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In 1997, as George Lucas worked to complete the script for what would become Star Wars Episode I: The Phantom Menace, he enlisted the talents of some of the greatest storyboard artists of the modern era; Peter Chang, Benton Jew, Jay Shuster, Ian McCaig, Ryan Kaful, Terryl Whitlatch and Ed Natividad, to complete conceptual storyboards that would inform the development of the final shooting script, as well as the finished film. Working from Lucas's ideas for scenes and sequences, these artists produced beautiful drawings that helped lay the foundations for the worlds, characters, shots and sequences of the Star Wars Prequel Trilogy. For Episode II: Attack of the Clones and Episode III: Revenge of the Sith, Lucas again turned to this approach, working with conceptual storyboard artists Warren Drummond, Kirk Henderson, and Ian McCaig (Episode II), and Iain McCaig and Derrick Thompson (Episode III) during preproduction to tease out story germs and inspire the screenwriting process. Together, these conceptual storyboards show early takes on favorite scenes, alternate, unused approaches to character designs and environments and entirely different approaches to key moments; more than 80 percent of these storyboards offer an intriguing `what if?` view on alternate directions the Prequel Trilogy could have taken; like silent comic books, they have an energy and rhythm all their own that is fascinating to explore. Now, for the first time, Lucasfilm has opened its archives to present the complete conceptual storyboards for Episodes I, II, and III. Starting with Episode I, Star Wars Storyboards: The Prequel Trilogy collects the conceptual storyboards for all three films together in one striking volume, along with relevant excerpts from early drafts and shooting scripts, to provide context for these pre-visual guides which are, in their own right, stunning, action-and-adventure-packed images.

Every script, every episode of the innovative, hilarious, and absurd "Monty Python's Flying Circus," one of the most influential television series of all time, is include here, plus hundreds of annotations, behind-the-scenes stories, interviews, and more, as well as photographs, drawings, and Terry Gilliam's iconic artwork. "Monty Python's Flying Circus" is one of the most popular, important and oft-quoted comedy series of all time. Python's influence on comedy has been compared to the Beatles' influence on music. This landmark work collects the complete scripts for every one of the 45 episodes of "Flying Circus" every silly setup, every clever conceit, every snide insult, and ever saucy aside from these classic skits, including "The Ministry of Silly Walks," "The Dead Parrot," "Banter in the Cheese Shop," "Spam, the Funniest Joke in the World," "The Spanish Inquisition," "The Argument Clinic," "The Fish-Slapping Dance," "The Lumberjack Song," and all the rest. Every script is thoroughly annotated with notes that cover the plethora of cultural, historical, and topical references touched upon in each sketch. Sidebars and commentary throughout include profiles of the principles -- Graham Chapman, Eric Idle, Terry Jones, Michael Palin, Terry Gilliam, and John Cleese -- and interviews with the cast and crew; fascinating facts about technical concerns, set design, and shooting locations; insider stores from on and off the set, including arguments, accidents, and practical jokes; goofs and gaffes; and much more. Also included are thousands of stills and artwork from the shows.

Picasso called Dalí "an outboard motor that’s always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century’s greatest exhibitionists and eccentrics—and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freudand psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This publication presents the entire painted oeuvre of Salvador Dalí. After many years of research, Robert Descharnes and Gilles Néret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years—in fact so many that almost half the illustrations in this book had rarely been seen.

V knize, která vychází k 60 letům televizního vysílání, si každý najde svůj idol. Ať už mezi herci a herečkami, seriály či večerníčky, zpěváky a hudebníky, mistry slova nebo těmi, co stáli v pozadí za kamerou. Televize znamená defilé populárních osobností a v této knize najdete čtivé medailonky k mnoha z nich.. Deset pamětníků televizní historie poskytlo speciálně pro tuto knihu svá svědectví a připojili vlastnoruční podpisy. Jak se „třemi chlapy v chalupě“ – Lubomírem Lipským, Janem Skopečkem a Ladislavem Trojanem – cloumala nevídaná popularita, dokonce nabídky k sňatkům? Jak prožívala „Vlaštovka“ Olga Čuříková v televizi srpen 1968? A jak se dnes daří první programové televizní hlasatelce Jarmile Šusterové? S jakými herci si nejvíce užil kameraman Vladimír Opletal? Jak se z režiséra Františka Poláka stal Louis Armstrong? Co v dnešním televizním vysílání chybí Pavlíně Filipovské a jak její tatínek František Filipovský vzpomínal na první den televizního vysílání v Československu? Kdy se ze swingového zpěváka Josefa Zímy stal král české lidovky? A jak se Jana Štěpánková cítila v Takové normální rodince a jak jako lékařka v Nemocnici na kraji města? S předmluvou generálního ředitele České televize Petra Dvořáka!

