Najpredávanejšie - Bestsellery - Umenie strana 212 z 500

Norman Foster. Networks offers a rare first-person insight into the ideas, influences, and connections that have shaped one of the world’s greatest architects. Penned and curated by Foster himself, it brings together eight immersive essays in which he explores architecture not as a professional pursuit, but a nexus of passions, disciplines, and lived experience. In Roots, Foster examines his modest start in Manchester alongside his lifelong fascination with aviation, tracing the formative threads that underpin his work. Flight emerges as both obsession and metaphor, informing his pursuit of lightness, efficiency, and technical elegance. His deep attachment to the Alpine landscape?where he lives in a self-designed home of the future?reveals how place, climate, and topography continue to shape his thinking. Nature, Art, and Making are explored as essential creative partners to his architectural practice. The essays on Place and Cities widen the lens, considering memory, identity, and civic life, and how buildings collectively shape the public realm. Illustrated with nearly 1,000 photographs, sketches, artworks, film stills, and other cultural references, this extraordinary book is both a visual atlas and an intellectual framework?a self-exploration of the thinking behind such iconic works as Apple Park in Cupertino, the Reichstag in Berlin, the British Museum’s Great Court in London, the Millau Viaduct in France, and the Zayed National Museum in Abu Dhabi. It brings into focus the ideas, curiosities, and connections that define this colossus of modern architecture.

Few devotees of the form can approach Rembrandt Harmenszoon van Rijn's radical contributions to self-portraiture. Challenging the conventions enshrined by his predecessors, Rembrandt transformed the art into a fully realized medium capable of communicating emotional depth rather than favorably immortalizing one's likeness in the finest trappings of luxury. With more than 80 works spanning paintings, etchings, and drawings, the Dutchman's lifelong practice of self-portraiture functions as a means of concretizing that which is fleeting. Across four decades, one constant is particularly striking across media and styles-Rembrandt's dedication to presenting himself from multiple perspectives, celebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression. Apart from the thematic concerns present within Rembrandt's suite of self-portraits, the works themselves are rich with technical innovation and experimentation. There is an unmistakable humanity present across the entirety of this oeuvre, each expressive brushstroke and obfuscated feature amounting to an unflinchingly honest characterization of himself, in all his foibles, contrasting states of feeling, and stages of life. This monograph renders all of Rembrandt's self-portraits - from his first experimentations at age twenty-two to his final self-portrait painted a year before his death - and stands testament to a life committed to revolutionizing painterly practice both in content and form.

An immersion into the vibrant world of Harry Gruyaert's New York. For over fifty years, Harry Gruyaert has wandered New York City's streets, capturing its dazzling contrasts - from towering skylines and neon-lit diners to multicultural neighbourhoods and fleeting street scenes. Designed as a large-format visual album, this book presents each photograph across a double-page spread, evoking the rhythm and energy of a cinematic storyboard. Accompanying this striking visual journey are fictional vignettes by acclaimed filmmaker Cédric Klapisch, blurring the lines between reality and imagination. A city of endless spectacle, New York becomes a global stage in Gruyaert's hands - alive with drama, diversity and colour.

A House in Japan explores the home as a space where ideas of dwelling are constantly reimagined. In a culture shaped by precision and restraint, domestic projects become sites of quiet experimentation. These houses privilege clarity over excess, intent over display. Rigorous yet flexible, they adapt to daily rhythms while proposing fresh ways of living. The book reveals how Japanese homes, understated yet radical, show that even the everyday can be transformed into something unexpected.

Surf Shacks Vol. 3 continues the cult-favorite series with a fresh lineup of creative surfers and the eclectic spaces they call home. From breezy cabins in California and artist-built hideaways in Hawaii to design-forward retreats in Portugal and Panama, the book captures how surf culture finds expression far beyond the break. This third volume expands the horizon by spotlighting not only the individuals who live by the tide but also the designers and builders shaping the next generation of surf-centric living. With its signature mix of visual storytelling, intimate portraits, and cultural resonance, Surf Shacks Vol. 3 is both a celebration and an evolution--tracing the lifestyle at the intersection of creativity, community, and coastal architecture.

