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Výtvarné umenie 
Fotografia 
Hudba - noty, spevníky, príručky 
Dizajn, úžitkové umenie, móda 
Architektúra 
Dejiny, teória umenia 
Film - encyklopédie, ročenky 
Divadlo - teória, história,... 
Umenie - ostatné
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Palette Mini Series 04: Neon: New fluorescent graphics
PALETTE -- viction: ary's best-selling colour-themed series -- has been one of the most sought-after references for designers around the world. In keeping up with the needs of digital-savvy creative practitioners today, the PALETTE mini series was launched at the end of 2019. Each mini edition is a redesigned version of its original with flip-friendly post-card-sized pages for convenience and includes new work for fresh inspiration. PALETTE mini 04: Neon comes after the first 3 titles (Black & White, Multicolour, Gold & Silver) with a dazzling collection of projects featuring clever uses of fluorescent hues. Showcasing spot colours, phosphorescent inks, and interesting printing techniques, this electrifying edition highlights the creative ways with which designers are setting visual culture aglow.
Palette Mini Series 05: Pastel: New light-toned graphics
PALETTE--viction:ary's best-selling colour-themed series--has been one of the most sought-after references for designers around the world. In keeping up with the needs of digital-savvy creative practitioners today, the PALETTE mini series was launched at the end of 2019. Each mini edition is a redesigned version of its original with flip-friendly postcard-sized pages for convenience and includes new work for fresh inspiration.
Following the first 4 titles under the series (Black & White, Multicolour, Gold & Silver, Neon), PALETTE mini 05: Pastel contains thoughtful design solutions and visual experiments that inspire with the variety of creative ways that the typically soft and soothing colour range can be featured - whether it is used as a single hue, a palette, or juxtaposed with contrasting tones.
Architect And Design Review
You can put an armchair next to a sofa and a chair next to a table. But you can also bring walls to life, craft a magical diorama, and build an artistic domestic kingdom! With over 200 pages, this lavishly - illustrated interiors book is packed full of design ideas to help you add comfort and creativity to your home. Brilliant photography and detailed descriptions show you the latest and greatest collaborations from architecture and interior design around the globe - on trend or avant-garde, all showcase elegance, style, and imagination.
Text in English and German.
dostupné aj ako:
Mondo The Art of Soundtracks
Mondo: The Art of Soundtracks highlights the all original art created exclusively for Mondo's vinyl releases by world-renowned artists for film, television, and video game soundtracks. Featuring stunning new takes on classic and modern material, this collection reinvigorates the bygone era of unique and collectible vinyl record artwork.
From vintage re-creations to new interpretations, from digital and painterly to photographic and abstract, the record art compiled in this volume captures the spirit of the record label that reinvigorated the soundtrack industry, in a beautiful mash-up fit for a book -- or record -- shelf.
Smích /od hlavy až k patě/
Doba covidová smíchu moc nepřála. Ale potlačit jej nelze, na bolavou dobu je to nenahraditelný lék. Jiří Mevald zachytil za svou dlouhou reportérskou dráhu tento krásný lidský projev v mnoha podobách – před objektivem jeho fotoaparátů se smáli herci, zpěváci, politici, sportovci i kolemjdoucí. Snad tato publikace přinese inspiraci a potěšení pro duši všem, kteří ji vezmou do ruky.
V publikaci Jiřího Mevalda jsou zachyceny osobnosti známé i neznámé v okamžicích, kdy netuší, že jsou v hledáčku fotoaparátu. Tak je zachycen smích, úsměv, chechot, někdy i řehot. Od ucha k uchu. Vznikla tak ojedinělá kolekce snímků, která připomíná vzácné okamžiky, které nás spojují. Okamžiky, kdy nic nepředstíráme a zažíváme obyčejný kus radosti a pocitu štěstí.
České vánoční koledy pro 4 flétny
Sbírka devíti vánočních koled pro flétnové kvarteto, je svým způsobem unikátní. Obsahuje známé i méně známé vánoční písně ve velmi zdařilé úpravě. Nedrží se ustáleného zvyku, kdy veškeré hlavní melodie hraje první nástroj, ale nechává melodii prostupovat všemi čtyřmi nástrojovými party. Svým zpracováním a technickou náročností je dostupná mírně pokročilým žákům Základních uměleckých škol, kde zakotví v základním repertoáru flétnových souborů. Všechny skladby jsou doplněny o QR kódy s nahrávkami pro náslech.