Černá komedie o touze po moci. Příběh vůdce, podmanivé drama, ironie, při které mrazí. V nehostinném lesním prostředí žijí odvážní muži. Jeden druhému stojí věrně po boku ve chvílích bojů i v období zdánlivého klidu zbraní. Nepochybují o důležitosti úkolů, jež před nimi stojí, a spolehlivě plní rozkazy svého vůdce. Překáží-li v cestě jejich cílům nerozhodnost a slabost velitele, nastává čas jej vystřídat. K vedení skupiny je nutné dosadit člověka schopnějšího a způsob, jakým bude výměna provedena, nemusí být zcela čistý. Tak začíná příběh partyzána, který dokázal dokončit „velký úkol“ a tím získat neomezenou moc nad nejmenovaným územím. Příběh nového vůdce jménem Lorenz. Po vítězstvích a oslavách čeká vladaře koloběh všedních dní a s ním nekonečné strádání. Politické hry totiž bojovníka nemohou uspokojovat. Situace je vážná. Nastal snad čas diktátora sesadit? Ve způsobu vyprávění tohoto podmanivého dramatu je patrná ironie, která bude čtenáře místy silně mrazit.

The Book of Sith compiles six texts detailing the lost secrets of the Dark Side, by six Sith masters: an ancient journal by Sorzus Syn, a war journal by Darth Malgus, Rule of Two by Darth Bane, Wild Power by Mother Talzin, a scientific journal by Darth Plagueis, and Absolute Power by Darth Sidious. Like Jedi Path, The Book of Sith will include annotations by the famous students of the force, including Luke, Yoda, Vader and others.

"Cherish "is the Madonna Icon-ography a collection of more than 150 photographs alongside a lively commentary, in tribute to every key and unforgettable moment of Madonna's life and career. Timeless and timely, this rich mosaic allows readers to experience the making of 'Her Madgestry' from the very beginning. Self-confessed fan David Foy explores all in this comprehensive collector's biography the cleverly navigated controversies, the experimental film forays, the groundbreaking moments that redefined a genre taking the reader right up to the release of Madonna's critically acclaimed number one album, MDNA. Madonna is well known as the world's top-selling female recording artist of all time. For her fans, "Cherish "will redefine Madonna as the history of women in music.

Be inspired by Igigi's unique textures and natural palette to create your own haven of calm Zoe Ellison and Alex Legendre have created a beautiful shopping and interiors experience with their unique store i gigi - a haven of beautiful gifts and unique pieces for your home. The muted, earthy colour palette is chic and modern and yet utterly timeless, allowing their pieces to fit seamlessly into any home. In this, their first book, they share their secrets and open their hearts as they describe the journey they have taken, what makes them tick, their philosophy, their friendship, their inspirations, ideas and interiors. i gigi is a destination store, selling the idea of a beautiful yet practical and achievable lifestyle. Their interiors feature reclaimed and revamped pieces and rooms that have been created on a shoestring. With stunning photography throughout, this is a truly fascinating look into their world.