28 pull-out posters of floral masterpieces to hang on your walls. From Monet's Waterlilies and Klimt's Flower Garden, to Cassatt's Lilacs in a Window and Hiroshige's Hibiscus, The Art of Flowers features 28 of art history's most iconic floral paintings, ready to be hung, stuck or pinned to your walls. Compiled in an easy-glide, pull-out format, this large-format poster book features quality, affordable, and beautiful artworks in a standard frame size.

In the films of legendary Soviet director Andrei Tarkovsky, images of visually striking and mysterious animals serve as powerful symbols, marvels, and metaphors, from nomadic dogs to rolling horses and soaring birds. Yet Tarkovsky's hauntingly beautiful depictions of animals exist in suspended tension with his often grisly portrayals of animal cruelty – exemplified by the cow he set on fire while making his second feature film Andrei Rublev. These disturbing moments challenge viewers' perceptions of Tarkovsky's morality and complicate his films' refined artistry. And the Cow Burned is a dynamic interdisciplinary study of Tarkovsky's filmography that draws on insights from animal studies, ethical philosophy, and film theory. Through focused case studies centered on different animals, De Luca posits that Tarkovsky's body of work serves as a canvas for animal philosophy, exposing contradictions inherent in human-animal relationships while raising questions about agency, ethics, and power. Readers are invited to engage with the ethical ramifications of Tarkovsky's depictions and understand these animals as real beings whose experiences are fundamentally woven into his moral and aesthetic considerations. And the Cow Burned challenges us to rethink the connections between animals and humans, encouraging a fresh perspective on the paradoxical exchanges that shape our interactions and paving the way for new interpretations in the future.

The first book to chart the unprecedented history of Nike's iconic football boots, from the evolution of their design to the legendary stars who have worn them Football (or soccer) is surrounded by a particular mythology. As the world's most popular sport, its players and iconic performances have become part of public consciousness - and so have the boots that footballers wear. Nike Football Boots charts the history of the brand's football journey, from the all-black leather boots introduced in the early 70s - the first of any shoe to feature the famous swoosh - to the present day, through four key product lines that encapsulate Nike's design ethos: Tiempo, Mercurial, Total 90, and Phantom. Along the way, readers will discover stories behind the boots worn by football's greatest names, including Brazilian striker Ronaldo, Portuguese phenom Cristiano Ronaldo, US Women's National Team star Megan Rapinoe, and emerging French icon Kylian Mbappé, among others. Lavishly illustrated with 500 images, Nike Football Boots showcases boot close-ups, on-feet shots, concepts, posters and advertising, film screenshots, material swatches, sketches, prototypes and ephemera from the Department of Nike Archives (DNA). A 12-page glossy insert displays every model of boot highlighted in the DNA, from 1971 to today. This visual homage to the sport is also an engaging read: celebrated author Caleb Azumah Nelson sets the scene for each chapter, discussing how the culture and style of the decade influenced each boot's design, while historian Thomas Turner delves deep into the technical innovations that made each boot so successful. An introduction by curator Eleanor Watson puts football design more globally into context. Perfectly timed with the kick-off of the 2026 FIFA World Cup, Nike Football Boots is an essential volume for football fans of all stripes.

The updated edition of Ida Lupino, Director: Her Art and Resilience in Times of Transition, an in-depth exploration of Lupino's film and television directing work, provides close readings of the films and TV episodes Lupino directed and accounts for the history of Lupino's reception, continuing into the mid-2020s, in media and film scholarship. The book gives readers a fuller understanding of Lupino's major contribution to the history of American cinema and media. The revisions update this book, the first on Lupino's directing, to address recent scholarship on Lupino's work and reinforce her abiding relevance for cinephiles and film scholars. It incorporates scholarly and popular culture references to Lupino in the last seven years. Updates include a foreword by writer and film critic Imogen Sara Smith, whose work in film scholarship and the public arena has drawn attention to Lupino and the importance of gender to film noir. Authors Therese Grisham and Julie Grossman have added a complete list of the TV episodes Lupino directed in the 1950s and '60s, as well as an updated epilogue. This new edition addresses how our views of Lupino's innovative cinema and her prodigious contributions to classic television have been taken up by others, proving that Lupino, whose reputation has waxed and waned since the middle of the twentieth century, is here to stay as a major figure in the history of American media.