Obsah:
Nesem vám noviny
Půjdem spolu do Betléma
Já bych rád k Betlému
Ejhle, chasa naša
Hle, hle, tamhle v Betlémě
Chtíc, aby spal
Veselé vánoční hody
Co to znamená
Narodil se Kristus Pán
Architektony a stroje
Výpravná fotografická publikace věnovaná plastikám malíře a sochaře Jaroslava Róny, známého veřejnosti především monumentálními díly ve veřejném prostoru: pomníkem Franze Kafky v Praze, jezdeckou sochou Jošta Lucemburského v Brně či Mýtickou lodí v Bratislavě. Kniha představuje umělcovu tvorbu ve specifické oblasti plastik ztvárňujících fantaskní architekturu archaickou, mytologickou, orwellovskou i futuristickou. Fotograf Robert Portel s citem pro detail vtahuje čtenáře do umělcova magického světa. Teoretik umění Ladislav Kesner zasazuje odborným textem jeho u nás ojedinělou tvorbu do světového uměleckého kontextu. Grafická úprava Jan Havel.
Azzedine Alaia
Peter Lindbergh and Azzedine Alaia, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaia drew on the monochrome of timeless clothes to create veritable sculptures for the body.
In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.
Despite their geographically opposed origins, Lindbergh and Alaia pursued similar horizons. At the same time as Lindbergh's reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaia was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture.
Alaia became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations.
Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaia's clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty.The book accompanies the exhibition Azzedine Alaia, Peter Lindbergh at the Fondation Azzedine Alaia, 18 rue de la verrerie, Paris, France.
Toys
Up until the 20th century, children's play was not a subject that demanded much attention. While objects that entertained children have been present from ancient history, it was only with industrial mass production-and a developing urban middle class-that toys appeared more frequently. As playthings began to display a robust economic performance, an industry rose to provide this new market with the objects of their desire. European manufacturers dominated the toy market, with Germany, in particular, supplying the American market with the bulk of both singular and mass-produced products. World War I ended its dominance, and by the 1920s, bolstered by American ingenuity, an ever-growing consumer culture supported by the media empires of newspapers, radio, and television, American toys became ubiquitous in the consumer market.
Ranging from the simple to the complex, children were inundated with a commodity to be wished for and sold to by the millions. From frilly dolls to science sets, children were marketed to with gusto, first through magazines and comic books and later through television. Toys fell along familiar gender lines all while being developed with the unspoken subtext of stimulating developing minds and being vehicles of problem solving with educational value.
If the first part of the 20th century represented the rise of toys in America, the postwar period signaled a market unleashed by the baby boom. That one event gained traction for the toy industry and propelled it to its current state. Unforeseen was the next chapter in the industry-the advancement of the technical revolution-which would create another dimension of toy products that would captivate both children and adults as one century blended into the next.In the world of toy production, the multimillion dollar industry took the advertising of their product seriously, and toy manufacturers inundated customers with their latest product via trade journals. In New York City, the hub of the toy industry for most of the 20th century, annual trade shows introduced a deluge of new playthings to the buying public. Frisbees, board games, baseball mitts, Hula-Hoops, air rifles, video games, dolls, and miniature trains were all served up to generations of children, cementing forever the memories playtime.
Filled with a Santa's sack full of surprises Toys. 100 Hundred Years of All-American Toy Ads takes us down the aisles of America's toy store delivering the favorites and forgotten memories of toys that were hugged and hoarded, saved and disposed of, and now finally brought back in their pristine glory. Once again it's Christmas, your birthday, and a reward for a job well-done.
Farebné noty 4 - Anglické piesne
Všetkých 15 anglických piesní je možné zahrať na ôsmych tónoch - každá nota má svoju farbu (netreba poznať noty). Sú určené pre všetkých, čo začínajú s angličtinou, najmä pre 1. stupeň ZŠ. Ak nemáte rovnako farebný xylofón, nalepíte si farebné samolepky na klavír, elektronické piano, harmoniku či kalimbu. (Samolepky sú súčasťou nôt, aj záložka s angličtinou.)
