.

* Exclusive photographic portrayal of the world's most spectacular Porsche routes and iconic sites, spanning the Alps to California * A lifestyle photo book that fuses the yearning for freedom and driving pleasure with evocative imagery and expert knowledge * A design masterpiece for discerning Porsche fans, offering a stylish homage to the enduring Porsche mythos Porsche Escapes is an exclusive photographic journey that celebrates Porsche not merely as a car, but as a lifestyle. Authored by Derk Hoberg, former member of the editorial board of Porsche Club Germany magazine, the book takes readers on a visual tour of the most breathtaking routes, legendary locations, and signature events that define the Porsche experience. From the majestic Alpine passes such as the Großglockner High Alpine Road to the legendary Nürburgring "Green Hell" and the stunning coastal roads of California, this volume combines emotive imagery with expert insight. More than a premium coffee table book, Porsche Escapes serves as a source of inspiration for Porsche enthusiasts seeking to elegantly express their passion within their living spaces.

Beautifully produced monograph of the contemporary Japanese artist Chiharu Shiota, whose immersive thread-based installations have drawn crowds across the globe. This beautifully produced clothbound monograph offers a striking visual and critical exploration of the work of Chiharu Shiota (b. 1972, Osaka), the acclaimed Japanese artist known for her immersive, thread-based installations. These poetic environments - woven from vast networks of red, black or white yarn - have captivated audiences around the world, evoking themes of memory, absence and the body. Featuring a newly commissioned essay by Yung Ma and an in-depth interview with the artist, the book presents previously unpublished photographs of recent works, including a compelling series of intricate drawings. At once intimate and expansive, this volume provides fresh insight into one of the most resonant and distinctive voices in contemporary art.

'For decades Philip Sharkey modestly ruled the London roost of passport and visa photography: the greatest, most trusted and admired practitioner in the field. Those lucky enough to have come before Philip’s lens always left feeling that we had participated in a ritual that elevated us to a special kind of club. This wonderfully produced memoir vividly brings back to life a vanished time in the capital. Delicious.’ – Stephen Fry A never-before-seen archive of 300 celebrity portraits from London’s iconic Passport Photo Service, where actors, writers, musicians, athletes, and other famous faces posed for their travel document photographs Since opening its doors in 1953, Passport Photo Service, an unassuming studio on Oxford Street in London, photographed thousands of people for passports, visas, and green cards – and some of them just happened to be famous. It was a family affair run by professional boxer turned photographer Dave Sharkey, his wife, Ann, and, eventually, their son Philip. Conveniently located near the US embassy and directly opposite the department store Selfridges, Passport Photo Service became the go-to place for passport photos thanks to word-of-mouth and its 'Ready in 10 Minutes' slogan, offering instant service before anyone else in the city was able to provide such a quick turnaround. This charming book is a collection of more than 300 never-before-published portraits taken over the course of six decades, including actors, writers, musicians, politicians, athletes, and more. Organized loosely alphabetically, Passport Photo Service includes such famous faces as Muhammad Ali, Shirley Bassey, Eric Clapton, John Cleese, Joan Collins, Sean Connery, Anton Corbijn, Tim Curry, Daniel Day-Lewis, Michelle Dockery, Stefan Edberg, Mia Farrow, Tom Ford, Stephen Fry, Ava Gardner, J. Paul Getty, Althea Gibson, Chrissie Hynde, Mick Jagger, Angelina Jolie, Chaka Khan, Little Richard, Madonna, Rami Malek, Stella McCartney, George Michael, Carey Mulligan, Bill Murray, Peter O’Toole, Alan Rickman, Paul Robeson, Ringo Starr, Tilda Swinton, Shania Twain, Valentino, Gene Wilder, Kate Winslet, and Natalie Wood, among many others. More than one hundred of the portraits are accompanied by anecdotes and amusing stories, written by Philip Sharkey. Among his memories: The first celebrity to use their services, Errol Flynn, pushed open the door and, hands on hips, boomed, 'Yep, it’s me.' Muhammad Ali’s picture was taken on his way to the DRC (formerly Zaire) to fight George Foreman in the famous Rumble in the Jungle match. Sharkey’s uncle Peter suggested that perhaps Bianca Jagger remove her large hat for her photo, as the government might not accept the picture. She responded, 'They will for me.' She didn’t come back for a retake. In his introduction, which tells a brief history of his family’s business, Sharkey declares, 'One thing is for sure, whoever we photographed, famous or not – we treated them all with the same care and respect. In that moment, when the flash goes off, your passport photo becomes a great leveler.' Perfect for the photo historian, London nostalgic, or celebrity buff, Passport Photo Service’s design is an homage to the art of the passport, as well as the studio’s photo wallets that held developed prints, complete with a leatherette cover and a smart red stamp. Filled with a wonderfully eclectic assortment of subjects, this book is a breath of fresh air in the age of tightly controlled imagery. This volume charismatically yet emphatically celebrates the importance of vernacular photography and the story of a family-run business, revealing how images even made for travel documents can still be powerful portraits.