Diverse Perspectives: Featuring different renowned photographers, the book offers a unique collection of diverse styles and viewpoints, capturing the multifaceted essence of Tokyo Authentic Urban Storytelling: The street photography focuses on candid, unscripted moments, offering an intimate look at Tokyo's everyday life, blending traditional elements with modern urbanity Visual Exploration of Tokyo's Culture: Through stunning imagery, the book provides a visual deep dive into the rich and contrasting cultural layers of Tokyo This book presents the dynamic essence of Tokyo through street photography, curated from the distinctive perspectives of different photographers. Their images capture the city's vibrant culture, fleeting moments, and contrasting layers — offering an intimate and multifaceted exploration of urban life in one of the world's most visually compelling cities. Aimed at all fans of Japan, photography enthusiasts, art lovers, cultural explorers, and collectors, the book appeals to anyone fascinated by Tokyo, Japanese aesthetics, or contemporary street photography. Now is Now Tokyo presents the How is How of Tokyo's street photography, finally in one volume. You have never seen the capital of Japan so diverse, so different.

“Welcome to the Golden Age of Women-Directed Horror.” Over the last fifteen years, there has been a sustained global influx of women artists working in mainstream and independent horror cinemas earning notable public and industry acclaim. As a result, now, for the first time in horror history, there is also a concentrated corpus of films that explicitly address topics of identity, sexuality, trauma, and monstrosity from women’s perspectives. No More Chainsaws offers an in-depth analysis of some of the earliest and underrated releases within this New Wave of Women’s Horror cinema: Catherine Hardwicke’sTwilight (2008), Karyn Kusama’s Jennifer’s Body (2009), Jennifer and Sylvia Soska’s American Mary (2012), and Kimberly Peirce’s Carrie (2013). No More Chainsaws articulates the ways in which these contemporary films attempt to liberate horror from an over-determining gendered lexicon of violence and terror.

Explore the world of Pandora in this lavishly illustrated pop-up book by world-renowned paper engineer Matthew Reinhart and celebrate the alien and beautiful biomes and Na’vi Clans of the beloved Avatar films!From the land to the air to the sea and beyond, this stunning pop-up book delves into the world of Pandora and the Na’vi clans in a never-before-seen exploration of the moon in stunning 3D. Filled with flora and fauna—from the smallest Woodsprite to the massive Tulkun—this journey adds to the extraordinary three-dimensional exploration of the clans, the ecosystems, and the habitats of the incredible world of Pandora. With all-new, original art pulling from all three films, including the upcoming Avatar: Fire and Ash, this book is a must-have for fans of the James Cameron film franchise. ENCHANTING ENCOUNTER WITH PANDORA: Explore Pandora like never before, traveling from the rainforests of The Omatikaya to the Hallelujah Mountains to Awa’atlu with the visually stunning creatures of the universe, including Viperwolves, The Great Leonopteryx, and fan-favorite Payakan the Tulkun. DISCOVER THE WORLD OF AVATAR: Through pops and tabs throughout the book, readers will learn about the Na’vi clans, indigenous creatures, and discover the tiniest of details that bring these fantastical films to life.

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith’s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life. In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film culture and the notion that films can be works of art. Some critics tried to set aside the film’s racism and concentrate on the form, while others tried to relegate that racism safely to the past. McEwan argues that from the earliest film retrospectives in the 1920s to the rise of remix culture in the present day, controversies about this film and its meaning have profoundly shaped our understandings of film, race, and art.

Great Scott! Return to Hill Valley alongside Doc Brown and Marty McFly and celebrate the film's 40th anniversary with complete look at the creation and legacy of this beloved franchise. Back to the Future: The Ultimate Visual History Revised and Expanded Edition takes readers on an incredible journey through the creation of this pop culture phenomenon. Featuring exclusive behind-the-scenes content and rare production art, this book is a wealth of visual treasures from the making of the films. The revised and expanded 40th anniversary edition included new features and exclusive interviews with cast and crew, including Michael J. Fox, Christopher Lloyd, Bob Gale, and many more, making this comprehensive volume the perfect gift for Back to the Future fans everywhere.