Každá pieseň je doplnená ilustráciou pre lepšie zapamätanie:
Baby Shark
Mary Had a Little Lamb
The Wheels on the Bus
Itsy Bitsy Spider
Old McDonald Had a Farm
Baa, Baa, Black Sheep
The Alphabet Song
Finger Family
Five Little Monkeys
Row Your Boat
London Bridge is Falling Down
Twinkle, Twinkle, Little Star
Kumbaya
Jingle Bells
Brahms´ Lullaby
Catherine Opie
Long awaited, the first survey of the work of one of America's foremost contemporary fine art photographers
For almost 40 years, Catherine Opie has been documenting with psychological acuity the cultural and geographic identity of contemporary America. This unique artist monograph presents a compelling visual narrative of Opie's work since the early 1980s, pairing images across bodies of work to form a full picture of her artistic vision. With more than 300 beautiful illustrations and made in close collaboration with Opie, the book marks a turning point in the consideration of this artist's work to date.
Edvard Munch
A revised edition of the most comprehensive monograph on Munch
Though The Scream is undoubtedly his best-known piece, Edvard Munch's body of work extends far beyond this silent howl to encompass a wide practice across paint, pastel and print. The joint effort of ten scholars, and first published in 2013 to great acclaim, this volume offers a comprehensive survey of Munch's inimitable contributions to modern art. The publication covers many aspects of Munch's versatile artistic practice, with a focus on specific themes and phenomena that characterize his work. The texts offer a fresh look at Munch's oeuvre in the context of modernism, highlighting the issues that the artist grappled with throughout his career: the relationship between art and reality, the artist and the public, and Munch's misgivings about modernism and his place in the world. With a thorough bibliography, a timeline of the artist's life, and excerpts of Munch's own writing, this monograph proves to be a most comprehensive tribute to the artist. Edvard Munch (1863-1944) was born in rural Norway before his parents moved to Oslo (then called Kristiana). He grew up under the influence of frequent family illness, both mental and physical, and would later use his art as a means of expressing his turbulent psychological state. He studied at the Royal School of Art and Design in Oslo and spent time in Paris and Berlin. Most of his work managed to survive the Nazi purges of "degenerate art."
Depeche Mode by Anton Corbijn
In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: "I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool." Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81-18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed "cool" as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world.
Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as "Enjoy the Silence" and "Personal Jesus"); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master.
Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: "A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them." This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.
Spring Cannot be Cancelled
On turning eighty, David Hockney sought out rustic tranquillity for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others.
We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.
With 142 illustrations in colour
Underexposed!
A collection of 50 original posters celebrating the most compelling unmade films in the history of moviemaking
For most films, it's a long, strange road from concept to screen, and sometimes those roads lead to dead ends. In Underexposed!: The 50 Greatest Movies Never Made, 50 artists from around the globe each contribute imagined poster art for one such dead-end film-a movie that never made it into production or that changed drastically from initial concept to final film. Each poster is accompanied by a short essay that explains the history behind a never-made film, detailing the speed bumps and roadblocks during development and preproduction that, for better or worse, kept the filmmaker's original vision from ever reaching the silver screen.
Featuring artwork from some of PosterSpy's most beloved artists, including Liza Shumskaya, Scott Saslow, Matt Talbot, Sam Coyle, and many, many more, Underexposed! is sure to spark the cineaste's imagination with tantalizing visions of the greatest movies never made.
Nike: ICONS
In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company's most iconic shoes. With their project The Ten-which reimagines icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others-they reinvigorated sneaker culture.
Virgil Abloh's new designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh plays with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzes what makes each shoe iconic and deconstructs it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.Icons traces Abloh's investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh's typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh's DIY approach, which gives each model in the Off-WhiteTM c/o Nike collection its own unique touch.
The book documents Abloh's cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike's Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwara places the project within the historical continuum of Nike collaborators.