Human (and) nature. Epic journeys to the ends of the earth: Salgado's opus on our planet in its natural state. On a very fortuitous day in 1970, 26-year-old Sebastiao Salgado held a camera for the first time. When he looked through the viewfinder, he had an epiphany: suddenly life made sense. From that day onward - though it took years of hard work before he had the experience to earn his living as a photographer - the camera became his tool for interacting with the world. Salgado, who "always preferred the chiaroscuro palette of black-and-white images," shot very little color in his early career before giving it up completely. Having been raised on a rural farm in Brazil, far from civilization and without television, Salgado possessed a deep love and respect for nature; he was also particularly sensitive to the ways in which human beings are affected by their often devastating socio-economic conditions. Of the myriad works Salgado has produced in his esteemed career, three long-term projects stand out: "Workers" (1993), documenting the vanishing way of life of manual laborers across the world, "Migrations" (2000), a tribute to mass migration driven by hunger, natural disasters, environmental degradation and demographic pressure, and this new opus, "Genesis", the result of an epic eight-year expedition to rediscover the mountains, deserts and oceans, the animals and peoples that have so far escaped the imprint of modern society - the land and life of a still-pristine planet. "Some 46 per cent of the planet is still as it was in the time of genesis," Salgado reminds us. "We must preserve what exists." The Genesis project, along with Salgado's Instituto Terra, are dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. Over 32 trips - traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions - Salgado created a collection of images showing us nature, animals, and indigenous peoples in such shocking and intense beauty as to take one's breath away. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black and white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de la Tour. On the earth is instilled a glistening, textured fabric so intricate in its weave that even the most finite details seem to extend to infinity. What does one discover in "Genesis"? The ancient animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Kurowai people of West Papua; nimadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska...and beyond. Having gone, quite literally in some cases, where no man has gone before, and having spent so much time, energy, and passion dedicated to the making of this work, Salgado likens "Genesis" to "my love letter to the planet."

Objevte s touto inovativní knížkou kouzlo černé a bílé barvy a naučte se zajímavým technikám stínování!Všechny postupy jistě snadno zvládnete a brzy zjistíte, že stínování tužkou není tak obtížné - že je vlastně snadné! A navíc je i zábavné! Tužka se vám změní v kouzelný proutek, jehož mávnutím se na papíře začnou objevovat domácí i cizokrajná zvířata. Nechte se obyčejnou tužkou zavést do magického černobílého světa! Výsledek své umělecké tvorby si pak můžete zarámovat a pověsit na stěnu!

Objevte s touto inovativní knížkou kouzlo černé a bílé barvy a naučte se zajímavým technikám stínování!Všechny postupy jistě snadno zvládnete a brzy zjistíte, že stínování tužkou není tak obtížné - že je vlastně snadné! A navíc je i zábavné! Tužka se vám změní v kouzelný proutek, jehož mávnutím se na papíře začnou objevovat domácí i cizokrajná zvířata. Nechte se obyčejnou tužkou zavést do magického černobílého světa! Výsledek své umělecké tvorby si pak můžete zarámovat a pověsit na stěnu!

Edícia Osobnosti slovenskej fotografie prináša portréty známych i verejnosti menej známych osobností slovenských fotografov v spolupráci troch kultúrnych inštitúcií Slovenskej národnej galérie v Bratislave, Vydavateľstva SLOVART a občianskeho združenia Photoport, subjektov, ktoré sa venujú podpore umenia a kultúry. Autori Filip Vančo a Aurel Hrabušický na základe výskumov pozostalostí a archívov našich fotografov sa rozhodli zmapovať biele miesta v histórii slovenskej fotografie a chcú priblížiť príbehy jednotlivých fotografov a najmä predstaviť ich tvorbu verejnosti. Anton Podstraský (1939 – 2007), fotograf dokumentarista. Začínal ako fotograf vo filmovom štúdiu Slovenského filmu v Bratislave a od osemdesiatych rokov 20. storočia sa živil príležitostnými zamestnaniami a uverejňovaním svojich fotografií v tlači. Ako jeden z mála slovenských fotografov nielenže zachytil „reálny socializmus“ objektívom svojho fotoaparátu, ale jeho snímky aj uverejňovali. Publikácia autorov Filipa Vanču a Aurela Hrabušického predstavuje výber z tvorby fotografa, ktorý sa zameral na dokumentovanie bežného života s osobitným dôrazom na postavy z prostredia spoločenského „subštandardu“. Možno práve preto ich dobová tlač aj zverejňovala, často ako obrazovú prílohu článkov s problematickými ľudskými vzťahmi.