A multiauthored portrait of the Swiss open-air museum documenting centuries of historic homes and the enchanting details of vernacular architecture Founded in 1978, Ballenberg is a legendary Swiss open-air architectural museum that gathers more than 100 residential and agricultural buildings from the 14th to the 19th centuries, from almost all of the cantons of Switzerland, which have been transported to the museum from their original sites. Together these buildings show how architecture, furnishings and tools expressed the needs of everyday life in their design and execution. Traditional handicrafts such as basket-weaving, forging, braiding, spinning, weaving and carving are also kept alive in Ballenberg's on-site workshops. Edited by Rolf Fehlbaum, entrepreneur and long-time driving force behind Vitra, this beautiful publication is an invitation to discover and explore the world of things with fresh eyes. A Way of Life compiles photographs, observations and discoveries made at Ballenberg by the acclaimed designers Jasper Morrison and David Saik and the architect Tsuyoshi Tane, who all share a fascination with the simple, the practical and the functionally beautiful. In concise, elegant writing, Morrison, Saik and Tane comment on the design ingenuities in various features of the buildings. The book’s superb photography celebrates the traces of wear and tear on door handles, benches, columns, brick tile floors and other architectural details that testify to a bygone ethos of enduring utility and economic common sense. A Way of Life serves as an encouragement to designers and consumers alike to resist trends and fads, and to critically evaluate the objects of everyday use in terms of utility and aesthetics.

'For decades Philip Sharkey modestly ruled the London roost of passport and visa photography: the greatest, most trusted and admired practitioner in the field. Those lucky enough to have come before Philip’s lens always left feeling that we had participated in a ritual that elevated us to a special kind of club. This wonderfully produced memoir vividly brings back to life a vanished time in the capital. Delicious.’ – Stephen Fry A never-before-seen archive of 300 celebrity portraits from London’s iconic Passport Photo Service, where actors, writers, musicians, athletes, and other famous faces posed for their travel document photographs Since opening its doors in 1953, Passport Photo Service, an unassuming studio on Oxford Street in London, photographed thousands of people for passports, visas, and green cards – and some of them just happened to be famous. It was a family affair run by professional boxer turned photographer Dave Sharkey, his wife, Ann, and, eventually, their son Philip. Conveniently located near the US embassy and directly opposite the department store Selfridges, Passport Photo Service became the go-to place for passport photos thanks to word-of-mouth and its 'Ready in 10 Minutes' slogan, offering instant service before anyone else in the city was able to provide such a quick turnaround. This charming book is a collection of more than 300 never-before-published portraits taken over the course of six decades, including actors, writers, musicians, politicians, athletes, and more. Organized loosely alphabetically, Passport Photo Service includes such famous faces as Muhammad Ali, Shirley Bassey, Eric Clapton, John Cleese, Joan Collins, Sean Connery, Anton Corbijn, Tim Curry, Daniel Day-Lewis, Michelle Dockery, Stefan Edberg, Mia Farrow, Tom Ford, Stephen Fry, Ava Gardner, J. Paul Getty, Althea Gibson, Chrissie Hynde, Mick Jagger, Angelina Jolie, Chaka Khan, Little Richard, Madonna, Rami Malek, Stella McCartney, George Michael, Carey Mulligan, Bill Murray, Peter O’Toole, Alan Rickman, Paul Robeson, Ringo Starr, Tilda Swinton, Shania Twain, Valentino, Gene Wilder, Kate Winslet, and Natalie Wood, among many others. More than one hundred of the portraits are accompanied by anecdotes and amusing stories, written by Philip Sharkey. Among his memories: The first celebrity to use their services, Errol Flynn, pushed open the door and, hands on hips, boomed, 'Yep, it’s me.' Muhammad Ali’s picture was taken on his way to the DRC (formerly Zaire) to fight George Foreman in the famous Rumble in the Jungle match. Sharkey’s uncle Peter suggested that perhaps Bianca Jagger remove her large hat for her photo, as the government might not accept the picture. She responded, 'They will for me.' She didn’t come back for a retake. In his introduction, which tells a brief history of his family’s business, Sharkey declares, 'One thing is for sure, whoever we photographed, famous or not – we treated them all with the same care and respect. In that moment, when the flash goes off, your passport photo becomes a great leveler.' Perfect for the photo historian, London nostalgic, or celebrity buff, Passport Photo Service’s design is an homage to the art of the passport, as well as the studio’s photo wallets that held developed prints, complete with a leatherette cover and a smart red stamp. Filled with a wonderfully eclectic assortment of subjects, this book is a breath of fresh air in the age of tightly controlled imagery. This volume charismatically yet emphatically celebrates the importance of vernacular photography and the story of a family-run business, revealing how images even made for travel documents can still be powerful portraits.