High On... Scandinavian Architects
Scandinavian design is a movement characterised by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Norway, Sweden, Finland, Denmark, and Iceland.
Scandinavian designers are known especially for household goods including furniture, textiles, ceramics, lamps, and glass, but Scandinavian design has been extended to be an influential movement in architecture and industrial design.
High On...Scandinavian Architects presents twenty-eight architects from Scandinavia with their latest projects from the areas of residential, commercial and public buildings. Whether large or small, sharp-edged or soft, coarse or fine, the architecture depicted in this volume is characterised by the iconoclastic flair of Scandinavia.
Igor Cvacho Monografia
Monografia sprevádza výtvarnou tvorbou maliara, grafika a pesničkára Igora Cvacha.
Chtěl_a jsem další zkušenost
Publikace Chtěl_a jsem další zkušenost zhodnocuje desetiletí fungování Ateliéru hostujícího umělce na AVU. Tímto specializovaným pracovištěm akademie prošli významný umělci a umělkyně střední a mladší generace.
Kniha představuje jednotlivé semestrální projekty a relevantní texty z již publikovaných katalogů (od autorů nebo přizvaných teoretiků), medailony umělců, kteří v daném období ateliér vedli a studentskou reflexi, zpracovanou formou rozhovorů. Její součástí jsou také dva teoretické příspěvky, které se zabývají obecnějšími problémy uměleckého vzdělávání a ukazují konkrétní genealogii Šalounova ateliéru. Kniha odhaluje různé perspektivy a pohledy na takto specifickou a ojedinělou vzdělávací platformu uvnitř vysoké umělecké školy.
Texty: Tomáš Džadoň, Anna Daučíková, Václav Janoščík, Luis Cammitzer
Hostující umělci: Anton Čierny, Magdalena Jetelová, Zbigniew Libera, Jan Merta, Florian Reither, Marcus Geiger, Althea Tauberger, Silke Otto-Knapp, Florian Pumhösl, Nicole Wermers, Jan Mladovský, Ruth Noack, Artur Źmijewski, Simon Wachsmuth, Josef Dabernig, Ilona Németh, Ricarda Denzer, Christina Della Giustina, John Hill, Oleksandr Burlaka, Simon Starling, Sus Zwick a Muda Mathis
Kniha vychází česky a anglicky.
Milujete kvalitné filmy, architektúru, krásne fotografie, výtvarné umenie a dizajn? Chcete vedieť, ako vyzerala Obchodná ulica? Tu nájdete viac o histórii divadla, príručky o hudbe, noty, slovníky, filmové encyklopédie a ročenky.
Toto je priestor, kde sa stretnú tvorivosť, inovácia a estetika. Kategória umenia nám otvára dvere do sveta výrazových médií, ktoré nám umožňujú hĺbkový pohľad na ľudské myšlienky, emócie a skúsenosti.
Tu nájdete pestrú škálu umenia vrátane vizuálneho umenia ako maľba, sochárstvo, fotografie, a tiež literárneho umenia. Kategória umenie vám ponúka príležitosť objaviť diela od umelcov z rôznych časových období a kultúrnych kontextov, čím sa otvára pohľad na rôzne estetické perspektívy.
Sledujeme vývoj umenia od historických majstrov až po súčasných tvorcov, ktorí používajú nové technológie a prístupy na vyjadrenie svojej kreativity. Bez ohľadu na to, či sa zaujímate o tradičné umenie alebo experimentálnu tvorbu, táto kategória vám umožní objaviť rôznorodé prejavy ľudského ducha a predstavivosť.
Zaostrite na krásu v módmej fotografii s Karolom Kállayom. Objavte dokonalú renesančnú osobnosť Leonarda da Vinciho. Zaujímate sa o to, ako vyzerá archív Adidas, alebo skôr o spevník obľúbeneho pesničkára Tomáša Klusa. Toto všetko a mnoho ďalšieho objavíte v tejto sekcii.
Kategória umenie ponúka literatúru o Architektúre,Dizajne a úžitkovom umení a móde , Fotografii, Výtvarnom umení , Dejinách a teórii umenia, Divadle, Filme a Hudbe - noty, spevníky, príručky.