Edícia Osobnosti slovenskej fotografie prináša portréty známych i verejnosti menej známych osobností slovenských fotografov v spolupráci troch kultúrnych inštitúcií Slovenskej národnej galérie v Bratislave, Vydavateľstva SLOVART a občianskeho združenia Photoport, subjektov, ktoré sa venujú podpore umenia a kultúry. Autori Filip Vančo a Aurel Hrabušický na základe výskumov pozostalostí a archívov našich fotografov sa rozhodli zmapovať biele miesta v histórii slovenskej fotografie a chcú priblížiť príbehy jednotlivých fotografov a najmä predstaviť ich tvorbu verejnosti. Publikácia Viliam Malík autorov Filipa Vanču a Aurela Hrabušického predstavuje v rámci edície Osobnosti slovenskej fotografie jedného z najvýznamnejších predstaviteľov modernej fotografie na Slovensku v prvej polovici 20. storočia. Viliam Malík začínal ako fotograf amatér, ale vďaka svojim organizačným schopnostiach zastával aj rôzne funkcie v združeniach a zväzoch fotografov amatérov. Zanechal za sebou rozsiahle fotografické dielo, na základe ktorého ho môžeme označiť za priekopníka modernej dokumentárnej aj reportážnej fotografie. Na jeho tvorbe možno názorne dokumentovať prechod od statickej fotografie k modernej dynamickej reportáži. Výber fotografií v publikácii toto konštatovanie potvrdzuje.

The Sith have existed in the galaxy for centuries, lurking, waiting for their chance to seize control. In his quest for domination, Darth Sidious tracked down five pivotal Sith texts written by his most powerful predecessors. Then, drawing on the knowledge within the compiled pages, he wrote a sixth text - his own manifesto. Together, these documents shed light on the philosophy, achievements, and failures of the Sith Order.

From cave painting to aboriginal body art--the first tattoos--and from statues to masks, this volume covers the spectrum of tribal art and sets misconceptions straight. Gauguin, Picasso, and Giacometti were inspired by it--but what exactly is tribal art? Exposing old cliches and outdated ideas, this clearly written and vividly illustrated volume explains the art form's key concepts--from the basics of material and form, to underlying beliefs--and takes the reader through its history, geography, and techniques, from the bright blue statues of the Solomon Islands to pre-Colombian abstract feather artwork. A section on the artists and movements inspired by tribal art attests to its lasting influence, while an illustrated list of the world's thirty most significant works of tribal art allows the reader to discover their impact firsthand. A glossary of terms, a list of where to see tribal art, and a chronology of major ethnological expeditions and exhibitions complete this indispensable guide to the world's oldest art form.

Protection has always been the most genuine function of architecture. In the context of global warming one of the most needed type of protection is from and against the sun. This necessity has led to an impressive creative outburst of amazing technology.

This title includes highlights from the legendary photo journal. Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary, far ahead of his time. Around the turn of the 20th century he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing "Camera Work", an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. "Camera Work" was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together a broad selection from the journal's 50 issues.

This title includes highlights from the legendary photo journal. Photographer, writer, publisher, and curator Alfred Stieglitz (1864-1946) was a visionary, far ahead of his time. Around the turn of the 20th century he founded the Photo-Secession, a progressive movement concerned with advancing the creative possibilities of photography, and by 1903 began publishing "Camera Work", an avant-garde magazine devoted to voicing the ideas, both in images and words, of the Photo-Secession. "Camera Work" was the first photo journal whose focus was visual, rather than technical, and its illustrations were of the highest quality hand-pulled photogravure printed on Japanese tissue. This book brings together a broad selection from the journal's 50 issues.

Icon of the nouvelle vague. This title looks at Truffaut's rejection of traditional cinema. From "The 400 Blows to Jules and Jim" to "The Last Metro", Francois Truffaut (1932-1984) practically defined the French cinema of his era and was one of the founders of the New Wave which took the industry by storm in the late 1950s. His endlessly touching and romantic films - always tinged by a touch of reflective sadness - made him one of France's favorite and most successful directors. This book traces Truffaut's career and includes rare images drawn from his archives.