A long-overdue English translation of Munari's seminal tract on the everyday value of architecture and design education The first ever English translation of Bruno Munari's Design and Visual Communication (1968) fills a gap in Munari's output for the English-speaking world and provides a highly relevant guide to bridging architecture and design education and everyday life. Published in 1968 after Munari was invited to the Carpenter Center at Harvard to teach, the book transforms over 50 lessons, class materials and letters addressed to the city of Milan, into a book on the future of art, architecture and design. Conceived as a living volume, the book is written to inspire current and future designers to push beyond past events, however recent, and develop new tools to see and understand tomorrow's world. Accompanying the facsimile reproduction of the original volume are in-depth contextual annotations by Jeffrey Schnapp. As a Munari scholar and design historian, Schnapp has spent years unearthing the radical potential of critical historical material. His annotations and micro-interventions throughout the facsimile reprint seek to fulfill Munari's call for an evolution of the book in form and content and highlight how this work is as relevant today as when originally published. Bruno Munari (1907-98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art and in nonvisual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

Kto bol v skutočnosti autorom desivých prízrakov z depozitára Galérie mesta Bratislavy? Kniha Marxove príšery prináša sondu do života a doposiaľ málo preskúmanej tvorby bratislavského maliara Bélu Marxa (1885 – 1951). Ukazuje, že kým jeho idylické pohľady na Prešporok sú dobre známe, temné, až surreálne diela spájala odborná literatúra s jeho menom neprávom. Kniha čitateľa sprevádza spoločenským a kultúrnym prostredím mesta po roku 1900. Na pozadí osudov generácie, ktorej životy drvili politické otrasy 20. storočia, ožíva atmosféra trojjazyčného Prešporka. Autorka na základe precízneho archívneho výskumu rekonštruuje Marxovo rodinné zázemie, jeho štúdiá, viedenský a budapeštiansky angažmán, potulky po Slovensku i záverečnú emigráciu do Nemecka. Najväčším objavom knihy je predstavenie „príšer“ – unikátnej kolekcie diel na pomedzí symbolizmu, dekadencie a art brut, ktorých stopa vedie k Bélovmu bratovi Jozefovi. Autorka sa kriticky vyrovnáva s doterajšími biografickými mýtmi a predkladá katalóg diel oboch bratov. #Bratislava, #vytvarnéumenie, #maliarstvo, #medzivojnovéobdobie, #okolo1900

In Cinemas of Bisexual Transgression, Jacob Engelberg makes the case for radically recalibrating queer film studies, taking as a starting point those cinematic figures who resist categorization within the gay-straight binary. Engelberg’s engagement with bisexual transgression on film illuminates the mutability and instability of sexuality, and of sociocultural structures more broadly by resisting the censure of images as politically harmful as well as the celebration of transgression as inherently subversive. Instead, Engelberg understands bisexual transgression as a process whereby sociocultural rules are made knowable by being contested. From 1970s vampire films to 1990s erotic thrillers, from lesbian imaginings of female bisexuality to European art cinema’s reckonings with HIV/AIDS, bisexual figures on film embody anxieties around the precarity of binary sexuality while revealing the contingencies of sexuality’s cinematic signification. Revivifying the underexploited contributions of bisexual theory, Cinemas of Bisexual Transgression proposes a new mode of film theorization and analysis that examines the rich space between and beyond dominant categories of sexual organization, where sexual unpredictability, the allure of the forbidden, and the precarity of sexual signification are illuminated.